Revival Necklaces

Antique pendant / brooch with hand - carved hard stone Cameo depicting Bacchus or Dionysus accented with Diamonds in Silver clusters. Bacchus or Dionysus - the God of the Grape ...

Period: 19th century Provenance: Italy Size: 5 cm x 4 cm Weight: 47,6 gr The 19th-century pendant is attributed to Castellani, one of the most important goldsmiths of the time, who ...

Antique pendant/brooch with hand- carved Shell Cameo depicting the head of Medusa Gorgo. Cameo carved with great accuracy and attention to detail. Shield shaped frame in solid 18K. ...

Exceptional quality, on par with the finest Castellani pieces, antique Etruscan Revival large 14K yellow gold locket pendant/brooch 19th Century Featuring superb granulation and wire...

This multiple strand chrysophrase necklace with pendant comes from Turkey and has a vintage look. It was made with 4mm faceted blue chrysophrase beads. A gilt textured metal pendant ...

This beautiful vintage Mexican necklace is sterling silver with sodalite chip inlay. The pendant on this necklace measures 1 1/4 by 2 1/4 inc...

A vintage 22K gold amulet pendant adorned with an ancient Egyptian faience god figure. Mounted on a finely carved lapis lazuli piece and encased within a luxurious golden frame, ever...

Vintage Baltic Amber necklace from the 1960s Well done Amber! The length of the amber necklace is 54 cm. The size of the beads varies f...

Large, stunning granulated antique French Etruscan Revival locket with the original, equally spectacular large chain. The oval locket exquisitely decorated with a technique known as granulation, where a tiny gold bead is individually applied to a surface to form a geometric pattern. Done entirely by hand and requiring a master goldsmith, this technique is thought to have originated in Sumer approximately 5000 years ago. The Etruscans mastered the process in the first millennium B.C and closely guarded its secret, becoming celebrated for creating some of the most beautiful and technically advanced gold jewelry ever made. Condition: This piece is in very good condition retaining the original interior crystal, the hinges work very well and are precisely calibrated to stay open in place when desired. The back of the locket shows normal wear with just the slightest waviness. The chain is in excellent condition. Composed as a pendant locket on its original chain, the oval gold links reeded on the interior and applied chain link on the exterior, the oval locket decorated with twisted wirework circles and fine applied granulation patterns, suspended from a long bale with quatrefoil granulation. Hinged on the side, opening to reveal a hinged glass panel for a personal memento. French assay mark and maker's mark partially obscured Confident attribution to Fontenay based on partial hallmark and similar published examples. References: Wartski for gold enamelled locket on chain necklace, sold archives; DSF for gold enamelled locket pendant of similar workmanship and design. Fontenay pieces retaining the original chain which may be worn on its own are rare and desirable. Eugene Fontenay...

Fine Gothic style .55 TCW diamond, enamel 14K yellow gold cross with a Fleur de Lis bale. 20th Century Featuring eleven round brilliant cut diamonds I-J color, VS1 clarity on a black...

Period: Late 19th century Provenance: Italy Necklace lenght: 40,5cm Earrings lenght: 4,5 cm Weight: 58 gr The set, dating back to 1860, consists of a pair of earrings and a necklace...

An exceptional example of Egyptian Revival design, this antique necklace (circa 1910-1920) centers on a finely carved carnelian scarab, symbolizing rebirth and protection. The scarab...

Rare 1920 -1930s Renaissance Revival Austrian Gilt Silver 4 piece Jewelery Set comprised of matching Necklace, Earrings, Ring and Brooch. Combinat...

Rare and very unusual piece of Egyptian - revival styled necklace with seven genuine emerald Green Scarab Beetles set into gilt Silver frames accented with 6 Seed Pearls. These shimmering Tortoise beetles once were the Victorian times' species of choice to stand in for genuine Scarabs...

Rare and important Chanel Maison Gripoix Flower Parure referred to as "Bijoux de Fleurs" when first shown in in 1938 and illustrated in Harpers Bazaar in the same year. Our example w...

Antique Pendant with a miniature painting 16mm x 8 mm of the ancient Greek Goddess of harvest and fertility Demeter. The painting is concealed within a miniature frame made of gilt S...

We acquired one of those nutty 18K "Etruscan-style" charm bracelets, pre-loaded with five big, ornate charms. Since no rational 21st Century person can function with that much wrist...

This unique DUBINI necklace showcases an authentic Egyptian heart scarab from 712-30 B.C. set in 18K yellow gold. Handmade in Rome. The piece comes with a yellow gold toggle necklac...

Antique,ca late 18th - early 19th century hand-made necklace, Egyptian revival styled or could be used for ceremonial or religious purposes. A linked chain with repeating floral pat...

Rare and striking Renaissance Revival Austrian Necklace. Complexly structured and one-of-a-kind design, lavishly decorated with natural polished Red Coral cabochons and selected mini...

This is a rare Museum Quality Antique Egyptian Revival Snake motif Pendant with a Hand Carved Turquoise Victorian Scarab Swivel Fob. The pendant is 10-12 Karat Gold. The pendant dates to the 19th Century during the Victorian, Belle Epoque period. The elegant Egyptian Revival depiction of two entwined snakes is absolutely stunning. The snakes hold a spinning scarab fob...

Robert Goosens, the French haute-couture Chanel-favorite parurier who enjoyed reinterpreting ancient and antique styles of jewelry with rock crystal and faux stones, also collaborated with Madame Alix Gres. Relevant to this statement necklace, the Parisian theatrical-costume designer, who founded the French fashion-house Maison Gres, commissioned Goosens to make spiral-wire adornments for her couture gowns. This handmade hammered brass wire choker necklace with five dropped en-tremblant pendants is decorated with unique colorful beads and wrapped wire. The piece dates between 1969-1971 based on similar unsigned spiraled-wire metal jewelry without goldsmithing marks in the museum collection of TheMet (see our photo), which acquired it from Maison Givenchy founder Hubert de Givenchy, who was one of most supportive fans of Gres. Like the legendary sculptural clothing designs of Madame Gres, this necklace was inspired by Greco-Roman costumes, while its sculpted shapes by Goosens reference her signature curvilinear fabric techniques that earned her the sobriquet of "the master of the wrapped and draped dress". Goosens (1927-2016), nicknamed Monsieur Bijou, also made jewelry inspired by other periods of antiquity to compliment the couture clothing of Coco Chanel, Cristobal Balenciaga, Elsa Schiaparelli, Christian Dior, and Yves Saint Laurent. After Goosens collaborated with Gres, he revisited golden spiral designs with Saint Laurent. Similar to the free-flowing fabric manipulated in Gres gowns, this hand-shaped necklace that we photographed in sunlight is a study in motion that drapes across a curvy cleavage. Adding drama to this necklace below its wire choker, the top teetering-wire pendant is a twisted and hammered horizontal double spiral, which is a Hellenistic symbol of life and transformation suggesting the breasts of a goddess of fertility and motherhood. Yet distinctly Goosens, 18 hand-cut and hand-dyed "ancient-Roman-blue" rock-crystal beads are wire-strung to weight a second tier of two separate vertical double-spiral pendants. On each, a wrapped-wire tube divides the blue beads. Between these vertical pendants in two tiers, the central vertical pendants each feature a one-of-a-kind multicolor bead (yellow/blue/red/black/white) in two lengths with abstract organic patterns recalling ancient Italian glasswork. Four more blue beads bracket these larger colorful beads. An additional 10 blue beads and 5 wire tubes decorate the bottom looped wire pendant, as well as the bottom of the wire choker. Like the hammered-wire jewelry designs of modern artist Alexander Calder, the creative complex construction of this necklace surprisingly required no metalsmith techniques, such as soldering or casting, just great skill with a jewelry pliers and hammer. For a bigger picture of couture clothing by Madame Gres during the decade beginning in 1969, she notably designed many museum-collected one-color silk-taffeta draped long gowns with empire waists and simple high collars or geometric cut-outs. Remarkably, the focal points for some of these unique dresses were at the wrists, from where long pouf sleeves voluminously droop around the hands to nearly the floor like two enormous long-petaled flowers. If paired with this equally downward-focused and balanced necklace from this same period, its bold Greco-Roman elements would have pulled a viewer's gaze of the dress from floor to face. Although there is no significant provenance for this necklace, hammered brass and tinted rock crystal were among the few materials repeatedly associated with Goosens from 1969-71. For example, in his overlapping interior-decor collections based on themes of waterlilies or foliage, Goosens hammered gilt brass wire and sheets (see our closeup photo) to represent plant parts or he wired rock-crystal beads to appear as tiny fruits. While the two multicolor glass or resin beads in this necklace are atypical, the combination of blue, yellow and red is a palette that the designer used for other pieces of rock-crystal jewelry and he created many kinds of multicolor faux stones with glass or resin paste, such as faux Tibetan turquoise including black and white. According to journalism based on interviews with Goosens, he often acquired unusual stones and glass for inspiration during his extensive travels exploring museum-collected antiquities. Since Maison Goosens was acquired in 2005 by Maison Chanel, it opened the Parisian showroom Galerie Goosens and associated shops to sell many kinds of reproductions and reimagined works by the founder, which fortunately does not suit the completely handmade elements of this necklace. So this couture piece remains one-of-a-kind. If desiring a vintage haute-couture original by Robert Goosens, we recommend perusing the Maison Goosens website so that a reproduction with a contemporary signature is not mistakenly purchased. Madame Gres (1903-1993) was born Germaine Emelie Krebs, but initially identified her fashion designs with the pseudonym Alix and later Alix Barton...

This remarkable antique pendant beautifully embodies the fascination with ancient Egypt that swept across Europe during the 19th and early 20th centuries. Expertly hand-carved in fai...

This is a Museum Quality Antique Etruscan Revival Victorian Carved Coral Necklace depicting Medusa with a Crown of Snakes with two pear shape coral drop pendants. The Coral Medusa is set in 14-18 Karat Gold with extraordinary Etruscan Revival beaded cannetille surmounts on the coral drops and a barrel clasp connecting the fine Etruscan gold chain...

Unveil the elegance of antiquity with this Ancient Egyptian Amulet Pendant Necklace depicting the Goddess Isis, dating from the 600-300 BC with a 14 Karat Gold hand hammered bale. The exquisite Isis Amulet is a testament to Egyptian artistry. The pendant features an amulet of the Goddess Isis in Faience of extraordinary design. The intricate details and fine quality of the of the over 2000 year old amulet showcase the skill of ancient Egyptian artistry. It is so special to find jewels from the Egyptian period and this example is in extraordinary condition with superb design and a wonderful depiction of the Goddess Isis. With a provenance rooted in a private NYC collection, acquired in the 1990s, this pendant of the Goddess Isis connects the modern collector to the ancient past. Its presentation invites enthusiasts to appreciate and acquire a piece of Egyptian history, encapsulating the essence of craftsmanship and style from the classical era. This Ancient Isis pendant...

Beautiful late 70s Givenchy navy blue marbleized and gold perfume bottle necklace. Gold Givenchy logo at bottom left corner. Tassel attached to the bottom. There is no perfume left i...

This is a rare antique Egyptian Revival Hand Carved Coral Victorian Scarab Beetle Insect Brooch Pin in 9 Karat Gold. The stunning three dimensional scarab beetle bug insect is carve...

This outstanding Egyptian Revival pendant dates from c.1900 and was most likely created in Germany. Condition Report: Excellent The Details... This pendant is constructed from silv...

- 24" length - 4.5" x 4" pendant - Gold plated - Faux turquoise cabochon - Double strand chain - Clasp closure - By Cadoro (signed on verso) - Made in New York - circa 1970s CONDITI...

Antique Cross in guilt Silver decorated with natural blue Turquoises, one Garnets , pearls and remnants of black enamel. Late period of Austrian-Hungarian Empire, bail has hallmarks ...

18 kt gold micro mosaic-pendant, approx. 1860, circumferential wine leaves, centered oval micro mosaic on black ground, floral presentation, also wearable as a brooch, lug removable....

This a unique opportunity to buy an extremely rare and strikingly unusual antique necklace, a fine example of Egyptian Revival jewelry composed of 14 genuine ca.1786 -1567 BC ancient Hyksos Egyptian / Middle Eastern Soapstone or Steatite Scarabs assembled /swivel set into solid 18K Yellow Gold frame between ca. 1800s- 1850s somewhere in Europe. All scarabs can be rotated around the axes. Each golden bezel was individually made to fit the specific dimensions of each beetle. The V-lock part and the security chain are made of Silver. The length of the necklace is 37.5 cm / it's a chocker. To make it longer you will need to replace or extend the existing 18K Gold chains for longer ones. Weight of the piece: 51 grams / of which about a half is a weight of 18K Gold metal parts. Condition is fine used / as found - I didn't try to clean it. It seems that the scarabs are covered with tinted beeswax-like substance. All parts are securely set /attached to each- other. Ready to be used again. Most of these or likely all of these beetles date approximately to the period called the Second Intermediate Period of Egypt ca.1650 -1550 BC when Ancient Egypt fell into disarray for a second time, between the end of the Middle Kingdom and the start of the New Kingdom. It is best known as the period when the Hyksos made their appearance in Egypt and whose reign comprised the Fifteenth dynasty. These scarabs are Made of Steatite - a very unusual natural mineral that initially is rather soft ( Mohs hardness 1 ) and easy to carve on but it undergoes transformations when heated to temperatures of 1000–1200 °C turning into Enstatite and Cristobalite; in the Mohs scale, this corresponds to an increase in hardness from initial Mohs hardness 1 > to Mohs hardness level 5.5–6.5 and that makes it a very suitable material for making jewelry like these scarabs. This future of Steatite was known to ancients and they used this material in its initial naturally softer state to carve and shape the way they wanted to and would burn it in the oven when ready making it much harder. The scarabs would often undergo second heating to apply enamels of various colors or were painted with certain long-lasting natural dies - some beetles show reddish glaze or paint still present (note N. 9 and 10) , and two are black colored (N.3 and 11). Once these scarabs were a common form of "charm" which everyone could afford and easily wear strung on a cord on their person. Most scarabs were made for the living, both rich and the poor. The small magical object was believed imbued with particular protective powers that warded off evil and provided good things for the owner for this life and also for the next, particularly when sewn to mummy wrappings. All scarabs in this set are one-of-a-kind genuine ancient pieces. All bottoms are flat and demonstrate the decorations - cartouches typical for Egyptian iconography that demonstrate the extraordinary skills of ancient carvers. N1 : 15mm long,top part grinned off and mounted into the golden lock casing, showing great detailed carving of a goat or an antelope - very common Hyksos design. N2 : 14 mm long, carved design of a hawk and two uraeii /cobras N3 : 13 mm long, two "ankh" hieroglyphics representing life and swirled decor in the center, very typical Hyksos design N4 : 16 mm long, carved design of a Goddess, likely Anubis, and a figure of a Dead in front of him. N5 : 16 mm long, 11 deep-groove concentric circles with remnants of dark-colored enamel still visible, very typical Hyksos design N6 : 18.5 mm long with the body of the scarab nicely carved and engraved with spiral scrolls, a very typical Hyksos design. N7 : 22 mm long, three figures, one knelled N8 : 18 mm long, a figure of a sitting pharaoh N9 : 18 mm long, two "ankh" hieroglyphics representing life with probably the name of a pharaoh in between. N10 : 18 mm long, body of the scarab nicely carved, cross-seal design on the other side. N11 : 16 mm long, black, unknown design N12 : 15 mm long. Very unusual piece I could not find any reference to any similar - there are three small scarabs in the shape of one (Egyptians divided...

Period: Mid 19th century  Length: 5,5 cm Weight: 23 gr This magnificent mid-19th-century Neo-Renaissance style jewel can be worn as either a brooch or a pendant and features a centr...

This rare Ancient Egyptian Faience Amulet Pendant depicts a seated Cat. The faience cat, crafted between 700-300 BC, is a miniature masterpiece. In ancient...

This sparkling diamond cross is perfect for the person whose spirit shines just as bright! Round diamonds line the cross, catching the light and showing the fire hidden within the li...

Exquisite Russian pendant, featuring a large, genuine, Baltic amber cabochon set in an ornate, open-back bezel on a stylish chain. Sterling Silver. Necklace length: 19.5 inches / 4...

A stunning Pietra Dura Brooch in 14 Karat Gold with inlaid semi-precious stones creating a mosaic image of flowers including a gorgeous central whit...

Antique Danish Pendant / Locket made of solid 18K Yellow Gold. Detailed hand hammered and engraved ornament of Eternity Knot in miniature proportions on ...

This is a very rare antique Art Deco Egyptian Revival Sodalite Scarab and Lotus Flower Enamel Pendant Necklace in Sterling Silver with a stunning Enamel Link Chain. The necklace is a museum quality jewel. The magnificent carved Blue Sodalite Scarab is a monumental Scarab of 30mm by 20mm by 12mm deep. The carved scarab has exquisite carved detailing on the front as well as on the reverse. The scarab is surrounded by an oval surround with exquisite blue, green and white enamel. Three Lotus Flower pendants hang from the bottom of the pendant. The colors and Egyptian motif are absolutely fabulous. The design continues onto the fabulous link chain which is adorned with the matching enamel colors of blue, green and white. The antique jewel is of a dramatic size and is a masterpiece of the Art Nouveau to Art Deco period. The gorgeous, large blue sodalite scarab is an absolute dream. The scarab has magnificent details and a deep three dimensional design. The chain is one of the most beautiful enamel Art Deco chains we have seen. Together the pendant and necklace chain create on of the finest examples of Egyptian revival jewelry...

THIS IS A STUNNING EGYPTIAN REVIVAL LARIAT DESIGN 24 INCH LONG LAPIS LAZULI AND 14 KARAT GOLD BEAD NECKLACE. THE VIVID BLUE LAPIS LAZULI BEADS ARE BEAUTIFULLY FLECKED WITH GOLD. TH...

A fine antique Gothic Revival silver crucifix or cross. In sterling silver. By Neresheimer & Sohne of Hanau, Germany. In the form of Christ on the cross - with an I.N.R.I plaque ...

Indulge in a rare museum quality Ancient Egyptian Faience Amulet Pendant depicting the God Shu. Shu was the god of light, peace, lions, air, and wind. As the air, Shu was considere...

MIRIAM HASKELL Opulent pastel crystal pendant necklace & matching dangle clip on earrings c 1960 Suspended from the brass meta chain hangs an oval pendant with a large lavender cryst...

Jade Jagger’s silver small skull rosary is a finely crafted necklace featuring tiny, intricately detailed skull beads made from polished silver. The beads are linked together by deli...

During the early 19th century, the discoveries of ancient archaeological finds influenced and introduced what is referred to as "Egyptian Revival Jewelry." The first Egyptian Revival...

This vintage choker necklace features 2.60 carats of diamonds and Akoya pearls, elegantly set in 18k white gold. The necklace consists of three strands of pearls, beautifully matched...

14k yellow gold scarab pendant set with labradorite Detailed description: The pendant is 4.2 cm high, 2.2 cm wide, and 1.2 cm deep Total weight 10.2 grams set with - 1 x 2.9 cm ...

1980's Givenchy enamel necklace with unique marble print amber, this extra long necklace could be worn multiple ways and easy to mix and match...

Egyptian Revival Pendant, attributed to Piel Freres from the early 1900's. This started as an antique belt buckle and was converted into a pendant...

Signed "Trifari" with a crown and without a post-1955 U.S.-copyright symbol on all three matching pieces, this likely late-1930s highly-textured yellow-gold-plated demi-parure was designed by American Trifari's French-born head designer Alfred Philippe after he had honed his fine-jewelry craftsmanship while creating luxury parures for Cartier and Van Cleef & Arpels. The set features a heavy tasseled eight-strand chain sautoir necklace and earrings with dropped fluted-ball pendants, With French-style signed clip fastening, the contrasting-texture two-inch-long earrings each have two twisted fluted round beads in different sizes, with the larger one capped at both ends with additional shapes and textures. On the necklace, this textural contrast is amplified with the inclusion of many chains. The decorative chain caps and...

This piece is rare and special. I have only seen 3 of these pendants in my lifetime and I owned two of them. This is my last one. St George Slaying the Dragon is a common theme bu...

Calling all Cleopatras and lovers of Egyptian revival jewelry. Channel your inner queen when wearing this bold, vintage Italian 18k gold scalloped fringe bib necklace. Draping around...

The image shows an intricate carp fish pendant. The pendant features a large, carved opal-like gemstone at its center, depicting a carp or koi fish. The stone is set in a metal frame...

Indulge in a rare museum quality Ancient Egyptian Blue Faience Amulet Pendant Necklace depicting a Baboon Monkey, the God Thoth in Ancient Egypt. Thoth was the god of wisdom. The f...

This wonderful holbeinesque renaissance revival pendant is set with a lovely sardonyx cabochon and richly decorated with polychrome enamel, rubies and fine natural pearls. There ia l...

Massive and Extraordinary Hubert de Givenchy Haute Couture Bezel Set Jet Paste Collar, necklace provenance of Bunny Mellon. Created by Roger Jean Pierre the large Egyptian revival styled collar composed of round and oval collet set and faceted paste jets. Hubert de Givenchy' s penchant for the dramatic oversized necklace...

A modernist toilet links chain made in Italy. This is a beautiful chain created in Italy back in the 1980. The sixteen inches chain has been crafted with gorgeous twisted links in s...

This is a spectacular Museum Quality Antique Pendant in the Renaissance Revival style set with Rose Cut Diamonds and a central hanging Baroque Pearl made by the acclaimed British jewelers, Child & Child (1880-1916), of London. The pendant remains in its original fitted velvet, silk and leather box with the Child & Child insignia. The pendant is made of Silver topped with Pink Gold as was the custom of the Renaissance jewelry...

18ct 750 Italian Gold Vintage Chain Length 21.25" Inches Thickness 1.5mm (millimeters) Weight 4.68 grams Clasp works very well Chain has a plaque attached to stipulate the gold cont...

We are delighted to present another exquisite piece from our collection—a pendant in the shape of an egg, crafted using the cloisonné enamel technique in the style of Middle Russian ...