Australia - Art

Bleed # 202129 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition 1/3...

Landed (Abstract painting) Acrylic on anodized aluminum - Unframed. Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to...

BLEED # 202042 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, co...

Bleed # 202124 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Edition: 3/3. Paul Snell combines traditional and digital techniques to explor...

W4 (Abstract Painting) Acrylic on anodized aluminum - Unframed Using mediums such as markers, watercolors and acrylics, Hallard constructs monochromatic and semi-monochromatic imag...

Blue Nesting (Abstract painting) Acrylic on linen - Unframed. Each part's dimensions are 51x41cm/20x16" Australian abstract artist Louise Blyton employs precise, Reductivist metho...

Shauna (Abstract Painting) Acrylic on 300 lb Arches. Unframed. Using mediums such as markers, watercolors and acrylics, Hallard constructs monochromatic and semi-monochromatic imag...

Utagawa Kunisada  Titles: Woman beside a Mosquito Net, from the series Starlight Frost and Modern Manners (Hoshi no shimo tôsei fûzoku) Original Date  1819 Reporduction, C. 1950S ...

Architectural Butterfly #09 (Abstract painting) Acrylic on aluminum - Unframed. Hallard works with the themes of space and geometry, manipulating images and arrangements of objects...

Better Times, Past and Future (Abstract painting) Acrylic on linen - Unframed. Australian abstract artist Louise Blyton employs precise, Reductivist me...

Boom IV (Abstract painting) Acrylic on aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challeng...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Acrylic on anodized aluminum - Unframed. Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challenge the perception of...

Acrylic on aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challenge the perception of the viewer.

Salvador Dali A plate, from Les Songes drolatiques de Pantagruel, 1973 Lithograph on Japanese paper Hand signed lower right Numbered 22/250 Sheet size 76 x 56cm Printed by Grapholi...

Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory mechanics of perception. A significant...

This work will be shipped rolled. Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory mec...

Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory mechanics of perception. A significant...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 4-6 week turnaround. Edition: 3/3...

Acrylic on aluminium core panel - Unframed. Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challenge the perception...

Salvador Dali Tancreds Oath from Marquis de Sade Suite, 1969 Lithograph Edition 110/160 Hand signed lower right Image size: 53 X 42.5 cm Sheet size: 65 x 50 cm Published by Shorewo...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. ...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 1/3. ...

Joan Miro Untitled from 'Graphikmappe Hochschule St. Gallen', 1964 Color lithograph Hand Signed lower right Numbered 60/150 lower left Sheet size: 65 x 50 cm Reference: Cramer, No ...

Foundational Studies 25(A) The Composition A refined entry point into the studio’s practice, Foundational Studies 25(A) is a deliberate exploration of form and verse. Executed on ha...

Salvador Dali James the Lesser (Vicar of Britain) from The Twelve Apostles, 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left S...

Semi abstract cityscape, mixed media on wood. Edges are painted black and are 1.25 inches wide. The support is braced at the back and also painted black. The painting is very text...

Salvador Dali Le Legacy, from Historia de Don Quixote de la Mancha, 1980 Etching and aquatint on Arches paper Hand signed and blind stamp lower right  Numbered H.C. 4/65 lower le...

This image came from an photo taken ten years ago. I always wanted to paint it some how. It wasn't until after doing a drawing I could see how to do it. By altering the photo...

Foundational Studies 25(H) The Composition A compelling exploration of conceptual spontaneity, Foundational Studies 25(H) documents the raw dialogue between the artist’s hand and a...

Salvador Dali The 1914-1918 War (Guerre de 1914-18) from the "Secret Poems by Apollinaire" suite, 1967 Hand-colored drypoint etching on Dali blind stamp Japon paper Signed lower r...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...

Salvador Dali Christ (Patricius) from The Twelve Apostles, 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x ...

Utagawa Toyokuni II (Toyoshige, 1777-1835) Bijin and her Playful Child, 1842 Edo period Woodblock print Oban size

Pro Hart Original Painting Untitled (Brown Slip) Oil on board Hand signed Lower right Painting size 49.5 X 69.5CM Frame size: 68 X 88CM

Masdevallia Shuttleworthii and M.Xanthocorys -- Original colour-printed lithograph by Joseph Mansell after the watercolour by landscape painter and botanical artist, Henry George Moo...

Artwork Description: Studio Archive No. 303 The Concept In Studio Archive No. 303, the artist explores the relationship between "trace" and "space." As an extension of the Foundatio...

Joan Miró Original Lithograph VI from Joan Miro Lithograph II, 1975 Color Lithograph Size: 32 x 50 cm Folded as issued Catalogue Raisonné: Cramer 177, Der Lithograph II, 1969-1972 Pu...

This is from a group of paintings of Couta Boats. This one was painted looking at them head on. :: Painting :: Pre-Raphaelite :: This piece comes with an official certificate of a...

Salvador Dalí­ The Blood of Yin and Yang from Conquest of the Cosmos II, 1975 Lithographic in colors with drypoint on BFK Rives. Hand signed lower right Numbered XXVII / CLXXXXV S...

(after) Henri Matisse Tropical garden from Dessins de Henri-Matisse, 1925 Lithograph on vélin Lafuma Navarre paper Unsigned Unnumbered, one of Edition 1000. Image size: 12.5 x 18.5 ...

Title: Entre deux Villes. Year: 1955. Lithograph. Edition: 129/150 65 x 50 cm Signature lower in pencil. Ll'Ouvree gravee dry stamp lower left. At the b...

Salvador Dalí­ Kniphofia Aphrodisiaca from Florals - Surrealist Flowers, 1972 Etching Hand Signed lower right Numbered: 266/350 Image size 56.5 x 39 cm Sheet size 75 x 55.5 cm Litera...

Jodie Wells (Australia 1981-) Galah on Blushing Peach, 2022 Oil on canvas, signed lower right, 100 x 75 cm. Signed and titled verso. Gallery label for Anthea Polson Gallery, Bri...

Foundational Studies 25(C) The Composition A refined entry point into the studio’s practice, Foundational Studies 25(C) is a deliberate exploration of form and verse. Executed on ha...

Brent Hallard is an Australian-born artist and co-organizer of The Shape of Things. His work is deeply rooted in the fundamentals of art history, especially building on the tendencie...

Brent Hallard is an Australian-born artist and co-organizer of The Shape of Things. His work is deeply rooted in the fundamentals of art history, especially building on the tendencie...

Brent Hallard is an Australian-born artist and co-organizer of The Shape of Things. His work is deeply rooted in the fundamentals of art history, especially building on the tendencie...

Brent Hallard is an Australian-born artist and co-organizer of The Shape of Things. His work is deeply rooted in the fundamentals of art history, especially building on the tendencie...

This work belongs to the ‘Color Orb’ series — a body of paintings that explore the orbital nature of perception through geometric abstraction. Though grounded in a square motif, each...

This work belongs to the ‘Color Orb’ series — a body of paintings that explore the orbital nature of perception through geometric abstraction. Though grounded in a square motif, each...

Collectors’ Note: FS No. 23(C) ​FS No. 23(C) is the emotional and figurative resolution of Studio Archive No. 86. Where the previous studies established the linguistic soul and the ...

Sandbar Channel by Petra Meikle de Vlas is a 3 dimensional, aerial view of a patch on the Great Barrier Reef. A mixed media fluid painting on ...

Studio Archive No. 86 is a visceral exploration of depth, saturation, and structural tension from the Rebecca Wing Sze Lam Atelier. Captured in a dense, multi-layered crimson field, ...

Victor Vasarely Ingau from the album Diam, 1988 Serigraph in colors on paper Hand signed lower right Numbered 35/250 Sheet size 70 x 62 cm Published by : AC Mazo - Paris Printed by :...

Moise Kisling NU AU TURBAN, 1952 Color aquatint Signed low right Numbered 86/100 low left Image size 54 x 39.3 cm Sheet size 75.2 x 55.7 cm It is framed with the aluminium frame, th...

Sonia Delaunay Untitled, 1970 Colour etching and aquatint. Hand signed lower right Numbered 64/150 Image size  52 × 40.5 cm Sheet size 65.5 × 50 cm.

Jeff Koons -- Cracked Egg (Red) Aluminium multiple with red glaze, 2008 From the edition of 1,000 Published by the Los Angeles County Museum of Art, Los Angeles, as an invitation f...

Salvador Dali The Watcher from The Twelve Apostles, 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm...

Joan Miró -- Lithograph I, Plate IV, 1972 Color Lithograph Publisher: Ediciones Poligrafa, S.A., Barcelona Catalogue: Mourlot 866 Size: 42.5 × 60 cm Unsigned FREE SHIPPING