Berkshires

Beautiful hand blown cobalt overlay and panel cut to clear punch bowl with matching lid, wheel cut floral decoration and gold trim. 10 matching handled punch cups to complete this wo...

This amazing set of nine Mintons, 19th century cabinet plates depicting young nymphs in fanciful, bucolic settings are beautifully and realistically painted on a soft aqua background...

Great carved reliefs throughout

Minimalist table with frame of welded wrought iron and glass top. American by Luther Conover, 1950’s Dimensions: 15.5h x 22.5w x 22.5d. This item can be viewed in person at The Berks...

Jean Salabet French, 20th Century Vue du Sacre Coeur, Paris Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of ...

Andrew Thomas Schwartz American, 1867-1942 Shining Hills Oil on Canvas 22 ⅜ by 29 ⅜ in, w/ frame 30 by 37 in Signed "Andrew T. Schwartz" lower left Andrew T. Schwartz was born in L...

Frank Hopkinson Smith American, 1838-1915 Woman Looking into the Water Oil on canvas 19 ⅛ by 25 ¼ in, w/ frame 28 ¼ by 34 ¼ in Signed lower left Frank Hopkinson Smith was born in 1...

Aime Victor Barraud Swiss, 1902–1954 Still Life with Flowers in Ceramic Jug Oil on canvas 20 by 20 in. Wframe 26 ½ by 26 ½ in. Signed & date...

This is a most complete and impressive set of Capo di Monte "surout de table". Comprising a pair of 3 arm candlesticks,the 8-piece footed low flower...

This is an extensive and exquisite 19th century dessert service made by Rihouet, Paris, circa 1820s. Each piece is superbly hand painted w...

Pal Fried Hungarian-American, 1893-1976 Mona Lisa Oil on canvas 30 X 24 in. w/ frame 37 ⅛ X 31 ⅛ in. Signed lower left Pal was born in Budapest and studied at the Hungarian Academi...

The vintage small millstone sculpture is attached by an iron rod to a stone brick-shaped base. The piece has a decidedly contemporary modern look that will make a wonderful statemen...

Esther Williams American, 1907-1967 Washington Square Oil on canvas 23 ¼ by 36 in, w/ frame 31 ¾ by 44 ⅝ in Signed lower left Esther exhibited at the Boston Museum of Fine Arts Sch...

Nicolas Alexandrovitch Tarkhoff Russian, 1871-1930 The Coming Storm Oil on board 12 ¾ by 19 in, w/ frame 19 ¼ by 25 ½ in Signed lower right Was a Russian-born Impressionist. Born in Moscow on January 20, 1871 to a merchant family he studied painting and drawing. Tarkhoff was known as the “Moscow Parisian,” because he spent so much of his life in France -- from 1898 until his death in 1930. A member of the World of Art and the Union of Russian Artists, Tarkhoff began drawing at the age of twenty-four. After an unsuccessful attempt to enroll at the Moscow School of Painting, Sculpture and Architecture, he studied under Konstantin Korovin. At the age of twenty-eight, Tarkhoff made his first visit to Paris, where he studied drawing and began actively working and exhibiting. He moved there permanently in 1899. In 1906, he held a one-man show at the gallery of Ambroise Vollard, the famous Parisian art dealer who championed all the leading French Impressionists. Sergei Makovsky, Alexander Benois...

This large 14" tall, hand blown crystal vase was a custom order for someone special! Monogrammed and signed on the base, it is all-over decorated with copper wheel engraved ivy ...

A collection or a group of 7 antique metal wrought iron gate panels. Depending on your needs, you can buy a single panel or all 7. These gates offer...

This is one of the most complete and unusually decorated dessert sets with all the serving pieces and shaped serving pieces. The shaded purple background creates a dramatic contrast ...

This set is a great example of the iconic artistry and style of Royal Crown Derby. These plates are embellished with swags of vibrant hand-painted roses and two bands of acid etched...

A magnificent example of Royal Copenhagen's finest line of porcelain, this Flora Danica gravy boat is hand painted on both sides with aquatic scenes and swimming fish. The handle res...

Gen Paul French, 1895-1975 Harmonica Player Oil on board 13 by 21 ⅝ in, w/ frame 22 ¼ by 31 ½ in Signed upper left Eugene Paul, known as Gen Paul, was born in 1895 and raised in th...

"IT WILL NOT DISAPPEAR IF WE JUST IGNORE IT," Al Diaz, 2022 Silkscreen on 290 gram Coventry Rag paper with hand deckled edges Dimensions: 18" x 37" An edition of 10 Signed and numbered by the Artist Note that the edition number you receive may be different than the one in the photograph. Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums). Díaz is sought-after as an expert of New York City counterculture art. He appears often in publications, as a highlighted speaker for a variety of panel discussions at universities and museums (including Smithsonian Institution, the Brooklyn Museum, The New School and Christie’s Education), and has been featured in several films, including Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, BBC’s American Masters — Basquiat: Rage to Riches and Jean-Michel Basquiat: The Radiant Child. In 2018, Díaz authored "SAMO …SINCE 1978", an in-depth, color illustrated history of the street art legacy that he began with Basquiat in the late 70s. A notebook that Díaz made with Basquiat in his teens is currently held in the collection of the Yale University Beinecke Library.

Denes Holesch Hungarian, 1910-1983 City Skyline Oil on board 21 ¾ by 26 in, w/ frame 30 by 34 in Signed lower left Denes Holesch (Denes de Holesch) was born in 1910 in Beszterceban...

Frederick Almond Zimmerman American, 1886-1974 Old Colonial Oil on canvas 25 by 25 in, w/ frame 32 ½ by 32 ½ in Signed lower right Inventory Number: 01867 Landscape painter. Born ...

Antique English brass and crystal inkwell with small horns and brass boar head. Diameter for bottle: 2.38".

Figurative, oil on canvas by Columbian artist, Carlos Nariño, who lives and works in Paris since 1985. This was painted while visiting the US in 2009 ...

This unique reversible handmade black soft leather aviator cap with a mint-condition cotton velvet interior and leather strap is most likely from the 1950s when actor Marlon Brando s...

Marcel Dyf French, 1899-1985 Djeuner Champtre Oil on canvas 23 ½ by 28 ¾ in. W/frame 31 ½ by 36 ¾ in. Signed lower left Marcel Dyf (Marcel Dreyfus) was born in Paris on October 7,...

Louis Aston Knight New York/California/France, 1873-1948 River in Autumn Oil on canvas 10 ½ by 13 ¾ in, w/ frame 19 ⅜ by 22 ½ in Signed "Aston Knight" lower right In 1873, Louis As...

Provenance: From the collection of the Manoir De Polminhac Cantal No. 17

An Important Italian Neoclassical Painted & Parcel Gilt Canapé First Quarter 19th Century Lombardy, Italy The back rest with paneled top rail decorated with swans flanking a founta...

The chest has dark reddish brown lacquered wood on the outside and the inside is lined with tan imitation leather material. There are three brass latches, one large one in front and a smaller one on each side next to iron handles. The sides are edged with thin sheets of overlapping lacquered wood having imitation stitching. The lid is attached to the bottom with three brass hinges. There is a small rectangle of Chinese lettering on the inside of the lid. Red Chinese Trunk.

This set of 12 Minton service plates is a rare example of Minton's sterling silver overlay. Most silver overlay was made by other porcelain manufacturer...

Lucien Genin French, 1894-1953 View of Pont Neuf Oil on canvas 19 ¾ by 25 ¾ in, w/ frame 24 ½ by 30 ⅜ in Signed lower left Lucien Genin was born in 1894, and beginning in 1914, he ...

Christian Zacho Danish, 1843-1913 Deer in the Pasture Oil on canvas 16 ½ by 24 ½ in, w/ frame 25 by 32 ¾ in Signed lower right Zacho studied at the Academy of Beaux- Arts in Copenh...

Though this isn’t my usual areas of offerings, I was so excited when I came upon this amazing wine related piece of artwork. Perfect for a wine cellar or restaurant, this large mahog...

Alfred E. Wragge British, c. 1856-1937 Marshy Landscape Oil on canvas 22 by 30 in, w/ frame 30 by 38 in Signed "Alf. Wragge 1882" lower right

This is a perfect set of 12 handblown crystal cordials cut to clear in an Art Deco inspired floral pattern made by Webb, England. The base is cut with a radiating star pattern and an...

Henry Mayo Bateman English, 1887–1970 Lady at her Vanity Watercolor on paper 9 ½ by 10 ½ in. W/frame 18 ½ by 19 ½ in. Signed & dated 1904 lower on left H. M. Bateman was noted for his "The Man Who..." series of cartoons, featuring comically exaggerated reactions to minor and usually upper-class social gaffes, such as "The Man Who Lit His Cigar Before the Loyal Toast", "The Man Who Threw a Snowball at St. Moritz" and "The Boy Who Breathed on the Glass at the British Museum." He was born in the small village of Sutton Forest in New South Wales, Australia. His parents were Henry Charles Bateman and Rose Mayo. His father had left England for Australia in 1878 at the age of 21 to seek his fortune, then returned to England briefly in 1885 before going back with an English wife. Soon after Henry was born, his strong-willed mother insisted that they return to London 'and civilisation'. He had one sister, Phyllis, three years younger. Henry remained in England for the remainder of his life except for one disappointing visit to his birthplace.[citation needed] Henry was always drawing from an early age, consistently producing funny drawings...

A Louis XVI Style Bronze & Crystal Chandelier 19th Century Height 30 in. Diameter 28 in.

This all original, five-piece centerpiece set consists of a center bowl, 2 matching compotes and a pair of tall elegant candlesticks. All made and signed by Hawkes, each piece of han...

A joined long oak table. The six-legged joined by strechers with carved decoration throughout the frieze.

Suzanne Demarest French, 1900-1985 Afternoon on the Beach Oil on canvas 20 by 24 in, w/ frame 27 ½ by 31 ½ in Signed lower right Suzanne was born in 1900 and raised in the mountains, where her appreciation for nature all began. During her childhood, she also developed a great love for music, particularly the violin and she once remarked, "Painting is my violin." She studied in Nice and Cannes and much of her work depicts the delicate but wonderful light and sunshine of the South of France. She also studied at the Royal Academy in England. She was active in Paris sketching...

A Fine Irish Mahogany Marble Top Console Table 18th Century With a rectangular marble insert over a finely carved frieze, all resting on cabriole legs ending in pad feet. He...

Rare, Louis XV carved walnut bench with original finish and original leather upholstery. Such a wonderful state of preservation, yet strong and ready to be used. Please contact me wi...

A "Cyclone" chandelier by Gaetano Sciolari designed with spiral shaped, chrome-plated sheet metal and a matte white plastic inner tube shade. Italy, circa 1970.

One of the most desirable patterns of Steuben's clear stemware services is this Classic baluster shaped goblet, pattern # 7877, designed by George Thompson. Hand blown crystal with a...

An Important Neoclassical Giltwood Console Roma,Italy 18th Century The mottled grey rectangular marble above an egg and dart edge, the guilloche frieze with a central rosette, on r...

Georges d'Espagnat French, 1870 - 1950 Les Vendanges Signed gdE (lower left)  Oil on canvas 67 by 43 in. W/frame 71 by 47 in. Born at Melun on 14th August 1870, Georges d’Espagnat...

A special set of 6 carved wood Italian baroque or Swedish Rococo style dining chairs, upholstered in textured cream fabric, carved ...

Not the typical colorway of Spode's wonderful "Tumbledown Dick" pattern, this is painted on a white ground, givng it great versatility and bold contras...

Attributed to Eva Gonzalès French, 1849-1883 Woman Sitting for Tea Oil on canvas 29 ½ by 40 ¼ in, w/ frame 37 by 48 in Signed lower right Eva Gonzalès was born in Paris into the fa...

This gorgeous 19th century French dessert set features botanical central decoration, each uniquely hand-painted with a different bouquet of mixed flowers. The composition is detailed...

A fine and rare pair of Regency mahogany benches. Early 19th Century The scrolled ends with cushion-moulded rails with a central design, above saber legs ending with scrolled tip...

With a later round decorated top over three carved figures each with a symbol on each side, ending with paw feet on a later triangular plinth, decoration refraiched, The six symbols...

In Spring 1941 after French fashion couturier Gabrielle "Coco" Chanel had stopped production of her clothing designs while she remained in Europe during the WWII era, the decades-old American costume-jewelry company Reinad began imprinting pieces in its new retail line, Chanel Novelty Co, with the script signature "Chanel". As this was prior to the use of the sans-serif capital-letter signature "CHANEL" on French-made jewelry that was commissioned by the Parisian designer, as well as before U.S.-copyright protection began in 1955, the House of Chanel that was mostly owned by the Jewish Wertheimer family of venture capitalists (who remarkably still produced Parfums CHANEL and French-vineyard wine via legal proxy while they lived in asylum in The States during the war) filed a U.S. lawsuit to demand that Reinad halt the use of its founder's famous last name. As the Werthheimers' quickly won, Reinad only produced the single seasonal collection stamped with the French brand name, and subsequently only imprinted its company name as the sans-serif capital-letter signature "REINAD" without a copyright symbol, which was different that its prior signatures dating back to its founding in 1922. When Chanel herself resumed French-made fashion production in Paris in 1953 (with Werthheimer support leading to their acquisition of all rights to her name despite her post-war eight-year exile in Switzerland due to close association with Nazis), for the first time all of her creations were signed "CHANEL" like the original packaging of the exceedingly profitable "No.5" perfume. While Reinad continued to produced costume jewelry until 1954, in the last decade of this business, the U.S. company continued to try to appeal to potential Chanel buyers by at least making Chanel-style designs. As such, owning an attractive and well-made Reinad piece can be considered a useful investment in fashion history as evidence of a little-known turning-point involving the most famous ongoing luxury-fashion business Chanel, as well as of the impact of that legal judgement had on advancing U.S. design protection for brands that later used the copyright symbol. Like early ArtDeco-style oversized heavy metallic costume jewelry by Chanel, this three-dimensional monochrome silver-alloy polkadot bow brooch imitates a pale polkadot-textured ribbon. Notably, while high-quality ribbon for styling hair or decorating clothing in a non-functional way was still an expensive accessory...

A rare and perhaps unique footed centerpiece most certainly made by Hawkes in Corning NY. in the Aesthetic Movement style. The heavy crystal is decorated with copper wheel engraved birds and cherry blossoms and sits on an octagonal base. The bowl is mounted with a sterling silver three-handled rim decorated with engraved, matching cherry blossom motif. The removable sterling silver flower frog...

The antique gilt-on-wood frame has a molded floral border on the outer edge, shiney gold in the middle and another design on the inner edge. Inside of frame - D 18.13, H 24"

Charles-Émile Jacque French, 1813-1894 Shepherdess and Sheep in the Stable Oil on canvas 21 ¼ by 25 ¾ in, w/ frame 26 by 30 ¾ in Signed lower left Charles Jacque was among the firs...

Pierre Roussel French, 1927-1995 Looking Through the Window Oil on Canvas 21 ½ by 28 ¾ in, w/ frame 29 ¼ by 36 ½ in Signed lower right

Antonio Guijarro Gutiérrez Spanish, 1923-2011 Still Life with Pitcher Oil on canvas 18 by 21 in, w/ frame 25 ½ by 28 ½ in Signed lower right Inventory Number: 01899 Spanish painte...