Berkshires

Of typical form with shaped wings and cabriole legs ending in pad feet

Height 49 in.

Pair of beautiful and very comfortable French armchairs with original cotton velvet upholstery. The well constructed frame is made of hardw...

This fabulous large, handblown Murano pink cased light shade with controlled bubbles and undulating rim can be used either as a hanging shade or mounted upr...

This extremely large Faience pottery plaque is the epitome of the "Aesthetic Movement" style at it's best! Thick impasto enamels create a 3-dimensional effect of flowers rising out o...

18 ft. 8 in. by 16 ft. 8 in.

A Fine Pair of Baroque Giltwood Two Arm Altar Sticks

This beautifully matched pair of 19th c vases are cased in white crystal and cut to clear in an all-over pattern decorating the vases from the petal rims to the raised foot. Completi...

Oil on canvas Signed 47 by 37 in. w/frame 54 by 44 in. Richard Bellias was born in Paris in 1921 and died in 1974. He studied at the Acadami...

A rare and wonderful example of Aesthetic Movement decoration at it's finest. This silver plated planter sits on a stone or marble base, atop four round silver feet. It is decorated ...

An Important Pair of a Italian Neoclassical Painted & Parcel Gilt Marquises First Quarter 19th Century Lombardy, Italy The back rest with paneled top rail decorated with swans flan...

This set of charming earthenware dessert plates have dramatically shaped rims and beautifully painted architectural subjects. The hand painted polychrome enamels and gold over molded...

This is a fantastic pair of double-armed hand blown crystal candlesticks made by Barovier ca. 1930's. They are filled with gold leaf inclusions, well balanced and very well proportio...

This Art Nouveau handblown crystal biscuit barrel was made by Stevens and Williams with internally decorated apple-green stripes. The top and ri...

This is an unusual hand blown and cut crystal punch bowl with matching cover and notched opening for the punch ladle. A well proportioned and elegant example with cut panels and hand...

Hand blown three piece white centerpiece set icased to clear. Each piece is filled with gold leaf and embellished with hand blown figural bunches of grapes. One can only imagine the ...

Henry Mayo Bateman English, 1887–1970 Lady at her Vanity Watercolor on paper 9 ½ by 10 ½ in. W/frame 18 ½ by 19 ½ in. Signed & dated 1904 lower on left H. M. Bateman was noted for his "The Man Who..." series of cartoons, featuring comically exaggerated reactions to minor and usually upper-class social gaffes, such as "The Man Who Lit His Cigar Before the Loyal Toast", "The Man Who Threw a Snowball at St. Moritz" and "The Boy Who Breathed on the Glass at the British Museum." He was born in the small village of Sutton Forest in New South Wales, Australia. His parents were Henry Charles Bateman and Rose Mayo. His father had left England for Australia in 1878 at the age of 21 to seek his fortune, then returned to England briefly in 1885 before going back with an English wife. Soon after Henry was born, his strong-willed mother insisted that they return to London 'and civilisation'. He had one sister, Phyllis, three years younger. Henry remained in England for the remainder of his life except for one disappointing visit to his birthplace.[citation needed] Henry was always drawing from an early age, consistently producing funny drawings...

A lovely pair of beatifully matched hand blown crystal trumpet vases with all-over copper wheel engraved floral decoration. The detailed images re...

This is one set that you might not see again and it includes the large and practical serving bowl and 12 matching dessert bowls. The hand blown petal shaped bowls are cased in white ...

This charming set for 6 includes a pitcher and 6 matching goblets each with an elaborately applied turquoise "ribbon" tied into a "bow". Perfect for a summer afternoon of lemonade o...

There are candlesticks and there is this pair! Hand blown Pairpoint crystal stems with controlled bubble connectors and a black base. Totally dramatic and to top it off, the bobech...

Émile Valentin Cardinal French, 1883–1958 Aux Cafe Oil on canvas 25 by 21 in. W/frame 34 by 30 in. Emile exhibited at the Salons in Paris b...

Frank Will French 1900-1950 Place de la Madeleine Watercolor on paper 18 by 21 in. w/frame 25 by 27 in. Signed lower left Son of painter Frank Myers Boggs. A Figure from montmatr...

William Walton American, 1909-1994 Courthouse, 1961 Oil on canvas 33 ¼ by 50 in, w/ frame 34 ½ by 51 ⅝ in Signed lower right, titled verso William Walton, the journalist turned painter who chaired the Washington Fine Arts Commission from 1961 to 1971, was born in Jacksonville, Illinois. After graduating from the University of Wisconsin, he pursued a career in journalism, ultimately working with the Associated Press in Chicago and as Time-Life war correspondent during World War II (when he parachuted into France with the 82nd Airborne...

George H. Williams Australian, 1877-1964 Still Life with Pink and White Flowers Oil on canvas 28 by 36 ¼ in, w/ frame 36 by 44 in Signed lower right

Maurice Greenberg American, 1893-1996 Pharaoh and His Family on a Chariot Oil on canvas 22 ¾ by 26 ¾ in, w/ frame 29 by 32 ¼ in Signed lower left Maurice was born in Milwaukee, whe...

Jean Pradel French, 1835-1892 Port de Peche Mediterranean Oil on canvas 23 ¾ by 39 ⅝ in, w/ frame 33 ⅝ by 49 ½ in Signed lower right He exhibited in many salons including the Unive...

George Loring Brown American, 1814-1889 “Pastoral Landscape with Locomotive and Picnic Goers” Circa 1850 Oil on canvas 30 by 48 in. W/frame 34 by 52 in. The Hudson...

“I Will”, Marie-Joseph-Leon-Clavel French, 1850-1923 Septembre, La Meuse a Dordrecht Oil on canvas, Signed 13 ¼ by 19 ½ in. W/frame 23 ¼ by 29 ½ in. Marie-Joseph-Leon-Clavel took ...

Mario Dubsky. American, 1939-1985. Firebrand. Oil on canvas. 84 by 84 in. Dated 1973. Painter and teacher, born in London. He studied at Slade School of Art, 1956-1961, where his work was heavily influenced by fellow painter Dorothy Mead...

With a shaped top over a foliate carved apron centered by a cabochon cartouche, on carved cabriole legs ending with claw feet.

Antonio Guijarro Gutierrez Spanish, 1923-2011 Still Life Oil / Panel 17 ½ by 20 ½ in. W/frame 21 by 24 in. entitled "Rojo Para Cruzar Ante La Luna" Spanish painter, 1923, Villa...

A Fine Irish Mahogany Marble Top Console Table 18th Century With a rectangular marble insert over a finely carved frieze, all resting on cabriole legs ending in pad feet. He...

A Fine Louis XVI Marble & Gilt Bronze Clock 18th Century Signed Corrier A Paris A large Louis XVI ormolu French clock by Corrier à Paris. The symmetrical case has numer...

An Italian Walnut & Veneer Credenza 18thcentury & later The rectangular moulded top above two short panelled drawers with knob handles, and a pair of doors with rosette-car...

Robert Brackman American, 1898-1980 “A Still Life in the Morning Light” Oil on canvas Signed Brackman lower right 15 1/2 by 19 1/2 in. w/frame 22 by...

A Russian Neoclassical Brass Mounted Mahogany Commode Early 19th Century The rectangular faux marble top with outset square corners, above a conforming case fitted with three long graduated drawers, flanked by fluted stiles headed by roundels and ending in tapering square feet. Height 31 1/4 in. Width 41 in. Depth 20 1/2 in. Provenance: Private Collection, New York Le Trianon Fine Art & Antiques...

Sigfredo Chacon Venezuelan, 1950. Paysage. Acrylic on canvas. 23-3/4 in. by 23-3/4 in. Sigfredo was born in Caracas in 1950. He studied at the School of Fine and Applied Arts Cristóbal Rojas (1963-1966) and Design Institute Neumann-INCE, Caracas (1966-1970). He continued his training as a designer at the Chelsea School of Art and the London College of Printing, England. In the early seventies he participated in the Young confrontations Venezuelan News, Gallery Current Study Hall Arturo Michelena...

Each with scrolled arms and fluting throughout.

A Magnificent French Gilt Bronze Chandelier Circa 1890-1900 Stamped E. MOTTHEAU PARIS Maison Mottheau et Fils of Paris.   1900 Universal Exhibition in Paris The fixture fe...

Alfred Zwiebel German, 1914-2005 Still Life in a Vase Oil / Board 21 ¼ by 29 in. W/frame 30 ¼ by 38 in. Signed lower right Alfred Zwiebel was an esta...

Oil on canvas
Signed on back of canvas
64 by 51in. w/frame 65 by 52in.

Daniel Argimon painted for the French Government from 1965-1966 and for the Inte...

A Fine Early Louis XV Walnut Fauteuil 18th Century Attributed Pierre Nogaret Maitre June 1745 Height 41 in Width 26 in Depth 22 in Cha51

Each Chandelier has five arms

A Rare Portuguese Settee Mid 18th Century Height 30 in. Width 43 in. Depth 19 in. Identical chair in the National Museum of Antiques Art, in Lisbon Reference: “World Furniture”, ...

Eugenie Baizerman   American, 1899-1949 Reclining woman Oil on canvas 16 by 22 in. W/frame 22 by 28 in. Dated 1927 on reverse Originally from Poland, Eugenie Baizerman was ...

Louis Sola French, 1928-2011 Still life Oil on canvas 25 by 31 in. with frame 31 by 37 in. Signed & dated 58 lower right Louis Sola was born in Genoa in 1929 and studi...

John Warrington Wood English, 1839-1886 The gentleman wearing a moustache and sideburns Signed on verso of truncated shoulders J.Warrington Wood, Sculpt.Rome 1874

A Fine Louis XVI Mahogany Leather Top Table Attributed to Canabas Joseph Canabas maitre 1766 Height 28 in. Width 27 in. Depth 17 in. Tab84

Henri Verge Sarrat French, 1880-1966 “Port Vendres” Oil on canvas Signed & dated 1930 24 by 29 in. W/frame 32 by 37 in. Henri exhibited often in Paris at the Salons ...

RICHARD HENNESSY AMERICAN, b. 1941 ?Abstract, Untitled? Oil on canvas Signed and dated 1976 on verso 32 1/2 by 30 in. Provenance: From the estate of Christopher Scott, acquired from the artist. Note: Christopher Scott was a painter who was best known as curator/gadfly Henry, Geldzahler's partner. This relationship was immortalized in one of David Hockney's best portraits of 1969. EDUCATION: EASTMAN SCHOOL OF MUSIC, 1954-59 COLUMBIA COLLEGE, B.A., 1963 INSTITUTE OF FINE ARTS, NEW YORK UNIVERSITY, 1963-66 PUBLIC COLLECTIONS ALBRIGHT KNOX ART GALLERY, BUFFALO, NEW YORK AMERICAN TELEPHONE AND TELEGRAPH BROOKLYN MUSEUM, BROOKLYN, NEW YORK CARNEGIE MUSEUM, PITTSBURGH, PENNSYLVANIA CENTRO CULTURAL, MUSEO CONTEMPORANEO, MEXICO CITY COPLAND HOUSE, CORTLANDT MANOR, NEW YORK DAYTON ART INSTITUTE, DAYTON, OHIO DOW JONES HEALTH SCIENCE CENTER, UNIVERSITY OF TEXAS, SAN ANTONIO HECKSHER MUSEUM OF ART, HUNTINGTON, NEW YORK I. T. & T. ITALIAN RELIEF FUND J.P.MORGAN CHASE JACK S. BLANTON MUSEUM,UNIVERSITY OF TEXAS, AUSTIN METROPOLITAN MUSEUM OF ART, NEW YORK MOMA/P.S.1, STAIRWELL MURAL NEW YORK UNIVERSITY, NEW YORK PHILADELPHIA MUSEUM OF ART, PENNSYLVANIA PHOENIX ART MUSEUM, PHOENIX, ARIZONA READER'S DIGEST SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE SAN FRANCISCO MUSEUM OF MODERN ART SHEPHERD SCHOOL OF MUSIC, RICE UNIVERSITY, HOUSTON SHIMIZU CONSTRUCTION, TOKYO SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK THE COMMODITIES CORPORATION, TRINITY UNIVERSITY, SAN ANTONIO, TX THE LANNAN FOUNDATION, LOS ANGELES, CALIFORNIA THE WADSWORTH ATHENEUM, HARTFORD, CONNECTICUT WESTINGHOUSE CORPORATION WHITNEY MUSEUM OF AMERICAN ART, NEW YORK AWARDS 2008 THE POLLOCK-KRASNER FOUNDATION 1988 THE POLLOCK-KRASNER FOUNDATION 1987 THE ANN AND ERLO VAN WAVEREN FOUNDATION 1983 INGRAM MERRILL FOUNDATION SOLO EXHIBITIONS 2008 CARRIE HADDAD GALLERY HUDSON, NY 1991 MARGULIES/TAPLIN GALLERY BAY HARBOR ISLANDS, FL 1989 BALL STATE UNIVERSITY MUNCIE, IN 1986 NINA FREUDENHEIM GALLERY BUFFALO 1986 JOHN GOOD GALLERY NEW YORK 1985 GETLER/PALL/SAPER GALLERY NEW YORK 1983 HAMILTON GALLERY NEW YORK 1982 HAMILTON GALLERY NEW YORK 1981 IVORY KIMPTON GALLERY SAN FRANCISCO 1980 HAMILTON GALLERY NEW YORK 1978 ROBERT MILLER GALLERY NEW YORK 1976 OLIVER BERNIER, INC. NEW YORK 1976 GREY ART GALLERY, NYU NEW YORK RETROSPECTIVE EXHIBITION 1976 OLIVIER BERNIER, INC. NEW YORK 1970 TIBOR DE NAGY GALLERY NEW YORK 1969 OLIVIER BERNIER, INC. NEW YORK GROUP EXHIBITIONS 2007 VILLE DE REIMS GLOBAL BOOKS: LES LIVRES D'ARTISTE DE GERVAIS JASSAUD 2006 WEBER FINE ART GREENWICH, CT MY FRIENDS-THEIR VISION 2006 SNUG HARBOR CULTURAL CENTER STATEN ISLAND, NY ABSTRACT LANDSCAPES 2000 THE HECKSCHER MUSEUM OF ART HUNTINGTON, NY AARON COPLAND?S AMERICA 1997 ESPACE CULTUREL DE TINQUEUX FRANCE LA TENTATION DU LIVRE 1992 COLUMBIA UNIVERSITY NEW YORK THE ARTIST, THE WRITER AND THE BOOK DESIGN (ARTISTS'S BOOKS FROM COLLECTIF GÉNÉRATION) 1992 MARGULIES/TAPLIN GALLERY MIAMI GROUP SHOW 1991 NINA FREUDENHEIM GALLERY BUFFALO RICHARD HENNESSY AND JEFFREY WASSERMAN 1991 ANDRE EMMERICH GALLERY NEW YORK ABSTRACT PAINTING: THE 90'S 1991 FRENCH CULTURAL SERVICES NEW YORK LIVRES D'ARTISTES OF COLLECTIF GÉNÉRATION 1991 SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE GAINESVILLE, FL CONTEMPORARY ART 1990 MARTA CERVERA GALLERY NEW YORK THE PAINTER AND HIS OCCASION, CURATED BY ALAN JONES...

Jay Rosenblum American, 1933-1989 "Gradus ad Parnassum," Oil on canvas 20 x 20 in., with frame 20¾ by 20¾ in. Signed and dated 1970 Jay Rosenbl...

Ronaldo de Juan Argentina, 1930-1989 “Untitled, New York” Large Acrylic on canvas 72 by 50 in. W/frame 73 by 51 in. Signed and dated 1971 on reverse Titled New York on reverse S...

Marie-Paule Carpentier French, 1876-1915 Versailles Pastel / Paper 12 by 16 in. W/frame 18 by 22 in. Signed on lower left Marie-Paule Carpentier Marie-Paule Carpentier painted i...

Edward Francis Rook American, 1870-1960 Brittany Oil on Canvas 30 by 30 in. W/frame 38 by 38 in. Signed lower left Circa, 1898-1900 Rook, born in New York City on September 21, 1870, became one of the most original impressionists at Old Lyme. First he was a student of Benjamin Constant and Jean-Paul Laurens at the Académie Julian.  Life started out to be rather promising for Rook, around the turn of the century.  He exhibited at the Cincinnati Art Museum and at the Pennsylvania Academy of the Fine Arts, both in 1898, when his harbor scene, entitled Pearl Clouds — Moonlight was reproduced in International Studio, in April.  In addition, the PAFA presented him with the Temple Gold Medal for Deserted Street, Moonlight, which the Academy purchased.  Three years later, Rook was awarded a bronze medal at the Pan-American Exposition in Buffalo, where he exhibited three landscapes.  Caffin (1902, p. xxxvi) praised the artist's "translucent quality of color," which suggests a study of color theory.  Also in 1901, Rook married Edith Sone.  For most of 1902, the Rooks were in Mexico. Rook came to Old Lyme in October of 1903.  The date is significant because Childe Hassam was also there that month.  Hassam would more or less re-orient the artists' colony from Tonalism to impressionism.  Rook would move there permanently two years later.  He took two medals at the St. Louis Universal Exposition (1904) where his landscapes from the Mexican trip were displayed.  More awards followed: a silver medal at the International Fine Arts Exposition in Buenos Aires, 1910, a gold medal at San Francisco's Panama-Pacific International Exposition in 1915,  a Corcoran Bronze Medal, and a William A. Clark Award in 1919 for Peonies.   By 1924, the artist was made a National Academician.  Despite all these awards and recognition, Rook did little in the way of selling his art and reportedly, his prices were too high.  His paintings were handled by Macbeth and Grand Central Art Galleries. Rook was active in Old Lyme's art community.  As stated above, he would have met Hassam that October in 1903 but Willard Metcalf had departed at the end of the summer.  As several writers have explained (Connecticut and American Impressionism, 1980, p. 123), Hassam "was the catalyst around whom [impressionism] coalesced."   Rook's niece, Virginia Rook Garver, who happened to be the grand-niece of Hassam, confirmed that Rook and Hassam knew each other in Europe — before they went to Old Lyme (Fischer, 1987, p. 19).  Rook was one of the relatively young painters to come to Old Lyme, along with Gifford Beal, William Chadwick, and Robert Nisbet, on the wave of impressionism, initiated there by Hassam and Metcalf.  Old Lyme became a center of American impressionism, and as Donelson F. Hoopes remarked, "under Hassam, the shoreline of Connecticut became a kind of Giverny of America."  Among Ranger's group, palettes started to become lighter, except those of the most determined tonalists.  Ranger himself, perhaps admitting defeat, moved to Noank in 1904.  Rook is best known for his views of Bradbury's Mill, which was soon called Rook's Mill, owing to the painter's many versions of the scene.  One, called Swirling Waters, dated ca. 1917, is in the Lyme Historical Society.  Even more famous is Rook's Laurel, dated between 1905 and 1910 (Florence Griswold Museum), in which a profuse laurel bush (the state flower), is set off by a spectacular Constable-like background.  But Swirling Waters could never be confused with Constable, with its violent brushwork, impasto-layered water, and bright, almost chalky, plein-air palette.  Gerdts (1984, p. 226) compares the paintings of Walter...

RICHARD HENNESSY AMERICAN, b. 1941 "THE SUMMER OF OUR CONTENT" "Large" Oil on canvas Signed and dated 1980 on verso 60 by 72 ½ in. Provenance: From the estate of Christopher Scott, acquired from the artist. Note: Christopher Scott was a painter who was best known as curator/gadfly Henry, Geldzahler's partner. This relationship was immortalized in one of David Hockney's best portraits of 1969. EDUCATION: EASTMAN SCHOOL OF MUSIC, 1954-59 COLUMBIA COLLEGE, B.A., 1963 INSTITUTE OF FINE ARTS, NEW YORK UNIVERSITY, 1963-66 PUBLIC COLLECTIONS ALBRIGHT KNOX ART GALLERY, BUFFALO, NEW YORK AMERICAN TELEPHONE AND TELEGRAPH BROOKLYN MUSEUM, BROOKLYN, NEW YORK CARNEGIE MUSEUM, PITTSBURGH, PENNSYLVANIA CENTRO CULTURAL, MUSEO CONTEMPORANEO, MEXICO CITY COPLAND HOUSE, CORTLANDT MANOR, NEW YORK DAYTON ART INSTITUTE, DAYTON, OHIO DOW JONES HEALTH SCIENCE CENTER, UNIVERSITY OF TEXAS, SAN ANTONIO HECKSHER MUSEUM OF ART, HUNTINGTON, NEW YORK I. T. & T. ITALIAN RELIEF FUND J.P.MORGAN CHASE JACK S. BLANTON MUSEUM,UNIVERSITY OF TEXAS, AUSTIN METROPOLITAN MUSEUM OF ART, NEW YORK MOMA/P.S.1, STAIRWELL MURAL NEW YORK UNIVERSITY, NEW YORK PHILADELPHIA MUSEUM OF ART, PENNSYLVANIA PHOENIX ART MUSEUM, PHOENIX, ARIZONA READER'S DIGEST SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE SAN FRANCISCO MUSEUM OF MODERN ART SHEPHERD SCHOOL OF MUSIC, RICE UNIVERSITY, HOUSTON SHIMIZU CONSTRUCTION, TOKYO SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK THE COMMODITIES CORPORATION, TRINITY UNIVERSITY, SAN ANTONIO, TX THE LANNAN FOUNDATION, LOS ANGELES, CALIFORNIA THE WADSWORTH ATHENEUM, HARTFORD, CONNECTICUT WESTINGHOUSE CORPORATION WHITNEY MUSEUM OF AMERICAN ART, NEW YORK AWARDS 2008 THE POLLOCK-KRASNER FOUNDATION 1988 THE POLLOCK-KRASNER FOUNDATION 1987 THE ANN AND ERLO VAN WAVEREN FOUNDATION 1983 INGRAM MERRILL FOUNDATION SOLO EXHIBITIONS 2008 CARRIE HADDAD GALLERY HUDSON, NY 1991 MARGULIES/TAPLIN GALLERY BAY HARBOR ISLANDS, FL 1989 BALL STATE UNIVERSITY MUNCIE, IN 1986 NINA FREUDENHEIM GALLERY BUFFALO 1986 JOHN GOOD GALLERY NEW YORK 1985 GETLER/PALL/SAPER GALLERY NEW YORK 1983 HAMILTON GALLERY NEW YORK 1982 HAMILTON GALLERY NEW YORK 1981 IVORY KIMPTON GALLERY SAN FRANCISCO 1980 HAMILTON GALLERY NEW YORK 1978 ROBERT MILLER GALLERY NEW YORK 1976 OLIVER BERNIER, INC. NEW YORK 1976 GREY ART GALLERY, NYU NEW YORK RETROSPECTIVE EXHIBITION 1976 OLIVIER BERNIER, INC. NEW YORK 1970 TIBOR DE NAGY GALLERY NEW YORK 1969 OLIVIER BERNIER, INC. NEW YORK GROUP EXHIBITIONS 2007 VILLE DE REIMS GLOBAL BOOKS: LES LIVRES D'ARTISTE DE GERVAIS JASSAUD 2006 WEBER FINE ART GREENWICH, CT MY FRIENDS-THEIR VISION 2006 SNUG HARBOR CULTURAL CENTER STATEN ISLAND, NY ABSTRACT LANDSCAPES 2000 THE HECKSCHER MUSEUM OF ART HUNTINGTON, NY AARON COPLAND’S AMERICA 1997 ESPACE CULTUREL DE TINQUEUX FRANCE LA TENTATION DU LIVRE 1992 COLUMBIA UNIVERSITY NEW YORK THE ARTIST, THE WRITER AND THE BOOK DESIGN (ARTISTS'S BOOKS FROM COLLECTIF GÉNÉRATION) 1992 MARGULIES/TAPLIN GALLERY MIAMI GROUP SHOW 1991 NINA FREUDENHEIM GALLERY BUFFALO RICHARD HENNESSY AND JEFFREY WASSERMAN 1991 ANDRE EMMERICH GALLERY NEW YORK ABSTRACT PAINTING: THE 90'S 1991 FRENCH CULTURAL SERVICES NEW YORK LIVRES D'ARTISTES OF COLLECTIF GÉNÉRATION 1991 SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE GAINESVILLE, FL CONTEMPORARY ART 1990 MARTA CERVERA GALLERY NEW YORK THE PAINTER AND HIS OCCASION, CURATED BY ALAN JONES...

Joseph Boston American, 1860-1954 Large “Impressionist Landscape” Oil on canvas 40 by 42 in. w/ frame 48 by 60 in. ...

Carl Carlsen Danish, 1855-1917 Figures in the Forest Oil on canvas Signed and dated ‘Carl Carlsen 1900’ lower right 24 ½ by 30 ½ in. w/frame 31 by 36 i...

Rene Couturier French, b. 1933 “Le Pom Pom Rouge” Oil on paper Signed ‘R. Couturier’ LR and titled LL 30 by 22 ½ in. w/frame 43 by 35 in. Rene Couturier is a worl...

Walter Blackman American, 1847-1928 Young Beauty Oil on canvas 20 by 16 in. W/frame 32 by 28 in. Studied under Gerome, Paris Exhibited: Society of America...

Delores Alton American, B.1951- Landlord Blues Oil on canvas Signed and dated 1976 18 by 27 in. W/frame 19 by 28 in. Provenance: From The Phil Rubin Estate, Riverside Drive, NYC. ...