Brooklyn - Decorative Objects

The Matchbox Series is composed of roughly 4”x 6” boxes that make direct references to iconic NYC institutions. These boxes come with slide out inserts that are filled with oversized...

Supreme x beever fall 2022 gumball machine, Fall/Winter 2022, white and red. Free-vend gumball machine with 8.5" shatter-resistant globe. Debossed logos on d...

A tri-footed Mask Bowl in hand-carved bissilon by Emil Milan. This design, whose underside appears as a tribal mask, was one of several conceived by Milan and Joyce Anderson...

Fiberglass planters suitable for indoor or outdoor use. Made by hand in Vietnam. Lead time eight weeks unless in stock. Available in: White Ash Pesto Dusty Rose Dimensions: Base 22...

A set of 3 leather-cast porcelain vases with textured exterior surface and clear glazed interior. Made by casting liquid clay into sewn leather molds, all pieces in the Kawa Series ...

Very attractive weeping willow tree sculpture by Brian Bijan. Tree is made with mixed copper and brass metal supported by a quartz stone base. Stamped 1...

Phyllis Morris original poodle table lamp, signed, Blue, 1952 Hollywood Regency. Iconic American Pop Design. Signed. Rare custom blue poodle. With original harp and lace shade. From the 1950s to her passing in 1988, Phyllis created hundreds of designs blending the Hollywood Regency and California eclectic styles with her interpretation of Baroque-meets-Fantasy. Phyllis Morris’ first and most iconic design was the Poodle Lamp...

Classic Danish modern teak bowls designed by Finn Juhl for Kay Bojesen, Denmark. Turned from a single piece of teak wood into an organic modern shape. Polished and clean, with origin...

This new collection features the technique of layering colored clay onto vessels, a process that feels much like painting on a canvas. It’s been an exciting and deeply personal journ...

Made using a manufacturing process utilized for railways, medical devices, and electronics, the Fin Trivets bring an Industrial touch to your tabletop....

Organic and sculptural leather-cast porcelain vase by Luft Tanaka Studio Dimensions 4" dia x 10" height Watertight. Signed and dated. Kawa Series by Luft Tanaka Studio The unusua...

Gio Ponti for Richard Ginori Italian Vase (circa 1930) decorated with a maritime scene of a ship at sea, signed to base and further marked overall: 6 x 5 3/4 inches Provenance: Property from the Collection of Seymour Stein...

Title: Magnolia 04 Year: 2021 Artist: Zoë Powell Large, free-form ceramic sculpture made from a blend of high-iron stoneware clays hand-collected by t...

Zuperfici is a collection of furniture pieces and objects that investigates the materiality of an object through its surfaces.The starting point is the plastic laminate, a very thin ...

Venini Battuti glass series by Tobia Scarpa and Ludovico Diaz de Santillana. Indoor use only. Dimensions: W 60 cm x D 12 cm x H 6 cm.

A perfectly elegant and sophisticated 1980s wall clock designed by Shohei Mihara for Wakita. Postmodern, Memphis-influenced design at its finest! Black with white, red, green, and ye...

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. These modern, elongated towers are an organic, elegant, and chic way to introduce nature and sculpture into your space. They are named after the geological term for tall thin rock spires protruding from the bottom of an arid drainage basin or badland. Unlike spires, hoodoos have a variable thickness often described as having a "totem pole-shaped body". Hoodoos are common to the Great Plains...

Naturalia consists of one-off pieces in a variety of colors, expressing Michela Cattai’s fascination with nature in all of its unpredictable forms and manifestations. Each piece was ...

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. This modern, lightweight concrete planter features an organic silhouette and earthy aesthetic that compliments the live plants inside it. The Barchan is handmade in our Brooklyn studio and can be produced in the color or finish of your choice. Opiary planters...

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. Ukiyo saucers...

Highly graphic chrome wall clock with classic 50's details. Sweeping hand movement on this wonderful clock designed by one the greatest industrial designers of this century.

This brutalist Mid-Century Modern sculpture in the style of the Cubist sculptor Jacques Lipchitz stands at 19.5" tall. The solid sculpture is made of gypsum with a painted copper ext...

A beautiful postmodern wall clock from the 1980s by West German clockmaker Linden. It has a black case, black face with geometric accents, and red and green hands, Striking contras...

This listing is for 3 Fin Trivets from Souda. Each one is packaged individually. Made using a manufacturing process utilized for railways, medical devices, and electronics, the Fin ...

Hand-built shallow vase. Wabi Sabi and minimalist yet striking, perfect for a single dramatic stem or a small bouquet. Available in Golden bronze or matte white on dark clay. Approxi...

Noguchi's first mass-produced design, completed circa 1932, predating his design for the "Radio Nurse" baby monitor by about five years. Produced...

"Link" by Lauren Klenow 2024 Tabletop ceramic sculpture consisting of two interlocking geometric shapes. Hand built by the artist in using a textured beige/light brown stoneware cl...

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. This modern, lightweight concrete planter features an organic silhouette and earthy aesthetic that compliments the live plants inside it. The Barchan is handmade in our Brooklyn studio and can be produced in the color or finish of your choice. Opiary planters...

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. This modern, minimalist fountain is a tasteful way to incorporate aquatic life into any indoor or outdoor space. The Ukiyo watersaucer can house multiple floating islands...

Amazing floor clock executed in black walnut gloriously hand carved to perfection. A stunning showpiece and fine example of Studio Craft Modern. Clock is wind-up and functions well when documented. Can be swapped for battery powered mechanism however the current movement is high quality. Local...

Gorgeous hexagonal crystal vase by Tiffany & Co. Signed and in very good condition with no chips or cracks. Heavy and solid. Decorative urn shape elegant on its own, also with ample ...

This new collection features the technique of layering colored clay onto vessels, a process that feels much like painting on a canvas. It’s been an exciting and deeply personal journ...

Italian Demijohn / Carboy originally used for transporting wine (ca. early 20th Century, Italy). Composed of attractive pale green/light seafoam free-blown glass exhibiting trapped a...

Hand-built shallow vase. Wabi Sabi and minimalist yet striking, perfect for a single dramatic stem or a small bouquet. Available in Golden bronze or matte white on dark clay. Due to the nature of handmade ceramics...

These otherworldly pieces combine stark, futuristic geometry with the warmth of ancient ceramic vessels. The collection explores the dichotomy between digital repeating planes and an...

Painter, theatrical and industrial designer, Georges de Feure was closely associated with Sigfried Bing who was key in the introduction of the art nouveau movement. Composed of chara...

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. These modern, elongated towers are an organic, elegant, and chic way to introduce nature and sculpture into your space. They are named after the geological term for tall thin rock spires protruding from the bottom of an arid drainage basin or badland. Unlike spires, hoodoos have a variable thickness often described as having a "totem pole-shaped body". Hoodoos are common to the Great Plains...

Blown glass jug designed by John Nickerson and manufactured by Blenko. This design first appeared in the 1972 Blenko catalog as model number 7226S. Large size and attractive amberina...

Gorgeous Murano Sommerso glass bowl, in absolutely excellent condition: no scratches, no loss: impeccable. The brilliant colors of green and amber of this faceted flat cut polished glass Murano geode bowl...

Attractive vase with abstract decoration in sky blue, brown, burnt orange, and white with linear decoration throughout (ca. 1960s, Italy). Nice contrast between the smoothness of the...

Handbuilt organic modern vase made from a groggy clay body covered layers of glossy and matte white glaze. Each vase is made by hand in our Brooklyn studio, and no two are ever exactly alike. The moon...

Mid-Century Modern square wall clock in staved walnut with modernist white plastic and brass hour and minute hands (ca. 1970s, USA). Simple, modernist form lacking numeral markers bu...

With a vibrant 1980s touch of class, this 'Chass' Postmodern Wall Clock features a black case and face, pastel numbers, geometric accents, and an asymmetrical hand arrangement. Remin...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

The Skyscraper Series are sets of handmade vessels featuring vibrant colors layered atop a mirrored interior that is meant to mimic the various steel and glass structures they are in...

This lightweight, modern concrete planter features an organic silhouette and earthy aesthetic that compliments the live plants inside it. The Barchan is handmade in our Brooklyn studio and can be produced in the color or finish of your choice. Opiary planters...

The Mini Matchbox Series is composed of roughly 2”x 3” boxes that make direct references to iconic NYC institutions. These boxes come with slide out inserts that are filled with matc...

Hathor is the first collaboration between Farrah Sit and TRNK Collection. The collection is inspired by Farrah’s pilgrimages to ancient monolithic structures and her reactions to the...

A set of three white ceramic Kawa Vases by Luft Tanaka Studio. Each item is made by casting porcelain into sewn leather molds and are truly one-of-a-kind. As a result of the product...

Stately, two-handed, Swiss 15 jewel, 8 day winding desk clock manufactured by Imhof for Saks Fifth Avenue- early 1960s. Polished brass, splayed cir...

A thin-walled turned bowl in Redwood burl raised upon a shallow foot and signed to the underside, "Redwood burl, Studio 63, R. Hardin". Original surface.

Beautifully detailed sculpted pottery Macaw bird, perched on a branch with flowers. Made in Italy from majolica glazed pottery. Please confirm location NY ...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

Our beautifully crafted, one-of-a-kind Blue Moon Vase is a work of art. Use as a vessel to showcase a bouquet, or a single sculptural branch. Bright blue heavily textured glaze on a...

This new collection features the technique of layering colored clay onto vessels, a process that feels much like painting on a canvas. It’s been an exciting and deeply personal journ...

A perfectly elegant and sophisticated 1980s wall clock designed by Shohei Mihara for Wakita. Postmodern, Memphis Group-influenced design at its finest! White with red, green, and yel...

A set of 2 tactile and organic porcelain vases with leather textured exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Set...

Possibly Beatrice, but likely a Grand Tour bust figure, painted plaster over wood. Marked 921 to verso. Barely a few losses to paint. Enchanting and remarkable bust of a young medieval woman. Grand Tour busts were popular souvenirs for wealthy Europeans, particularly British aristocrats, who traveled around Europe, especially Italy, from the 17th to the 19th centuries. These busts often depicted historical figures, mythological characters, or, as seen here, idealized figures in classical style. The provided search results and image descriptions suggest that this could be a 19th-century polychrome painted plaster cast bust...

Made using a manufacturing process utilized for railways, medical devices and electronics, the fin trivets bring an industrial touch to your tabletop. Both durable and multi-function...

Lalique Tigre Assis, seated tiger, Monumental clear crystal sculpture, signed. 2003. In original box, with original paperwork. The grand sculpt...