Brooklyn - Decorative Objects

Phyllis Morris original poodle table lamp, signed, Iconic Hollywood Regency American Pop Design, 1953. Signed. Rare custom silver poodle.. From the 1950s...

Pair of Kawa Vessels. 1 x 10inch height and 1 x 12 inch height. Tactile and textured organic porcelain vase with an glossy glazed interior surface. Works well as a pair or individua...

This bronze sculpture is by François Stahly made circa 1960. This piece is a small model of the larger "Foret de Tacoma" sculpture, which was named aft...

The Liberte letter holder/desk organizer/envelope box was designed by French Industrial Designer/Architect, Philippe Starck for Alessi (Portugal, 1992). The green plastic top, suppor...

A tall oversized porcelain vessel with leather textured exterior surface and clear glazed interior. As a result of the production process each item is o...

Ando Cosmos vase, designed by Tadao Ando and manufactured by Venini, is made of three vases that create a sphere when united. Crystal version is available ...

The Skyscraper Series are sets of handmade vessels featuring vibrant colors layered atop a mirrored interior that is meant to mimic the various steel and glass structures they are in...

Satin glass vase, designed and manufactured by Venini, features the same shape of the iconic opalino vase with a frosted finish. Indoor use only. Dimensions: Ø 20 cm, H 42 cm.  

A pair of tall and tactile porcelain vases with a leather textured exterior surface and clear glazed interior. This specific set was inspired by skyscrapers in the city. As a resul...

A collection of twelve (12) pod form sculptures made from various stoneware clays hand-collected by the artist in California and Minnesota. Surfaces vary: some are hand-polished to a...

A porcelain flower vase with an organic and fabric-like form and texture. Clear glazed applied on interior surface. As a result of the production...

A lovely opalescent glass vase designed by Larry Laslo in the 1980s for Mikasa. Very heavy glass with a pronounced beautiful swirl and colors that shift depending on the vantage poin...

A mid-century wooden jewelry box by Tomlinson "Sophisticate." Oak with burl details. 6 Felt lined drawers with brass pulls.

Vintage American storage stand composed of three graduated oval cane-baskets in three sizes mounted to a wrought iron stand. Circa late 1970s/early 1980s example whose original design has since been slightly modified and copied by a variety of contemporary manufacturers, though quality is substantially lesser in newer versions. Handle is wrapped in a warm-hued rattan, and rattan 'ties' attach the baskets to the iron frame. Ties have been newly replaced to ensure longevity/stability. Natural patina present to cane, as shown. Two similar stands listed separately (all three were from the same farmhouse...

Vessel No. VII, in Ivory glaze. Made to order. DEVIN WILDE ceramic objects are one-of-a-kind stoneware editions. Each piece is designed, hand-built, glazed, and fired in our Brookl...

Murrine opache plates, designed by Carlo Scarpa and manufactured by Venini, are available in four different versions. handmade glass with “murrine” technique. Numbered edition per ye...

The Mothership Catch All, as the Hampton Coliseum in Virginia was affectionately dubbed by concertgoers, uses blended color bands to embody the spirit of the venue where the Grateful Dead played their infamous secret show billed...

This sterling silver ring box was made in England in the late 19th century. It stands on 4 legs so it’s propped off the surface. The lining is original...

We are proud to offer this pair of sterling silver vases by Black, Starr and Frost from the early 20th century. They have fine etchings a...

Napoleone Martinuzzi for Venini red Cactus Succulent sculpture, Signed, 1929. Exceedingly rare example of a signed Venini succulent by Matinuzzi. Museum-worthy masterwork by Martinuzzi during his groundbreaking tenure as artistic director of Venini. Large-scale. Original brass frame. This stunning pulegoso glass and gold leaf “pianta grassa” is in very good antique condition with no apparent signs of repair. Acid etched Venini signature is at bottom. Lovely contrasting white glass rim on pot. Playful use of co lot with the green pot...

Satin glass vase, designed and manufactured by Venini, features the same shape of the iconic opalino vase with a frosted finish. Indoor use only. Dimensions: Ø 20 cm, H 42 cm.  

Richard’s work is driven by the concept of renewal—transforming salvaged materials into functional & decorative art that embodies beauty, craftsmanship, & environmental mindfulness. ...

A pair of white porcelain vases made by casting into leather molds. As a result of the production process each item is one-of-a-kind. Set includes one tall vase and one medium vase...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

Designed by Raul Barbieri and Giorgio Marianelli for Rexite in 1981, this Zero 980 wall clock has a striking white on white colorway. White plastic case, white hands, and raised whit...

Gorgeous Murano Sommerso glass bowl, in absolutely excellent condition: no scratches, no loss: impeccable. The brilliant colors of green and amber of this faceted flat cut polished glass Murano geode bowl...

Slab-constructed vase, made with black stoneware which is glazed inside and on the base and unglazed on the main exterior for a matte-gloss contrast. It is open through to the bottom...

An amazing orange and gray wall clock designed by Memphis Group founding members George Sowden and Nathalie du Pasquier for Neos of Lorenz. Orange pla...

Tactile and organic porcelain vase with leather textured exterior surface and clear glazed interior. Due to the production process, each item is one-of-a-kind. Use individually as a...

We are delighted to offer you this sterling silver basket with a cobalt blue liner. An elaborate pattern of clustered fruit and flowers decorate the sides of the basket. The cobalt g...

A vintage 1980s postmodern textured wall clock by Empire Art Products in various shades of spelled gray. In excellent vintage condition and works ...

Striking sculptural douglas fir live edge bookends (circa 1970s USA). Solid 'blocks' of stained douglas fir have been sculpted into trapezoidal forms and finished to reveal soft, pol...

Standing tall and proud, this sterling silver vase is stunning. A clean modern look with a tapered shape give it that young fresh appearance. Not too big and definitely not too small...

'Amyl. Tritici' (Amylum Tritici) pharmacy bottle/apothecary jar (circa late 1920s/early 1930s, Germany). Amber glass with orb stopper and enamel label. "36" is marker applied to the ...

Dual-compartment jewelry box with beveled sides, a free edge, and natural finger pull to lid, executed in bird's-eye maple by Michael Elkan. A part...

This listing is for 3 Fin Trivets from Souda. Each one is packaged individually. Made using a manufacturing process utilized for railways, medical devices, and electronics, the Fin ...

Two sterling silver vases; one larger than the other. An interesting combination for an end table or powder room, side by side with different heights. They have a clean look, no etch...

For your consideration is this stoneware vase by California potter, Victoria Littlejohn. It features a naturalistic, organic form with a squat profile, surface with vertical ridges, ...

Vintage Limoges hand painted porcelain yellow floral egg trinket box, France. Midcentury. Marked.

With multiple openings, this vessel allows for versatile floral arrangements, whether it’s a full bouquet or a single stem, making it a dynamic centerpiece. Clay: White and pink cla...

A perfectly elegant and sophisticated 1980s wall clock designed by Shohei Mihara for Wakita. Postmodern, Memphis Group-influenced design at its finest! White with red, green, and yel...

Manufactured by Costantini l’Ogetto in Italy during the 1980s and likely designed by Pietro d’Amato, this table or mantle clock has a glossy black stepped base, matte gray body, matt...

Classic Danish modern teak bowls designed by Finn Juhl for Kay Bojesen, Denmark. Turned from a single piece of teak wood into an organic modern shape. Polished and clean, with origin...

This bud vase has a very feminine silhouette with a tapered bottom. Around the top there is a ring of lattice work around the edge and beneath that heart-shap...

An exceptional hanging picture frame comprising 2 glass plates with beveled edges floating within a solid, heavy-gauge brass frame, all with radiused corners. So striking that it nea...

These midcentury candelabras are incredible. They have an elegant shape and are very unique. Each candelabra has three lights and each light is on a different height. Held together b...

With a stunning combination of yellow, black, and enameled metal, black lucite accents, and primary-colored hands, this postmodern clock is designed with a stacked semi-circle design...

An awesome 1970s black and white crackle/fat lava glazed vase by Jasba Keramik of Germany. A straightforward and minimalist form turned all the way up with a stunning glaze! In g...

A set of 5 tactile and organic porcelain vases with leather textured exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Set...

One of a kind, these statement pieces are unique in design and execution. Meticulously hand built in Brooklyn, each slab of clay is cut with precision dried over time to maintain...

Set of two similar Black Forest carved and hand-painted 'stag' sculptures with real antlers mounted to decorative 'wreath' plaques for wall hanging (ca. 1930s/40s, Germany). One deer...

Lalique Tigre Assis, seated tiger, Monumental clear crystal sculpture, signed. 2003. In original box, with original paperwork. The grand sculpt...

A vintage kinetic ball sculpture in the style of Laurids Lonborg, a Danish housewares and decorative objects powerhouse. Black metal base and st...

Freeform ceramic sculpture made from a blend of high-iron stoneware clays hand-collected by the artist in Minnesota. Its surface is hand-polished with diamond sandpaper to render a m...

A super fun new old stock 1980s or 1990s clock. Red case, white face with stylized black numbers, and red hands. In very good vintage and unused condition in original box. Takes a si...

One of a kind, these statement pieces are unique in design and execution. Meticulously hand built in Brooklyn, each slab of clay is cut with precision dried over time to maintain...

A fantastic post modern clock by Canetti in the shape of a camera. Clock’s face is set into the camera's lens and body is solid wood with a moving film advance lever. In good vintage...

Handmade by Naomi S. Clark Materials: Terracotta Dimensions: H 4" x W 7" x D 7" 2020 Edition: Unique Plant Name: Rattlesnake Calathea Watering Schedule: Water once ev...