Brussels - Sculptures

Set of five “Pulcini” glass birds by Alessandro Pianon. Rare set of five blown glass birds resting on their hammered copper legs. These are th...

Mid-Century Murano glass horse with original silver foil label attributed to Archimede Seguso circa 1960s. Smoked grey glass, delicately formed and in excellent vintage condition. No...

Sculpture of a bird in blown glass, composed of an orange glass sphere with a textured surface evocative of the bird’s plumage. The eyes are rendered with two hot-applied murrines. D...

Emile Louis Picault (1833-1915) « LE TRAVAIL » bronze statue The bronze statue 'Le Travail' by Émile Louis Picault is much more than a mere work of art. It embodies the very essence...

16 Stones Sculpture by Pol Quadens Unique Piece. Dimensions: D 80 x W 80 x H 450 cm. Materials: Polished stainless steel. The production time for this piece...

Fratelli Brambilla is the manufacture which produced the vase designed by Angelo Mangiarotti in the 1960s. Old sticker of Frattelli Brambilla is there but not holding .The mark is ap...

Bacchus 
Southern Italy, late 17th century
 Alabaster Sculpture
 H: 20 cm A finely carved 17th-century alabaster sculpture of a naked Bacchus. This Italian alabaster figure depicts ...

Great Alessandro Pianon for Vistosi Murano art glass bird. Iconic design. Fine and good condition, free of any chips, cracks, or repairs "Pulcini" Bird (c.1963)

Monumental chunky glass duck by V Nason & Co Murano. Solid amber glass duck sculpture weighing approximately 3.5kg prepackaged. Still retains its original silver foil label. No damage.

Paolo di Giovanni Sogliani (Florence 1455-1522) Processional Cross Florence, around 1515 Enameled, chiseled, engraved, stippled, and gilded copper; wooden core ; Inscription: "OPA...

Pendant by Miguel Berrocal (1933-2006).

1. Description of the Work: The sculpture is a nude female figure, cast in bronze with a gilt or burnished (bronze) patina. It is mounted on a trapezoidal base of veined marble (...

Marble Helmet
 France, 17th century
 Marble
 25 × 27 × 18 cm This finely carved marble helmet, adorned with a grotesque mask, exemplifies the 17th-century fascination with antique-i...

Art Deco cast bronze sculpture of a lady. Attributed to Guido Cacciapuoti (Italian 1892-1953). Featuring a stylised striking representation of an elegant yet mysterious lady. Dual to...

Saint John the Evangelist and the Virgin from a Crucifixion Group, Spain, circa 1500, in walnut. Superb pair of gilded and polychrome wood sculptures from the late 15th century, circ...

JEF LAMBEAUX (1852-1908) "Bust of a Young Woman" in bronze. Jef Lambeaux's "Bust of a Young Woman" with bared breasts is a striking work of art that embodies both beauty and controversy. Created by the eminent Belgian sculptor Jef Lambeaux (1852-1908), this bronze sculpture reveals exceptional technical mastery and extraordinary artistic sensitivity. The young woman depicted, with her hair flowing freely and her face imbued with serenity, embodies the quintessence of feminine beauty. This work is part of the Romantic Realism...

Tampon d'impression pour tissus ou papier. Ce tampon est sculpté de motifs de papillons et présente de légères traces de couleur. Il est monté sur un socle moderne en acier peint en ...

Cercle of Juan Martinez Montañés (1568-1649) Infant St John the Baptist Spanish, 17th century H 74 cm Saint John the Baptist is here represented naked, sitting on a rock, with...

Attributed to GUSTAVE LOUIS BUCHET (1888-1963) Bronze statue "L'EFFORT" or "L'ATHLETE". Description of the work The statue "L'EFFORT" or "THE MAN LIFTING A STONE" Attributed to Gust...

Christ
 Umbria, Orvieto?
 Second half of the 15th century
 77 x 16.5 cm

Fratelli Brambilla is the manufacture which produced the vase designed by Angelo Mangiarotti in the 1960s. The shape is irregular, free. See mark and old sticker.

Roman Lion's Protome Sandstone Gallo-Roman, 2nd century AD - 3rd century Provenance : Private Collection Prof. Giesen (Konstanz on Bodensee), pré 1945 Most likely from the Chateau a...

- The Artwork: This sculpture by Jean de Roncourt embodies a striking dramatic tension through the figure of an archer in full action. Kneeling, with a taut torso and prominent muscles, the man draws his bow in a gesture of controlled power. The dynamic, almost choreographic posture reveals a perfect knowledge of human anatomy, typical of the Art Deco movement to which de Roncourt belonged. The grey-patinated spelter confers an antique nobility...

Superb polychrome carved wooden ram from Scotland-19th century Very elegant and surprising ram which is almost carved at life size which comes from a Manor in Scotland. Uncommon ...

Base of a carved wooden candelabrum, polychrome and gilded; cross painted on both sides. Umbria or Tuscany, 16th century 136 x 43,5 x 30 cm (The cross and the base of the candelabrum were later assembled) The base of the candelabrum is intricately carved and adorned with polychrome and gilded finishes. The shafts take on the shape of balusters reminiscent of ancient columns, feature ornate foliage decorations, garlands and winged cherub faces. The feet are crafted in the likeness of lion paws. The base is further embellished with depictions of four saint martyrs, among them Saint Barbara and Saint Catherine of Alexandria. The plasticity of the figures, outlined with strong contour lines, the clear and vibrant colors, are stylistic elements linked to the Umbrian tradition of the sixteenth century.The precisely defined and elegant drawing, along with the clear color palette applied with refined chiaroscuro modulations, became the signature of a style that would leave a lasting mark on the era to come. This is exemplified by a preference for vibrant, multicolored images, accentuated in this case by the use of red and pink in the saint's attire. A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with High Medieval practice, emphasizing pathos by showing Jesus dead, his arms sagging from the weight of the body. The upper section displaying a pelican pecks at her breast to feed her young with her own blood; a symbol of the sacrifice of Christ on the cross whose body and blood similarly nourishes the celebrant during Mass. The lower part depicts Golgotha. On the reverse side, the Resurrection is artistically presented in a Renaissance iconography, reminiscent of the renowned composition painted by Piero della Francesca, now housed in the Civic Museum of Sansepolcro. In terms of composition, with the frontal depiction of Christ holding the banner, this motif became particularly widespread in central Italy, spanning from Tuscany to Umbria throughout the 16th century.. The double-sided construction suggests that it may also have been carried in liturgical processions. In Umbria from the 14th century, the use of portable crosses painted on both sides had become a widespread practice, aimed at satisfying the monastic clientele that had significantly increased following the establishment of new religious communities. The earliest surviving Tuscan painted crucifix represent Christ as Christus Triumphans, or the “Triumphant Christ” with his head up and eyes open. This form was supplanted in the 13th century with the Christus Patiens, or “Suffering Christ” type who is shown often with his head fallen on his shoulder and his eyes closed, as In our cross. The iconography of the suffering Christ appears to have developed out of a new interest in Christ’s human nature, the development of the feast of Corpus Christi and with increased importance given to the Eucharist. The process of humanizing the figure of Christ reaches its peak with the abandonment of all the previous expressive conventions in favor of more realistic details we can observe in this Crucifix, such as the swollen belly, the arms stretched to the limit of muscle tearing, the body falling heavily forward, the abundant blood on the wounds, and the cross firmly embedded in the rock of Calvary. It's worth noting that Renaissance candelabra...

Rare sculptural Slab wall-mounted coat rack by Jonathan De Pas, Donato D'Urbino and Paolo Lomazzi for Longato Arredamenti of Padova, 1969, Italy. Molded ivory plastic. Dimensions: 68...

Mid-Century Travertine Figures by Fratelli Mannelli, 1970s

Bronze Sculpture by Johan Vierthaler, Germany, 1900s

Louis Thomas Jérôme Auzoux (1797-1880) Skinned Human anatomical Model Paris, around 1850 135 cm In the 1820s Louis Auzoux, a French medical graduate ...

The Dying Gaul. - Description of the Work: A Celtic warrior lies nude, half-reclining on his shield, his body contorted by pain. His right hand touches the ground while his face, m...

Carved oak sculptural head Monogrammed Dated 1973

1. Professional and Artistic Description: We are pleased to present for sale a superb and richly detailed ornamental Cup, testifying to the zenith of French Decorative Arts during ...

With a keen interest in the uncomfortable relationship between intimacy and voyeurism, Middernacht & Alexander thrive on investigating the psychological aspects of everyday life. Per...

Gothic canopy France, 15th century Alabaster, some traces of polychromy 33 x 23 x 20 cm Provenance: - Private collection Genève, Switzerland ...

From an sculptor studio, fine plaster sculpture of Medusa. Belgium, circa 1960.

Butter plate by Marta Bonilla Dimensions: D9 x H9 cm Materials: Metal Butter plate: Piece modelled by hand, enamelled with matte white enamel and ...

Rare pair of monks from the 18th century-Ayutthaya-Thailand Superb pair of large lacquered and gilt bronze monks very beautiful face and expression ...

Renaissance Harpy bronze Italy, 16th century 15 x 12 x 5,5 cm This expressive bronze figure represents a harpy, a mythological creature with the body of a bird and the head and tor...

This French Earth globe, attributed to Jacques Adnet, is a stunning decorative piece that blends artistry with craftsmanship. Made of plaster with raised polychrome decoration, it fe...

“Sphere”, bronze sculpture by Ado Chale. The bronze sphere features subtle undulations that add to its character and appeal. The smooth surface of the bronze catches the light, high...

Group of altarpiece representing the life of a Saint, Saint Renualde? Engraved by the sign of Antwerp hand on the hat of the central character Carved oak, traces of polychromy Fir...

GUSTAVE VAERENBERGH (1873-1927) Bust in Alabaster and Gilt Bronze "JEANNE D'ARC" (end 19th century-early 20th century) - THE WORK: The alabaster and gilt bronze bust of Joan of A...

“Musicanti” Murano glass figurine by Fulvio Bianconi, Venini Murano Italy (Founded in 1921). Glass figurine with polychrome decoration. Represents a slender character whose brown gla...

Murano glass sculpture representing a fish by Ken (Kenneth) Scott (1918-1989), Venini, Murano, Italy (founded in 1921). Transparent glass figurine with polychrome decoration. The whi...

“Fish” by Tyra Lundgren, Murano Glass sculpture. Transparent glass fish, decorated with fine successive lines of blue, green, and pale red. The fins and eyes, applied in clear glass,...

Sleeping Eros Rome, 16th century
 Carrara marble, on a wooden base
 of an ancient collection 31 × 44 x 17 cm Carved from a fine block of Carrara marble, this sculpture depicts Eros ...

Decorative sculpture depicting a fish by Ken Scott, Venini, Murano, Italy, 1951. Blown Murano glass sculpture depicting a stylized fish, designed by Ken Scott for the Venini glasswor...

Mid-Century Travertine Figures by Fratelli Mannelli, 1970s

Chérubin en bois polychrome et doré à la feuille. Cet angelot baroque date du XVIIIème siècle.

Rare and Large Imperial Black Porphyry architectural fragment partially polished, 23,5 x 15 x 12 cm Porfido Nero is a rare Black Variety of Imperial Porphyry from Gebel Dokhan (th...

Large Terracotta relief of the flight into Egypt Lombardy, first half of 17th century Painted terracotta 91 x 85 x 11,5 cm This event in the early life of Christ is recounted i...

Mid-Century Modern Ceramic by Alessio Tasca, Italy, 1970s

Beautiful 18th century marble bust of Marie-Antoinette, wear and losses consistent with age and use.

A terracotta bust "Ecce Homo" Florence, 15th century 53 x 44 x 31 cm

AFTER A MODEL BY GIAMBOLOGNA (1529–1608)
 Pacing Bull
17th century
 Bronze, on an ebonised wood base H totale 15 x L 11,5 x P 8,2 cm Since antiquity, the bull has been venerated as ...

Large stone capital carved on each side in strong relief. The basket is covered with two crowns of vertical acanthus leaves which sprout from the astragal and fill the space between ...

Jef Lambeaux (1852-1908) “THE SOWER” Artistic Description: "The Sower" depicts a vigorous young man, bare-chested, in the act of sowing seeds. The sculpture captures with precision...

Marble lion white marble France, probably Périgord, 17th century Small marble lion wearing a coat of arms pendant with the engraved date, ...

Italian Brutalist Travertine Hedgehog sculptures by Fratelli Mannelli, Italy, 1970s.

Heavy resin skull, nickel -plated. Signed and dated Y.D.89 at the base.