Budapest - Wall Decorations

A small-scale nocturne depicting a low Dutch riverside town under a heavy, advancing cloud mass, painted with a deliberately restrained palette and a clear emphasis on atmosphere ove...

Silvy Favero Green Planet 2024 Acrylic on canvas 100 × 100 cm Visual narrative This work by Silvy Favero immediately strikes the viewer with its vegetal, almost organic energy. Gre...

After Anthony van Dyck (1599–1641) Portrait of a Gentleman Oil on board, 19th century Dimensions: 54 × 44 cm Framed: 65 × 55 cm This high-quality copy after Anthony van Dyck faithfu...

Silvy Favero Deserto Arabico / Arabian Desert, 2022 Acrylic on canvas 70 × 50 cm Visual narrative In “Arabian Desert,” Silvy Favero does not simply depict a landscape: she evokes i...

Miklós Mihalovits (1888-1960): An enetriour of an art collector oil on canvas Size: 97x84,5 cm (118x115 cm with the frame) Signed This refined interior scene by Miklós Mihalovits de...

Silvy Favero RED PLANET, 2024 Acrylic on canvas 70 × 50 cm Visual narrative There are paintings that depict a planet, and there are paintings that seem to come from one. Red Planet...

Nandor Vydai-brenner (Hungarian 1903-1966): Dramatic robbery scene Hungarian horsmen attacking an elegant carriage A group of betyárs — legendary Hungarian highwaymen — are depicted ...

An atmospheric and beautifully executed 18th-century Dutch landscape painting, depicting herdsmen and resting cattle beneath a dramatic sky. The composition captures the timeless cal...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Ernő Ágoston (1889–1957, Sopron) Hungarian painter and graphic artist Oil on canvas, dated 1926 lower left A refined and atmospheric composition depicting a seated woman in a lumin...

Benő Boleradszky White Cats Resting Oil on board, signed upper right, circa 1920 A charming and atmospheric Hungarian animal painting depicting three white cats resting together on ...

Copy made in the early 19th century of the famous painting by Nicolas Fouché Troyes 1653 - 1733 Paris exhibited in the Museum of Fine Arts in Budapest   

‘Portrait of Nalee’ by Ivan Maria Friedman (limited series of 15) We travel through a significant part of LAOS, once again in search of the enduring spirit of tradition and authenti...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Miklós Bánovszky (1895-1995): Table still life with fruits oil on canvas Size: 80x61 cm (95,5x75,5 cm. with the frame) Signed on lower left The frame visible in the photo is included...

St. Joseph the Worker with the Child Jesus, c. 1900 oil on canvas Size: 57x29 cm (66x37 cm) Early 20th-century devotional image depicting Saint Joseph the Worker with the Child Jesu...

Antal Berkes (1874-1938) Street scene from the Fin de Siécle Signed Size with the frame : 46x56 cm This atmospheric street scene by Antal Berkes captures the elegance and vitality of...

Unknown artist, French school, 19th century: Portrait of an old man oil on board Size: 69x56 cm (87x74 cm with the frame) A striking portrait of an elderly bearded man rendered in t...

Antonio da Trento (1508-1550) – The Martyrdom of Saint Paul and the Condemnation of Saint Peter Chiaroscuro woodcut printed from three blocks after Parmigianino, executed by Antonio...

Pál Böhm (1839-1905)– Encampment of Gypsies oil on canvas Signed on lower left Oil on canvas painting by the Hungarian artist Pál Böhm, depicting a lively scene of travelling gypsie...

JUSZKÓ, BÉLA TATA-TÓVÁROS, 1877 - 1969, BUDAPEST Painter. He trained in the Budapest School of Drawing between 1893 and 1898. His masters were Ede Balló and Bertalan Székely. In 190...

Erik Scholz (1926-1995): Movements (Mozgások) Mixed media, fiber plate Signed on the back Provenance: From the artist’s estate Size: 60x80 cm Mixed-media composition on a textured g...

Great and superb oil on canvas period Empire. Measures: 120cm x 160cm!   

‘Portrait of Yer’ by Ivan Maria Friedman (limited series of 15) PhotoRag Baryta Portrait of Yer, a young lady from the Hmong tribe standing at the window of her home in the Vang v...

Portrait of a child with a hypnotic gaze. The signature of the work's author is not legible, but to assess its value, one need only stare.

Precious frame full of carved faces. The frame is embellished with fruit skilfully arranged on a gilded background. The work of an early 20th century Florentine craftsman, it belonge...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Boats in Portofino. The artist's signature is not legible but the painting shows an Impressionist influence in the luminous vibration of the water.  

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Rare Double painting on canvas. On the framed side a refined representation of the crucifix, on the other a depiction of the Virgin Mary holding the...

The girl's gentle features, while knowing nothing about her, convey a sense of familiar empathy.   

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"Plancton I" by Taeko Mima oil on canvas painting, 1999.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

Great and superb oil on canvas by Krupka Ferenc.     

"Plancton II" by Taeko Mima oil on canvas painting, 2000.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"Stack of watermelons" by Taeko Mima oil on canvas painting, 1997.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"Purple Profile" by Taeko Mima oil on canvas painting, 1993.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"View of Ravello" by Taeko Mima oil on canvas painting, 1996.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...