Budapest - Wall Decorations

‘Portrait of Nalee’ by Ivan Maria Friedman (limited series of 15) We travel through a significant part of LAOS, once again in search of the enduring spirit of tradition and authenti...

On 4 June 1776, America declared its independence. Thirteen states announce secession from England. Louis XVI has a symbolic tapestry woven, in which France comes to the aid of the n...

‘Portrait of Yer’ by Ivan Maria Friedman (limited series of 15) PhotoRag Baryta Portrait of Yer, a young lady from the Hmong tribe standing at the window of her home in the Vang v...

Silvy Favero Deserto Arabico / Arabian Desert, 2022 Acrylic on canvas 70 × 50 cm Visual narrative In “Arabian Desert,” Silvy Favero does not simply depict a landscape: she evokes i...

Silvy Favero Green Planet 2024 Acrylic on canvas 100 × 100 cm Visual narrative This work by Silvy Favero immediately strikes the viewer with its vegetal, almost organic energy. Gre...

Silvy Favero MADRE NATURA, 2024 Acrylic on canvas 100 × 100 cm Visual Narrative — Mother Nature In Mother Nature, Silvy Favero does not describe a landscape: she conveys its primal...

Silvy Favero FONDALI MARINI, 2026 Acrylic on canvas 85 × 65 cm Visual Narrative — Fondali Marini In Fondali Marini, Silvy Favero does not depict the sea from the outside: she immer...

Silvy Favero RED PLANET, 2024 Acrylic on canvas 70 × 50 cm Visual narrative There are paintings that depict a planet, and there are paintings that seem to come from one. Red Planet...

Great and superb oil on canvas period Empire. Measures: 120cm x 160cm!   

Copy made in the early 19th century of the famous painting by Nicolas Fouché Troyes 1653 - 1733 Paris exhibited in the Museum of Fine Arts in Budapest   

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

JUSZKÓ, BÉLA TATA-TÓVÁROS, 1877 - 1969, BUDAPEST Painter. He trained in the Budapest School of Drawing between 1893 and 1898. His masters were Ede Balló and Bertalan Székely. In 190...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Portrait of a child with a hypnotic gaze. The signature of the work's author is not legible, but to assess its value, one need only stare.

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

The girl's gentle features, while knowing nothing about her, convey a sense of familiar empathy.   

Precious frame full of carved faces. The frame is embellished with fruit skilfully arranged on a gilded background. The work of an early 20th century Florentine craftsman, it belonge...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

Great and superb oil on canvas by Krupka Ferenc.     

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"Plancton I" by Taeko Mima oil on canvas painting, 1999.

This baroque tapestry is purely decorative, and it gives an example of the architectone style in Spanish royal palaces of the time.

Boats in Portofino. The artist's signature is not legible but the painting shows an Impressionist influence in the luminous vibration of the water.  

Rare Double painting on canvas. On the framed side a refined representation of the crucifix, on the other a depiction of the Virgin Mary holding the...

"Plancton II" by Taeko Mima oil on canvas painting, 2000.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"Stack of watermelons" by Taeko Mima oil on canvas painting, 1997.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"Purple Profile" by Taeko Mima oil on canvas painting, 1993.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"View of Ravello" by Taeko Mima oil on canvas painting, 1996.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...