Illinois - Art

Patrick Vale Gene acrylic and ink on paper 24h x 19w in 60.96h x 48.26w cm PKV017 See What I See Why are Chicago and baseball so perfect for each other? ...

Signed lower right

Michael Frimkess Cream Calabash (INV# NP3996) stoneware and glaze 8.5 x 5" date unknown provenance - The Nevica Project Magdalena Suarez Frimkess and Michael Frimkess began workin...

Christina Haglid Blue Thunbergia watercolor on paper 7.25h x 4.50w in 16.75h x 13.75w in framed CMH008 Christina Haglid Artist's Statement I used to write a lot of poetry, and it has shaped the narrative process in my artwork. Now painting has replaced writing. Objects in the painting are considered like words placed on a page. I use flowers, manipulated objects, and architecture together in compositions to symbolize the subtle conversations and interactions between them. They are placed in imaginary landscapes that are inspired by actual places and travels. All the paintings are watercolor and gouache on stonehendge paper, and they are made up almost entirely of individual brushstrokes. EDUCATION 1993 M.F.A., Cranbrook Academy of Art 1991 B.F.A., Maryland Institute, College of Art 1990 Skowhegan School of Painting and Sculpture EXHIBITIONS 2015 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2014 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2013 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2012 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2011 “Gallery Group” Ann Nathan Gallery, Chicago, IL "Meticulous Details: Conservators' Paintings" The Architrouve, Chicago, IL 2010 “Art Chicago” Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2009 “Botanica” Ann Nathan Gallery, Chicago, IL 2006 “Botanicus” Ann Nathan Gallery, Chicago, IL 2006 “Arts Botanica” Loyola University Museum of Art, Chicago, IL 2005 “Blumen: Group Show” Ann Nathan Gallery, Chicago, IL 2004-05 “Think Small” Illinois State Museum, IL [traveled] “Christina Haglid: Microworlds” Greenville...

A lion strolls in front of a Range Rover in this photorealistic painting entitled "Dark Mane" by Rick Pas. Though small in scale this painting delivers gr...

Original collotype lithograph of Gustav Kilmt’s Seated nude, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild...

The female figure in Oliver Benson's "Maid of Agora" is drawn in exquisite detail. On the reverse side, the artist has drawn another female figure. The artwork is not framed. Ple...

This loose graphite sketch shows two women, one nude, one in various state of dress. The intertwined figures morph into one as the name suggests in this nude drawing by Eduardo Alvarado. The drawing is matted with a heavy mat. Contact the gallery for framing options. Eduardo Alvarado Metamorphosis charcoal on paper 11.75h x 9w in 29.84h x 22.86w cm EDA017 EDUARDO ALVARADO b. Spain, 1972 EDUCATION 1990-95 Licenciado en BB AA La Facultad de BB AA de la UPV, Bilbao La Facultad de BB AA de San Fernando, Madrid SOLO EXHIBITIONS 2018 Casa del Libro, Logroño 2016 Casa de Cultura. Miranda de Ebro 2015 Casa de Cultura. Miranda de Ebro Galería Espiral, Noja 2014 Galerie d´Art Anne Broitman. Biarritz, France 2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia Centro Cultural La Vidriera, Maliaño The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia 2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia Manos para qué os quiero. Logroño Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian 2011 Galería Espiral, San Miguel de Meruelo Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia Exit Art Gallery (Fundación Adolfo...

Entitled “Great Wall II,” this pointillist woodcut by renowned Chinese artist Ren Hui depicts a stretch of the Great Wall of China in a network...

A strange summer landscape for a strange summer day. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Y...

"Patterns and Pansy" by Carol Stewart is a small abstracted still life painting with vibrantly patterned fabrics. In front sits a small glass dome and a ...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera - including fragment...

Abstract minimalistic painting , with silver accents and a lot of texture. This one of a kind painting is done in acrylic. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight difference in tone. This painting has painted white 0.75" wide sides. It can be displayed without frame. I use professional grade materials and canvases, and the painting is finished with a glaze of UV varnish to protect against sunlight and dust damage. Signed on the back. Painting size is 20"x20". For international buyers, customs duty is the responsibility of the buyer. Certificate of authenticity is provided. Please contact for correct international shipping based on zip code...

Century Guild presents a selection of never-before-seen photographs taken on the set of Caligula in 1976 by legendary Italian still photographer Mario Tursi, best known for his work with Italian directors Pier Paolo Pasolini and Luchino Visconti as well as his long collaboration with Martin Scorsese on the sets of Gangs of New York and The Last Temptation of Christ. These museum-quality fine art prints are available in extremely limited archival editions honoring the Caligula MMXX restoration. Soldiers on the Wall of Death set designed by Danilo Donati...

A small octopus is inked in the Japanese style of Gyotaku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extrao...

Michael Jordan was so excited to celebrate with his fellow teammates, he arrived at the party missing one of those famed "Air Jordan" shoes! Photographer Richard Shay caught him in this shot from 1997 while celebrating the team's 5th Championship win. This A.P. photograph is matted and framed in a simple black frame measuring 20.25h x 16.25w inches. Richard Shay MIchael Jordan "One Shoe Left at United Center" Celebrating 5th Championship Win, 1997, 2023 archival pigment print 16h x 12w in 40.64h x 30.48w cm A.P. RSY009 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Jesús Curiá Perez Conectados VI bronze 29h x 9w x 5.50d in 73.66h x 22.86w x 13.97d cm ed. 1 of 8 JCP051 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasur...

This one of a kind painting is done in acrylic on paper. Gold accents. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight d...

Gustav Mezey’s lithographic film poster for Hermann Wallbrück’s “social hygiene” film Schleichendes Gift (translated as Creeping Poison) shows a distressed woman encircled in the gri...

Riratto con Paesaggio, 2019 Oil on Panel with Frame, 11 x 14 inches A quiet and contemplative portrait painting, "Ritratto con Paesaggio", by Justas Varpucanskis, presents a sooth...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

The sun sets over a wooded grove in this serene Midwestern landscape as only Ahzad Bogosian can capture. This tranquil landscape, devoid of any h...

oil stick and graphite on 140# Fabriana Artistico paper signed by artist

Alice Russell Glenny’s Women's Edition Buffalo Courier, 1897 lithograph on Japon paper produced with a plate of metallic gold ink. While this poster w...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography that was popularized in China during the econom...

This is beautiful little 19th century oil painting on panel. Painted in the barbizon school style. It is a lovely example of pastoral artwork, depicting a sweet little country scen...

Nathalie painted this work after a trip to Auvergne in France. This is the second painting of a series. The first one was sold at an Art Fair. The vibrant colors are the result of en...

This 1930s advertisement for Victory Cigarettes melds the meticulous detail of traditional Chinese painting with the craft of color lithography—and a side of risqué. Posters like this one, influenced by the Art Deco movement in the West, recall the economic boom of early 20th century Shanghai, an international center of business and trade. Today, lithograph tobacco posters...

MORROW, ALBERT GEORGE (1863 -1927) "The New Woman" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, c. 1897. Plate #79 Unframed Size: 11 3/8 x 15 3/4 ”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Mr. Bubbles - Plum Bob sumi ink and colored pencil on mulberry paper 14.25h x 19.75w in 36.20h x 50.16w cm JEC152 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

Lithograph of Auguste Donnay’s Cercle des Beaux-Arts de Liege Exposition Annuelle, published by Imprimerie Chaix, the printing house known for publishing the ...

Printed on archival Moab Lasal Exhibition Luster Editions of 12 SILHOUETTES Humans have always adorned both themselves and their surroundings—even the earliest cave drawings are ev...

Expressionist lithographic poster by Theodor Paul Etbauer for J. Kosbü Optik, a German optometry practice. Etbauer elegantly merges art and advertisement with a simple, striking desi...

James Rosenquist (1933-2017) "Wind and Lightning" Etching and aquatint, photo-etching with pochoir on Pescia Italia paper, 2nd state, 1978 Sheet size: 23 x 40 inches (58.4 x 101.6 ...

Beautiful large painting in red and white, with silver accents . This one of a kind painting is done in acrylic. I try my best to represent the true colors of the paintings in the ph...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact...

Oberon is historically known as a king of the fairies in medieval and Renaissance literature. Here he is pictured aloft, floating in space, with elongated arms and legs that twist i...

The garments' northern African origins can be traced back hundreds of years, as far as the 7th and 8th Centuries, to the early times of the trans-Saharan t...

JIM DINE Singing and Printing XIII. Unique color woodblock relief print with hand coloring in oil, acrylic, and charcoal and mechanical abrasion on cream wove paper, 2001. 69 3/4 x ...

An enigma by definition is a person or thing that is mysterious, puzzling, or difficult to understand. Such is the subject matter of John Seubert, aka John Grey's painting of the same name. The sphynx-like figure stares out at the viewer holding what appears to be a large bowl. The surreal scene is framed in a repurposed frame that the artist has distressed and painted. It measures 25.5h x 21.5w inches. John Seubert Enigma, 2023 oil on canvas 20h x 16w in 50.80h x 40.64w cm JSE076 John Seubert b. 1958, Chicago, IL In the early Nineties, John Seubert was living in a former hotel in a high-rise building on St. James Place in Chicago. The apartment was tiny, as hotel rooms tend to be, and clad with paper-thin walls allowing sound to pass from one apartment to the other. At the time, John’s artwork consisted of pounding copper sheets into tables which was a noisy endeavor to say the least. Following several noise complaints from the neighbors, John had a dream that he was living in a ramshackle house but with plenty of room to work and no attached neighbors. The following day after lunching at the McDonalds in Lincoln Park, John wandered the neighborhood a came upon a shabby, falling-down old Victorian house. He located the real estate agent, put in an offer, and weeks later was pushing a shopping cart full of his belongings to his new home. This 144-year-old Painted Lady provided a blank canvas for this inimitable artist. For many years the house remained so empty that John was able to ride his Japanese fold up bike throughout the 1st floor. “Some people want to have sex...

“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

Edition of 15 Signed by Patty Carroll Paper size: 30 x 30 in., Image size: 22 x 22 in. From the series, Anonymous Women Patty Carroll is an American photographer who has taught and ...

ink, watercolor, glitter, and collage on paper

Century Guild presents a selection of never-before-seen photographs taken on the set of Caligula in 1976 by legendary Italian still photographer Mario Tursi, best known for his work ...

This one of a kind painting is done in acrylic on paper. This painting is painted in many subtle layers built one on the top of the other, a union between complexity of technique and...

Throughout this piece Pylant explores the concept of impossible spaces, by creating urban scenes that blend into nature, creating portals within the artwork. The juxtaposition of urban and natural gives the artwork a surreal sense that immerses the viewer with a comforting sense of familiarity. By incorporating scenes of the present with imagery from past memories, Pylant develops a dialogue between past and future, creating a compelling and striking image that completely absorbs the viewer in its serene beauty. Moreover, the artist often combines imagery from her travels to Italy, Spain and throughout Europe with memories of her childhood home in North Carolina. The artwork is framed in a silver wooden frame measuring 32 x 42 inches. Carol S. Pylant Girona Pause oil on panel 30h x 40w in Framed dimensions: 32h x 42w in CSP044 Resume Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2023 Intersect Palm Springs, Palm Springs Convention Center, Gallery VICTOR 2019 SOFA Chicago, Navy Pier, Gallery Victor Armendariz, Chicago 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2019 Gallery Victor Armendariz, Chicago, IL 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985, Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1979 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2019 Portal Paintings, 2009-2019, Gallery Victor Armendariz, Chicago 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner...

Artist Commentary: I constructed this piece from the setters I used to fire the ceramic pieces of another sculpture along with some of the glaze test tiles. When I saw these "scraps" sitting together there was a visual harmony that suggested a new use for them. Keywords: abstract, welded metal, Artist Biography: Fred Klingelhofer, a primarily self-taught artist, grew up in a Chicago south side neighborhood. He received a BS degree in physics from Roosevelt University and worked as an engineer for 30 years. During those years he enrolled in art workshops and classes at a nearby community college completing courses in figure drawing, 2D and 3D design, ceramics, sculpting the figure, welding and metal sculpture. His focus has been on creating sculpture since 2006. Fred has exhibited his sculpture in a number of group exhibitions with Chicago Sculpture International, Art Prize (Grand Rapids, Michigan), Sculpture in the Park (St Charles, Illinois), Sculpture Walk Sioux Falls...

Adoring fans clamor for an autograph from Oprah Winfrey at the Bud Billiken Parade in Chicago. Every summer since 1929, “The Bud” has united African-Americans throughout the city of Chicago in music, dance, food, and laughter. It is a parade that openly and emphatically praises the historic roots of the South Side of Chicago. This casual look into Oprah's early life is an Artist Proof. It is matted and framed in a simple black metal frame measuring 16.25h x 20.25w inches. Richard Shay Oprah Winfrey at the Bud Billiken Parade, Chicago, 1984 archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY016 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Fierce friends - Maya Angelou, Quincy Jones and Oprah Winfrey - are pictured here in 1993 at the 65th birthday celebration for Ms. Angelou. Oprah said of Angelou - she was my mentor, mother, sister and friend. This A.P. photograph is matted and framed in a simple black frame measuring 20.25h x 16.25w inches. Richard Shay Oprah Winfrey, Quincy Jones & Maya Angelou at Maya's 65th Birthday Celebration, 1993. archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY018 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing...

Using song lyrics combined with Penguin classic book covers, Don Pollack opens us up to a discussion of the current state of our environment in this oi...

The female figure in Oliver Benson's "Lady of the Temple" is drawn in exquisite detail. This fine drawing is floated on a mat board and framed in a silver frame measuring 11h x 8.25...

A full moon illuminates the landscape just enough to allow this gardener to tend his night shade plants in this illustrative painting by John Hrehov. Fireflies dot the scene adding to the playfulness of the tableau. This piece is floated in a white wooden frame measuring 32h x 26w x 2d inches. John Hrehov Night Garden oil on canvas 30h x 24w in 76.20h x 60.96w cm JHR023 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street...

She did this painting called "Delivrance" as a live painting for a closing show. Full of symbols, it depicts a scenery playful and joyous. :: Painting :: Abstract Expressionism :: Th...

A ladder and several doors seemingly float in air while a full moon illuminates this surreal scene. "Echo" is painted in muted shades of grey bringing a melancholy to the overall aesthetic. The original oil painting is framed in a repurposed frame that the artist has distressed and painted. It measures 24h x 30w inches. John Seubert Echo, 2023 oil on canvas 16h x 20w in 40.64h x 50.80w cm JSE077 John Seubert b. 1958, Chicago, IL In the early Nineties, John Seubert was living in a former hotel in a high-rise building on St. James Place in Chicago. The apartment was tiny, as hotel rooms tend to be, and clad with paper-thin walls allowing sound to pass from one apartment to the other. At the time, John’s artwork consisted of pounding copper sheets into tables which was a noisy endeavor to say the least. Following several noise complaints from the neighbors, John had a dream that he was living in a ramshackle house but with plenty of room to work and no attached neighbors. The following day after lunching at the McDonalds in Lincoln Park, John wandered the neighborhood a came upon a shabby, falling-down old Victorian house. He located the real estate agent, put in an offer, and weeks later was pushing a shopping cart full of his belongings to his new home. This 144-year-old Painted Lady provided a blank canvas for this inimitable artist. For many years the house remained so empty that John was able to ride his Japanese fold up bike throughout the 1st floor. “Some people want to have sex...