Illinois - Art

"Descriptions I have heard or read of my work, most of which either delight or offend me, are: allegorical, apocalyptic, provocative, prophetic, dream-like, surreal, fantastic, weird, frightening, disturbing, demanding, despairing, disgusting, irrelevant, inspiring, old, new-old, fascinating, morbid, medieval, bizarre, cathartic, mystery-plays (I like that), and well drawn." - David Becker David Becker Monuments etching & engraving 21h x 31w in 53.34h x 78.74w cm A.P. DB0022 This etching is matted and framed behind plexiglass. The frame and Plexi may show signs of wear. Contact gallery for detail report. David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

The sun peaks though the hazy clouds in this serene Midwestern landscape as only Ahzad Bogosian can capture. This tranquil landscape, devoid of a...

“Through a black and white lens, hidden stories of everyday objects become apparent. The juxtaposition of strong light and dark shadows transform and illuminate detail that would otherwise be dismissed. Diminutive elements become rich in meaning allowing compositions to effortlessly evolve. As I attempt to uncover the hidden truth of the world around me, I am inevitably mesmerized by it and I hope you will be too.” A self-taught photographer, Kirill Polevoy, first started making photographs with an old Russian film camera...

Artist Commentary: This is a watercolor of a floral garden. Keywords: floral, flowers, floral garden, garden, impressionism, representational, tulips, red Artist Biography: Born a...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Complete set of four color screenprints on Fabriano wove paper. Signed and dated, 1 of 4 and numbered 68/100 in pencil Co-published by Prestige Art Ltd., Mamaroneck, New York and ...

This one of a kind painting is done inwatercolor on paper. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight difference in...

This portrait portrays a woman from the Pacific Islands who has a regal manner. My portraits combine elements of realism and abstraction. The woman is presented in profile in a rea...

The photographer walks cities with his Leica camera capturing unexpected moments. His brand of street photography is sometimes poignant and sometimes hum...

EDUARDO ALVARADO b. Spain, 1972 EDUCATION 1990-95 Licenciado en BB AA La Facultad de BB AA de la UPV, Bilbao La Facultad de BB AA de San Fernando, Madrid SOLO EXHIBITIONS 2018 Casa del Libro, Logroño 2016 Casa de Cultura. Miranda de Ebro 2015 Casa de Cultura. Miranda de Ebro Galería Espiral, Noja 2014 Galerie d´Art Anne Broitman. Biarritz, France 2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia Centro Cultural La Vidriera, Maliaño The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia 2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia Manos para qué os quiero. Logroño Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian 2011 Galería Espiral, San Miguel de Meruelo Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia Exit Art Gallery (Fundación Adolfo Dominguez...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

This multi-exposure photograph in what Art called "wrassling" shows all angles of the sport of wrestling. The photograph is signed on the back and matted with a heavy white mat and ...

BRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

This one of a kind painting is done in acrylic on paper. Gold accents. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight d...

This one of a kind painting is done in oilwith subtle gold accents. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight di...

Carroll Dunham Untitled Graphite on paper 13.5 x 10.25” Framed 22 x 18.75” Signed by artist 2003 Provenance: Barbara Gladstone Gallery, New York

Mary Block Winter Pear dye sublimation print on aluminum 30h x 41w in 76.20h x 104.14w cm 2/20 MBK003 Mary Block b. 1951, St. Louis, MO Education 1975 Mechanical Engineering Department, Stainless Steel Casting in Cooperation with Alloy Casting Corporation. University of Illinois - Champaign 1974 Master of Fine Arts Candidate. School of Fine Arts. University of Iowa. 1973 Bachelor of Fine Arts. College of Fine Arts. University of Illinois – Champaign Exhibitions 2022 Kiss Me, Its Snowing, Gallery Victor Armendariz, Chicago, IL Illinois Artists’ List, Curator: K. Eaton. Mary Block Sculpture and Print: A Dialogue Between Form and Image. University of Illinois. School of Art and Design, Link Gallery. Champaign/Urbana. 1996 ASID Showcase, Chicago, IL 1995 New Glass Review, Corning Museum. Corning, NY. International Exhibition/Catalog featuring innovative glass sculpture. 1996 Solo Exhibition, Nina Own Gallery, Chicago, IL 1996 Gallery Artists, Nina Owen Gallery. Chicago, IL 1995 Gallery Artists, Nina Owen Gallery. Chicago, IL 1995 Sandy and Dave, Group Exhibition. North Shore/Skokie Sculpture Park. Skokie, IL 1994 Sandy and Dave, Group Exhibition. North Shore/Skokie Sculpture Park. Skokie, IL 1992 Twenty Women, Adler Cultural Center. Libertyville, IL 1991 The Discerning Eye-National Exhibition, Charles A. Wustum Museum. Racine, WI 1988 North Shore Skokie Sculpture Walk, Curator: J. Folise. McCormick Blvd, Skokie, IL Public Commissions 2022 Skyway Prints, Delta Airlines. Skyway Lounge, O’Hare Airport, Chicago, IL 2018 Mindfulness Center Sculpture, Roslyn Road School, Barrington. IL 2011 Grove School Children’s Amphitheater, Ft. Grove School, Barrington, IL 2007 Generations, Village Hall of Deerfield, Deerfield, IL 1999 Lifetime Learners, Danville Community College. Danville, IL 1997 Heroic Women Collection, Las Sendes Sculpture Park, Phoenix, AZ 1996 Wrapped Figure, Columbia College, Chicago, IL Book With Hands Memorial, Oak Grove...

"True North - Brief" is a dream-like view of the rising sun turning the deep blue sky into a blaze of orange at the horizon. The surreal quality of the imagery makes the viewer ques...

Chinese New Year paintings (nian hua) are colorful folk paintings created to celebrate the annual Spring Festival. Drawn or printed by folk artists in regional studios, nian hua paintings featured exaggerated characters with bright and contrasting colors. Put up around the home to beckon luck and happiness in the coming year, most paintings depicted mythical guardians, scenes from folk operas, or auspicious symbols of good luck. This New Year painting depicts a young woman holding a vase filled with peony blossoms. This combination of motifs is a visual idiom for "may you have peace and prosperity" (ping'an fu gui). The early 20th century painting is from the town of Yangliuqing, one of the leading producers of traditional New Year's paintings known for its combination of woodblock printing...

This collage subtly incorporates sheet music to reinforce the suggestion of sounds heard within a concert hall. Ironically, this is a quiet piece, a visually satisfying painting that...

Two figures, cast in shadows, stand in the foreground between a nude female figure in the background. Loose brushwork, thick with expressive, bold colors and strong contrast in shadows, add to the mystery of this gathering of characters. This artwork is mounted to a wood cradle and can hang directly on the wall. Please contact the gallery for framing options. Georgia Hinaris...

“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20...

Created for the show "A Retro-ish Perspective" in June 2022, this piece is modeled after the original 1925 oil on canvas painting by Joan Miro. He said it acts as "'a sort of gen...

Artist Commentary: Based on Chicago, Point to the Sky is the amalgamation of architectural genres that thrive in dense, urban environments, and present a human cliff on many a city b...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box...

A very good impression of this color lithograph. Signed and numbered 125/175 in pencil, lower margin.

In celebration of the lunar new year festival, it was traditional all over China to hang special decorations. In a city called Wuqiang, local artists made lacquer scroll paintings laden with symbolism. This framed and finely rendered 19th century folk painting from Wuqiang features an imperial court official and his family dressed in their best silks. The young boy is dressed in a wonderfully patterned yellow robe to offer Shou Xing...

A small purple vase floats on a dreamy background of pale blues fading into a warm beige. The artist achieves a remarkable delicate quality by multip...

TISSOT, JAMES JACQUES JOSEPH (1836 - 1902) "Le Portique de la Galerie Nationale a Londres" (The Portico of the National Gallery, London) Wentworth 40 Etching and Drypoint on imitation Japanese paper, C. 1878 Only state published, from the edition of 100 Signed 1878 J.J. Tissot on the step, lower right 14 7/8” x 8 1/4” Excellent crisp impression This etching is related to the painting London Visitors exhibited at the Royal Academy in 1874, no. 116. The setting is the portico of the National Gallery, looking toward the Church of St. Martin’s-in-the-Fields. Such works give Tissot a minor but distinguished position as a predecessor of the school of architectural etchers...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact...

The colorful paintings of Jan Pieter Fokkens transport us to distant worlds beyond our comprehension. Within his seemingly infinite networks of lines, dots, and crosses, he decodes t...

PHOBIAS Pezdek’s PHOBIAS expose the absurdist, fearful tendencies from which we all suffer. Concurrently, there is a powerfully implicit optimism running through each work which is...

A lone rooster struts before the camera on a sparse landscape. The simplicity of this black and white photograph brings the rooster to life as he puffs his chest out showing us his masculinity. This photograph is unframed. Please contact the gallery for framing options. Kirill Polevoy Rooster, Colorado, 2021 archival pigment print 16h x 20w in 40.64h x 50.80w cm 1/30 KIP040 “Through a black and white lens, hidden stories of everyday objects become apparent. The juxtaposition of strong light and dark shadows transform and illuminate detail that would otherwise be dismissed. Diminutive elements become rich in meaning allowing compositions to effortlessly evolve. As I attempt to uncover the hidden truth of the world around me, I am inevitably mesmerized by it and I hope you will be too.” A self-taught photographer, Kirill Polevoy, first started making photographs with an old Russian film camera...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

This one of a kind painting is done in acrylic on paper. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight difference in t...

A field of dahlias climb the surface of this surreal landscape titled "Dahlia Web". A spider has woven its web through the field in the hopes of attracting any flying passer-by. The painting is framed in a simple white wooden frame measuring 19.75 x 31.5 inches. John Hrehov Dahlia Web oil on linen 18h x 30w in 45.72h x 76.20w cm JHR014 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

This one of a kind painting is done inwatercolor on paper. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight difference in...

This one of a kind painting is done in acrylic on paper. This painting is painted in many subtle layers built one on the top of the other, a union between complexity of technique and...

This one of a kind painting is done in acrylic on paper. The photos show the painting in different light conditions. Gold drips on the top and lightly throughout the painting , hard ...

Art Shay carried his camera with him where ever he went. He captured everyday moments and some not so everyday like this car. It's reflection in a shop window gives the appearance ...

Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his ...

Last House Standing, Original Acrylic Cityscape Painting on Canvas, 2013 20" x 24" x 1.5" (HxWxD), acrylic on canvas This impressionist cityscape ac...

Named for its red fruit that tends to bloom during the Holiday Season, the Christmas Palm is shown here with all its beautiful flowers. Drawn in colored pencil with fine detail, thi...

"Northern Lights" Yukon, Canada, 2012 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Editi...

"Dawn Herders" Karo People, Omo Valley, Ethiopia, 2023 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 5...

Painted with such exacting detail it is hard to believe it is not a photograph. This piece is framed in a simple wooden frame measuring 27 x 27 inches. Rick Pas Screaming Young Kestrel 2 acrylic on panel 12h x 12w in 30.48h x 30.48w cm RPA016 ARTIST'S STATEMENT Creating is an addiction. With all the highs and lows you would expect. I am interested in the surface textures and creating paintings that portray them in realistic detail. Hopefully a viewer will feel they can run a hand over the feathers and moss, or grasp an object in the painting. This detail is usually composed in an abstract design. The design can occur naturally or be arranged by me. RESUME Rick Pas b. 1958, Flint, MI Education Eastern Michigan University, Ypsilanti, MI - Bachelor of Fine Arts - Pearson Art Scholarship SELECTED EXHIBITIONS 2022 Gallery Victor Armendariz, Chicago, IL, Take Flight William Baczek Fine Arts, Animal Kingdom & Winter National Museum of Wildlife Art, Jackson, WY, Western Visions Lovetts Gallery, Tulsa, OK, Braveheart 2021 William Baczek Fine Arts, 25th Anniversary Exhibition 2020 William Baczek Fine Arts, Landscape Exhibition & Summer Gallery Victor Armendariz, The Palette of Pride 2019 The James Museum, St. Petersburg, FL, Environmental Impact II Lovetts Gallery, Realism, Reveries, & Rhapsody Gallery Victor Armendariz, New Work 2018 Gallery Victor Armendariz, Front and Center Corporate Art Advisory, Chicago, IL, Portraits and Places: Redefining Realism William Baczek Fine Arts, Animal Kingdom Lovetts Gallery, Rear Window 2017 William Baczek Fine Arts, Winter, Animal Kingdom, Summer Lovetts Gallery, The Good, the Bad, and the WTF? & Red 2016 William Baczek Fine Arts, 20th Anniversary Exhibition, Summer, & Landscape Exhibition Monroe Community Church, Grand Rapids, MI, ArtPrize Ann Nathan Gallery, Chicago, IL, Group Exhibition Lovetts Gallery, Cauldron 2015 William Baczek Fine Arts, Landscape Exhibition & Summer JW Marriott, Grand Rapids, MI, ArtPrize Handwright Gallery, New Canaan, CT, Small Works Ann Brierly Gallery, Winnetka, IL, Ann Nathan Gallery Satellite Exhibition RJD Gallery, Sag Harbor, NY, A Magical Menagerie 2014 William Baczek Fine Arts, Spring & Landscape Exhibition 2013 Canton Museum of Art, Canton, OH, Environmental Impact Gallery Project, Ann Arbor, MI, Interspecies 2012 Alden B. Dow Museum of Science & Art, Midland, MI, The Nature of Art: An Invitational Exhibition William Baczek Fine Arts, Landscape Exhibition & Summer Exhibition Ann Nathan Gallery, Group Exhibition Twisted Fish Gallery, Elk Rapids, MI, A Natural Selection Dennos Museum Center, Traverse City, MI, Art and the Animal Gallery Project, Extremes & Umvelt 2010 William Baczek Fine Arts, Landscape Exhibition & Summer Group Exhibition Crooked Tree Arts Center, Petoskey, MI, Juried Fine Arts Exhibition San Diego Natural History Museum, San Diego, CA, Art and the Animal 2009 West Michigan Center for Arts & Technology, Grand Rapids, MI, ArtPrize William Baczek Fine Arts, Landscape Exhibition Birmingham Bloomfield Art Center, Birmingham, MI, Michigan Fine Arts Competition Gallery Project, Shrines and Altars Ann Nathan Gallery, Fall Group Exhibition 2008 William Baczek Fine Arts, Landscape Exhibition & Summer Group Exhibition Gallery Project, Animal Intelligence Holland Area Arts Council, Holland, MI, The Natural Eye Neville Public Museum, Green Bay, WI, Art and the Animal 2007 William Baczek Fine Arts, Landscape Exhibition & Summer Group Exhibition 2006 WARD Gallery, Harbor Springs, MI, New Dimensions in the Natural World Bennington Center for the Arts, Bennington, VT, Art and the Animal Gallery Project, Nature Reperceived 2005 Light Street Gallery, Baltimore, MD, Animal House Bennington Center for the Arts, Bennington, VT, Art of the Animal Kingdom The Wildlife Experience, Parker, CO, AMERICAN BIRDS: A Flight Through Time WARD Gallery, Summer Celebration 2004 Fraser Gallery, Washington, DC, Contemporary Realism Hiram Blauvelt Art Museum, Oradell, NJ, Art and the Animal Washington Street Gallery, Ann Arbor, MI, Fifth Year Celebration 2003 Fraser Gallery, Georgetown International 2001 Sioux City...

Apples and Oranges by Patty Carroll depicts a woman sitting in her kitchen, decorated in red and orange hues. Fruit fills the room as she holds a scale, appearing to compare her appl...

Joyride by Nick Weddell stoneware, porcelain, and glazes 37 x 29 x 27” 2019 Nick Weddell is a sculptor from Austin, Texas. He received a Bachelor of Fine Arts in ceramics from Texas...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions. A ruby-throated hummingbird flits by an empty perfume bottle with a swath of gold setting off its beautiful coloring. The bold strokes of gold and black enhance the meticulously rendered bird. Due to the delicate nature of the mixed media, this piece is matted and framed with museum glass. The framed dimensions are 11.5 h x 13.5 w inches. Felipe Alfaro...

Considered one of the greatest guitarists of all time, this black and white photograph of Buddy Guy was taken by Art Shay in 1966. In 2016, Buddy Guy chose this photo for his 80th birthday celebration poster. It is signed on the front of the image. It is matted in a heavy mat and framed in a black metal frame. It measures 25.5h x 19.5w inches. Art Shay Buddy Guy, 1966 archival pigment print 19h x 13w in 48.26h x 33.02w cm ASY177 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel...

PHOBIAS Pezdek’s PHOBIAS expose the absurdist, fearful tendencies from which we all suffer. Concurrently, there is a powerfully implicit optimism running through each work which is...

"Seed Pods" Suri People, Omo Valley, Ethiopia, 2023 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x ...

"All That Glitters" Bahamas , 2021 Available sizes: 20 x 45 in / Edition of 6 32 x 73 in / Edition of 6 39 x 90 in / Edition of 6 "As the setting sun doused the islands in fiery g...

Although this whimsical sculpture by Allan Winkler has the look of outsider art, this ceramic work stems from the art school-trained artist’s interest in...

Watercolor painting on canvas panel :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :...

Watercolor painting on canvas panel :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :...

Watercolor painting on canvas panel :: Painting :: Classical :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes...

The two nude female figures appear to be asleep. The calmness of the piece is accentuated by the fine pencil drawing. The piece is unframed. Contact the gallery for framing option...

Mixed media painting on the cradled wooden panel. Painting is 8"x10". The sides are 1.5" . The sides are painted black. Bold, Brave, Expressive! :: Painting :: Abstract :: This ...

Believing that the departed continue to hold influence over the lives of the living, many Chinese households honor their ancestors in private family rituals, invoking their spirits for long life, health, and prosperity. Commemorative portraits, which came into vogue in the late Ming and Qing dynasties, were commissioned specifically for ancestor worship and were believed to house the spirits of the deceased. When properly cared for, one's ancestors were believed to be a powerful source of honor, protection, and good luck. This pair of ancestor portraits was hand-painted in the 19th century and beautifully depicts a Qing-dynasty couple. While some ancestral portraits offer a more stylized representation of one's ancestors, this particular pair is painted with incredible realism and life-like expressions. Rather than depict the pair in a regal hall wearing elaborate finery, the couple is shown in a quiet home environment, seated at either end of a square tea table. Their surroundings are minimal, practically undecorated, and they wear simple, matching blue silk robes...