London - Sculptures

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Mid-Century earthenware vase with painted owl decoration, by Pablo Picasso, Vallauris, France (1952). This is a vintage, limited edition earthenware creation, in a run of 500 (Edition Picasso) at the Madoura pottery...

Mr. Dob, 2016 Edition of 750 Signature Stamped by artist's estate, Stamped by BAIT X Switch Series Mr. Dob Manufacturer ComplexCon Bait. Takashi Murakami’s Mr DOB sculpture toy is a...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Daniel Arsham Eroded Porsche 911 Turbo, 2020 Hydrostone and quartz crystals 8.9 × 30.5 cm Edition of 500 Daniel Arsham's Eroded series is a striking series of sculptural works that ...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Yayoi Kusama Set of Two Pumpkins: Yellow and Black / Red and White: An iconic, vibrantly coloured pop art set - these small Kusama pumpkin sculptures feature the universal polka dot ...

Cast resin and aluminium oxide 13 × 6 in 33 × 15.2 cm Edition of 500 Holographic artist sticker, with edition number on the box is the COA. The "Blue Crystalized Pikachu" exemplifi...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Henk Jan Sanderman's "Mine:" is a captivating blend of sculptur...

Daniel Arsham Future Relic no.3 (Clock), 2015 Plaster and broken glass comes with the original box some minor wear to the box. 14 × 12.7 × 6.4 cm Edition of 400 Daniel Arsham is a c...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Neil Wood is a professional sculptor and fine artist with many years' experience lecturing in fine art and sculpture at institutions in the UK. He has worked in various settings; in ...

This is a metallic AA road sign used to direct traffic to parking. In keeping with Blake's idea of 'Found Art', in which he uses art found in streets, rubbish dumps, antique shops and discarded items, turning them into works of art, this was an original road sign used for Blake's 2008 exhibition at The Saint Giles Gallery in Norwich and found by a customer and returned to the gallery during the show. Blake came to the closing of the show rather than the opening where he signed the sign. This is a unique item. One off. Heralded as the ‘Godfather of Pop Art’, Sir Peter Blake was knighted in 2002 for his invaluable contribution to contemporary art. Blake began his career creating collages from photographs, cigarette packets and matchboxes. This new approach to the creation of visual art – taking found imagery from Pop culture – was spearheaded in Britain by Blake and continues to inspire contemporary artists today. Best known for creating the iconic cover to the Beatles’ 1967...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Neil Wood is a professional sculptor and fine artist with many years' experience lecturing in fine art and sculpture at institutions in the UK. He has worked in various settings; in ...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Daniel Arsham Modern Artifact 001, 2021 plaster and cast resin 12.7 (h) x 19.5 cm (dia.) Edition of 500 Daniel Arsham's Eroded Series is a captivating exploration of time, memory, a...

Ceramic Numbered 42 from the edition of 75 16.5 × 12 × 12 cm released in collaboration with DDT comes with original shipping box from DDT David Shrigley is a British artist celebrat...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Introducing "Love Balloon Wall Sculpture" by the talented artis...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Unglazed ceramic, hand-crafted and hand-decorated. (plants not included) unknown edition size. New as issued. Due to their hand-finished nature, each sculpture differs slightly. Gra...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Bronze , Limited edition of 8 "Debora Lima" stands as a capti...

Conceived in 1962, Cast in bronze in 1964 Bronze relief sculpture cast from a linocut Stamped with the foundry mark ‘E. GodArd Fondr Paris’ Unnumbered edition of 2 Pablo Picasso’...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Medium: Bronze on stainless steel base Edition of 5 ____________________________________________________________________________ Tom Hiscocks is a sculptor whose work explores them...

Signed and dated: ‘F. Harwood Fecit 1764’ Collections: Probably commissioned by Alexander Gordon, 4th Duke of Gordon (1743-1827); Probably by descent at Gordon Castle, Banffshire to c.1948; Possibly acquired by Bert Crowther of Syon Lodge, Middlesex; Jacques Hollander (1940-2004); Christie’s, 5 December 2013, lot 101; Private collection; Sotheby’s, 2 July 2019, lot 106 Literature: John Preston Neale, Views of the seats of noblemen and gentlemen, in England, Wales and Scotland, London, 1822, vol.I, unpaginated. This marble copy of an ancient bust in the Musei Capitolini usually identified as Faustina the Younger, the daughter of Antoninus Pius and future wife of Marcus Aurelius, was made in Florence by Francis Harwood in 1764. Harwood was one of the most prolific suppliers of decorative marbles for the Grand Tour market and this finely worked example demonstrates the quality of luxury goods available to travellers to Italy. So often anonymous, this unusually signed and dated example, raises questions about the status of marble copies in the period and of sculptors such as Harwood who are known principally for ornamental work. Harwood’s origins remain obscure. He is documented living in Palazzo Zuccari with Joshua Reynolds and the Irish sculptor Simon Vierpyl at Easter 1752, he had certainly settled permanently in Florence by the following year, when he is recorded working with Joseph Wilton. He was admitted to the Florentine Academy on 12 January 1755 (as pittore Inglese, although he was described as scultore in the matriculation account). After Wilson returned to England in 1755 Harwood appears to have worked in a studio near SS. Annunziata with Giovanni Battista Piamontini who had made life-size copies of The Wrestlers and The Listening Slave for Joseph Leeson in 1754. In 1758 both sculptors were contracted to make a statue and a trophy to complete the decoration of the Porta San Gallo, Harwood completing a statue of Equality, installed the following year. By 1760 Harwood was on the brink of his most productive period as a sculptor, producing copies of celebrated antiquities for the ever-increasing audience of Grand Tour travellers and for the domestic market in London. In 1761 Harwood met the young architect James Adam who was in Italy specifically to make contact with suppliers for Robert Adam’s burgeoning practice back in Britain. The Adams offered a remarkably cohesive design package to their clients, encompassing not just architecture, but fixtures, fittings and furniture as well. Harwood was able to supply the brothers with marbles for their new interiors. At Syon, for example, Harwood produced a full-size copy of Michelangelo’s Bacchus for the new dining room the Adams had designed for Hugh Smythson, 1st Duke of Northumberland. Harwood seems to have also specialised in producing sets of library busts. In 1758 Charles Compton, 7th Earl of Northampton, a distinguished traveller commissioned a set of busts which remain in situ at Castle Ashby in Northamptonshire. It is perhaps no coincidence that the Adam brothers were producing designs for new interiors at Castle Ashby at this date. The set included representations of: Cicero, Julius Caesar, Marcus Aurelius, Faustina the Younger, Sappho, Seneca and Homer. Each of these busts Harwood seems to have replicated for multiple patrons, another Adam patron, Thomas Dundas...

Grayson Perry Piggy Bank, 2017 White ceramic piggy bank painted in blue and glazed, with a rubber stopper, contained in the original cardboard box....

Michael Ayrton (1921-1975) Girl Wringing out her Hair Patinated bronze, 1962 26cm in height Michael Ayrton was a British artist and writer, renowned as...

Stunning original mirror made by the artist, with 144 uniquely handmade terracotta tiles. Signed by the artist in one of the tiles. This large, striking mirror has a great Brutalist and Modernist feel. Another slightly smaller mirror of the same style is available on our page. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Tuscan red...

Grayson Perry Kate Board, 2017 Screenprint on skateboard Made of 7-ply Grade A Canadian Maple wood 31 1/2 × 7 9/10 in 80 × 20 cm Edition of 999 co-published by the artist and The Sk...

Paul Villinski is an American sculptor widely known for transforming littered cans from the city streets into large-scale, abstract installations of life-like butterflies. Over three...

Untitled, 1967 Donald Judd From Ten From Leo Castelli Folded stainless steel multiple Signed in black felt-tip pen and numbered from the edition 186 of 200 on a paper label affix...

Henry Moore (1898-1986) Mother and Child: Petal Skirt conceived in 1955; cast in 1955 bronze; edition 4 of 6 plus 1 artist’s proof by the Fiorini foundry, London 19 x 9 x 15.5 cm (in...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Step into the playful realm of "Coco Popsicle Sculpture (Yellow...

“From the verb suchen (to seek) the Germans make the present participle suchend, and use it substantivized, der Suchende (he who seeks), to designate those men who are not satisfied ...

The Skateroom w/ ©Keith Haring Foundation 7-ply Grade A Canadian Maple wood Each deck measure approx. 31x8in (80x20cm) 1 Easyfix wall mount included. The heart portrayed in this edi...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Reclining Nude Resin bronze 56 x 26 cm An enigmatic resin bronze sculpture of...

Fine bone china 21 cm in diameter On the reverse is the classic Grayson Perry stamp, depicting the Crown, Anchor and 'W'. This is his pottery hallmark. This work was developed in c...

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

Tracey Emin "Docket in My Hand" Bronze. Edition of 100. Produced in 2014. Stamped with the artists initials and numbered on base.

Impressed with artist’s seal Porcelain, radiating inlaid lines, manganese bands to rim and foot, with kiln splits 5 x 11 1/2 inches

Monumental panel of 15 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is signed and unique, with beautiful tarnished...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely with our artists to take this positive and proactive step, helping collectors across the pond continue building their collections with confidence. This antique Japanese Tobacco Box...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Step into the imaginative world of "I-Scream Kelly Sculpture (R...

"Stitched Up" by Katharine Morling – Porcelain Sculpture Installation of Sewing Machine - This piece is offered as a commission. Please allow about 8-10 weeks. Delicate yet bold, Th...

Lesley Hilling is a self-taught English artist known for her intricate constructions made entirely from salvaged wood and found objects. Her work reflects a deep connection to the pa...

Medium: Stainless steel on polished steel on corten steel base Edition of 5 ____________________________________________________________________________ Tom Hiscocks is a sculptor ...

Damien Hirst (b.1965) Abacus - The Dream is Dead 2007 silver 14.5 x 14 x 21 cm incised, titled and numbered ‘Abacus Damien Hirst The Dream is dead 2/12’ (on the verso) edition 2/12 Price: $85,000 USD Provenance: White Cube, London Private collection, New York Sale: Christie’s London, 29 June 2011, lot 114 Private collection, London (acquired at the above sale) Notes: ‘I remember I was thinking that there were four important things in life: religion, love, art and science. At their best, they’re all just tools to help you find a path through the darkness. None of them really work that well, but they help. Of them all, science seems to be the one right now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.’ (D. Hirst, quoted in conversation with S. O’Hagan in New Religion Damien Hirst, exh. cat., British Council, London, 2006, p. 5) Born in 1965 in Bristol, Hirst grew up in Leeds and subsequently went to Goldsmith's College in London. Between 1988 and 1990 he curated a series of exhibitions of work by his contemporaries including the highly acclaimed group shows Freeze, Modern Medicine and Gambler. In his own work Hirst has continually challenged the boundaries between art, science, the media and popular culture. A 12-foot tiger shark, a cow and her calf sawn in two, pharmaceutical bottles...

Maurice Lambert Head of Dame Edith Sitwell 1901-1964 Patinated bronze on marble base Dimensions: 7 x 16 inches (18 x 41 cm) Provenance Private collection Originally commissioned by Edith's brother Osbert Sitwell circa 1926/27. Our version is of the same period and must have been commissioned at the same time. A version of this piece made in 1984 in aluminium is held in the permanent collection of the National Portrait Gallery (NPG 5801). Maurice Lambert Maurice Lambert, born in Paris, was son of the Russian-born Australian painter George Washington Lambert...

Murano, cast vase in translucent red glass. Includes original packaging and ply presentation box. Edition of 300. Produced in 2023. This work comes with a Certificate of Authenticity.

Original handmade fibreglass relief sculpture from Ron Hitchins' own home. Uniquely handmade and signed by the artist. Part of a series of 3 (see our other listings for the other two...

Limited Edition of 11, Bronze & Bronze Mesh This abstract sculpture by Will Budgett creates a stunning shadow of a ballerina on the wall when illuminated. It comes complete with a light and base installation and remote control Off\On, as shown in the image, allowing the interplay of light and shadow to bring the artwork to life. The sculpture's clever design results in two shadowy figures, one gracefully mirrored on the right and the other on the left, as if two dancers are performing a duet in perfect harmony. Crafted from bronze and bronze mesh, the materials evoke a sense of strength and delicacy, capturing both the weight and the lightness of the dancers' movements. The dark metallic finish enhances the sculpture’s modern, industrial feel while the intricate mesh work adds a touch of softness, as though the figures could dissolve into air at any moment. The contrast between the solid sculpture and its fluid shadows creates a dynamic, ever-changing piece, where light is as much a part of the artwork as the bronze itself. Signed by the artist and ready to display, Tiny Dancers III offers a captivating addition to any space, bringing elegance, motion, and abstract beauty to the room. The sculpture is currently available for purchase at Signet Contemporary Art in Chelsea, as well as through their online platform. Artist Biography: Will Budgett's work delves into the dynamic interplay between light and shadow. His abstract sculptures, when illuminated by multiple lights, cast shadows that reveal recognizable forms, creating a striking contrast. The raw, brutal nature of his sculptures is softened by the graceful, fluid shadows they cast, exploring the relationship between what is visible and what remains concealed within an object. In his creations, light serves not only as a tool but as a storyteller, revealing and hiding the stillness and motion within each piece. A self-taught sculptor, Will’s background in design and advertising has shaped his ability to blend physical and allegorical elements in his work. He created his first shadow sculpture...

White and blue, glazed, ceramic piggy bank. With rubber stopper, contained in the original cardboard box.

Stunning original panel made of 9 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is unique, with beautiful rust and copper tones, and several are signed by the artist. This very large, striking piece has a great Brutalist and Modernist feel. It is particularly notable as an example of Hitchin’s mastery of finishing techniques in simulating aged metal. The relief sculptures were visible outside of Ron’s house and became a Hackney landmark. They were carefully removed by the artist's estate after Ron passed away. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Rust and copper tones Signature: 5 of the relief sculptures bear the artist's trademark initials “RH” Framing: The sculptures have been carefully mounted on a cotton covered board with a walnut wood trim and a hidden subrame on the reverse for ease of hanging. Authenticity: This piece was purchased directly from the Artist's Estate and comes with a certificate of authenticity signed by the sole executor of the Ron Hitchins...

Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation...

"Girl in the Clouds”, by ceramic dynamo Katharine Morling is a porcelain free standing sculpture, depicting an woman riding a horse. She wears a crown made of textile as they maneuve...