Recognized Dealers Pottery

Wedgwood Pearlware Neoclassical Cachepots and Stands, A Pair (Late 18th Century) This handsome Pair of Wedgwood Cachepots and Underdishes, dating from the Late 18th Century, repre...

Awaji Pottery plate in sancai (three color) glaze with hand incised pair of circling dragons. Meiji Period. Circa 1900. From the Danto Kiln, successor to the famous Minpei Kiln. Impr...

English Pearlware pottery blue printed tray, The Angry Lion Pattern, Circa 1815-20 The Unusual English pottery footed tray is pearlware and is printed wi...

Conchological Rarity: Wedgwood Pearlware Nautilus Sauce Tureen & Stand, Circa 1790 A superb and rare late 18th-century Wedgwood pearlware sauce tureen, cover, and stand, brilliantly...

Menton French Majolica (Barbotine) Trompe L'oeil Wall Plaque on a turquoise ground with lemons molded in high relief, circa 1880, 8-inches diameter. Generally referred to as "Mento...

Engine-Turned Elegance: Staffordshire Redware Coffee Pot by Myatt, Circa 1790-1810 A substantial and finely crafted Staffordshire redware coffee pot of ovoid form, produced by the M...

VR Quart Imperial: English Victorian Mocha Dendritic Tankard (Mid-19th Century) A fine and historically interesting English Mochaware cylindrical tankard, dating to the mid-19th cen...

Creamware finger or quintal Vase, 19th century, The English pottery creamware finger or quintal vases The five-fingered flower vase has a molded desig...

Rural Charm: Whieldon-Type Creamware Cow Creamer Whieldon-Type Creamware Cow Creamer and Cover Circa 1770 This delightful and historically important piece is an 18th-century cow cr...

English Creamware Cow Creamer and Cover Staffordshire, circa 1775–1780 Glazed earthenware This whimsical yet functional vessel exemplifies the charm of 18th-century Staffordshire po...

Monumental David Cressey Phoenix-1 for Architectural Pottery Planter in unglazed stoneware Unglazed with clean factory drill hole (pitchered)

Set of Six English Creamware Soup Plates, Circa 1800-1830 This is a refined set of six English Creamware soup plates, dating from the early 19th century. Each plate features a clas...

This mochaware mug was made to hold a quart of beer or lager. It was made in England circa 1870-1880. The dark mochaware "trees" are applied by hand (see below for the details of the...

Greek Revival Dining: Set of 10 Spode "Phliasian Horseman" Soup Plates (c. 1806–1820) A fine set of 10 early 19th-century blue and white transfer-printed pottery soup plates by Spo...

This pair of Spode shell-shaped dishes was made in England around 1820 and printed in the classic orange and blue palette associated with Imari decoration. The lively color combination immediately gives the pair decorative authority, while the sculptural shell form adds movement and visual interest. The printed design shows a stylized garden scene with blue rockwork, flowering peonies and chrysanthemums in orange, and bamboo rising behind the flowers. The limited palette of orange and blue keeps the composition clear and balanced, with the strong blue elements anchoring the design and the warm orange flowers providing contrast. Spode was one of the most important English pottery manufacturers of the early nineteenth century and played a central role in adapting Asian decorative traditions for the English market. The orange and blue color scheme reflects the long influence of Japanese Imari porcelains that began arriving in Europe during the seventeenth century. The molded shell form enhances the design by creating gentle curves that catch the light across the surface, adding dimension to the printed decoration. Dishes of this shape were often used for serving desserts or sweetmeats and were also valued for display. Dimensions: 10 inches long x 8.5 inches wide x 2 inches deep Condition: Excellent Price: $280 for the pair Decoration: Orange and blue Imari...

Set of four silver-plated alpaca serving bowls designed by Gio Ponti for Fratelli Calderoni, Milan, Italy, circa 1950. Characterized by their elegant rounded forms, integrated loop h...

Nature’s Jewel: A Set of Three Victorian Wedgwood Hummingbird & Flowers Plates This enchanting set of three Wedgwood creamware plates exempli...

Regency Revival: Herculaneum Neo-Classical Greek Pattern Printed Dish ________________________________________ This is an impressive English Trans...

"Garden Whimsy": American Etruscan Majolica Cauliflower Teapot Griffen, Smith & Hill, Circa 1879. A delightful and highly collectible example of A...

Peter Beard vase Impressed artist's signature to underside. Unique

A very lovely Kangxi Chinese porcelain ginger jar with hand-painted, blue overglaze decoration with "one hundred treasures" motif. Jar has original p...

"Peace, Plenty and Independence" - An Exceptional American Market Creamware Jug, Circa 1800 A profound piece of early American history and decorative art, this large Liverpool Creamware jug was specifically produced for the burgeoning United States market around 1800. This spectacular jug perfectly encapsulates the patriotic zeal and domestic aspirations of the post-Revolutionary era. Its historical...

Large English Pearlware Oval Dish with Blue and White Chinoiserie and Shell Edge This striking large oval dish, dating from circa 1790, is an excellent example of late 18th-century ...

Classical Elegance: A Set of Four Spode ‘Greek Pattern’ Openwork Dessert Plates Staffordshire, England, Early 19th Century This exquisite set of four dessert plates represents the h...

Yorkshire Elegance: Rare Green Glazed Creamware Teapot Swinton, Circa 1770 A superb late 18th-century English creamware teapot and cover, produced by the Swinton Pottery (the prec...

Claude Conover exquisite large glazed stoneware or ceramic vessel titled "Ulel." This stoneware vase is glazed in gray and white and finely decorated with Conover's signature pattern...

Floral Finesse: A Mid-Victorian Wedgwood Botanical Specimen Plate This elegant Wedgwood creamware plate, manufactured in 1862, serves as a stunning example of the enduring appeal of...

Small ceramic bowl from the great master and innovator of modern Italian ceramics, Guido Gambone. Signature and Gambone donkey mark on bottom. Bottom ha...

Elegant 18th-Century Staffordshire Creamware Cauliflower Milk Jug and Cover This exquisite Milk Jug and Cover is a superior example of Cauliflower Ware, a distinctive and highly col...

This unique work of art is sure to make a statement in an eclectic or modern décor, where it will be an ideal vessel to display floral compositions or as a statement sculpture. Its d...

Scroll down and click "view all from Seller" to see more than 400 other unique products. This unique work of art is sure to make a statement in an eclectic or modern decor, where ...

Hicks Meigh ironstone armorial sauce tureens, covers and stands made for the 41st Regiment, circa 1815-1822. Dimensions: Length: 9 1/4 inches x 7 inches high The Hicks & Meigh ironstone tureens are unusually decorated with the Royal Crown with the Roman numerals "XLI" below on an Imari ground. Mark: Printed in blue with Royal Arms above Stone China. Reference: From the 41st Regiment Military Living Group The original name of the Regiment was "Colonel Edmund Fielding's Regiment of Invalids", raised in 1719 from out-pensioners of the Royal Hospital Chelsea, for garrison duty "at home". On July 1, 1751, the Regiment was numbered 41st and redesignated as The 41st Regiment of Foot (or Invalids), with service confined mainly to the Portsmouth garrison, with detachments at Plymouth and Jersey. On December 11 1787, the invalids...

Tavern Bright: A Bold Striped Mocha Yellowware Jug This striking Mocha yellowware jug is a superb example of the brightly colored, utilitarian pottery produced in England during the...

English Pearlware Pottery Large Bacchus Jug, Staffordshire, Circa 1800 The Pearlware pottery large jug depicts Bacchus sitting on a barrel holding a large cornucopia on his right sh...

Spode Neo-Classical Greek Pattern Tazza Early-19th century The Spode pottery underglaze blue Greek pattern has an oval shaped top with a central des...

Victorian Staffordshire Cow & Milkmaid Group, Circa 1860 A charming and narrative Victorian Staffordshire pottery figure group, dating from circa 1860. This model captures a classi...

Spode Neo-classical Greek pattern blue printed hot water dishes, Zeus in his Chariot, A pair, Early 19th century (We have five in all-two pairs and a single) The Spode pottery...

Staffordshire Blue and White Pearlware Chinoiserie Coffee Pot Circa 1785 This elegant and well-proportioned coffee pot is a superb example of late Georgian ceramic production from t...

Wedgwood Majolica Strawberry dish, naturalistically relief-modeled with strawberries, leaves, and blossoms, the lip with strawberry leaves and...

Scroll down and click "view all from Seller" to see more than 400 similar products. (2) This mythology inspired vase has been crafted entirely by hand in terracotta, painted with a ...

The Regency Tavern Tankard This elegant English Mocha Pottery mug serves as a refined example of utilitarian earthenware from the Late Georgian period. The cylindrical vessel, resti...

Fine George III Creamware Tankard with Enameled Decoration, English, Circa 1800 A finely potted example of late 18th-century English creamware, this tankard exhibits a clean, cylind...

Sculptural Ceramic Vase by Gerhard Liebenthron, Germany, 1972 Description: Exceptional sculptural ceramic vase by German ceramic artist Gerhard Liebenthron, created in 1972. Charact...

Large English Pearlware Mocha Earthworm Jug, Staffordshire or Northern England, Circa 1810-20. A handsome and generously proportioned example of English Mocha ware, this pearlware jug displays the bold, abstract decoration that made the style so popular. Its stately, bulbous form is anchored by a sturdy loop handle with refined leaf-molded terminals. Its impressive scale and robust, bulbous cylindrical body suggest its use as a "pub jug...

Newcastle Folk Art: A St. Anthony Prattware Pottery Horse St. Anthony Pottery, Newcastle upon Tyne, Circa 1800–1820 This charming early 19th-century...

Charming Utility: A Swansea Pearlware Prattware Covered Tea Caddy Box, c. 1800-1820 This is an exceptional example of an early 19th-century Pearlware Tea Caddy Box, distinguished by...

This hand-painted Prattware pottery plaque depicts a pair of lions resting side by side, modeled in bold relief with great vitality and charm. Made in England around 1800, the piece...

Staffordshire Whieldon-type creamware teapot and cover, circa 1765-1775 The Whieldon-type cream earthenware teapot has a moulded design of grape vines and large grape leaves to t...

English Pearlware Pottery Large Blue Slip Jug, Dated 1787, Possibly Leeds. The large English pottery light blue slip jug is painted with gold detailing with a date of 1787 below the...

Political Ceramics: Saltglaze Teapot Commemorating Frederick the Great English, Circa 1760 This historically significant globular teapot stands as a...

This plant pot in colors olive oil and pale pink, exclusive for SEM, has the serial number 2022041. This one, together with the 2022040. Both vases in the collection have been chromatically studied, in a curious contrast of pattern and materials. “Doodle” is a rough drawing made absent-mindedly. And this is how Maya Leroy’s project started, from a need to create without having to be too serious about it or overly think things while having fun. Air dry clay has proven to be an ideal medium to work independently and without firing and, funny enough, from this total freedom, Maya created an intriguing and psychedelic series which looks unlimited. Opening up to new collaborations, SEM became fascinated with this form of hand crafting with the aim of developing two special objects—created ad hoc by Maya for the milanese brand—in an unlimited series produced by the artisans of the brand’s net.One of the most interesting phenomena of the moment is, in fact, the way in which hands-on designers can bring innovations in craft ateliers, challenging and updating the existing techniques and materials, or simply questioning them and creating a real dialogue between craftsman and designer that has unexpected results. MAYA LEROY Born in 1994 to a Swedish mother and French father, Maya Eline Leroy is an artist and designer currently based in Eindhoven — The Netherlands. Expressing creativity through painting, drawing and hand-building clay. Her Doodle series is an ever expanding collection of unique, hand build and hand painted contemporary ceramics.

The most exceptional aspect of this pair of dishes is the fabulous gilding lavished over the cobalt borders. As a less prominent feature, the gilding carries throughout the decoratio...

The Dawn of Neoclassicism: A Redware Engine-Turned Coffee Pot This handsome English Stoneware Redware Engine-Turned Coffee Pot with Cover, dating to Circa 1765, is a key piece in th...

This plant pot in colors light blue, deep brown, and cream white, exclusive for SEM, has the serial number 2022040. Both vases in the collection have been chromatically studied, in a curious contrast of pattern and materials. “Doodle” is a rough drawing made absent-mindedly. And this is how Maya Leroy’s project started, from a need to create without having to be too serious about it or overly think things while having fun. Air dry clay has proven to be an ideal medium to work independently and without firing and, funny enough, from this total freedom, Maya created an intriguing and psychedelic series which looks unlimited. Opening up to new collaborations, SEM became fascinated with this form of hand crafting with the aim of developing two special objects—created ad hoc by Maya for the milanese brand—in an unlimited series produced by the artisans of the brand’s net.One of the most interesting phenomena of the moment is, in fact, the way in which hands-on designers can bring innovations in craft ateliers, challenging and updating the existing techniques and materials, or simply questioning them and creating a real dialogue between craftsman and designer that has unexpected results. MAYA LEROY Born in 1994 to a Swedish mother and French father, Maya Eline Leroy is an artist and designer currently based in Eindhoven — The Netherlands. Expressing creativity through painting, drawing and hand-building clay. Her Doodle series is an ever expanding collection of unique, hand build and hand painted contemporary ceramics.

Pearlware Mug with Yellow Slip Ground and Heart Decoration, Circa 1780 The English slip-decorated yellow ground tankard or mug is unusually painted with...

Red Stoneware Pinakio Plate by Elena Vasilantonaki Unique Dimensions: ⌀ 34 x H 10 cm (Dimensions may vary) Materials: Stoneware Available finishes: With\...

English creamware tankard, circa 1810-1820. The creamware tankard is decorated with a series of moulded engine-turned honeycomb designs separated w...

The Spotted Lions",Rare Prattware Pottery Plaque, Circa 1800–1840 A compelling and rare English Prattware pottery plaque, dating from the Georgian or Regency period (circa 1800–1840...

Creamware Pottery sailor's farewell punch bowl with Chinoiserie Scenes on Reverse, Late 18th Century The large polychrome creamware bowl has a scene to one side depicting a sailor's farewell. The officer, with a sword in a scabbard to his right hip, stands with arms crossed and his female companion looks away from him as she holds a parasol in her hand. In the background in a Royal Navy frigate at anchor and a sailor in a longboat rowing towards him. To the reverse side is a charming chinoiserie scene of two women and a young boy watching...

"The Enigmatic Standard": Wedgwood Creamware Soup Plate with Ship & Eagle, 1775-90 A handsome Wedgwood Queen's Ware (creamware) soup plate modeled in the "Royal" shape, dating to th...