Recognized Dealers Pottery

Wedgwood Pearlware Neoclassical Cachepots and Stands, A Pair (Late 18th Century) This handsome Pair of Wedgwood Cachepots and Underdishes, dating from the Late 18th Century, repre...

Greek Revival Dining: Set of 10 Spode "Phliasian Horseman" Soup Plates (c. 1806–1820) A fine set of 10 early 19th-century blue and white transfer-printed pottery soup plates by Spo...

English Pearlware Pottery Blue-Ground Teapot Probably Staffordshire or Yorkshire, circa 1790 A cylindrical-bodied teapot of restrained neoclassical form, The barrel-form body is co...

English Plain Creamware Pounce Shaker or Sugar Castor, Circa 1775 This circular pounce shaker is a prime example of plain, undecorated creamware from the late 18th century. The piec...

Awaji Pottery plate in sancai (three color) glaze with hand incised pair of circling dragons. Meiji Period. Circa 1900. From the Danto Kiln, successor to the famous Minpei Kiln. Impr...

Wedgwood Majolica Strawberry dish, naturalistically relief-modeled with strawberries, leaves, and blossoms, the lip with strawberry leaves and...

English Pearlware Light Blue Slip Coffee Pot probably Staffordshire or Yorkshire, circa 1790 A handsome baluster-form coffee pot of pleasing neoclassical proportion, covered overall...

"Peace, Plenty and Independence" - An Exceptional American Market Creamware Jug, Circa 1800 A profound piece of early American history and decorative art, this large Liverpool Creamware jug was specifically produced for the burgeoning United States market around 1800. This spectacular jug perfectly encapsulates the patriotic zeal and domestic aspirations of the post-Revolutionary era. Its historical...

A very lovely Kangxi Chinese porcelain ginger jar with hand-painted, blue overglaze decoration with "one hundred treasures" motif. Jar has original p...

This handsome pair of green-glazed earthenware dishes is molded in the form of overlapping vine leaves, a large leaf laid over two smaller ones, with deeply serrated edges, crisply m...

English Creamware Quintal Finger Vase 20th Century This English creamware quintal vase—also known as a finger or tulip vase—takes the classic fan-shape...

English Creamware Cow Creamer and Cover Staffordshire, circa 1775–1780 Glazed earthenware This whimsical yet functional vessel exemplifies the charm of 18th-century Staffordshire po...

Conchological Rarity: Wedgwood Pearlware Nautilus Sauce Tureen & Stand, Circa 1790 A superb and rare late 18th-century Wedgwood pearlware sauce tureen, cover, and stand, brilliantly...

Staffordshire Prattware Bacchus and Pan Figural Jug, Wood Family, Circa 1800 Staffordshire, circa 1800 Over thirteen inches of pure Georgian theater: the celebrated Bacchus and Pan...

Pearlware Blue and White Chinoiserie Shell-Edge Oval Dish, Probably Leeds Circa 1790 This large oval pearlware dish is painted in underglaze blue with a lively chinoiserie scene, a ...

Yellow Slip-Ground Pearlware Mug with Reserved Heart Circa 1800 This cylindrical pearlware mug is dipped in a warm yellow slip ground between green-glaz...

VR Quart Imperial: English Victorian Mocha Dendritic Tankard (Mid-19th Century) A fine and historically interesting English Mochaware cylindrical tankard, dating to the mid-19th cen...

Set of Six English Creamware Soup Plates, Circa 1800-1830 This is a refined set of six English Creamware soup plates, dating from the early 19th century. Each plate features a clas...

Engine-Turned Elegance: Staffordshire Redware Coffee Pot by Myatt, Circa 1790-1810 A substantial and finely crafted Staffordshire redware coffee pot of ovoid form, produced by the M...

This mochaware mug was made to hold a quart of beer or lager. It was made in England circa 1870-1880. The dark mochaware "trees" are applied by hand (see below for the details of the...

Set of four silver-plated alpaca serving bowls designed by Gio Ponti for Fratelli Calderoni, Milan, Italy, circa 1950. Characterized by their elegant rounded forms, integrated loop h...

Spode Neo-Classical Greek Pattern Tazza Early-19th century The Spode pottery underglaze blue Greek pattern has an oval shaped top with a central des...

The Neale & Co. puce-colored shell-edge plates are each decorated in a purple transfer with figures in the foreground amongst a landscape of Classic ruins. The rims, also with a feathered puce (purple) border, are highlighted with unusually strong remnants of the original gilding. Each is impressed with the Neale & Co. mark on the reverse. Marks: The impressed Neale & Co. mark was only used between 1778 and 1795. Reference: Neale Pottery & Porcelain: Its Predecessors and Successors 1763-1820, Diana Edwards, page 126, #100 for a large stand...

Political Ceramics: Saltglaze Teapot Commemorating Frederick the Great English, Circa 1760 This historically significant globular teapot stands as a...

Nature’s Jewel: A Set of Three Victorian Wedgwood Hummingbird & Flowers Plates This enchanting set of three Wedgwood creamware plates exempli...

Floral Finesse: A Mid-Victorian Wedgwood Botanical Specimen Plate This elegant Wedgwood creamware plate, manufactured in 1862, serves as a stunning example of the enduring appeal of...

Naturalistic Whimsy: Rare Staffordshire Creamware "Cauliflower" Tea Caddy (c. 1760) An exceptional mid-18th-century Staffordshire creamware tea caddy (or tea canister), brilliantly ...

Rural Charm: Whieldon-Type Creamware Cow Creamer Whieldon-Type Creamware Cow Creamer and Cover Circa 1770 This delightful and historically important piece is an 18th-century cow cr...

 English Pearlware Blue and White Six-Compartment Tray, Angry Lion Pattern Circa 1815–20 This unusual pearlware tray offers six chances to admire one of the great rarities of Engli...

This pair of Spode shell-shaped dishes was made in England around 1820 and printed in the classic orange and blue palette associated with Imari decoration. The lively color combination immediately gives the pair decorative authority, while the sculptural shell form adds movement and visual interest. The printed design shows a stylized garden scene with blue rockwork, flowering peonies and chrysanthemums in orange, and bamboo rising behind the flowers. The limited palette of orange and blue keeps the composition clear and balanced, with the strong blue elements anchoring the design and the warm orange flowers providing contrast. Spode was one of the most important English pottery manufacturers of the early nineteenth century and played a central role in adapting Asian decorative traditions for the English market. The orange and blue color scheme reflects the long influence of Japanese Imari porcelains that began arriving in Europe during the seventeenth century. The molded shell form enhances the design by creating gentle curves that catch the light across the surface, adding dimension to the printed decoration. Dishes of this shape were often used for serving desserts or sweetmeats and were also valued for display. Dimensions: 10 inches long x 8.5 inches wide x 2 inches deep Condition: Excellent Price: $280 for the pair Decoration: Orange and blue Imari...

Monumental David Cressey Phoenix-1 for Architectural Pottery Planter in unglazed stoneware Unglazed with clean factory drill hole (pitchered)

Staffordshire Whieldon-type creamware teapot and cover, circa 1765-1775 The Whieldon-type cream earthenware teapot has a moulded design of grape vines and large grape leaves to t...

Elegant 18th-Century Staffordshire Creamware Cauliflower Milk Jug and Cover This exquisite Milk Jug and Cover is a superior example of Cauliflower Ware, a distinctive and highly col...

English Creamware Mocha Mug, Ochre Slip Ground, Banded, Circa 1790–1810 Staffordshire, circa 1790–1810 Georgian minimalism in a tankard: an early creamware mocha mug dressed head t...

The Spotted Lions",Rare Prattware Pottery Plaque, Circa 1800–1840 A compelling and rare English Prattware pottery plaque, dating from the Georgian or Regency period (circa 1800–1840...

Regency Revival: Herculaneum Neo-Classical Greek Pattern Printed Dish ________________________________________ This is an impressive English Trans...

T. C. Brown-Westhead, Moore & Co. Majolica Bread Platter, of round form, the mottled center, banded in yellow, the outer border with yellow wheat sheaves molded in high relief, the r...

This boldly striped jug is a superb example of the brightly colored dipped ware produced in the English potteries in the early nineteenth century. Thrown from a buff, cane-colored ea...

This hand-painted Prattware pottery plaque depicts a pair of lions resting side by side, modeled in bold relief with great vitality and charm. Made in England around 1800, the piece...

Menton French Majolica (Barbotine) Trompe L'oeil Wall Plaque on a turquoise ground with lemons molded in high relief, circa 1880, 8-inches diameter. Generally referred to as "Mento...

Staffordshire Blue and White Pearlware Chinoiserie Coffee Pot Circa 1785 This elegant and well-proportioned coffee pot is a superb example of late Georgian ceramic production from t...

Victorian Staffordshire Cow & Milkmaid Group, Circa 1860 A charming and narrative Victorian Staffordshire pottery figure group, dating from circa 1860. This model captures a classi...

"Garden Whimsy": American Etruscan Majolica Cauliflower Teapot Griffen, Smith & Hill, Circa 1879. A delightful and highly collectible example of A...

Claude Conover exquisite large glazed stoneware or ceramic vessel titled "Ulel." This stoneware vase is glazed in gray and white and finely decorated with Conover's signature pattern...

The most exceptional aspect of this pair of dishes is the fabulous gilding lavished over the cobalt borders. As a less prominent feature, the gilding carries throughout the decoratio...

Small ceramic bowl from the great master and innovator of modern Italian ceramics, Guido Gambone. Signature and Gambone donkey mark on bottom. Bottom ha...

"The Enigmatic Standard": Wedgwood Creamware Soup Plate with Ship & Eagle, 1775-90 A handsome Wedgwood Queen's Ware (creamware) soup plate modeled in the "Royal" shape, dating to th...

Hicks Meigh ironstone armorial sauce tureens, covers and stands made for the 41st Regiment, circa 1815-1822. Dimensions: Length: 9 1/4 inches x 7 inches high The Hicks & Meigh ironstone tureens are unusually decorated with the Royal Crown with the Roman numerals "XLI" below on an Imari ground. Mark: Printed in blue with Royal Arms above Stone China. Reference: From the 41st Regiment Military Living Group The original name of the Regiment was "Colonel Edmund Fielding's Regiment of Invalids", raised in 1719 from out-pensioners of the Royal Hospital Chelsea, for garrison duty "at home". On July 1, 1751, the Regiment was numbered 41st and redesignated as The 41st Regiment of Foot (or Invalids), with service confined mainly to the Portsmouth garrison, with detachments at Plymouth and Jersey. On December 11 1787, the invalids...

Classical Elegance: A Set of Four Spode ‘Greek Pattern’ Openwork Dessert Plates Staffordshire, England, Early 19th Century This exquisite set of four dessert plates represents the h...

Hogshead Humor: A Victorian Folk Drinking Game Object: Figural Drinking Vessel (Jug and Cover/Cup) Origin: Belle-Vue Pottery, Rye, Sussex, England Maker: Frederick Mitchell Date: Ci...

Charming Utility: A Swansea Pearlware Prattware Covered Tea Caddy Box, c. 1800-1820 This is an exceptional example of an early 19th-century Pearlware Tea Caddy Box, distinguished by...

English creamware tankard, circa 1810-1820. The creamware tankard is decorated with a series of moulded engine-turned honeycomb designs separated w...

Yorkshire Elegance: Rare Green Glazed Creamware Teapot Swinton, Circa 1770 A superb late 18th-century English creamware teapot and cover, produced by the Swinton Pottery (the prec...

A charming Prattware pottery model of a standing horse, attributed to the St. Anthony's Pottery, Newcastle upon Tyne, circa 1800–1820. The horse is b...

Floral Elegance: A Vibrant Antique Bristol Pearlware Toothbrush Box Early 19th Century This highly unusual and remarkably preserved Bristol pearlware covered box offers a fascinatin...

"Isolated" glaze stoneware vase, Raquel Vidal and Pedro Paz Glaze stoneware vase Measures: 155 x 140 mm Materials: Hand-sculpted, glazed pottery Raquel Vidal and Pedro Paz Cr...

Autumnal Amber: A Set of Four Nested Pearlware Dishes This charming set of four graduated and nested pearlware serving dishes represents a sophisticated fusion of decorative fashion...

Glaze "Isolated n.10" stoneware vase, Raquel Vidal and Pedro Paz. Dimensions: 23 x 21cm. Materials: Hand sculpted, glazed pottery, brass. Raquel Vidal and Pedro Paz Craft pott...

This plant pot in colors olive oil and pale pink, exclusive for SEM, has the serial number 2022041. This one, together with the 2022040. Both vases in the collection have been chromatically studied, in a curious contrast of pattern and materials. “Doodle” is a rough drawing made absent-mindedly. And this is how Maya Leroy’s project started, from a need to create without having to be too serious about it or overly think things while having fun. Air dry clay has proven to be an ideal medium to work independently and without firing and, funny enough, from this total freedom, Maya created an intriguing and psychedelic series which looks unlimited. Opening up to new collaborations, SEM became fascinated with this form of hand crafting with the aim of developing two special objects—created ad hoc by Maya for the milanese brand—in an unlimited series produced by the artisans of the brand’s net.One of the most interesting phenomena of the moment is, in fact, the way in which hands-on designers can bring innovations in craft ateliers, challenging and updating the existing techniques and materials, or simply questioning them and creating a real dialogue between craftsman and designer that has unexpected results. MAYA LEROY Born in 1994 to a Swedish mother and French father, Maya Eline Leroy is an artist and designer currently based in Eindhoven — The Netherlands. Expressing creativity through painting, drawing and hand-building clay. Her Doodle series is an ever expanding collection of unique, hand build and hand painted contemporary ceramics.

Glaze "Isolated n.15" stoneware vase - Raquel Vidal and Pedro Paz Dimensions: 32 x 19cm Materials: Hand-sculpted, glazed pottery, brass Raquel Vidal and Pedro Paz craft potter...