Recognized Dealers Pottery

Wedgwood Creamware Egg Cup Stand with Salt and Six Egg Cups, Circa 1800–1820 The oval creamware egg stand, of shallow tray form with a raised rim, is centered with a raised open ova...

English Plain Creamware Pounce Shaker or Sugar Castor, George III This English creamware pounce shaker is of baluster form, the lower body closely reeded and swelling to a plain sho...

Wedgwood Pearlware Neoclassical Cachepots and Stands, A Pair (Late 18th Century) This handsome Pair of Wedgwood Cachepots and Underdishes, dating from the Late 18th Century, repre...

A green-glazed earthenware vase or planter, designed and produced by Nittsjö, Sweden, 1940s. Overall Dimensions (inches): 4" Height x 5.5" Diameter All items ship from High Point, ...

English Creamware Cow Creamer and Cover Staffordshire, circa 1775–1780 Glazed earthenware This whimsical yet functional vessel exemplifies the charm of 18th-century Staffordshire po...

George Jones Majolica Sardine box on a turquoise-blue ground, English, ca. 1870, the box molded with green acanthus leaves, with matching underplate, the lid molded and applied with ...

Rural Charm: Whieldon-Type Creamware Cow Creamer Whieldon-Type Creamware Cow Creamer and Cover Circa 1770 This delightful and historically important piece is an 18th-century cow cr...

English Creamware Quintal Finger Vase 20th Century This English creamware quintal vase—also known as a finger or tulip vase—takes the classic fan-shape...

English Pearlware Pottery Blue-Ground Teapot Probably Staffordshire or Yorkshire, circa 1790 A cylindrical-bodied teapot of restrained neoclassical form, The barrel-form body is co...

This mochaware mug was made to hold a quart of beer or lager. It was made in England circa 1870-1880. The dark mochaware "trees" are applied by hand (see below for the details of the...

Pearlware Blue and White Chinoiserie Shell-Edge Oval Dish, Probably Leeds Circa 1790 This large oval pearlware dish is painted in underglaze blue with a lively chinoiserie scene, a ...

English Pearlware Light Blue Slip Coffee Pot probably Staffordshire or Yorkshire, circa 1790 A handsome baluster-form coffee pot of pleasing neoclassical proportion, covered overall...

Spode Greek Pattern Blue Printed Pearlware Oval Tazza, Neoclassical This oval footed tazza is of pearlware printed in underglaze blue in Spode's Greek ...

Set of Six English Creamware Soup Plates, Circa 1800-1830 This is a refined set of six English Creamware soup plates, dating from the early 19th century. Each plate features a clas...

Engine-Turned Elegance: Staffordshire Redware Coffee Pot by Myatt, Circa 1790-1810 A substantial and finely crafted Staffordshire redware coffee pot of ovoid form, produced by the M...

This handsome pair of green-glazed earthenware dishes is molded in the form of overlapping vine leaves, a large leaf laid over two smaller ones, with deeply serrated edges, crisply m...

Awaji Pottery plate in sancai (three color) glaze with hand incised pair of circling dragons. Meiji Period. Circa 1900. From the Danto Kiln, successor to the famous Minpei Kiln. Impr...

Rare Creamware Fish Scale Teapot and Cover, Attributed to Leeds, Yorkshire This rare and distinctive creamware teapot, attributed to the Leeds Pottery in Yorkshire, has a cylindric...

Set of four silver-plated alpaca serving bowls designed by Gio Ponti for Fratelli Calderoni, Milan, Italy, circa 1950. Characterized by their elegant rounded forms, integrated loop h...

Wedgwood Majolica Strawberry dish, naturalistically relief-modeled with strawberries, leaves, and blossoms, the lip with strawberry leaves and...

A very lovely Kangxi Chinese porcelain ginger jar with hand-painted, blue overglaze decoration with "one hundred treasures" motif. Jar has original p...

Greek Revival Dining: Set of 10 Spode "Phliasian Horseman" Soup Plates (c. 1806–1820) A fine set of 10 early 19th-century blue and white transfer-printed pottery soup plates by Spo...

Prattware Pearlware Pottery Plaque, Two Recumbent Lions, Relief-Molded, English Circa 1800–1820 The oval pearlware plaque is press-molded in high relief with two recumbent lions lyi...

Yorkshire Elegance: Rare Green Glazed Creamware Teapot Swinton, Circa 1770 A superb late 18th-century English creamware teapot and cover, produced by the Swinton Pottery (the prec...

Naturalistic Whimsy: Rare Staffordshire Creamware "Cauliflower" Tea Caddy (c. 1760) An exceptional mid-18th-century Staffordshire creamware tea caddy (or tea canister), brilliantly ...

Small ceramic bowl from the great master and innovator of modern Italian ceramics, Guido Gambone. Signature and Gambone donkey mark on bottom. Bottom ha...

"Garden Whimsy": American Etruscan Majolica Cauliflower Teapot Griffen, Smith & Hill, Circa 1879. A delightful and highly collectible example of A...

English Creamware Chinoiserie Teapot and Cover with Pierced Gallery This English creamware teapot and cover is of globular form on a spreading foot, ...

"Peace, Plenty and Independence" - An Exceptional American Market Creamware Jug, Circa 1800 A profound piece of early American history and decorative art, this large Liverpool Creamware jug was specifically produced for the burgeoning United States market around 1800. This spectacular jug perfectly encapsulates the patriotic zeal and domestic aspirations of the post-Revolutionary era. Its historical...

Spode Neo-classical Greek pattern blue printed hot water dishes, Zeus in his Chariot, A pair, Early 19th century (We have five in all-two pairs and a single) The Spode pottery...

(Ref: NY8532/IAMR)Sussex Pig Pottery Drinking Vessel, Jug and Cup, Belle-Vue Pottery, Rye, 1870 Circa 1870 An English Sussex Pig drinking vessel was made at the Belle-Vue Pottery i...

 English Pearlware Blue and White Six-Compartment Tray, Angry Lion Pattern Circa 1815–20 This unusual pearlware tray offers six chances to admire one of the great rarities of Engli...

Whieldon-Type Creamware Tortoiseshell Teapot, Grape Vine Relief, Crabstock Circa 1765–1775 The Staffordshire Whieldon-type creamware teapot is of globular form, the body sprig-molde...

Charming Utility: A Swansea Pearlware Prattware Covered Tea Caddy Box, c. 1800-1820 This is an exceptional example of an early 19th-century Pearlware Tea Caddy Box, distinguished by...

Staffordshire Prattware Bacchus and Pan Figural Jug, Wood Family, Circa 1800 Staffordshire, circa 1800 Over thirteen inches of pure Georgian theater: the celebrated Bacchus and Pan...

Political Ceramics: Saltglaze Teapot Commemorating Frederick the Great English, Circa 1760 This historically significant globular teapot stands as a...

Victorian Staffordshire Cow & Milkmaid Group, Circa 1860 A charming and narrative Victorian Staffordshire pottery figure group, dating from circa 1860. This model captures a classi...

Regency Revival: Herculaneum Neo-Classical Greek Pattern Printed Dish ________________________________________ This is an impressive English Trans...

English Pearlware Encrusted Pebbled Bough Pots, Pair, Impressed BW, Circa 1800 Circa 1795–1810 This pair of English pearlware bough pots is decorated with a rare encrusted or "pebbl...

Yellow Slip-Ground Pearlware Mug with Reserved Heart Circa 1800 This cylindrical pearlware mug is dipped in a warm yellow slip ground between green-glaz...

Classical Elegance: A Set of Four Spode ‘Greek Pattern’ Openwork Dessert Plates Staffordshire, England, Early 19th Century This exquisite set of four dessert plates represents the h...

Monumental David Cressey Phoenix-1 for Architectural Pottery Planter in unglazed stoneware Unglazed with clean factory drill hole (pitchered)

Autumnal Amber: A Set of Four Nested Pearlware Dishes This charming set of four graduated and nested pearlware serving dishes represents a sophisticated fusion of decorative fashion...

Conchological Rarity: Wedgwood Pearlware Nautilus Sauce Tureen & Stand, Circa 1790 A superb and rare late 18th-century Wedgwood pearlware sauce tureen, cover, and stand, brilliantly...

Floral Finesse: A Mid-Victorian Wedgwood Botanical Specimen Plate This elegant Wedgwood creamware plate, manufactured in 1862, serves as a stunning example of the enduring appeal of...

Neale & Co. Creamware Set of Ten Plates, Puce Feather Edge, Classical Ruins Circa 1780–1785 Each plate is circular with a shaped rim molded with a feather edge, the molded barbs picked out in puce enamel in short radiating strokes and the edge itself gilded, with unusually strong remnants of the original gilding surviving. The well is transfer-printed in puce with a classical capriccio: a ruined arch on Corinthian columns, overgrown with foliage and carrying a broken entablature, stands before a crenellated wall pierced with arched openings, with a colonnade and a second arch beyond and a distant church spire below a hill. The foreground is strewn with fallen column drums, capitals and blocks of masonry, among which two small figures rest at the right. The reverse of each plate is impressed Neale & Co. and carries an old collector's paper label inscribed in ink Neale & Co. 1778–1788, Chaffers page 704; two plates also retain the blue and silver foil retailer's label of Shreve, Crump & Low Co., Boston. Dimensions: Diameter: 8 3/4 inches (22.2 cm) Height: 1 inch (2.5 cm) Marks: Impressed Neale & Co. on the reverse of each plate, a mark used between 1778 and 1795. Provenance: Shreve, Crump & Low Co., Boston (retailer's label) Earle D. Vandekar of Knightsbridge Condition: Good antique condition. The gilding to the rims is rubbed, as is usual on creamware of this age, but strong remnants remain. References: Diana Edwards, Neale Pottery and Porcelain: Its Predecessors and Successors 1763–1820 (London: Barrie & Jenkins, 1987), p. 126, no. 100, for a large stand...

This pair of Spode shell-shaped dishes was made in England around 1820 and printed in the classic orange and blue palette associated with Imari decoration. The lively color combination immediately gives the pair decorative authority, while the sculptural shell form adds movement and visual interest. The printed design shows a stylized garden scene with blue rockwork, flowering peonies and chrysanthemums in orange, and bamboo rising behind the flowers. The limited palette of orange and blue keeps the composition clear and balanced, with the strong blue elements anchoring the design and the warm orange flowers providing contrast. Spode was one of the most important English pottery manufacturers of the early nineteenth century and played a central role in adapting Asian decorative traditions for the English market. The orange and blue color scheme reflects the long influence of Japanese Imari porcelains that began arriving in Europe during the seventeenth century. The molded shell form enhances the design by creating gentle curves that catch the light across the surface, adding dimension to the printed decoration. Dishes of this shape were often used for serving desserts or sweetmeats and were also valued for display. Dimensions: 10 inches long x 8.5 inches wide x 2 inches deep Condition: Excellent Price: $280 for the pair Decoration: Orange and blue Imari...

Creamware knife rests, Italian, Circa 1810-1820    The two rests are of similar form with a raised scroll terminal to each end. One with pierced stylized f...

Menton French Majolica (Barbotine) Trompe L'oeil Wall Plaque on a turquoise ground with lemons molded in high relief, circa 1880, 8-inches diameter. Generally referred to as "Mento...

19th century late Georgian blue spode hot chocolate cup with cover and saucer, decorated with gilt highlights, and embossed white floral motif on a ...

English Creamware Mocha Mug, Ochre Slip Ground, Banded, Circa 1790–1810 Staffordshire, circa 1790–1810 Georgian minimalism in a tankard: an early creamware mocha mug dressed head t...

These sake cups are exceptionally detailed, particularly given their small size. They are signed “Hododa” on the undersides, the hallmark of the prominent maker of the rare Japanese ...

"Isolated n.17" stoneware vase by Raquel Vidal and Pedro Paz Dimensions: 31 x 23 cm Materials: hand-sculpted, glazed pottery The pieces are hand built white stoneware with grog,...

Studio Pottery Double Fish Dish, La Funente, Dated 2003 The large stoneware Studio Pottery dish depicts two fish within demi-lune panels. The dish was made using enamel and a sgraf...

Scroll down and click "view all from Seller" to see more than 500 other unique products. (2) In Stock in Los Angeles The bold Don Filippo Vase is part of a remarkable range of mytho...

1920's English small brown pitcher with an pharaoh-headed spout sphinx and beige and white classical figures in relief. Impressed "Doulton, Lambeth."

Grey Stoneware Pinakio Plate by Elena Vasilantonaki Unique Dimensions: ⌀ 34 x H 10 cm (Dimensions may vary) Materials: Stoneware Available finishes: With\without handles - Black, Whi...

This plant pot in colors light blue, deep brown, and cream white, exclusive for SEM, has the serial number 2022040. Both vases in the collection have been chromatically studied, in a curious contrast of pattern and materials. “Doodle” is a rough drawing made absent-mindedly. And this is how Maya Leroy’s project started, from a need to create without having to be too serious about it or overly think things while having fun. Air dry clay has proven to be an ideal medium to work independently and without firing and, funny enough, from this total freedom, Maya created an intriguing and psychedelic series which looks unlimited. Opening up to new collaborations, SEM became fascinated with this form of hand crafting with the aim of developing two special objects—created ad hoc by Maya for the milanese brand—in an unlimited series produced by the artisans of the brand’s net.One of the most interesting phenomena of the moment is, in fact, the way in which hands-on designers can bring innovations in craft ateliers, challenging and updating the existing techniques and materials, or simply questioning them and creating a real dialogue between craftsman and designer that has unexpected results. MAYA LEROY Born in 1994 to a Swedish mother and French father, Maya Eline Leroy is an artist and designer currently based in Eindhoven — The Netherlands. Expressing creativity through painting, drawing and hand-building clay. Her Doodle series is an ever expanding collection of unique, hand build and hand painted contemporary ceramics.

Glaze "Isolated n.10" stoneware vase, Raquel Vidal and Pedro Paz. Dimensions: 23 x 21cm. Materials: Hand sculpted, glazed pottery, brass. Raquel Vidal and Pedro Paz Craft pott...

This plant pot in colors olive oil and pale pink, exclusive for SEM, has the serial number 2022041. This one, together with the 2022040. Both vases in the collection have been chromatically studied, in a curious contrast of pattern and materials. “Doodle” is a rough drawing made absent-mindedly. And this is how Maya Leroy’s project started, from a need to create without having to be too serious about it or overly think things while having fun. Air dry clay has proven to be an ideal medium to work independently and without firing and, funny enough, from this total freedom, Maya created an intriguing and psychedelic series which looks unlimited. Opening up to new collaborations, SEM became fascinated with this form of hand crafting with the aim of developing two special objects—created ad hoc by Maya for the milanese brand—in an unlimited series produced by the artisans of the brand’s net.One of the most interesting phenomena of the moment is, in fact, the way in which hands-on designers can bring innovations in craft ateliers, challenging and updating the existing techniques and materials, or simply questioning them and creating a real dialogue between craftsman and designer that has unexpected results. MAYA LEROY Born in 1994 to a Swedish mother and French father, Maya Eline Leroy is an artist and designer currently based in Eindhoven — The Netherlands. Expressing creativity through painting, drawing and hand-building clay. Her Doodle series is an ever expanding collection of unique, hand build and hand painted contemporary ceramics.