Medium Art

Radiating warmth and optimism, this contemporary landscape oil painting by Laura Rich, reflects the artist’s joyful embrace of change and new beginnings. Inspired by a transformative...

Marc Chagall (1887-1985) - Le jardin de pomone (The Garden of Pomona) Lithograph from 1968. The edition of 5/50 on Arches paper. Dimensions of work: 64.1 x 46.4 cm. Hand signed. ...

Vintage American modernist abstract oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 13 by 25 inches overall. Handsomely framed in...

Christo (American-Bulgarian, b. 1935) Edifice Public Epaqueté, Project (Ecole Militaire de Paris, from Monuments), 1968 Medium: Screen print on Bristol board Dimensions: 70 × 54.5 cm...

Motel Desert Shores, photograph from Richard Heeps Salton Sea series. This picture has the a vibe of a Southern California American road trip, the colours are so seductive, the palm ...

Original oil painting by Sophie Harden. Next Lot is an atmospheric filled piece of a horse being led to be saddled up for the next lot on the gallops. Set on a vivid dark blue backgr...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...

Yvonne CHEFFER DELOUIS Still Life with Hat Original lithograph Signed in pencil Numbered / 275 copies On vellum 58 x 76 cm (c. 22.8 x 29.9 in) Excellent condition

In the foreground, we see two conquistadors and three natives accompanying them landing on the shore, presumably on a reconnaissance mission in an unfamiliar bay. Perhaps they are in...

Glamorous Group Portrait of the most famous Supermodels of the 90s in the Palazzo Versace, wearing the famous Versace Oroton Chainmail dresses, photographed by Michel Comte in 1994. ...

Smooth black granite has been engineered by Canadian artist Jeremy Guy into an elegant sculpture in the form of a mobius strip. Granite base measures 7.25 W x 7.25 D x 2 H inches. ...

A wonderful painting of a beautiful woman in the style of the Pre-Raphaelites. It is signed Arnhold. It is in very condition and in the original frame. Picture Size: 21 x 21" (51 ...

Offset lithograph in colours on wove paper Edition 215 of 300 68 x 68 cm (26.8 x 26.8 in) Signed and numbered on the front Artwork in excellent condition. Barely visible minute creas...

Peter Max Umbrella man 16x20 inches unframed 28x32 inches with frame Acrylic Paint on Mixed Media From a Florida collection, purchased from Wentworth gallery First off, sorry for al...

Paper Size: 25.5 x 29 inches ( 64.77 x 73.66 cm ) Image Size: 18 x 24 inches ( 45.72 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

This splendid early 18th-century oil painting by Dutch artist Philippus Vilain (c.1659-1729) depicts a gentleman dressed in black armour, standing beside a plumed helmet and holding ...

Title: Provence House with Cypress Trees Pastel Pierre Neveu 1982 Artist: Pierre Neveu (French b.1929) Medium: Pastel on paper, unframed Size (H x W): 19.75 x 25.75 inches Signed low...

The structural narrative of the work is built on a complex architectural grid. A tapestry of horizontal blocks—consisting of shades of raw sand, muted ochre, and soft cream—is sudden...

Fernand LÉGER (1881 - 1955)(After) The Builders in blue Colored Lithograph Signed on the plate Numbered / 250 copies (Sample photo of the number) On Arches vellum 65 x 50 cm (c. 25....

Title Ceremony in Ibiza Artist Ignacio Gil Sala (1913–2003) Date 1960 Medium Oil on canvas Dimensions Height: 60 cm (23.63 in) Width: 73 cm (28.75 in) ...

FINE ORIGINAL ANTIQUE 18th CENTURY BRITISH OIL PAINTING MAN O WAR IN HARBOUR Description Good Condition canvas but very old with some browning in places (see picture). Cleaned ,re-...

his original abstract landscape by Marilina Marchica explores the fragile boundary between presence and absence through a refined, atmospheric language. Executed in oil on canvas, th...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

This captivating original oil painting on canvas by contemporary artist Serg Graff depicts a majestic clipper ship gliding across a vibrant ocean at sunset. Richly textured brushstro...

In her image- and color-saturated paintings and prints, Jiha Moon mashes up materials, motifs, and techniques to create dreamlike compositions, stuffed with Eastern and Western art historical and pop cultural references that challenge fixed notions of cultural identity and represent our information-overloaded world. Everything is fair game for Moon—she draws from sources high and low, real and virtual, ancient and contemporary, including 13th-century Taoist painting...

This painting captures the allure of horse through an abstract manner, showcasing their beauty with a dynamic use of color and texture. The horse emerges from the canvas through expr...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

Miguel CONDE (1939-) The fruit seller, 1998 Original ink drawing with charcoal enhancement Signed bottom left On heavy tinted vellum 79 x 60 cm (c. 32 x 26 in) Excellent condition

European painter in the Chinese manner (18th century) - Oriental scene with river boat. 42.5 x 72.5 cm (without frame) - 52 x 80 cm (with frame). Oil on canvas, in carved and gilde...

Bruce Porter's work addresses epic and mythological themes and juxtaposes them with pop and cartoon elements. Porter’s disparate imagery stems not from a contradictory variety of inf...

Artist: Harold Altman– American (1924-2003) Title: Market with Oranges Year: 1980 Medium: Etching Sight size: 17.75 x 23.75 inches. Sheet size: 22.5 x 28 inches Publisher: Lemont E...

This late-1970s photograph, taken by society photographer Slim Aarons, features Janine Bril in the garden of Les Sophores, her villa in Saint-Tropez, on the French Riviera. This is ...

"Abstract Rhythms" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 11794 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Work on canvas signed This painting by Josep Maria Mallol Suazo (1910-1986) depicts a lively country scene, bathed in warm light. In the foreground, a large leafy tree dominates the...

Judy Pfaff Squash, 1985 Woodcut on wove paper Signed, numbered 78/85, dated and titled on the front with artist's and publisher's blind stamps. 21 3/4 × 29 3/4 inches Publisher Cente...

Alphonse Mucha Seasons: Autumn, 1903 Original lithograph Printed signature in the plate Printed on paper 71 x 31 cm (c. 27.9 x 12.2 inches) On paper linen on canvas, 75 x 35.5 cm (c...

Amazing and rare early American impressionist street scene oil painting by Reynolds Beal (1866/67 - 1951). Framed in a period giltwood Whistler impressionist frame. Oil on canvas....

May Mott Smith (1879 - 1952) A Martinique Native in French Guiana, circa 1925 Watercolor on paper 24 x 20 inches Signed lower right; titled on the reverse “Martinique Native” is an ...

Color lithograph after the 1940 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: Pond Size: 30" x 30" x 1'' inch, (...

Joan Miro Ma de Proverbs (Abstract, Modern, Surrealism, Colorful, Iconic) 1970 Color lithograph on Arches paper Visible: 14.25 x 20.5 inches Framed: 22.125 x 28.75 x 1 inches Signed...

Man RAY (1890–1976) Crouched Silhouette, 1970 Original aquatint engraving Signed in pencil Numbered /25 copies On Lana vellum, 66 x 51 cm (25.98 x 20 in) INFORMATION : This engravi...

Willem de Kooning, Dutch/American (1904 - 1997) - In the Sky, Year: 1982, Medium: Offset Lithograph Poster, Size: 26 in. x 30.5 in. (66.04 cm x 77.47 cm), Frame Size: 27.5 x 30...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Abstract Expressionist Sky Composition by Gerard Guegueniat (French 1970's) signed oil painting on board, framed framed: 21.5 x 27 inches board: 18 x 12 inches provenance: private co...

Acquired by the gallery directly from the artist UNFRAMED: 16" x 20" FRAMED: 22.5" x 26.5" x 1.5" SIGNED: Lower Right Artist Statement "This was painted from the deck of my studi...

La obra va firmada por el artista en la parte inferior y fechada del año 1981 Se presenta enmarcada la obra Medidas de la obra: 38 cm. de altura x 46 cm. de ancho Medidas del marc...

Amedeo Modigliani, After, Italian (1884 - 1920) - L'Amazone, Year: of original: 1909, Medium: Lithograph, stamp signed and numbered in pencil, Edition: 101/150, Size: 30.25 x 22....

John Devoluy (1903-1982) The Cat, 1950 c. Oil on canvas 28 3/4 x 24 inches l 73 x 61 cm With frame: 30 3/4 x 26 inches l 78 x 66 cm Signed lower left John Devoluy was born in 1903 a...

Bernard Myers (British, 1925 – 2007) Study of flowers with oranges and pears pastel on paper Signed ‘B. Myers’ (lower right) 24 x 31.3/4 in. (61 x 80.7 cm.) (including frame) From th...

From Brad Wilson's Affinity Series Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environme...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

ARTIST: Salvador Dali TITLE: Dali's Inferno MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine for DALART EDITION NUMBER: 90/250 MEASUREMENTS: 21.5" x 30" ...

Color lithograph on cream wove paper, 1956. Edition of 200. Printed by Mourlout, Paris.

This contemporary wall mounted fiber sculpture, Specimen 24 reads as an artistic rendition of a beautiful sea specimen. Rich, jewel-toned purple hand-dyed cotton thread is wrapped ar...

Dick Ruhl (American, 1926-1991) Original Gouache Painting of Goofy, one of three images created specifically for Disney Interview portfolio, Los Angeles 1943. (see reference in bio below). Image measuring 12 x 18 inches. Signed & dated 1943 lower right. Framed measurement: 19 x 25 inches. Dick Ruhl was the grandson of German immigrants who settled in Nebraska as farmers brought to the US by the federal government to raise food for a growing population after the Civil War. On his mother’s side, his family dates back to Nathan Hale. Her father was in the Union Army and given a small farm by the government near Guthrie, Oklahoma. Dick’s parents, John and Lucille, were married in Chandler in 1902, and his dad got a job with the Frisco Railroad. Since the main yard and a hub were in Sapulpa, they moved here, initially settling at Elm and Lee street, but later they bought five acres at 1300 Cleveland and built a simple home with a water well, outdoor toilet, and coal oil lamps. Dick is a Sapulpa native who left his hometown at 16 to become an animator during the “golden age” of Disney Studios. Photo courtesy of Sapulpa Historical Society. Dick finally came along in 1926 and was born in the Sapulpa City Hospital at Division and Cleveland Streets. According to Dick, his doctor, William Polk Longmire—a famous Sapulpan in his own right—named Dick after himself on his birth certificate, listing Dick’s name as “Polk Knox Ruhl.” It wasn’t until 1937 that it was discovered and changed to James Richard Ruhl. Dick was doing farm chores at 5 years old, mostly feeding the animals and milking the cow. Every evening, he delivered milk to his last customer, a cousin named “Nellie,” whom Dick says was a bootlegger. Dick recalls one evening as he put Nellie’s milk in her icebox, a handsome gentleman named Charlie took him up on his lap. “He was wearing a gun, which impressed me,” Dick said, adding that Charlie gave him a shiny half dollar as a gift. “Each evening I rushed to Nellie’s, hoping to meet Charlie again, until one evening, she told me he would never be back.” Nellie showed Dick the evening Sapulpa Herald announcing that Charles “Pretty Boy” Floyd had been killed. Dick started school at 5 years old and said his teacher “loved and whipped me through first grade.” It must have done some good because he was able to skip the 2nd grade. In 3rd grade, his teacher, Miss Giles, had her students draw a house. “I don’t know why, but I drew my house in perfect perspective,” Dick said. “She bragged about my talent and it was then I decided to become a great artist.” Dick turned a small chicken house at his parents’ farm into his first studio and gallery. “My clients were ducks, chickens, and an occasional pig,” he said. As the country fell into the Great Depression, Dick said “it didn’t mean anything to me. We raised our food and Dad eked out a small wage on the railroad. Mom made our clothes from feed sacks purchased at Lee Nevin’s Feed Store, and we had credit at Bodkin’s Grocery, House’s Grocery, and Katz Department Store.” It was in High School that Dick began to really pursue his creative talents again. “The WPA sponsored an art class at the library in the basement,” he said. “My algebra teacher let me attend the art class instead of algebra.” Dick said his art teacher was Henry Simpson—a retired Western artist from Ft. Worth— and another teacher named Mrs. Casteel, whom Dick said “gave me the greatest advice I have ever learned: ‘Don’t think you’re all that good! You’ll meet artists who are better than you, but don’t get discouraged, keep doing your thing.’” Disney comes calling Dick was working at the Criterion Theatre in Sapulpa when Disney released “Snow White and the 7 Dwarfs...

In this dramatic 18th-century religious composition, the body of Saint Aloysius Gonzaga lies serene upon a boat, surrounded in celestial radiance. Cherubs gather above, bearing witne...

Portrait of a Harlequin is a striking aquatint poster created for Galerie Félix Vercel in 1972. This poster is part of a series of aquatints presented by the gallery, showcasing Pica...

By Virginia Conroy Dedini (American, 1922-2006). Titled lower left, 'Mitsuko ''Okaido Born''' and dated August 1976. Exhibited: Carmel Art Association, 1983 (label, verso). Carmel...