Medium Art

Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas Oil measurements 54x65 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948). Numbered, dated, titled, and signed along the bottom edge ("AP 1980 Kimono 11 Patricia A Pearce...

"Getting lost in the infinite" is a meditation on a motif dear to painters of all times and all continents: the mass of water lilies. For Linda Clerget, ...

Robert Rauschenberg Rare 1960s Musee D'Art Moderne de la ville de Paris poster, 1968 Offset Lithograph Edition of 500 27 1/2 × 21 inches Unframed, not sig...

Jesús Curiá Perez Influence bronze 25h x 12.25w x 10.50d in 63.50h x 31.11w x 26.67d cm 1/8 JCP063 It is seemingly easier to identify with the ideas and thoughts of an artist if he ...

erotic print female figure captured in a moment of an intimate delight. Flame orange color, shining blue, and clown-like intriguing face. lack and white. Parts of her body appear...

CARLOS CRUZ-DÍEZ - CROMOVELA 22 Date of creation: 2018 Medium: Polychrome ceramic Edition: 20 Size: 80 x 21 x 16 cm Condition: In mint condition This sculpture belongs to one of the...

Hunt Slonem "Indigo Finches" Blue Birds Multiple finch birds gestured in blue and black on a silver background in a vintage frame. Unframed: 24.5 x 15 inches Framed: 31.5 x 22 inche...

Original poster: Rembember Your First Thrill of Ameridan Liberty YOUR DUTY Buy United States Government Bonds 2nd Liberty Loan of 1917. Linen backed and ready to frame. Poste...

‘Guinevere’ by Norman Prescott-Davies R.B.A, R.C.A. (1861-1915). The painting – which depicts an English mediaeval portrait of Queen Guinevere at Amesbury Priory contemplating her lo...

"Night Blues" Female Nude, seen from the back, and a second view in the mirror. from another perspective. Part of "Nude in Interior" series, inspired by Matisse. Ultramarine tempera ...

Offset lithograph in colours, on smooth wove paper Edition of 300 71 cm (D) (28 in) Signed and numbered on front Mint. Minor imperfections may appear due to the nature of the materia...

Yayoi Kusama & Yoshitomo Nara MoMa Skateboard Decks (2 works): A set of 2 MoMa published skateboard decks featuring Kusama's Dots Obsession imagery & Nara’s ‘Solid Fist’ girl. Make...

Clouds is an enchanting acrylic painting on cardboard realized by the Italian artist Anna Maria Caboni in 2014. The artwork is hand-signed and hand-dated "AMC 14" by the artist in b...

Stunning screenprint based on the giant 500 meter mural Peterson painted in 2016 at the base of the Eiffel Tower in Paris, France. Beautiful colors presented in the artists eastly recognizable ancient Roman Greco...

This lithographic poster was designed after Henri de Toulouse-Lautrec for an exhibition at the Galerie R.G Michel, Paris in 1954. This poster, which is based on the original lithogra...

An important oil on canvas painting by the celebrated equestrian artist, Harry Hall (1814-1882), of the racehorse "Lord Lyon", 1866. Hall was the most important equestrian artist of ...

" Sunlit Mountains" Majestic Mount Jefferson And Mount Hood Oregon 1930s A well executed oil on linen of two mountain peaks by California and Illinois artist Andrew Dobos (American/P...

Signed and dated figures in landscape pastel on canvas by French Barbizon painter Leon Augustin Lhermitte. The piece depicts washerwomen washing linen on the bank of the River Marne,...

Darth Vader is one of the most iconic characters in the Star Wars saga. In this prized sculpture you can see the character in an unusual way. Full of color and complex patterns, and ...

Screenprint Signed and dated to lower right Edition 63/100 to lower left One of the most sought after prints by Invader fans as this was his last release with Steve Lazarides. Mr. Lazaride's is a legend in his own right having represented everyone from Banksy, Paul Incest and many others. This is a must have for any Invader Was Here Fan! This print is special to us as it represents our childhood sitting around arcades and playing the famous Arcade Game SPACE INVADERS. Being a product of the 70's/80's please and thank you...

"Layers of Light" In this award-winning image, Drew was interested in the way the light hit the sand dunes of Sossusvlei, Namibia creating this breathtaking, ethereal scene. The p...

5149 Antique French Impressionist oil painting landscape Signed lower left Image size 22x18"

Pencil signed and numbered 32/200 in pencil on lower edge. Published by Original Editions, New York. From 11 Pop Artists, Volume II. A spectacular, colorful image, and a Pop Art ma...

Printed by Mourlot for an Maurice Esteve exhibition held at the Galerie Louis Carre. Esteve is well-known for his rich colors similar to the fauvist mouvement of the early 20th centu...

Antonio GUANSE (1926-2008) Pipe Smoker, 1977 Oil on canvas Signed and dated Countersigned and dated on the back On canvas 61 x 50 cm Presented with the wooden frame 62.5 x 51 cm Ve...

Heidi von Faber (Dutch artist) Tea Towels 70 x 70 cm (framed, included in price 75 x 75 cm) Acryl on canvas In the paintings of The Hague-based artist Heidi von Faber, light plays ...

Bold multi-color abstract expressionist oil painting illustrating vivid colors of gold, magenta, teal and yellows by Michael Pauker (American, b. 1957). This high octane colorful hor...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 13.75 x 20 Frame Size: 20 x 27 Medium: Pen, Pencil, Crayon, Marker "Daddy Playing in the Mud" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk Artist John Willard Banks, black self-taught artist, the son of Charlie and Cora Lee (McIntyre) Banks, was born on November 7, 1912, near Seguin, Texas. At the age of five his parents took him to San Antonio, where he attended Holy Redeemer School until the age of nine, when his parents were divorced and John returned to his grandparents' farm near Seguin. From childhood Banks's favorite pastime was drawing pictures on his Big Chief tablet. He later recalled, "As a kid I used to lie flat on my stomach, drawing and drawing. . . . My mother had to kick me off the floor to sweep." While helping out on his grandparents' farm, Banks completed the tenth grade before striking out on his own. His favorite activities during his youth were singing in a gospel quartet and playing baseball. In his adult years he worked in oilfields and cotton fields, drove a truck, and tended a San Antonio service station. During World War II he joined the army; he held the rank of sergeant and was stationed in the Philippines. After the war he returned to San Antonio, where he worked as a custodian at Kelly Air Force Base, at Fort Sam Houston, and at a local television station. Banks married Edna Mae Mitchell in 1928, and they had five children. The marriage ended in divorce around 1960. In 1963 he married Earlie Smith. His art career began in 1978 while he was recuperating from an illness for which he had been hospitalized. Banks's wife admired her husband's drawings and secretly took several of them to a San Antonio laundromat. There she hung the drawings on the wall, offering them for sale at the price of fourteen dollars. They were purchased and taken to a gallery for framing. Quite by chance, a San Antonio physician and collector of works of art by black artists...

This charming French Old Master oil painting is by noted French artist Philippe Budelot. Painted circa 1800 the composition is of figures on a woodland path by a lake. In the foreground is a drover on horseback with some cattle and a goat. They are being greeted by the sheep dog of the shepherdess behind them who has sheep scattered amongst the trees. More figures are coming along the path in the distance. The group in the foreground are well illuminated beneath the blue sky above and it is probably early morning. The brushwork on the trees is superb and the whole scene is quite charming. This is an excellent example of a French Old Master landscape...

6021 Antique oil of an abandoned Arizona mining town Framed Signed verso Image size 17.5x23.5

Signature of the Artist engraved in the bronze base of the piece with an edition number. 201/350

Tony Bennett Title: San Francisco Golden Pavilion Lithograph Signed and Marked PP  2/10 ( Printers Proof ) Paper Size: 30" x 24" inches Image Size : 25" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...

Signed lower right, 'R. Schloss' for Richard Schloss (American, born 1953) and dated 2014; additionally signed, dated and inscribed, verso. This notable California artist received ...

Limited Edition of 350 Size: 54cm x 38cm (paper size: 61cm x 44.5cm) Printed using Epson SureColor P7070 & P9070 printers with archival quality inks onto Hahnemuhle Matt Fine...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Contemporary figurative nude oil on plywood board painting by Polish artist Agnieszka Staak-Janczarska. Painting depicts a woman sitting on a floor holding a flower. Her face is not ...

Thomas Morin (1934-2017) Untitled, 1962. Cast iron on wood base. Cast sculpture measures 24 x 7 x 5 inches and weighs 49 lbs. Overall measures 26 inches tall on wood base. Proc...

Medium: Lithograph on vélin d'Arches paper Year: 1971 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dufresne, VI, Colle...

This is an original vintage oil painting on canvas depicting Sailing Ship in the stormy sea. Presented in a nice wood frame. Frame has some scuffs and scratches. Painting overall is...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

In this contemporary abstract painting in oil on linen mounted on panel, carefully ordered patterns, geometric shapes and delicate lines in light green, robin's egg blue and pale pea...

This series of paintings is inspired by the relationship between the artist and the Fontainebleau forest region. Here we're talking about the Episy marsh, a sensitive, protected natu...

Signed lower left. Image dimensions: 51cm x 61cm / 20 inches x 22 inches Framed dimensions: 64cm x 74cm / 25 inches x 29 inches Painted whilst Munnings was living in Cornwall, 'Dece...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Patio Still Life with Flowers, Plants and Pots) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches ...

After Emile Andre Boisseau (French, 1842-1923) "Oysel - Le Troubadour" Patinated Bronze Sculpture, late 19th century, depicting a seated minstrel, on a circular base with applied pla...

"At dawn" abstract marine landscape by Lilia Volskaya. Charming seascape. He breathes sea spray and foam. Waves run into the endless expanses of the sea At dawn, the water turns red....

River Landscape Painting of the Scottish Highlands by 19th Century British Artist, Alfred De Breanski Snr, (1852 - 1928). Signed on the front (l...

Artist: Hunt Slonem, American (1951 - ) Title: Pocahontas Pillow Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Size: 26 x 29 inches

Jean Béraud 1849-1935 French Les Grands Boulevards (Café Américain) Signed "Jean Béraud" (lower left) Oil on panel Jean Béraud’s Les Grands Boulevards (Café Américain) exquisitel...

Offset lithograph in colours, on smooth wove paper Edition of 330 71 cm (D) (28 in) Signed and numbered on front Mint. Minor imperfections may appear due to the nature of the materia...

A charming scene of a man leading his horse down a country lane near a red barn in Volcano, CA by listed artist Frederick Colbus (American, 1917-1986). Signed and dated "F. Colbus, 1978" lower right. On verso titled "Days End" (Volcano, CA), signed F. Colbus, and dated July 30, 1978. Presented in a wood frame with linen liner. Image size: 12"H x 24"L Frederick Colbus was born in Daly City...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 16 x 20 Frame Size: 24 x 28 Medium: Oil "Spring Creek Phlox" Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields...

Artist: Paul Klee, After, Swiss (1879 - 1940) Title: Bauchredner und Rufer im Moor (Ventiloque criant dans le marais) Year: 1964 after 1920 Drawing Medium: Pochoir on Rice Paper, Sig...

Louis XVI #4 Part of "Mixed Moods" solo show, until September 29 2023 Original painting. Size 27.5x19.5in / 70x50cm . Acrylic on canvas. The period armchair, style Louis XVI, becom...

A charismatic watercolour scene depicting a hunting meet searching through boulder's where their prey has disappeared into the rocks. The figures dismount their horses and follow the...

Lithograph realized by Nicolas Carrino in 1970. Edition of 150 pieces plus 30 pieces in Roman Numbers. One of the 30 specimen in roman numbers. Excellent condition.

Betsy Podlach (American, born 1964) "Hudson River" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Betsy Podlach’s "Hudson River" is an expressive...