Vertical Drawings and Watercolor Paintings

"Blue Tears” 27.5x19.5in / 70x50cm Ultramarine tempera and ink on textured paper. Shipped rolled in a tube, from my studio in Bucharest, Romania, with DHL to the US and EMS to Euro...

This Oil impasto and Goldleaf on Paper, named Peony Summer, is a part of Summer Bloom Series by Award winning British artist Shizico Yi. She created the painting in her garden paint...

"The Garden Within” 27.5x19.5in / 70x50cm Ultramarine tempera and ink on textured paper. Shipped rolled in a tube, from my studio in Bucharest, Romania, with DHL to the US and EMS ...

French Post-Cubist Paris Café Interior Figurative Watercolour Painting Laure Noetzin-Azam (French, 1929–2024) Size: 14.75 x 12.25 inches (height × width) Medium: Watercolour on paper...

"In Chains" male nude, pencil and tempera on paper. Size is 27.5x19.5in / 70x50cm . Shipped rolled in a tube from Fort Lauderdale, Florida by priority express mail. This particular p...

Medusa and Perseus part of my Neo Mythology series. Shipped rolled in a tube, well packed, from Europe, by DHL to the US and by EMS to Europe and rest of the world. Medusa and Pers...

series "Shells", 70x50 cm, acrylic on cardboard The work is sold without a frame and mat

'Insubria' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches ...

The Road Dreams of Star Beneath Two Moons Tonight A dreamy moonlit landscape inspired by poetry and quiet night atmospheres. The composition features a winding luminous path beneath...

This original Ink/Charcoal/gouache drawing was created by Shizico at the transitional sunset light in early spring. Like a modern-day Monet, Shizico has built her own garden over the...

This oil and gold leaf on Georgian oil paper board is a part of Summer Bloom Series, an extension of the Sunlit in primary colour project. Captured Shizu's garden in the night in th...

Title: Robin Bird Snowy Branch Berries Wildlife Watercolour Painting Artist: L W Rowe, 20th century Medium: watercolour and gouache on paper, unframed Size: 10 x 8 height x width in inches Signature: signed lower left, L W R Stamped verso: no stamp visible from the images provided Provenance: private collection Condition: good overall vintage condition. The sheet shows light age toning, handling marks, minor surface wear and slight edge wear. There is some marking and discolouration to the reverse. The painted surface remains bright, charming and highly decorative. Description: A charming signed watercolour and gouache painting by L W Rowe, depicting a robin perched on a snowy branch with red berries and autumn leaves. The bird is shown in profile, with its distinctive orange-red breast, soft brown wings and alert dark eye carefully picked out against a muted pale green background. The subject has strong natural history and decorative appeal, combining British wildlife, winter atmosphere and botanical detail. The artist uses a lively mixture of transparent watercolour and thicker white gouache to suggest snow resting on the branches. This gives the painting a pleasing sense of texture and seasonal charm. The robin is delicately modelled, with fine brushwork used to describe the feathers, wing markings and rounded form of the body. Small red berries add bright points of colour and balance beautifully with the warm tones of the bird’s breast. The composition is simple but effective, placing the robin centrally on the diagonal branch while leaving space around the figure. This gives the work a quiet, peaceful quality and makes it especially easy to place within an interior. The winter subject also gives it particular appeal for country house interiors, nature lovers, bird collectors and seasonal displays. This piece would appeal to collectors of bird paintings, robin artworks, British wildlife watercolours...

Monument im Fruchtland (Monument in the Fertile Country) 1929. after Paul Klee, 1879 – 1940 Original work : Pastel, 47.5 × 34.8cm. Bern, Zentrum Paul Klee. (Photograph via Archiv...

Keith Haring Original Handwritten, hand signed Letter, ca. 1987 Ink on Haring's Private letterhead Stationery, Hand written and hand signed by Keith Haring Unique, original piece: ch...

A striking Art Deco gouache on cardboard depicting a stylish singer captured in a bold, graphic modernist idiom. The figure—rendered with short red hair, a chic black hat, striped tr...

Title: Vintage Cavalier King Charles Spaniel Dog Portrait Oil Painting Artist: Dorothy Johnson Medium: Oil on canvas laid to boar...

A French Impressionist Fauvist Colour-Field gouache and watercolour on paper landscape by Gabrielle Ricard-Cordingley. The painting is not signed but there is another painting of a m...

“Girl in Love with Mask”, tempera acrylic pencil on paper. Check 1stDibs free shipping code for items over $500. Shipped rolled in a tube, well packed, from Europe, using DHL or Fed...

Boleslaw Cybis (1895-1957). Unnamed Horses (Wild Horses), ca. 1930's. Conte on paper, sheet measures 20 x 23 inches. Signed by the artist some years after its creation in blue ink...

Composed of nine cards, each of which measures 5 x 3 in. Framed dimensions: 23.5 x 17.5 in Initialed "KZ" in blue pen lower right corner on all cards except the horse, which is sign...

Pastel Landscape by Irina Hale (British 1932-2022) pastel sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotswolds condit...

Red Tulip English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 15 x 13 inches Provenance: private collection, England. Condition: The drawing is...

Title: Mediterranean Fishing Boats Coastal Harbour Scene Watercolour by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): ...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Salvador Dali (1904-1989) - Hercules Subduing the Hydra Gouache and ballpoint pen from 1978. Dimensions of sheet: 56 x 38.3 cm Dimensions in frame: 86 x 68 cm Hand signed. This ...

A Charming 1940s Mid-Century Modern Watercolor of Pirate's Alley, New Orleans by Arlene S. Ezickson (Am. 1927-2003). Titled "Vieux Carre, New Orleans" the artwork is watercolor and ...

This 25" x 14" pastel pencil work on paper by Serbian artist Bojan Grof is number five of the "Woman's World" series, a series that explores the experiences of and societal impact on...

Signed lower left 'C. Werner' for Carl Frederich Heinrich Werner (German, 1808-1894) and dated 1855. Watercolorist Carl Werner studied first with Veit Hanns Schnorr von Carolsfeld ...

Post War Berkeley Hills Victorian House Original Watercolor Painting, Signed Original 1947 watercolor painting of Berkeley home in the featuring an iconic Queen Anne Victorian house...

Set of Two Paired Studies 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on light brown artist paper stuck on A4 artist paper, unframed overal...

Pastel Landscape by Irina Hale (British 1932-2022) pastel and pencil sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotsw...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

The Garden View French School, early 20th century signed with initials lower corner watercolour painting on artist paper, framed Glass covering framed: 13 x 10.5 inches board: 10 x 8...

Baobab N11 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a w...

Title: Miniature Watercolor of Avon Gorge with Clifton Suspension Bridge and Ship by Jack Grunwell, 20th century British artist Medium: Wate...

Centaur with Arch 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio. 1st Dibs offers free shipping up to $20...

Title: Provence Hillside with Stone Houses and Lush Trees French Landscape Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W):...

Two Daffodil Stems English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The dr...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's active wear by Hattie Carnegie. Inscription reads: Left - White jersey slack suit Red gaberdine jacke...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

"Silence", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Size 39x27.5in /100x70cm. Shipped rolled in a tube from For...

Emperor Jahangir in his harem surrounded by lotus blossoms; symbols of paradise itself. Circa 1690. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (...

Title: Original French Anatomical Pencil Study of a Horse Being Fitted with a Bridle Artist: Robert Ladou (French, 1929-2014) Medium: Pencil and Watercolor on Paper Size: 18.75 (Heig...

Wonderful and evocative watercolour on paper by the great Austrian-born artist who lived in the United States John Haymson (Vienna 1902 - New York 1980). This beautiful still life de...

Sliced Venus. Original art, signed 100x70cm / 30x27in, ink, graphite, tempera on paper. large size, shipped rolled in a tube Drawing has on the back 2 white wood sticks, and it's rea...

This painting named "Sunkissed sunflowers in a terracotta vase " celebrates my love for these beautiful joyful summer flowers. Van Gogh and my admiration for his art, inspired me ...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

"The Sphinx" The Sphinx is a mythical creature with the head of a woman, the body of a lion, and the wings of an eagle. Part of "Neo Mythology" series. Original work on colored pape...

'Landscape with Man and Goats', gouache on paper, by Raymond Guerrier (circa 1960s). After the artist moved from Paris to the South of France, he started painting landscapes illumina...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Title: Mid Century French Geometric Abstract Starburst in Brown Blue and White by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

Figure with Orange and Blue - Original Signed Abstract Expressionist Work Dynamic figural abstract piece by Felix Ruvolo (American, 1912-1992). In the center of the composition is a...

A joyful scene of lighthearted merriment in the palace of Jangahir Mahal Agra Circa 1750. Gouache and ink with gold heightening on light weight cream laid paper, 8 1/4 x 6 inches (2...

Set of Two Paired Studies 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on light brown artist paper stuck on A4 artist paper, unframed overal...

"Sensory Experience", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. Choose between express or standard shipping. This particular piece is in my studio in Fort Lauderdale, Florida. Other pieces are in my other studios in Europe, or in NY. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Title: French Hilltop Village Church Mountains Landscape Gouache Painting Bernard Labbe Artist: Bernard Labbe (French, mid 20th century) Medium: gouache on paper, unframed Size: 16 x...

Dog-tooth violet Flower English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: T...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...