Unframed Drawings and Watercolor Paintings

"Blue Tears” 27.5x19.5in / 70x50cm Ultramarine tempera and ink on textured paper. Shipped rolled in a tube, from my studio in Bucharest, Romania, with DHL to the US and EMS to Euro...

This Oil impasto and Goldleaf on Paper, named Peony Summer, is a part of Summer Bloom Series by Award winning British artist Shizico Yi. She created the painting in her garden paint...

Title: Italian Coastal Mountain Seascape Modernist Watercolour on Handmade Paper Artist: Italian School / European School, 20th century Medium: Watercolour on handmade paper, unframe...

In this contemporary drawing in pastel and graphite on BFK Rives paper, layered undulating lines investigate the properties of abstract curvilinear forms found in the localized condi...

"The Garden Within” 27.5x19.5in / 70x50cm Ultramarine tempera and ink on textured paper. Shipped rolled in a tube, from my studio in Bucharest, Romania, with DHL to the US and EMS ...

**Title:** Spanish Pine Tree Landscape Country Road Watercolour on Handmade Paper **Artist:** European School, 20th century **Medium:** Watercolour on handmade paper, unframed **S...

This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...

"In Chains" male nude, pencil and tempera on paper. Size is 27.5x19.5in / 70x50cm . Shipped rolled in a tube from Fort Lauderdale, Florida by priority express mail. This particular p...

series "Shells", 70x50 cm, acrylic on cardboard The work is sold without a frame and mat

Medusa and Perseus part of my Neo Mythology series. Shipped rolled in a tube, well packed, from Europe, by DHL to the US and by EMS to Europe and rest of the world. Medusa and Pers...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

Title: Scottish Highland Cattle Bulls Country Landscape Watercolour 1936 Artist: L W Rowe, 20th century Medium: watercolour on paper, unframed Size: 7 x 9.75 height x width in inches Signature: signed lower left, L W Rowe Date: dated lower right, 21-10-36 Stamped verso: no stamp visible from the images provided Provenance: private collection Condition: fair to good vintage condition. The sheet shows age toning, foxing, surface marks, handling wear and visible edge wear. There are losses, tears and old adhesive / mount marks to the reverse, particularly around the edges and corners. The painted image remains attractive, clear and highly decorative. Description: A charming signed watercolour by L W Rowe, dated 21-10-36, depicting two Highland cattle standing in a rural landscape. The cattle are shown in profile beneath bare trees, with soft fields, a pale path and distant countryside beyond. Their long horns, shaggy coats and strong silhouettes make them immediately recognisable as Highland cattle, giving the work excellent decorative and collectable appeal. The painting is especially attractive for its earthy palette and gentle pastoral atmosphere. The artist uses warm browns, ochres and deep umber tones to describe the animals’ coats, contrasting them with soft greens, muted greys and pale blue washes in the surrounding landscape. The darker Highland bull to the right gives the composition weight, while the warmer russet animal to the left introduces richness and texture. The handling is loose but observant, with the cattle carefully placed within a quiet countryside setting. The trees and background are painted with light, atmospheric washes, allowing the animals to remain the clear focus of the work. The date of 1936 gives the piece additional period interest, while the signed lower-left inscription helps distinguish it from a purely anonymous animal study. Highland cattle remain a highly popular subject in British and Scottish art, particularly for collectors drawn to rural landscapes, country house interiors, animal paintings, farming scenes and traditional countryside subjects. This watercolour would work especially well in a country home, kitchen, hallway, study, boot room or gallery wall of animal and landscape works. The sheet has visible age-related wear, including toning, foxing, edge losses, tears and old adhesive marks to the reverse, all consistent with a vintage work on paper. Despite this, the painted image remains appealing and decorative. Unframed and ready for sympathetic mounting, this is a characterful 1930s Highland cattle watercolour...

This is an exclusive handprinted limited edition cyanotype. "Azure Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky, showing shades of blue. Details: + Tit...

Pablo Picasso (1881-1973) - Tête d'homme barbu Felt-tip pen from 1971. Dimensions of work: 16.5 x 16.5 cm. Hand signed. This work is accompanied by a certificate from the Comité ...

Title: British Countryside Landscape Dramatic Sky Green Fields Watercolor Painting Artist: British School (mid 20th century) Medium: watercolor painting on artists paper, unframed Si...

Title: Robin Bird Snowy Branch Berries Wildlife Watercolour Painting Artist: L W Rowe, 20th century Medium: watercolour and gouache on paper, unframed Size: 10 x 8 height x width in inches Signature: signed lower left, L W R Stamped verso: no stamp visible from the images provided Provenance: private collection Condition: good overall vintage condition. The sheet shows light age toning, handling marks, minor surface wear and slight edge wear. There is some marking and discolouration to the reverse. The painted surface remains bright, charming and highly decorative. Description: A charming signed watercolour and gouache painting by L W Rowe, depicting a robin perched on a snowy branch with red berries and autumn leaves. The bird is shown in profile, with its distinctive orange-red breast, soft brown wings and alert dark eye carefully picked out against a muted pale green background. The subject has strong natural history and decorative appeal, combining British wildlife, winter atmosphere and botanical detail. The artist uses a lively mixture of transparent watercolour and thicker white gouache to suggest snow resting on the branches. This gives the painting a pleasing sense of texture and seasonal charm. The robin is delicately modelled, with fine brushwork used to describe the feathers, wing markings and rounded form of the body. Small red berries add bright points of colour and balance beautifully with the warm tones of the bird’s breast. The composition is simple but effective, placing the robin centrally on the diagonal branch while leaving space around the figure. This gives the work a quiet, peaceful quality and makes it especially easy to place within an interior. The winter subject also gives it particular appeal for country house interiors, nature lovers, bird collectors and seasonal displays. This piece would appeal to collectors of bird paintings, robin artworks, British wildlife watercolours...

Title: Mediterranean Garden Pool Terrace Watercolour Colourful Botanical Painting Artist: French School, 20th century, indistinctly signed Medium: watercolour and gouache on paper / ...

Keith Haring Original Handwritten, hand signed Letter, ca. 1987 Ink on Haring's Private letterhead Stationery, Hand written and hand signed by Keith Haring Unique, original piece: ch...

"Blessed" Part of "Nude in Interior" series. Original work on colored paper, with pencil and blue ultramarine tempera on red colored paper, inspired by Matisse. Size is 7.5x19.5in...

This Set of 2, work on paper, named Le Bleu are a part of Jardin d'Hiver Series by award winning British artist Shizico Yi. She created the series in her winter studio while longing...

Title: Vintage Cavalier King Charles Spaniel Dog Portrait Oil Painting Artist: Dorothy Johnson Medium: Oil on canvas laid to boar...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

“Girl in Love with Mask”, tempera acrylic pencil on paper. Check 1stDibs free shipping code for items over $500. Shipped rolled in a tube, well packed, from Europe, using DHL or Fed...

A French Impressionist Fauvist Colour-Field gouache and watercolour on paper landscape by Gabrielle Ricard-Cordingley. The painting is not signed but there is another painting of a m...

Title: Provence Hilltop Village Vineyard Watercolour Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 19.75 x 25.75 inches Signe...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Title: French Woodland Trees Hillside Landscape Watercolor Sketch Mid Century Artist: French School (mid 20th century) Medium: Watercolor on artists paper, unframed Size: 7.75 x 11 i...

A Grand Tour image of the Alps. English School, 19th century C1840. Graphite and ink and wash in sepia and brown ink on two sheets of heavyweight wove paper, 8 1/8 x 11 inches (207 x...

Watercolor on watercolor paper, 9 3/4 x 12 1/4 inches (248 x 311 mm), the full sheet. Scattered light toning, especially at the sheet edges. Minor, light area of clustered brown spot...

Title: Altea Spain Coastal Church Mediterranean Landscape Watercolor Sketch Artist: English School (early to mid 20th century) Medium: Watercolor on artists paper, unframed Size: 7.7...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Watercolor on heavy gauge watercolor, 4 1/8 x 11 3/4 (105 x 299 mm), the full sheet. In good condition with scattered minor surface soiling, and light scattered foxing. Colors slight...

Title: Provence Countryside Olive Trees Pastel Landscape Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Pastel on thick paper, unframed Size (H x W): 19.75 x 25.75 inches ...

Expressive octopus illustration in blue and green marker (20th century) Felt-tip pen / marker on paper, unframed. Size: approximately 12.26 x 16.5 inches (height x width) Unsigned. C...

Title: Mediterranean Fishing Boats Coastal Harbour Scene Watercolour by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): ...

Salvador Dali (1904-1989) - Hercules Subduing the Hydra Gouache and ballpoint pen from 1978. Dimensions of sheet: 56 x 38.3 cm Dimensions in frame: 86 x 68 cm Hand signed. This ...

Title: French Village Landscape with Church and Farmland Bourgogne Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 19.75 x 25.5 i...

**Title:** Modernist Rolling Hills Country Landscape Watercolour on Handmade Paper **Artist:** British School / European School, 20th century **Medium:** Watercolour on handmade pa...

French Post-Cubist Paris Café Interior Figurative Watercolour Painting Laure Noetzin-Azam (French, 1929–2024) Size: 14.75 x 12.25 inches (height × width) Medium: Watercolour on paper...

Title: Winter River Landscape with Bare Tree Watercolor and Ink Signed 1985 Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 6.5 x 7.25 inches...

Gestural abstract expressionist painting on canvas in colorful hues green, blue, and orange on a gold and silver background "Untitled Green", 2022 by Bruce Murphy 40.5 x 40.5 inches...

A finished primary study for Bonheur's major oil paintings of the late 1850s, capturing the quiet, unadorned dignity of animals in their native environment. Circa 1855. Graphite and...

SALVADOR DALÍ DE DRAEGER. MAX GERARD. EDITORIAL BLUME - AÑO 1968 Medidas del libro: 29 x 31 cm. Número de páginas: 242 Con 243 ilustraciones a todo color. Encuadernación en tela ...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

The red fish is a symbol of confidence, stable good fortune, and abundance. It represents moving in one’s own rhythm, trusting intuition, and inner stability. The red color emphasize...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

Centaur with Arch 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio. 1st Dibs offers free shipping up to $20...

Title: Woman with Wine at Sunset French Modernist Watercolor Figure and Landscape Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 4 x 4.75 in...

Title: Miniature Watercolor of Avon Gorge with Clifton Suspension Bridge and Ship by Jack Grunwell, 20th century British artist Medium: Wate...

Title: Provence Hillside with Stone Houses and Lush Trees French Landscape Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W):...

Title: Provence Hilltop Village Olive Trees Landscape Watercolour Artist: Pierre Neveu (French b.1929) Medium: Gouache and watercolour on paper, unframed Size (H x W): 19.75 x 25.5 i...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

Title: Original French Anatomical Pencil Study of a Horse Being Fitted with a Bridle Artist: Robert Ladou (French, 1929-2014) Medium: Pencil and Watercolor on Paper Size: 18.75 (Heig...

Sliced Venus. Original art, signed 100x70cm / 30x27in, ink, graphite, tempera on paper. large size, shipped rolled in a tube Drawing has on the back 2 white wood sticks, and it's rea...

This painting named "Sunkissed sunflowers in a terracotta vase " celebrates my love for these beautiful joyful summer flowers. Van Gogh and my admiration for his art, inspired me ...

Title: Forcalquier Provence Village Landscape Watercolour Artist: Pierre Neveu (French b.1929) Medium: Gouache and watercolour on paper, unframed Size (H x W): 19.75 x 25.75 inches S...

Graphite and grayish ink wash on bluish wove paper, 7 x 10 1/2 inches (177 x 265 mm) (matrix). Scattered surface soiling, adhesive residue, dog-eared corners, and scattered edge tears along left margin, outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...