Unframed Drawings and Watercolor Paintings

With such fondness, 20th-century artistic titan Willem de Kooning gifted this charcoal sketch on paper to his close East Hampton friends Roger and Lucia Wilcox...

Antique Floral Still Life with Tulips and Irises in Gouache on Paper Finely detailed still life by Charlotte Siemers (19th Century). Several flowers are shown in a lush bouquet. Flo...

A charming late 19th Century watercolour view of St Mark's Basilica in Venice. A gondola drifts past in the foreground. The artist has signed to the lower right corner and the painti...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Carefully ordered patterns, geometric shapes in indigo, bright blue and dark hunter green and delicate lines in bright prismatic colors complement a teal grayish blue background. Sig...

Sweetie Pie is a Cyanotype by Cynthia MacCollum. It is 30x22 on archival paper. It is currently unframed. It is a beautiful botanical artwork filled with a range of blues. MacColl...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

This early 20th century watercolour & gouache study depicts a beautiful Japanese Geisha wearing a luxurious silk kimono, adorned with delicate embroidery and hand-painting. Every par...

Splash Of White - This original artwork on watercolour paper captures a loose, expressive arrangement of delicate white flowers in a glass vase. Layering of acrylic and oil pastel wi...

Marc Chagall (1887-1985) - Sketch for L'Âne bleu stamped with the signature 'Marc Chagall' (lower right) pastel and charcoal on paper 18 7⁄8 x 24 in. (48 x 61 cm.) Executed in 1954 ...

The Old Town, Nice Tony Minartz (French, 1873 - 1994) signed lower corner watercolour on artist paper painting : 16.5 x 13 inches Provenance: private collection in the South of Fr...

Title: French Watercolor of Château d'Azay-le-Rideau with Riverside Details and Boat by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, ...

Pen drawing on paper realized by Mino Maccari in 1930s. Hand signed lower right. Very good condition.

This is one of my urban landscape :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: ...

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper mounted in a card frame size: 25.5 x 21 inches condition: very good and ready to be enjoyed - wi...

This appears to be dated 1927. It came in with a piece dated 1929. A very early, rare work. Framed 22.5 x 18. Image 14.5 x 9 A great New York city street scene with an El train (elev...

Title: French Watercolor of "La Grosse Cloche, Bordeaux" with Architectural Detailing by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper,...

Iris Watercolor on paper, c. 1920 Unsigned Provenance: Estate of the Artist Condition: Excellent, slight surface dirt Image/Sheet size: 15 x 10 1/4 inches Allen was trained in Boston...

Coming soon

Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...

Title: Miniature Watercolor Paintings of Bristol Cathedral and School from Canons Marsh by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Hand signed lower left: “Depero”. Certificate of authenticity by the Archive of Fortunato Depero. In 1929, Fortunato Depero realized some proposals for internal illustrations of t...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 19.5 inches Beautifully decorative, mid 20th century French orig...

Ink and watercolor on fibrous Japon paper laid down to period cream laid paper, 6 x 7 1/2 inches (155 x 190 mm). Minor toning and some insect damage on the mount, painting itself rem...

Nude is an original drawing in pen on ivory paper realized by Fausto Ghia. Hand-signed on the lower left with dedication. The state of preservation is very good. Included a Passep...

Abstract geometric composition with hints of the female body Date: Circa 1970 Medium: Tempera on thick cardboard Dimensions: H 64 cm x W 50 cm approx. Description: This abstract geo...

Romantic, tonalist style landscape drawing by Sue Bryan charcoal and acrylic on book pages on wood 8 x 10 inches Hangs flush to the wall, with nail notch on back Signed verso Clean, ...

Signed lower right, "M. Decker" for Michael Decker (American, 20th Century) and created circa 1975. An elegant graphite and india ink figural study showing a young woman kneeling an...

Frank Duffield (British, 1908-1982) original watercolour painting on board, unframed size: 11 x 14.75 inches condition: overall very good, minor wear to...

Dark Green Field Oliviero Masi Italian (1948) Date: 1980 Pastel on paper, signed lower right Size: 17.5 x 17.5 in. (44.45 x 44.45 cm)

Title: French Watercolor Painting of “Le Village de Pêcheurs” at Le Canon by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Si...

Dear art lover, I have worked on a new series of small oil paintings dedicated to a summer period. This artwork called "Just a lemon" is done with oil ...

Still life. Paper, watercolor, 72.5x89 cm Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued her stu...

Bright and bold shipyard by an unknown artist. Presented in a new cream mat. Paper size: 10.25"H x 14.25"W; Mat size: 13"H x 18"W

Posing Nudes is a drawing realized by an Anonymous artist in the 1950s. Charcoal on paper. Good Conditions. The artworks are represented through strong deft strokes and nudes whil...

Clinton Hill (1922-2003), created quintessential mid-century images. This abstraction references Florence, Italy, where he studied in the early 1950s. He lived in SoHo, New York, a...

Title: Original French Abstract Study of a Horse and Figure in a Stable Artist: Robert Ladou (French, 1929-2014) Medium: Watercolor on paper Size: 12 (Height) x 14.75 (Width) Signed...

John Ayres Head in Hand May 1, 1937 Charcoal on Paper 25"x19", unframed $1250 Signed and dated in charcoal top right *Custom framing available for additional charge. Please expect fr...

Watercolor drawing realized by Mino Maccari in 1958. Hand signed and dated lower right. Very good condition.

Colorful figurative landscape watercolor painting of Columbia, California, showing two men in cowboy hats. By Lillie Eesther (Hillman) Heebner, a Monterey Bay area artist. Signed "L....

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 7.25 x 9.5inches Delightful early 20th century F...

Duchándome, by Celso Castro From the Duchándome Series Watercolor, ink, and pastel archival paper. NUDES 2D Individual size: 19.5 in. H x 13.75 in. W 2018 Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

A watercolor painting with bright viburnum berries under snow caps. Saturated tones, multifaceted composition, large format (38x56cm) - the watercolor painting with berries under the...

This flower painting from my garden :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed...

Anonymous King's College Cambridge with the River Cam and Bridge to foreground 51x63.5cm Watercolour c. 1920s A fine, and large, view of King's College. The...

002 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2025 Style: Classic Art Title: Bunny Size: 12 x 16 inch, (...

This colorful lithograph is part of my private collection. It is a limited edition , 1 print available, signed and numbered 25/150. It is in very good condition. Vibrant and colorful.

This contemporary colorful artwork celebrating spring features a bouquet of fresh flowers of red, white and green colors. This artwork belongs to my “Floral” series which is full ...

Title: Mid Century French Pastel Drawing of Coastal View of Cap Ferret Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 22.5 (height) x 19.25 (wid...

A fine and detailed watercolour portrait in the realist style, entitled 'Lucy, Early Period' from an inscription to the reverse. The artist has chosen to depict the sitter in profi...

Clinton Hill (1922-2003), created quintessential mid-century images. He lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, ...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the female huma...

The series Geometric Alphabet is part of my series Geometric Abstract, in which the abstract game is used in the form of asemic writing with geometric shapes. Here Peters recreates h...

A French Fauvist Color-Field gouache and chalk on paper landscape by G Ricard. The painting is not signed but was acquired from the atelier of the artist. There is another painting o...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried in th...

Portrait of Woman is a beautiful artwork realized by Madeleine Sellier. Blue watercolors. In very good condition. Hand signed on the lower margin of the plate. Mounted on a card...

Daniel Ralph Celentano, Untitled (Strike Breakers) pencil, c. 1934. Signed, lower right. A fine, social-realist drawing, on cream wove paper, with margins (1 1/2 to 2 1/2 inches), in...

In this contemporary botanical cyanotype painting in watercolor, gouache, India ink, gold pigments and tea-toned cyanotype on cotton watercolor paper, meticulously detailed flowers a...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...