Gold Drawings and Watercolor Paintings

This Set of 2 Oil impasto and Goldleaf on oil Papers, included 2 paintings: Night Roses-Rosarian Series Rosarian, 2026 (After Van Gogh) This pair is a part of Le Bleu Series by Award...

This rare offer, Set of 9 latest collection of Garden Story in gold leaf and oil on oil paper board are a part of Le Bleu Series by award winning British artist Shizico Yi. She crea...

This Oil impasto and Goldleaf on Paper, named Peony Summer, is a part of Summer Bloom Series by Award winning British artist Shizico Yi. She created the painting in her garden paint...

Shizico Yi's "Primary Series" is a series where she explores the relationship between colours and emotion, particularly the colour yellow ( using gold leaf as the chosen material for...

This oil and gold leaf on Georgian oil paper board is a part of Summer Bloom Series, an extension of the Sunlit in primary colour project. Captured Shizu's garden in the night in th...

This Set of 2, work on paper, named Le Bleu are a part of Jardin d'Hiver Series by award winning British artist Shizico Yi. She created the series in her winter studio while longing...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

A joyful scene of lighthearted merriment in the palace of Jangahir Mahal Agra Circa 1750. Gouache and ink with gold heightening on light weight cream laid paper, 8 1/4 x 6 inches (2...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

"The Weaver" Series inviting viewers into a world where memory and present interweaving in a mesmerizing display of visual creativity. - An Artist Proof's of only Three is offered as...

Emperor Jahangir in his harem surrounded by lotus blossoms; symbols of paradise itself. Circa 1690. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (...

This Gold Leaf and Oil on paper, named Benton Irises in Starry Night is a part of Le Bleu Series by award winning British artist Shizico Yi. She created the painting in her garden p...

An 18th century, Mughal painting of a tribal chief, shown richly dressed and reclining in a courtyard surrounded by numerous concubines. Exceptional attention to detail throughout, p...

This Diptych make with oil and gold leaf on Georgian oil paper board is a part of Summer Bloom Series by Shizico Yi, it's an extension of her long running Sunlit project; it captured...

Shizico Yi's "Primary Colour Series" is a series where she explores the relationship between colours and emotion, particularly the colour yellow ( using gold leaf as the chosen mater...

Emperor Jahangir depicted with his harem attendees aboard a pleasure cruise, the water filled with lotus blossoms; symbols of paradise itself. Circa 1750. Gouache and ink with gold ...

Ink and gouache with yellow heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in blue ink, 13 1/2 x 8 3/4 inches (343 x 222 mm). Toning, handling creases and...

Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, 12 1/2 x 9 inches (318 x 230 mm). Toning, handling c...

Night Roses-Rosarian, 2026 is Shizico Yi's latest work, inspired by her new rose garden with a nod to the visual language of Japanese woodblock print. In this series, Yi further ex...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1690. Gouache and ink with gold heightening on light...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and minor sca...

Limerick: Henry O'Shea, c1800. Dual process photogravure on cardstock, 4 x 2 1/2 inches (102 x 64 mm), the full sheet. Framed handsomely in the original handmade wood frame with a ...

A finely-drawn, pastel still-life showing red tulips informally arranged in a Chelsea soft paste porcelain Chocolate pot decorated in the Japanese style and set beside a cup and sauc...

Morris Graves Offering, 1957 Signed and dated lower right Sumi ink wash and gold leaf on paper 18 x 13 3/8 inches Born in Fox Valley, Oregon in 1910, Morris Graves was a leading proponent of the Northwest School...

A finely-drawn Kano School watercolor and gouache showing figures in kimonos on a bridge and seated beside a stylized river flowing through a graceful garden. An elegantly formal com...

'The Sap is Rising!' Original Artwork, Unframed _________________ Capturing the pulse and flush of fleeting youth, the maples are dressed in their iridescent finery. 'The Sap Is Ris...

Marilla Palmer Ecstasy of the Sun, 2025 watercolor, gold leaf, embroidery, millinery foliage, pressed flowers, Durabright prints on Arches paper 29.5 x 41 in. (pal256) Marilla Palm...

This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink and gold leaf (or gold paint) hand signed in pencil lower right. It is not titled on it. Michele Oka Doner (born 1945, Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, lithograph and woodcut prints, drawing, watercolor painting, functional objects and video. Her workes is based on flora, fauna, DNA and all sorts of exotica. She has also worked in costume and set design and has created over 40 public and private permanent art installations, including her best known artwork is "A Walk on the Beach" (1995, 1999), and its extension, "A Walk on the Beach: Tropical Gardens" (1996–2010) at the Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world. Born and raised in Miami Beach, Oka Doner is the granddaughter of painter Samuel Heller. Oka Doner's father, Kenneth Oka, was elected judge and mayor of Miami Beach during her youth (1945–1964). The family lived a public and politically active life. In later years, Oka Doner co-authored, with Mitchell Wolfson Jr. Miami Beach: Blueprint of an Eden, an intimate portrayal of Miami Beach from the 1920s to the 1960s using their families as prisms to reflect the times. Reviewed as classic of social history, with material that was part of the public record of its time, it was used as a textbook in Human Geography at George Washington University in 2008. In 1957, age 12, Oka Doner began a year-long independent project studying the International Geophysical Year (IGY). She assembled a book of drawings, writings and collages that became a template for projects realized in later years. In 1963, Oka Doner left Florida for the University of Michigan, Ann Arbor. Her art instructor Milton Cohen...

Tammy Liu-Haller's "Ram" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a ram with majestic horns. About the artist: Tammy was born in 1975 in Kingston, NY. She is a realism artist, working primarily in graphite and charcoal. After spending 15 years away from the field, she began drawing again in 2011 and went full-time by 2015. She is an avid supporter of organizations that rescue, conserve, and protect domestic and wild animals, and she often donates artwork to these causes each year. Tammy has also created a small niche of golf drawings...

This Set of 2 Oil impasto and Goldleaf on oil Papers, named Peony Summer, is a part of Summer Bloom Series by Award winning British artist Shizico Yi. She created these paintings i...

Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

This Set of 2, work on paper, named Bouquet of Spring are a part of Jardin d'Hiver Series by award winning British artist Shizico Yi. She created the series in her winter studio whi...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light ...

This Ink and Gold Leaf on watercolour paper, named Rain Moonlight, is a part of Drawing Time Series by Award winning British artist Shizico Yi. She created the painting in her gard...

This contemporary botanical drawing is made with 14 karat gold on painted black paper. The exploration of ephemerality, and the fragility of a dandelion gone to seed, its leaves and ...

SOLD UNFRAMED Le Petit Cheval by Georges Manzana Pissarro Charcoal and gold on paper 31 x 31 cm (12 ¼ x 12 ¼ inches) Signed lower right, Manzana Pissarro Executed circa 1920 Proven...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

Odette aux seins nus by Georges Manzana Pissarro (1871 - 1961) Mixed media and gold on paper 31.5 x 42.3 cm (12 ³/₈ x 16 ⁵/₈ inches) Signed lower right, Manzana. Executed circa 1910...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in gray ink, and the 1889 Jaipur State Council stamp in black ink, 13 1/4 x 8 3/4 inches (335 x 222 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval Hindi inscriptions in ink on the recto. "A ragamala, translated from Sanskrit as "garland of ragas," is a series of paintings depicting a range of musical melodies known as ragas. Its root word, raga, means color, mood, and delight, and the depiction of these moods was a favored subject in later Indian court paintings...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in purple ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and...

L’Orientale à la Mandoline by GEORGES MANZANA PISSARRO (1871-1961) Mixed media with gold on paper 31.5 x 41.5 cm (12 ⅜ x 16 ⅜ inches) Signed lower right, Manzana Executed in 1910 T...

Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink, 12 5/8 x 8 9/16 inches (320 x 217 mm). Toning, handling creases and minor sc...

A woman in jewels and a gossamer sari churns butter for ghee. Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on ...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Black & Gold Glyphs III by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminis...

Colourful Abstract Painting by British Artist Art measures 33 x 24 inches Frame measures 40 x 31 inches Gold frame behind glass Margaret Francis received her Degree in Fine Art from Winchester Art...

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli ...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in black ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and ...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...