Conceptual Art

large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...

This piece is from my private collection of 20th Century -21st Century artists, many of which are from the School of Paris era. Pelayo produced this lithograph in colors. The Latin American spirit...

Alan Sonfist, American (1946 - ) - Tree Trunk Series - Pink I, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 20.5 x 20.5 inches, Size: ...

Mario Segundo Perez Argentine, 1960–2018 Sentimental Ink on Paper Dimensions: 7.5 X 9.75 with frame. sheet is 5 X 7 Does not appear to be signed on front (not examined out of frame. might be signed verso) Provenance: The Estate of Theodore A Bonin (Ted Bonin was a principal in Alexander and Bonin, a New York gallery known for its diverse slate of conceptual artists. He started at Marlborough gallery London in the 60s, then in partnership with Brooke Alexander. In its stable were a host of esteemed artists: Willie Cole, Rita McBride, John Ahearn, Paul Thek, Doris Salcedo, Eugenio Dittborn, Dalton Paula, and Rigoberto Torres, Mona Hatoum and Emily Jacir.) Mario Pérez was born in San Juan, Argentina in 1960. The second of seven children, and the son of a housepainter. He obtained his degree in Visual Arts at Universidad Nacional de San Juan in Argentina. A draughtsman and painter. His style was magic realist or fantastic realism In 2003, Pérez was the recipient of a Pollock Krasner Foundation grant, one of his greatest achievements. He also had the honor of being part of the National Exhibition “200 Years-200 Masters of Argentinean Art”, commemorating the country’s bicentennial. Mario has won international distinctions such as the Cecilia Grierson Award at the Salón Nacional de Pintura in La Plata in 1992; the Marco A. Roca Award at the Salón Pro-Arte, Córdoba, also in 1992; and the first prize in the LXXXVIII Salón Nacional de Pintura in Buenos Aires in 1999. His art often features tiny figures in immense landscapes, and unique backgrounds. It has elements of Conceptual art. His work has been regularly featured in leading auction houses like Christie’s and Sotheby’s in New York, and private and public collections. The magic realism of Mario Segundo Pérez is characteristic of a chiefly Latin-American concept in painting, literature and film that incorporates fantastic or mythical elements into an otherwise realistic scenario. Coined in the 1940s by Cuban novelist Alejo Carpentier, the term often is used when referring to the Colombian novelist Gabriel Garcia Márquez, winner of the 1982 Nobel Prize in Literature. Influences include Frida Kahlo and George Tooker. He was in shows with Ana Fabry and Eduardo Esquivel. Paintings by Pérez are included in numerous private and public collections, including the Ciudad Casa de Gobierno (the Buenos Aires City Hall); the University of Miami School of Architecture, and the College of Communication, Architecture + The Arts (CARTA) at Florida International University. He has been in shows with Juan Cardenas, Anna Mercedes Hoyos, Ignacio Iturria, Alejandro Obregon, Domingo Ravenet, Arnaldo Roche, Edgar Negret, Fidelio Ponce de Leon, Ricardo Martinez, Damian Gonzalez, Jorge Jimenez Deredia, Victor...

This piece is part of my private collection of 20th Century artists that were part of the School of Paris era. This piece is original and signed by Pelayo and numbered.

Robert Smithson Movie Treatment for Spiral Jetty, Dwan Gallery Poster, 1970 Offset lithograph poster 38 × 22 inches Unframed Rare, historic poster feature...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep 7 Year: 1981 Medium: Screenprint and Etching, signed in pencil Edition: 65, AP 5 Size: 33.5 x 31 in. (85.09 x 78.74 cm)

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Morgan Library New York 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label,...

AI WEIWEI - CEDAR (I) Date of creation: 2023 Medium: Cast aluminium Edition: 50 + 2 A/P Size: 20 x 15.8 x 14.4 cm Condition: In mint conditions, brand new and never displayed ABOUT...

José Sierra painted his body as a tribute to Afro-Colombian and pre-Columbian cultures, documenting the performance in photographs that portray him in erotic and suggestive positions...

Joseph Beuys Stripes from the House of the Shaman (Hand Signed), 1980 Silkscreen exhibition poster with offset lettering on wove paper; hand signed by Joseph Beuys Boldly signed on t...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Next Sign by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale print s...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Alan Sonfist, American (1946 - ) - Tree Trunk Series - Orange, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 20.5 x 20.5 inches, Size: ...

The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod alm...

This large-scale architectural photograph by German photographer Reinhard Görner depicts the Francke Foundations library in Halle, Germany. The artist is praised for crisp, rich deta...

Kannon Goddess of Mercy, part of the Heidler & Heeps Japanese Stamp Collection. This artwork is a limited edition of 25, gloss photographic print (pr...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod alm...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

This large-scale architectural photograph by German artist Reinhard Görner depicts the The Long Room, an awe-inspiring vista into the Old Library at Trinity College in Dublin, Irelan...

José Sierra painted his body as a tribute to Afro-Colombian and pre-Columbian cultures, documenting the performance in photographs that portray him in erotic and suggestive positions...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Artist/Designer; Manufacturer: Sol Lewitt (American, 1928-2007) Marking(s); notes: signed; ed. 23/39; 1989 Materials: etching and aquatint on Arches 88 Dimensions (H, W, D): 21.25"h,...

Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 2 Year: circa 1978 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in....

Screen print on Ries Textured Rag paper, Signed and numbered, Edition of 108 Working across all media, Richard Artschwager (1923-2013) has long specialized in the relationship betwe...

"The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod al...

Shusaku Arakawa Blankless Tone, 1979 Color lithograph and silkscreen with embossing on Arches paper with deckled edges and folded collage upper left Hand-signed by artist, Titled "Bl...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

60 x 45 inches ed. of 5 $6,000 80 x 60 inches ed. of 5 $9,000 93.2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Notes on the Old National Gallery...

large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West YES by Frank Schott 48 x 67 inches (122 x 171cm) signed edition of 7 29 x 40 inches (74 x 102cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity _______________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

Make My Day - Chicken Rooster Painting by Marc Zimmerman He stands there, blocking all who dare challenge him in their pursuit to get by. This heroic cock, Charlie, the great intimi...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

In this self portrait, Savannah Spirit turns the tradition of black and white female portraiture back on itself. The muse is the artist, and the gaze is her own. Through her artistic, social and curatorial projects, Spirit also takes on technology and social media censors, who assume that the unclothed body of a human, especially of those who identify as female, is pornography that must be controlled. Her artwork asserts that a woman is her own muse. Archival pigment print on Hahnemühle Photo Rag. Press FORBES: Savannah Spirit Wants to Trigger Your Trump VICE: Erotic Art Fights Trump with Scenes of Female Pleasure BULLETT: The Art Show Fighting Fascism with Erotica HUFFINGTON POST: Artists Are Resisting Trump's Misogyny with Erotic Art DAZED: The Erotic Show Taking on Donald Trump Archival pigment print on Hahnemühle Photo Rag. Published: City Journal Huffington Post The Color Theory Expert Snap The Nation Global Yodel THE magazine Live Mag! The Villager Ravelin D/Railed Magazine Open Letr Style: This photograph combines a feminist eye and modern feminism with classic vintage pinup...

"Niemand and Soldier Duo" is of a limited edition of 25 works, edition 16/25 and signed. The Duo will be shipped directly from the artist's studio in Slovakia to your location. Ship...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Dusk Pool [2022] original and hand signed by the artist oil on canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This is a painting from my architectural series of works. I wanted to paint a twilight scene using deep rich colours against a beautiful lit up pool. A window depicting another world inside a modernist house reflecting interiors with warm and inviting colours. I am inspired by modern architecture as I love painting the straight lines against the softness of nature with its trees and plants and cactii. This painting is painted in oils on a thick painted edged canvas and is ready to hang. Discover original architectural paintings online with Wychwood Art and in our Oxfordshire art gallery by artist Karen Lynn...

Artist: Florence Grace Putterman, American (1927 - ) Title: Homage a Dito Year: 1982 Medium: Woodcut, signed in pencil Edition: TP Size: 27.5 x 39 in. (69.85 x 99.06 cm)

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

Michael Craig-Martin Age, 2010 Acrylic on aluminum 48 x 48 inches Signed

Reinhard Görner Beinecke, New Haven Yale Rare Books and Manuscript Library New Haven Contemporary large scale photograph 50 x 56 inches ed. of 10 $6,000 ...

Screeh print with holes on BFK Rives. Realized in occasion of the exhibition at Galleria Il Quadro Biella. Published by Silvio Zamorani Editore.

This set of four original works by Natasha Lelenco belongs to the "Exchange Currencies" series, a project that reflects on migration, foreignness, and the human experience of displac...

"Let Me In, Let Me Out" - Abstract Mixed Media Composition Boldly colored abstract figurative composition by California artist Elizabeth Arrington Leaf (American, B-1955). Three lar...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authen...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Etching with aquatint and embossing on Fabriano Rosaspina paper. Hand signed and numbered Edition of 8/170 prints aside from 15 artist's proofs Printed by Stamperia 2RC – Rome. Publ...

Aditya Basak - Untitled - 44 x 32 inches (unframed size) Mixed Media on Board ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes the dar...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Oluwatobiloba A...

50 x 51.5 inches ed of 10 $6000 60 x 62 inches ed of 7 $9000 70 x 72.3 inches ed of 5 $11000 signed and numbered on label, verso Reinhard Görner, with his large format photograp...

'Untitled' 2013, Edition of 10 plus 2 Artist Proofs, Digital C-Print, based on a Polaroid 59, not mounted, 15.2cm x 10.8cm, not mounted, Signed, embossed stamp and artist certificate...

The Silent Grace captures the serene profile of a woman, adorned in a bright yellow dress and matching hat, embellished with vibrant patterns. Her deep purple complexion contrasts be...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

In this piece, I've harmoniously blended acrylics, spray paint, and ink to evoke the timeless dance of intimate connection. The vintage vibes and fine art elements coalesce, crafting...