Framed Art

Sur la Rue by Charles Levier, French (1920–2003) Date: circa 1960 Oil on canvas, signed lower right Size: 30 x 16 in. (76.2 x 40.64 cm) Frame Size: 38 x 24 inches

Pablo Picasso "Tête de femme n°1. Portrait de Dora Maar" 1939 Colour aquatint, scraper and drypoint on laid paper with watermark "Picasso" Lower right inscribed and signed by the art...

Oscar Domínguez (San Cristóbal de La Laguna, 1906 – París, 1957) "Le Chat" 1956-1957 Oil on canvas 39 x 61 cm. Condition: Good condition. Provenance: Private Collection, Paris,...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts white gestural figures of Bunnies against a black diamond dust background. Slonem traces ...

'Migration: In Flux Collection,' by Peter Healy, Watercolor Painting, 2020 This framed 27" x 37" watercolor painting is from the 'In Flux' Collection by I...

This stunning British Old Master landscape oil painting, with excellent provenance, is by George Lambert. Lambert was a pioneer of British landscape in art for its own sake. Painted in 1744, the painting is entitled View of a Manor House and Cottages in Elizabeth Einberg's 63rd volume of the Walpole Society 2001 and is described as follows: In the foreground a road emerges from a wood to cross a ford and then leads up the hill to the right, towards a manor house seemingly built into the remains of a medieval or Tudor edifice. The main track, crowded with sheep and rustic figures, passes the massive square gateposts lower down the hill on the left. Further to the left is a thatched cottage with smoke coming out the chimney. In the distance is a wide coastal view. The main buildings, which are in the dead centre of the composition, represent almost certainly an as yet unidentified English view. The colouring and detail in the trees and foliage are superb. This is an excellent Old Master oil painting by one of the all time great British landscape artists with extensive provenance. Signed and dated 1744 lower left on rock in black. Provenance. Elizabeth Einberg, “Catalogue Raisonnè of the works of George Lambert” The Annual Volume of the Walpole Society, 2001 Vol. 63, page 149 no P1744, fig.71. Antonacci Efrati Antichità Rome Gallery. Burden sale, Parke Bernet, New York, 20-21, April 1938 (376 repr.) Robert E. Peters, Sotheby Parke Bernet, New York, March 1975 (41 repr.) Lit. Schnackenburg 1995, pp 83-84, cat. no.14 fig 13. Condition. Oil on canvas, 54 inches by 52 inches and in good condition. Frame. Housed in an ornate gilt frame, 64 inches by 62 inches and in good condition. George Lambert (1700-1765) was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe (painted conjointly with Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn Fields Theatre, in London, under John Rich. When Rich moved to Covent Garden Theatre, Lambert secured the assistance of Amigoni, and together they produced scenery of far higher quality than any previously executed. Lambert was a man of jovial temperament and shrewd wit, and frequently spent his evenings at work in his painting-loft at Covent Garden Theatre, to which men of note in the fashionable or theatrical world resorted to share his supper of a beef-steak, freshly cooked on the spot. Out of these meetings arose the well-known "Beefsteak Club" which long maintained a high social reputation. Most of Lambert's scene-paintings unfortunately perished when Covent Garden Theatre was destroyed by fire in 1808. Lambert was a friend of William Hogarth and a member of the jovial society that met at 'Old Slaughter's' Tavern in St Martin's Lane. In 1755 he was one of the committee of artists who proposed a royal academy of arts in London. He was a member of the Society of Artists of Great Britain, exhibited with them in 1761 and the three following years, and during the same period contributed to the Academy exhibitions. In 1765 he and other members seceded and formed the Incorporated Society of Artists of Great Britain, of which he was elected the first president. In conjunction with Samuel Scott, Lambert painted a series of Indian views for the old East India House in Leadenhall Street. He also etched two prints after Salvator Rosa. Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works. Lambert's portraits were painted by Thomas Hudson, John Vanderbank (engraved in mezzotint by John Faber the younger in 1727, and in line by H. Robinson and others), and Hogarth. Lambert's most famous painting is "A view of Box Hill, Surrey" (1733) which depicts a well-known beauty spot south of London. Hogarth considered Lambert a rival to the famous French landscape painter Claude Lorrain (1600–1682) with respect to his use of soft light to unify the scene in this painting. Though he never visited Italy he was inspired by the classical tradition of landscape painting. Lambert died on 30 November 1765 at his home on the Piazza in Covent Garden. His pupils included John Inigo Richards...

"A Vase of Flowers" Eugene Paul aka Gen Paul (French, 1895-1975) Oil crayon on paper 20 1/2 x 14 (28 x 21 1/2 frame) inches "Gen Paul is undoubtedly the greatest representative, and...

Very Rare English School, mid-19th Century Portrait of a Prizefighter in the Ring Possibly a portrait of Tom Sayers Oil on canvas, circa 1850 Unsigned Frost & Reed label verso This ...

Ornate Classical Flowers oil painting on canvas, framed signed and dated 1947 framed: 17.5 x 12.5 inches canvas: 16 x 10.5 inches provenance: private collection condition: very good ...

"Ocean Express" An American Clipper, 19th Century American School Large 19th Century American School study of the clipper "Ocean Express", oil on canvas. Built in 1854 in Medford, ...

Pocket Blue Skull c is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still l...

PABLO PICASSO Málaga 1881 – 1973 Mougins “Guernica” 1956 Offset lithograph on paper On the occasion of the exhibition at the Stedelijk Museum, Amsterdam, 1956 “Guernica, with 60 stu...

‘Guinevere’ by Norman Prescott-Davies R.B.A, R.C.A. (1861-1915). The painting – which depicts an English medieval portrait of Queen Guinevere at Amesbury Priory contemplating her l...

This is a unique original acrylic painting on canvas by visionary contemporary artist Serg Graff, titled “Gold for You”. Executed in 2022 in Boston, the pie...

George Turner 1843 – 1910 Titled on the reverse 'A Lane near Weston-on-Trent, Derbyshire' Signed and dated 1886 A Lane near Weston-on-Trent, Derbyshire Picture Size: 20 x 30" (50 x...

Pocket Juicy Plum 2c is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baroque still ...

A rare early lithograph by Jean‑Gabriel Domergue (1889–1962), titled Nuit blanche (Sleepless Night) and dated 21 March 1915. This atmospheric nighttime scene shows two elegant figure...

Marjorie Cox British, (1915-2003) *see notes below Study of a Pekingese signed and dated 1988 pastel on artist paper, framed glass covering framed: 19 x 15.5 inches paper: 17 x 14 in...

A charming 19th-century study of a classical figure, depicted holding a sickle and a shield adorned with a scarab set within a decorative oval. Unsigned. Elegantly presented in a lac...

Erik Tryggelin (1878–1962) Sweden Cloud Study over Lake Vättern, Vadstena, 7 September 1935 signed and dated lower right E. Tryggelin 7/9 1935 inscribed Vadstena oil on canvas laid...

Werner Bronkhorst The Champions, 2025 Giclée print on Hahnemühle Photorag paper with ready-to-hang heavyweight solid oak frame. From the artist's acclaimed Wimbledon series. Accompan...

Sherron Francis Untitled, 1979 Signed and dated on the reverse Acrylic and mixed media on canvas 65 x 31 1/2 inches Sherron Francis (b. 1940, Chicago, Illinois) is an American arti...

Swedish winter landscape at dusk. The painting depicts a quiet winter landscape in the late afternoon and the setting sun, rendered in warm, softly atmospheric colors. Snow-covered ...

Celestine, 1920 Oil on canvas, 32 x 26 inches (81.3 x 66 cm) Framed dimensions: 41 x 35 inches Signed lower right: Robert Henri Inscribed on verso: 26 / L Robert Henri / Celestine P...

Pocket Rosehip #309 (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a no...

Original watercolor on archival paper of Gloucester Harbor in Massachusetts by the well known American artist, John Cuthbert Hare. Signed by the artist lower right. Titled in left ...

Title: Solva Harbour View With Boats And Hills Wales 1969 Original Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on board, unframed Size: 12 inches (height) x 17.25 inch...

This enchanting scene of blossoming apple trees by the banks of the Seine dates to the turn of the 19th Century. We see Montezin at his absolute best with wonderful brushwork and the...

Green Landscape French artist, indistinctly signed, dated verso 1985 oil painting on canvas, in wooden frame canvas: 10 x 17 inches wooden frame: 9.5 x 16 inches provenance: private ...

English Terrier in Woodland Setting, Signed Antique Dog Portrait Oil Painting by F. B. Davies (British, late 19th / early 20th century) signed oil on canvas, framed Framed: 16.5 x 20...

Title: Venice Grand Canal Waterfront Study Signed Watercolour Painting By Tony Herbert (1927-2024) Medium: Watercolor on paper Size: 11.75 inches (height) x 9.5 inches (width) Condit...

Bertha G. Davis (1911-1997) Untitled, ca. 1960's Oil on cradled masonite panel. 16 x 20 inches; 24 x 28 inches framed. Signed lower left. Artist estate stamp on verso. Vintage custom wormy chestnut frame. A painter of cityscapes, landscapes, and abstracts in Texas, Bertha G Davis was primarily a self-taught artist whose style was influenced by her early life experiences in pre-World War II Lithuania and later Mexico. Her style is expressionistic*, relying on color to denote her profound feelings. She works primarily in watercolor and acrylic with some mixed media*. She is the daughter of Abraham and Dvora Germaize of Vilna, Lithuania and grew up in Jewish ghettos in Vilna, Alita, and Kovno. Davis was influenced by her father who was a decorative wood-worker and carpenter in Lithuania. The family of five daughters and a son escaped to Mexico City in the late 1920’s because of Jewish oppression. The images and emotions she experienced had no outlet. She was known as a beauty, and at age 17 was named Jewish Miss Mexico, barely able to speak Spanish having just emigrated from Eastern Europe. Irving Davis, a merchant from Texas who had also come from Eastern Europe via Cuba, saw her at this event where she was crowned Jewish Miss Mexico, and three days later asked for her hand in marriage. They moved to a small town in Texas, raising a family. Her daughter, Sylvia, was born when Davis was 20 and they were inseparable. As Sylvia became an actress, painter, and sculptor, Davis was amazed at the capacity for creativity. Davis didn’t begin her own artistic journey until she was 47, when her daughter Sylvia Caplan encouraged her to try. She was inspired by this daughter who gave her a drugstore palette of watercolors, paper and brushes and told her to “just try.” Davis did not put down her palette and brushes until her death in 1997. Bertha G Davis was primarily self-taught but maintained a style oriented toward color and texture that reflected her strong feelings. Most of her early work was done while she lived in McAllen, Texas where she was known for her contribution to art and showed her work and the work of other artists at the Bertha Davis Gallery. She studied with Stewart Van Orden, at Pan American College in 1960-61; and was a student at the Art Institute San Miguel Allende, Mexico, 1965. She was also a student of Harold Phenix...

Titled Looking West, this oil on board painting by Scott Yeager captures the luminous, quiet splendor of twilight settling across an expansive Western horizon. The scene opens in the...

* No US duty or taxes to pay on this item * A beautiful 1920's French impressionist oil on board depicting the outskirts of Paris, with the Eiffel Tower in the distance. Excellent...

This atmospheric seascape by Roal English captures the power and beauty of the open ocean. Rolling waves crash against partially submerged rocks while sof...

Joseph van Bredael (Antwerp 1688 – Paris 1739) attributed to Winter Landscape with a Frozen Lake and Skaters Oil on canvas 98 x 98 cm. Framed: 112 x 112 cm. The setting for ...

"Smell Da Flowers" is a one-of-a-kind piece created by Eustace Mamba. This original sewn mixed media in painted wood frame artwork measures 7.5”h x 9.5”w framed. It ships with a gal...

This limited edition print is an abstract landscape by Elwood Howell. It features a high, blurred horizon line - beige with muted green pink, and blue, while above it, muted pink fad...

Pocket Chestnut #310 (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a n...

A large Mid-20th Century oil painting depicting a beautiful landscape on a sunny day of the Village Provençal in France. This piece has a strong presence with bold brushwork and heav...

Katherine Bello To Be Or Not To Be I Mixed Media on Board 2022 Size: 12 x 12 inches (30.48 x 30.48 cm) Framed: 13 x 13 x 1.5 inches (33.02 x 33.02 x 3.81 cm) Signed, dated and titled...

➡️ Landscape Le Pont ⬅️ ⏩It is signed possibly J Siverton⏪ ⭐Medium:⭐ watercolor on paper ⭐Technique: ⭐Watercolor painting with expressive brushwork. ⭐Size:⭐33x41cm / 12.9x16.1 ...

Gorgeous Sausalito and the Golden Gate Bridge landscape oil painting by Calderon (Spain, 20th Century). Presented in a giltwood frame. Signed "Calderon" lower right. Image size, 30"H...

Eugenio Lucas Velázquez “Somewhere in Madrid” Oil on Canvas. Oil on canvas. Signed by the artist in the lower right corner. Artwork: 23.7 × 31.5 cm (9.3 × 12.4 in.). Framed: 41.5 × 4...

Gabriel Strandberg (1885–1966) Sweden View of Stockholm from Västerbron, 1943 signed and dated lower left oil on board unframed 36.5 × 55 cm (14.4 × 21.7 in) framed 46.5 × 65 cm (1...

Early Victorian Portrait of a Lady Wearing a Lace Bonnet Watercolour By H. Payne (Early Victorian School) Signed and dated 1839. Framed: 15.5 x 13 inches Drawing: 11.5 x 9.5 inches M...

"Homage to the Square - Portfolio 2, Folder 5, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

This artwork "Three Children" c.1995 is an original color serigraph by Israeli artist Zamy Steynovitz, 1951-2000. It is hand signed and numbered 83/300...

Peruvian, Cuzco School, 18th Century The Vision of Saint James Triumphing Over the Inca “Santiago Mataindios” Oil on canvas 65 x 43 ⅞ inches (165.2 x 111.5 cm) Provenance: Private C...

Vintage 1960s Alexander Calder Lithograph double page part of portfolio "Derriere le Miroir". Published by: Galerie Maeght, Paris, 1966. No. 156. Text on verso. Unsigned, from an unknown edition. Presented in black mat with red core. Mat size: 20"H x 24"W. Image size: 15"H x 22"W. American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures...

Impressionist winter pastoral scene of a quaint snow covered home by theBuckingham, Bucks County, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way,...

Francis Portrait of a Woman Oil Painting on Canvas Contemporary Art In Stock Candace Charlton (1968) was born in Natal in South-Africa. Since 2000 she has moved to the north of the ...

The Duo Texas Longhorn and Sheep Realism 20" x 16" oil Bovine Landscape Animals Ovine The Duo is an 20 X 16 oil on canvas painting of a sheep and a longhorn who look as if they...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Farm in the Woods at Winter in the English Countryside with Warm Brown Colours by 20th Century British Artist, Christopher Osborne. Art measures 14 x 10 inches Frame measures 19 x 1...

A finely worked watercolour on paper depicts a mounted cavalry officer—formal in bearing and costume—painted with the delicate clarity for which Egron Lundgren is best known. The she...

"Picos" is an abstract painting created in 1971 by Modernist artist, Stanley Bate. The piece features an earthy, muted palette, giving it a serene feeling with deep grey, muted brown...

This painting is in excellent condition and has only been shown in a gallery setting. Pietro Piccoli was born in 1954 in the small town of Montopoli di Sabina in central Italy. At...

This charming and exuberant posy of peonies immediately made me think of similar works by Marcel Dyf - but it is actually a work by the ultimate master of art deco...

Charles Donker Behind the Frog 20 x 38,5 (Framed included in price, 42 x 59 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and...