Framed Art

A characterful portrait of a man wearing a cap with his arms crossed. Well presented in a contemporary frame. Unsigned. On canvas board. Image size: 59.5 x 44.5cm.

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

This superb British 1950's abstract oil on board painting is by noted Slade School trained contemporary artist Leo Davy. Davy was born in Yorkshire but settled in Cornwall in 1968 an...

VIEW OF NAPLES - Oil on oval canvas cm.30x50 by Ettore Ferrante, Italy 2004 Gold gilded wooden frame cm.48x68 In this wonderful view of the Gulf of Naples the painter E. Ferrante was...

Artful Sounds is an original oil painting on linen panel by Bethanne Cople, measuring 30 x 30 inches and presented in a 31.5 x 31.5 inch frame. The substantial square format gives th...

This golden light-filled contemporary painting is by Sasha Rogers. The Canadian artist is captivated by the effect of creating what appears to be a ‘horizon’ line in her work that di...

This piece is a pertinent example of Belgian artist Henri Joseph Pauwels ' sought-after works, depicting a view of a table set for tea in the garden by the shore on a serene summer a...

A beautiful oil on canvas painting of Fishing Boats by the Harbor by François Gall. This painting is a wonderful example of his work from the prime of his career, depicting a lively ...

"Snow" is an atmospheric abstract landscape from the "Golden Series" by Swiss artist Anna Shesterikova. Combinations of acrylic, natural stone, sand, structural acrylic paste and epo...

Antique English Watercolor - Countryside Landscape with Cows Miniature landscape with two cows in the foreground, signed "J.M. Myall 1910." One cow sits on the ground of a rolling h...

Werner Bronkhorst Mockney, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 in) ...

This atmospheric vintage oil painting depicts a young girl seated quietly on a grassy hillside, gazing across a calm lake surrounded by softly lit trees and distant foliage. The comp...

Pure mid century abstract expressionist painting. Great colors and movement. Oil on canvas. Framed. No signature found.

Michael Miller’s "Spring Morning" (2024) captures the serene beauty of rural America in a masterfully executed oil on panel. This contemporary realist work depicts a timeworn red bar...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...

Gouache and watercolour on paper after the original Blue period painting by Picasso. The painting is signed under the mount K Fuad and is presented in a plain modern wood frame under...

Archangel Michael Guido Reni (Bologna 1575–1642) Follower of 17th–18th century Oil on canvas 134 x 96 cm. - Framed 147 x 108 cm. The work in question, of excellent qual...

This artwork "Crashing Waves on Rock"" circa 1978 is an oil painting on hard board by noted California artist Robert Wee, 1927-2021. It is signed at the lower right corner by the art...

Vibrant Landscape With Three Suns Canvas 30x36 inches, 22K gold leaf Motyka frame 38.5x44.5 inches, artist signed lower right corner.. One of Sobel best and also early landscape pai...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

This colourful contemporary abstract landscape painting is by Milly Ristvedt. In this dynamic new work by Milly Ritsvedt, several bold vertical bands in various widths of pure colou...

Born in the San Si Providence of China, Jang Jin Joong, known as his artist’s name Barnes, fell in love with art since he was a child. His passion for art continued into his pursuit ...

Kathryn Cherry (1860-1931) Oil on board of Provincetown, beautifully framed. Measures: Image: 14" H x 11" W. Frame: 18" H x 15" W approximately. A lovely example by the artist in ex...

Work on canvas signed Dimensions with frame : 56 x 64.5 x 2.5 cm This captivating work depicts a peaceful lakeside landscape, Geneva lake, skilfully captured by a soft, nuanced palet...

Woodland Scene, 1885 Oil on canvas, 38 x 50 inches (96.5 x 127 cm) Framed dimensions: 49 3/8 x 61 3/8 inches Signed and dated lower left: W Bliss Baker 1885 Provenance Albert E Clue...

Lee Herring focuses his contemporary paintings on vibrant, textured, and abstract landscapes that convey fleeting moments. Herring's energetic artworks are inspired by everyday momen...

Impressive early American impressionist landscape painting by Will S. Taylor (Born 1882). Oil on board. Framed. Signed. Image size, 12 by 13 inches.

Fish is a modern artwork realized in the early 20th Century. Mixed media on paper Includes frame: 18 x 22 cm

George Earl was a painter, primarily of sporting dogs and other animals. He was also the father of Maud Earl and Percy Earl, and the brother of Thomas Earl,...

This realistic limited edition print captures highly detailed, close up view of river water running over small, colorful rocks. Above the shapes, textures, and earthy colors of the r...

"Late Light" by Robert Burkert is a lithograph landscape by the master printmaker that depicts a clearing with autumn/winter trees in the subtle but vib...

A refined Belle Époque portrait of a young woman absorbed in her reflection, gracefully holding an oval hand mirror. Louis Perrey captures the intimate ritual of feminine toilette wi...

Portrait of a Landseer Bloodhound dog, copy after Sir Edwin Landseer, oil on canvas laid on board signed J Provost. The painting is signed bottom right and presented in a plain gilt ...

Color lithograph on wove paper Elizabeth Catlett has said the purpose of her art is to “present black people in their beauty and dignity for ourselves and others to understand and en...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Artist: Joan ...

Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in exciting colors is housed in a contemporary white wood frame presentation.. The art...

Titled "Nomad," this oil on canvas painting by Alex Odnoralov portrays a solitary cowboy navigating a bay horse through a sea of tall prairie grass and sagebrush. Rendered in Odnoralov's signature contemporary Western impressionist...

Sir William Russell Flint (British, 1880 – 1969) Winter sports in the Engadine, possibly St. Moritz watercolour on paper signed ‘W RUSSELL FLINT’ (lower right) 12.1/2 x 19.3/8 in. (3...

George Dannatt (1915-2009) Miniature White Painting (on red background) 1972/1992 Oil on paper, then mixed media Image: 3 1/8 x 7 ¼” 8.00 x 18.4 cm Frame: 9 x 13” ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Pocket Wild Apple 2c is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baroque still ...

Dick Beer was born in London in 1893 as Richard Beer, the youngest of five sons of the Swedish painter John Beer. After the death of both parents in 1906 and 1907, he came to Sweden ...

Artist: Slonem, Hunt Title: Beyond Amazina (Green Catelayas) Date: 2026 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.25" x 12.25" Signature: Signed ...

Pair of 19th Century English Coaching Scenes Naive School Oil Paintings by Philip Rideout (English, late 19th century) incised signatures to each, lower front corner pair of oil on b...

Francesco Fontebasso (Venice 1709 – Venice 1769) Alexander the Great Shows Mercy to the Persians Oil on canvas 108 x 153 cm. - Framed 120 x 164 cm. Highly captivating due to ...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

ARTIST: ?? Large (mid/late 20th Century) British TITLE: "Leslies Shop" SIGNED: lower right and dated 1977 MEDIUM: oil on board SIZE: 47cm x 38cm inclusive of frame CONDITION: very...

This captivating winter landscape was painted in early 20th century, signed lower left "W.L. Palmer", attributed to American Impressionist Walter Launt Palmer (1854–1932). Trained in...

José María Marqués García Pastoral Landscape Oil Painting on Canvas. Oil on canvas. Signed by the artist in the lower right corner. Artwork: 68 × 97 cm (26.8 × 38.2 in.). Framed: 80 ...

"Homage to Rothko" is an original mixed media artwork by Volker Kuhn. The work depicts Marc Rothko sitting infront of one of his paintings and admiring it with a bottle of wine. It i...

A wonderful impressionist summer scene of "Saint Mandrier sur Mer, France". The artist has portrayed this piece in a most intimate, yet energetic way, and has packed much feeling int...

Vintage American modernist abstract interior scene oil painting. Oil on canvas. Framed. Signed and titled verso, "Bertoia Chair". Handsomely framed in a period molding. Excellent ...

Owning a 19th century English Victorian landscape by John Duvall, particularly one featuring sheep resting circa 1880, offers a unique opportunity to own...

Louis Icart, French (1888 - 1950) - La Dame aux Camélias, Year: 1927, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16.5 x 20.5 inches, Frame Size: 25.5 x 2...

Artist: Alexander Calder Medium: Lithograph Title: Cover Portfolio: Derriere le Miroir #190 Year: 1971 Edition: Unnumbered Framed Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image ...

Portrait of Richard Synnot, dated 1840 attributed to Francis Grant (1803-1878) Large early 19th Century portrait of Richard Synod, oil on canvas. Excellent quality and condition bu...

"Homage to the Square - Portfolio 2, Folder 5, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Vintage Oil Painting of a Tree-Lined River Landscape in the Irish Countryside by 20th Century Artist, Allan Ardies (1918 - 2014). An impressionist vintage original oil on canvas in g...

This is a lovely oil on canvas painting that was attributed to Charles Harold Davis when I purchased it about ten years ago. It is unfortunately not signed. The scene is a view throu...

English School tonalist landscape titled Evening Glow, executed after the celebrated Royal Academician Benjamin Williams Leader (1831–1923).  The composition depicts a serene dusk ...