Art by Medium: Blown Glass

George William Bell Abstract Form Study in Chestnut III, 2022 Blown glass 7½ x 7 x 6 in.

George William Bell Abstract Form Study in Bronze I, 2022 Blown glass, mirrored 18.25 x 12 x 11.50 in.

George William Bell Abstract Form Study in Bronze V, 2022 Blown glass, mirrored 8 x 8.50 x 6.75 in.

George William Bell Abstract Form Study in Chestnut II, 2022 Blown glass 7¾ x 8 x 6½ in.

George William Bell Abstract Form Study in Bronze III, 2022 Blown glass, mirrored 18¾ x 16½ x 14 in.

George William Bell Abstract Form Study in Bronze IV, 2022 Blown glass, mirrored 19¾ x 13½ x 13½ in.

George William Bell Abstract Form Study in Bronze II, 2022 Blown glass, mirrored 17½ x 15 x 13 in.

This is an Dino Rosin Italian glass sculpture “the kiss” signed. In good condition no chips . 25x11x5 International buyers must cover shipping ...

LOOP (Amber), 2022 Etched blown glass 10.25h x 5.25w x 4.25d in.

Master glassblower Lino Tagliapietra is one of the world’s most prominent glass artists. Trained in traditional Venetian techniques, Tagliapietra is a key influence on the American s...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts the whimsical bunny in hand-blown glass. Inspired by nature and a genuine love for animals, Slonem's glass works encompass unique inspirations drawn from the world. While viewing this piece in person, it is as if we are surrounded by elegance effortlessly, enchanted with the charm of the Rabbit which symbolizes good fortune. This sculpture invites us to celebrate nature and the simplicity of form from the inspiring world of the Rabbit. The artist's signature is etched in glass. In a natural expansion of his artistic vocabulary, Slonem has evolved his famous bunnies into the dynamic medium of glass with the same quick gestural dance of his paint brush marks on canvas. "New Dawn...

Master glassblower Lino Tagliapietra is one of the world’s most prominent glass artists. Trained in traditional Venetian techniques, Tagliapietra is a key influence on the American studio glass movement. In 1955, at the age of 21, Tagliapietra received the title of maestro. He established himself with vividly colored sculptures, which often take the shape of elegant teardrops. Master glass artists Dale Chihuly and Benjamin Moore invited Tagliapietra to teach at Pilchuck Glass...

miniature glass vessels with wooden texture, volume VII, limited edition of 12 unique pieces approximate dimensions: 5-6 cm / 75-100 ml These little glass sculptures can be used as ...

Jonas Noël Niedermann LOOP (Sky Blue), 2022 Blown glass 11.50 x 8.50 x 4 in.

Master glassblower Lino Tagliapietra is one of the world’s most prominent glass artists. Trained in traditional Venetian techniques, Tagliapietra is a key influence on the American studio glass movement. In 1955, at the age of 21, Tagliapietra received the title of maestro. He established himself with vividly colored sculptures, which often take the shape of elegant teardrops. Master glass artists Dale Chihuly and Benjamin Moore invited Tagliapietra to teach at Pilchuck Glass...

Jonas Noël Niedermann LOOP (Royal), 2022 Blown glass 8.50 x 5.75 x 3.50 in.

Jonas Noël Niedermann LOOP (Azure), 2022 Blown glass 13.50 x 7.50 x 3.50 in.

sculptural glass vase, volume IV, steamy translucent approximate dimensions: 15–18 cm Shaped by fire collection of glass vessels represent...

Master glassblower Lino Tagliapietra is one of the world’s most prominent glass artists. Trained in traditional Venetian techniques, Tagliapietra is a key influence on the American studio glass movement. In 1955, at the age of 21, Tagliapietra received the title of maestro. He established himself with vividly colored sculptures, which often take the shape of elegant teardrops. Master glass artists Dale Chihuly and Benjamin Moore invited Tagliapietra to teach at Pilchuck Glass...

Jonas Noël Niedermann LOOP (Mahogony), 2022 Blown glass 10.50 x 7.25 x 3.50 in.

Master glassblower Lino Tagliapietra is one of the world’s most prominent glass artists. Trained in traditional Venetian techniques, Tagliapietra is a key influence on the American studio glass movement. In 1955, at the age of 21, Tagliapietra received the title of maestro. He established himself with vividly colored sculptures, which often take the shape of elegant teardrops. Master glass artists Dale Chihuly and Benjamin Moore invited Tagliapietra to teach at Pilchuck Glass...

Jonas Noël Niedermann LOOP (Teal), 2022 Etched blown glass 11.50 x 5.75 x 4 in.

Jonas Noël Niedermann LOOP (Gylden), 2021 Blown, carved, and etched glass 16.25 x 5.50 x 5 in.

sculptural glass vase no.4 (horizontal) of 4 unique pieces of volume III approximate dimensions: Ø 4 x 30 cm length Shaped by fire collection of glass vessels...

Jonas Noël Niedermann HANGING LOOP (Blue), 2022 Blown glass 9.50 x 8.25 x 5.50 in.

Master glassblower Lino Tagliapietra is one of the world’s most prominent glass artists. Trained in traditional Venetian techniques, Tagliapietra is a key influence on the American studio glass movement. In 1955, at the age of 21, Tagliapietra received the title of maestro. He established himself with vividly colored sculptures, which often take the shape of elegant teardrops. Master glass artists Dale Chihuly and Benjamin Moore invited Tagliapietra to teach at Pilchuck Glass...

Jonas Noël Niedermann LOOP (Aurora), 2021 Blown, carved, and etched glass 15.25 x 4.75 x 3 in.

Master glassblower Lino Tagliapietra is one of the world’s most prominent glass artists. Trained in traditional Venetian techniques, Tagliapietra is a key influence on the American studio glass movement. In 1955, at the age of 21, Tagliapietra received the title of maestro. He established himself with vividly colored sculptures, which often take the shape of elegant teardrops. Master glass artists Dale Chihuly and Benjamin Moore invited Tagliapietra to teach at Pilchuck Glass...

Series designed by Ken Scott for the Made in Italy display at the Macy's warehouse in New York and exhibited in typical baskets of the fishermen of Chioggia. MEDIUM/MATERIALS Amethys...

glass treasury, volume IX no. 7 & 8, golden & grounded brown Drago is a sculptural glassware that explores the concept of a treasury — the power of a container object to reflect th...

glass treasury, volume IX no. 10, steamy translucent Drago is a sculptural glassware that explores the concept of a treasury — the power of a container object to reflect the value ...

glass treasury, volume IX no.11&12, smoky gray Drago is a sculptural glassware that explores the concept of a treasury — the power of a container object to reflect the value of pe...

sculptural glass vase, volume IV, smoky light gray approximate dimensions: 15–18 cm Shaped by fire collection of glass vessels represents ...

sculptural glass vase, volume IV, smoky dark gray approximate dimensions: 15–18 cm Shaped by fire collection of glass vessels represents m...

glass treasury, volume IX no. 13, smoky gray with a wooden lid Drago is a sculptural glassware that explores the concept of a treasury — the power of a container object to reflect ...

Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish: PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass COCCO, made in brown glass Produced by maestro Simone Cenedese in Murano Mouth-blown, hand-shaped, cut glass. Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted LAURA DE SANTILLANA After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer. she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique. Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world. She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day. 2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona SELECT SOLO EXHIBITIONS 2018: In This Light, Galleri Glas, Stockholm 2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles 2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich Sleeves, Caterina Tognon, Venezia I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano 2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan 2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan 2013: Big Flats, Galerie L’Arc en Seine, Paris, France 2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA 2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France Liquid Glass, Traver Gallery, Seattle, WA, USA 2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech 2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA 2007: Khadi, Galleria Marina Barovier, Venice, Italy 2006: Bodhis, Galerie L’Arc en Seine, Paris, France Bodhis, Barry Friedman Gallery, New York, NY, USA 2005: New Work, Sanske Galerie, Zurich, Switzerland 2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog) Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog) Metals, Elliott...

LOOPS (Rose), 2022 Etched blown glass 13.75h x 7.25w x 4.25d in.

LOOP (Orange), 2022 Etched blown glass 12.50h x 6.25w x 4d in.

LOOP (Gold), 2022 Blown glass 8.50h x 5.75w x 4.25d in.

LOOP (Cyan), 2022 Blown glass 13h x 5.25w x 4d in

a pair of miniature glass vases with wooden texture, volume X approximate dimensions: Ø 8 x height 10 cm Shaped by fire project explores cultura...

Girl Omaggio a Picasso (Tribute to Picasso) Murano glass sculpture 15.5" H x 12" W x 5" D This work is accompanied by a certificate of authenticity signed by the artist. Signed, tit...

Niomea, which encompasses majesty and lightness together. Niomea has a dignified "posture" given by the perfect harmony between layering of colors and a delightful design. Reading Milan Kundera's novel "The Unbearable Lightness of Being...

Blue, the color of the sea, of the sky, used a lot by Lino Tagliapietra. Mandala has two meanings. Externally it’s a visual representation of the universe. Internally it’s a guide to...

This is a unique piece by LINO TAGLIAPIETRA, made with hand blown glass.

The loud distinctive call of the kookaburra is remarkable: this Australian bird emits strident calls similar to human laughter. Kookaburra carries dee...

sculptural glass vase no.3 (horizontal) of 4 unique pieces of volume III approximate dimensions: Ø 4 x 30 cm length Shaped by fire collection of glass ve...

Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish: PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass COCCO, made in brown glass Produced by maestro Simone Cenedese in Murano Mouth-blown, hand-shaped, cut glass. Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted LAURA DE SANTILLANA After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer. she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique. Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world. She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day. 2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona SELECT SOLO EXHIBITIONS 2018: In This Light, Galleri Glas, Stockholm 2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles 2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich Sleeves, Caterina Tognon, Venezia I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano 2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan 2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan 2013: Big Flats, Galerie L’Arc en Seine, Paris, France 2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA 2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France Liquid Glass, Traver Gallery, Seattle, WA, USA 2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech 2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA 2007: Khadi, Galleria Marina Barovier, Venice, Italy 2006: Bodhis, Galerie L’Arc en Seine, Paris, France Bodhis, Barry Friedman Gallery, New York, NY, USA 2005: New Work, Sanske Galerie, Zurich, Switzerland 2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog) Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog) Metals, Elliott Brown Gallery, Seattle, WA, USA SELECTED GROUP AND DUO EXHIBITIONS Design Basel, Galerie Pierre Marie Giraud Chromatique, MUDAC, Lausanne Living with Art_Albion Barn, Oxford UK Oltre Roma, Accademia d’Ungheria, Roma Fired up: women in glass, Toledo, Museum of Art_Charlotte, Mint Museum , USA Laura de Santillana and Alessandro Diaz de Santillana, YSP Trésors de sable et de feu. Verre et cristal aux Arts Decoratifs, XIV-XXI siècle, Musée des Arts Décoratifs, Paris, France Artissima Torino, Galleria Caterina Tognon Hourglass, Galleria Marignana, Venezia, Italy I Santillana, MAK, Austrian Museum for Applied Arts/Contemporary Art, Vienna, Austria Artissima Torino, Faggionato Gallery, London, UK Fire and Form: The Art of Contemporary Glass, The Norton Museum of Art, Palm Beach, Laura de Santillana, Fashion meets Art, Giorgio Armani, New York, NY, USA Translucency, Paul Hughes Fine Arts, London, UK Selected Museums Museo Vetrario di Murano, Venice, Italy The Corning Museum of Glass, New York, NY, USA Victoria and Albert Museum, London, UK Metropolitan Museum of Arts, New York, NY, USA Saint Louis Museum of Fine Arts, St Louis, MO, USA Cooper-Hewitt Museum, New York, NY, USA Seattle Art Museum, Seattle, WA, USA Denver Art Museum, Denver, CO, USA The Museum of Fine Arts, Houston, TX, USA Carnegie Museum of Art, Pittsburgh, PA, USA Los Angeles, Los Angeles County Museum of Art MUDAC, Lausanne, Switzerland MAD, Museum of Arts and Design, New York, NY, USA Museu de Arte de São Paulo, São Paulo, Brazil Musée des arts décoratifs, Paris, France Kunstmuseum im Ehrenhof, Düsseldorf, Germany Kunstsammlungen der Veste Coburg, Coburg, Germany Museum für Kunst und Gewerbe, Hamburg, Germany Neue Sammlung, Munich, Germany IMA, Indianapolis Museum of Art, Indianapolis, IN, USA Museum of Fine Arts, Boston, MA, USA Toledo Museum of Art, Toledo, OH, USA This came from an important Northern California collection that included a wonderful selection of Murano Glass. Aldo Nason, Peter Shire and Ettore Sottsass, Murano master Gigi Toso. A descendent of the legendary Venini dynasty of glassmakers, Laura Diaz de Santillana Incalmo Vases, Lino Tagliapietra, Yoichi Ohira...

Unique piece by The Glass Master

Provenance: Part of an important collection that had work Both Benjamin Edols and Kathy Elliott were born in Sydney. The two began working together as recent graduates from the Canberra School of Art. Ben also studied at the Royal College of Arts in Sydney. The first exhibition of their collaborative work was in 1993. Since that time they have developed a body of work of blown and cold worked glass vessels and forms. Ben specialises in glassblowing and Kathy specialises in cold working techniques such as carving and engraving. In 2000 they built their own glassblowing and cold working studio in Sydney. In recent years, their work has been inspired by the botanical forms and patterns found in nature. One of the qualities of glass that they most appreciate is its ability to carry light. They have taught in Australia, America and Japan. Their work has been exhibited widely and is held in many public museums and private collections around the world including the Victoria and Albert Museum, the American Craft Museum, the National Gallery of Australia and the Auckland War Memorial Museum. Ben Edols & Kathy Elliott SELECTED SOLO EXHIBITIONS Tutti, Sabbia Gallery, Sydney, NSW Glance, Beaver Galleries, Canberra ACT Dwell, Collector Space, Jam Factory, Adelaide. SA Shelter, Sabbia Gallery, Sydney Benjamin Edols Kathy Elliott, Flame Run Gallery , Louisville KY Light Marks, William Traver Gallery, Seattle Studio Glass, Beaver Galleries, Canberra Benjamin Edols Kathy Elliott, Masterworks Gallery, Auckland Evolve, Sabbia Gallery, Sydney Edols & Elliott, Kirra Gallery, Melbourne, VIC Recent Work, deVera, New York, NY Cultivate II, Quadrivium , Sydney, NSW Botanicals, de Vera...

Thomas Blank was born in Berne, Switzerland, in 1973. He is a master of transformation, who has been investigating the nature of glass for 20 years now, without losing his fascination for the versatility of this unique material. On his artistic voyage towards ever more sublime expression, he creates marvelous vitreous objects, both in terms of shape and color. The reflections, refractions, and optical illusions are especially appealing, and challenge the perception of the viewer. Thomas Blank is both an artist and a craftsman. During his art studies in San Francisco, he already used to work both as a glass-melting technician and as a glass-blower, and he attended workshops by the famous Michael Schunke and Michael Schreiner. Later, he learned the Venetian technique from Josiah McEleheny (1998) and became the assistant to Simone Cenedese in Murano in 2003. Today, Thomas Blank teaches courses himself, works as a lecturer, and creates objects for artists and designers around the world. His works of art have been shown in Europe, the USA, and Japan. Many of them can be seen in numerous collections, including those of the Contemporary Art Museum of Honolulu (Hawaii) and the Museum for Design and Applied Arts in Lausanne, Switzerland. This came from an important Northern California collection that included a wonderful selection of Murano Glass. Aldo Nason, Peter Shire and Ettore Sottsass, Murano master Gigi Toso. A descendent of the legendary Venini dynasty of glassmakers, Laura Diaz de Santillana Incalmo Vases, Lino Tagliapietra, Yoichi Ohira...

Ira Lujan, Black-on-Black Olla Hand-Blown Glass 10.5” x 9.5” x 9.5” 2022

David Patchen creates vivid and luminous glass works using the time-honored techniques of cane and murrine glass blowing, originally discovered in the glass blowing studios of Venice...

David Patchen creates vivid and luminous glass works using the time-honored techniques of cane and murrine glass blowing, originally discovered in the glass blowing studios of Venice...

Dan Friday Woven Bear (Star), 2021 Blown glass 5.25h x 8w x 2d in 13.34h x 20.32w x 5.08d cm

Christopher Jeffries unique style and distinct designs reflect the hand of a dedicated, passionate and master craftsman. Through extensive interna...

Dan Friday Woven Bear (X), 2021 Blown glass 5.25h x 8w x 2d in 13.34h x 20.32w x 5.08d cm

Ira Lujan, Povi Basket, 2022, hand-blown glass wedding vase, 15" x 8" x 8"