Art by Medium: Board

A circa 1900 portrait of a young woman set in a landscape at dusk. Oil on cardboard, signed B. v. Zutphen lower right. The painting depicts a young woman with long, dark hair, dresse...

A vivid explosion of color defines this composition. The artist employs a rich, textured approach to capture a lush bouquet. Rhythmic brushstrokes build a dense tapestry of floral fo...

This winter landscape by Swedish artist Ernst Lindgren captures the extraordinary stillness of a snow-covered Nordic forest. A partially frozen stream winds through the composition, ...

Our 19th Century painting of a mountain dwelling, bathed in soft light light is a fresh and relevant as if it had been created yesterday. Painted certainly in plein air on the motif,...

A large, striking 1920s American Modern industrial scene painting by notable Wisconsin painter, Hans John Stoltenberg (Am. 1879-1963). Artwo...

K. Nixon Blundell Rouge & Noir — Portrait of Two Dachshunds Oil on canvas, January 1944 Signed lower left Exhibition label inscribed on the reverse Presented in an ornate gilt frame ...

Original Oil painting with hand painted Japanese paper collage. Flower bowl inspired by traditional Moroccan Tamegroute ceramics with seasonal flow...

A lively, impressionistic depiction of a young couple in a wedding dress and tuxedo discovering Claude Monet's oil paintings at the Paris Museum. We are whisked away in this cherishe...

Lee Herring focuses his contemporary paintings on vibrant, textured, and abstract landscapes that convey fleeting moments. Herring's energetic artworks are inspired by everyday momen...

MAGGY CLARYSSE Pointillist Landscape Circa 2000 Oil on board Signed lower right Label on reverse Presented in an ornate frame with scrolling foliate decoration and a gilt inner slip...

In Städerskan, Alma Arnell gives a working woman the concentrated attention of an individual portrait. Standing in profile against a pale background, the sitter occupies almost the e...

'Hidden Portraits XXXII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agein...

'Abstract Composition', oil on board, by Pierre-Yves Beltran (1984). A dense, richly textured abstract composition rendered in a palette of deep blues, emerald greens, and earthy bro...

Edgar A. (Ted) Batzell (1915=1996) Cubist Tabletop Still Life Composition, ca. 1960. Oil on artist board measuring 16 x 20 inches. Measuring 24 x 28 inches in a wide white frame. Signed with estate stamp lower right and on verso. Ted Batzell, was listed in Who's Who in American Art in 1957, and is now listed in Who Was Who in American Art. First in his class in the Master's of Fine Art program at Syracuse University he was awarded the highest honor along with the Augusta Hazard scholarship to study abroad. In high school he entered a nationwide poster contest and won a four year scholarship to Syracuse, where today for one year's tuition the cost is $45,000. But he never got to use the Augusta Hazard award because World War II broke out and he went to New York City where he studied at the Art Students League and with artist Walt Kuhn as well as others. Hired by the General Electric company art department in Schenectady, N.Y. , he progressed over the 35 years he was there (the only job he had until retirement), to an art director. At General Electric he was a "Madison Avenue Ad Man" for many years, like those in the series "Mad Men", spending every week at General Electric headquarters in New York City. He was known to his fellow artists, many also renowned, as "the Renaissance Man" having a voracious appetite for reading and collecting art books...

A colorful countryside winter painting depicting a serene landscape, capturing a snow filled scene with trees, foliage, and a lighten up home nestled in the distance. The piece is do...

The painting "White Flowers Under the Window" is made with oil on canvas glued to cardboard and has a small horizontal format. In the center of the composition are white fragrant inf...

After Amaldus Nielsen (1838–1932) Norway Evening at Fredrikstad, 1918 signed indistinctly, possibly “Hj. U…”, and dated “18” lower right oil on board unframed 42 × 55 cm (16.5 × 21.7 in) framed 53 × 65 cm (20.9 × 25.6 in) Comparative work: Amaldus Nielsen, Aften ved Fredrikstad (Evening at Fredrikstad), 1909, oil on canvas, present location unknown. Condition report: Very good condition with bright and clear colors. Ready to hang. Please contact the gallery for a detailed condition report. Essay: This atmospheric evening seascape was painted in 1918 by an as yet unidentified artist and closely follows Amaldus Nielsen’s Aften ved Fredrikstad of 1909. The relationship between the two compositions is unmistakable. In both, a sailing boat occupies the central waters beneath an expansive and dramatically clouded sky, while a narrow strip of intense evening light separates sea from horizon. Smaller vessels recede into the distance, establishing both scale and a sense of stillness across the broad surface of the water. The present painting is nevertheless not a mechanical copy. The unidentified artist has altered several details and developed the scene through a more concentrated and chromatically intense palette. The central vessel is brought into sharper prominence, its sails forming a strong silhouette against the illuminated horizon. Deep blues dominate the foreground water and the upper sky, while streaks of orange, ochre and pale turquoise register the last light of sunset. The sky occupies approximately two thirds of the composition and becomes almost a subject in itself. Heavy clouds gather above the tranquil water, their dark masses opening intermittently to reveal passages of luminous blue and warm reflected light. The model for the composition was created by Amaldus Nielsen, one of the most important Norwegian painters of the coast during the nineteenth and early twentieth centuries. Born at Halse near Mandal in 1838, Nielsen studied in Copenhagen before continuing his training with Hans Gude at the Düsseldorf Academy. Gude’s emphasis on close observation of landscape remained fundamental to Nielsen, but he gradually moved away from the constructed romantic landscape towards an increasingly direct study of nature. Nielsen became especially associated with the coastlines of southern and western Norway and has often been described as one of Norway’s earliest naturalist landscape painters. From the 1860s onward he frequently completed paintings outdoors before the motif, an unusually direct working method in Norwegian art of the period. Light, weather and changing atmospheric conditions became central to his practice. The same location might be returned to repeatedly under different conditions of morning, evening, mist or changing weather. Fredrikstad and its surrounding archipelago formed part of this geography. Nielsen is documented working at Arisholmen near Fredrikstad as early as 1884, and surviving paintings demonstrate his continued interest in the coastal landscape of Østfold. By the time he painted Aften ved Fredrikstad in 1909, the theme of boats at rest or moving quietly across evening water had become deeply embedded within his art. The 1909 painting...

A quiet, possibly morning, coastal or archipelago landscape under a clearing sky by Godfred Christensen (1845-1928) A tergo a note in Danish “Et lille Minde om Danmark fra Gerda Godf...

Signed, titled, and dated to verso This evocative cityscape captures a serene harbor scene under a heavy, textured sky. The artist employs a rich impasto technique to build depth a...

A vibrant explosion of nature fills the canvas. Sunflowers bloom in a dense, energetic arrangement. Thick impasto layers create a tangible sense of volume. The artist employs a rich ...

after Sir Henry Raeburn Portrait of Colonel Alastair Ranaldson Macdonell of Glengarry 19th-Century Portraiture Oil on card, circa 1850 Inscribed on the reverse Presented in a gilt fr...

A mid-century Provençal landscape of a chapel by the coast by Italian artist, Jo Bernardi. Signed, dated and framed. A Mediterranean atmosphere radiates from this composition. The ...

Mid-Century post impressionist oil on board of waterlillies by French artist Marc Mussier. Signed and dated 1959 to the reverse. This evocative oil painting captures a serene aquat...

Seth Winegar (American, b. 1974) "Spring Full Bloom," 2026 Oil on board 42 x 48 in (106.68 x 121.92 cm) Signed lower right. Framed, 50.5 x 56.5 in (128.27 x 143.51 cm). A row of tre...

Antique Portrait of Elderly Bearded Man with Fine Robes Detailed portrait of a seated man in large, embroidered robes by an unknown artist. The figure sits in front of a dark backgr...

'Hidden Portraits XIX', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing ...

"Yellow seascape" landscape of the Volsky Lily. A painting from the series "Erbu on canvas". This painting was originally created on water with a thickener with the help of drops usi...

Mixed media collage titled, dated Jan 13, 1958 and inscribed "for Susie" (Susie (Suzy) Frelinghuysen) (Hand inscribed by the artist; not signed) Charmion von Wiegand and Susie (Suzy)...

Portrait of a Young Woman, ca. 1850. Oil on antique English millboard, panel measures 20 x 24 inches. Excellent condition with surface stress cracking and paint shrinkage consisten...

A small group enjoys a quiet afternoon beside the sea in this colourful beach painting. Two figures settle on the sand at the left, while another reclines in a chair and a companion ...

Helmer Osslund (1866–1938) Sweden Northern Swedish Landscape signed lower right Helmer Osslund oil on greaseproof paper laid down on panel unframed 17 × 33.5 cm (6.7 × 13.2 in) fra...

This landscape from 1938 depicts the countryside around Ramsele in Ångermanland, northern Sweden. A winding country road leads the viewer into the composition, passing open fields an...

'The Divers', oil on board affixed to stretcher, by Berthommé Saint-André (circa 1930s). A dynamic composition capturing swimmers in mid-dive at a countryside swimming pool, rendered...

Una favola Blu is a blue monochrome abstract wall sculpture in mixed media on canvas by Elizabeth Art Candy. Created in 2026 as part of the Play series, it brings together a dense ar...

A wonderful impressionist pastoral still life with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate yet energetic way and has packed much feeling...

Beautiful minimal Abstract Expressionist painting. Mixed media on paper glued down to illustration backing board. Paper sheet measures 10.25 x 14 inches. Cardboard panel measures 1...

Rune Andersson (1936– ) Sweden Händerna (The Hands), 1968 signed and dated a tergo oil on panel and relief framed approximately 66 × 57 cm (26 × 22.4 in) Provenance: Private colle...

A wonderful impressionist-style winter landscape with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate yet energetic way and has packed much feel...

"LaFlat" is an original archival pigment print on cardboard box artwork by Kid Hazo measuring 5.5"h x 11"w x 5.25"d. This is an edition of 13. Hazo’s belief that art is for everyon...

Created by La Motta in 1955, this original poster was commissioned for the 36th International Eucharistic Congress in Rio de Janeiro. Held from July 17 to 24, the congress was an important international Catholic gathering organized around the theme of Christ the Redeemer and his Eucharistic kingdom. The composition places Rio’s celebrated statue of Christ the Redeemer at the center of an expansive celestial vision. With his arms extended, Christ forms the upper section of a monumental cross rendered in the green and yellow colors associated with Brazil. Below, he stands upon a globe centered on South America, where a radiant star indicates the location of Rio de Janeiro. A deep blue background and surrounding constellation of stars give the poster a sense of spiritual grandeur. The restrained palette of blue, green, yellow and ivory combines religious symbolism with the visual identity of Brazil, while the bold typography at the bottom clearly announces the congress and its dates. Signed La Motta in the lower right, the design is characteristic of mid-century event posters, using simplified forms and carefully balanced geometry to communicate a powerful message from a distance. The poster was printed by Rebizzi in São Paulo. This original 1955 poster is an evocative document of Brazilian religious and cultural history. Its striking combination of Christ the Redeemer, cartographic imagery and modern graphic design makes it particularly appealing to collectors of Brazilian posters...

About this work: Painted in 1923, "Street in St. Augustine, Florida" is a vibrant example of Arthur Vidal Diehl’s impressionistic approach to landscape painting. This work captures t...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 Monogrammed lower left This charming late Victorian farmyard scene captures the quiet...

'Hidden Portraits XXVIII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agei...

"The Void" Figurative Abstract Composition in Gouache, Acrylic, and Pencil Intricate figurative composition by Robert Moesle (American, b. 1932). A large black space takes the centr...

Contemporary abstract floral mixed media painting on panel with acrylic, oil, collage, epoxy resin and a hand-finished virgin wax surface. In Flores para Lola No. 4, Ángel Celada tu...

The painting is an expressive, abstract work by Purvis Young with a strong emphasis on dynamic brushwork and a limited color palette dominated by deep reds, off-whites, and subtle ac...

Romana Milutin Fabris (b.1941) Dubrovnik Cityscape with Nude Women, ca. 1970. Gouache on illustration board, 23 x 32.5 inches; 25 x 34.5 inches framed. Signed lower right. Foil frame label on verso from 1960's with 5 digit telephone number, dating this piece to ca. 1970. Romana Milutin Fabris, born in 1941 in Dubrovnik, is one such artist: unwavering, devoted, and endlessly inspired. Her artistic education began at the School of Applied Arts in Split and Zagreb, and continued at the Academy of Applied Arts in Belgrade, where she laid the foundations of her distinctive visual language. A pivotal moment in her formation came with an international scholarship from the Austrian government, which enabled her to study in Salzburg under the great master Oskar Kokoschka-a painter of profound expressionist vision, whose spirit echoes in Romana’s work without ever being immitated. From the outset, she forged her own path-intimate but consistent, deeply personal and unmistakably her own. In 1964, she opened her first solo exhibition at the Sponza Palace in Dubrovnik, marking the beginning of a presence on the art scene that has now spanned more than six decades. Dubrovnik occupies a special place in her work. It is not merely the city of her birth, but the city of her soul-an eternal source of inspiration. Its stone walls, austere Mediterranean light, and the lush branches of bougainvillea reappear time and again on her canvases. Through these motifs, we sense belonging, but also poetic distance-for Romana does not paint the landscape as an external scene, but as an inner experience. Her colours speak in silence, her forms exude tranquillity, and the figures in her portraits radiate a depth that reaches beyond the visible. Each painting is a page from the diary of a strong and sensitive spirit, a woman who has preserved a childlike wonder, a profound reverence for beauty, and a lifelong belief in the power of artistic expression. Romana Milutin Fabris reminds us that art is not a fleeting moment, but a lasting presence. / 1965 / FIRST SOLO EXHIBITION, SPONZA PALACE ATRIUM, DUBROVNIK · ATELIER FOR INTERIOR DESIGN MASLINA - WORK COMPLETED UNDER THE FAMOUS PAINTER MILOVAN STANIĆ...

Title: Sunchasers Painting Animal Dog Modern Gold Contemporary Striking Invest Bold Classic Joy Original One-of-a-kind This painting forms part of an artwork series called BLUE. I ...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 frame) This painting and its mat...

A charming Impressionist pastoral scene depicting Spring in Point Pleasant, Pennsylvania. This piece is executed in an intimate yet energetic manner. Christopher is known for capturi...

The Shambles in York City England Medieval Street Framed, Acrylic on Board, 2007 - a rare early work by leading British Contemporary Artist, Angela Wakefield. This colourful & en...

This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City. Emmanuil Snitkovsky is an internationally known artist, sculpture and poet. ...

'Portrait of a Young Woman', oil on board, by Anna Costa (circa 1960s). This is a beautiful, expressive portrait of a young woman painted by the artist using her trademark vibrant c...

Title: Allure of Abundance Painting Animal Dogs Modern Gold Contemporary Striking Invest Energy Great-Dane Nature Blue This painting forms part of an artwork series called BLUE. I ...

Title: BLUE - Insightful Intent Painting Animal Dog Modern Gold Contemporary Striking Invest Bold Classic Joy Original One-of-a-kind This painting forms part of an artwork series c...

'Uncatalogued II', oil on board, from a collection of Postwar European Abstractions, by JG (circa 1950s–90s). This painting is part of this gallery's new series from a compelling bod...

This painting presents white roses as a quiet expression of tenderness and inner calm. The artist worked intuitively, allowing the image to emerge gradually through layers of oil pai...

A striking Art Deco gouache on cardboard depicting a stylish singer captured in a bold, graphic modernist idiom. The figure—rendered with short red hair, a chic black hat, striped tr...

Judd Mercer (American, b. 1982) "Whisper Fall," 2024 Gouache on Strathmore 400 mixed media paper mounted to Aquabord 6 x 8 in (15.24 x 20.32 cm) Location: Golden, Colorado Unframed, ...

Serene mid-century landscape of mountains reflecting over a fjord in Norway by an unknown artist, Circa 1940's. Unsigned. Displayed in a rustic giltwood frame. Image, 20"H x 24"W. Fr...