Art by Medium: Board

"Money Lender" WPA American Scene Social Realism Modernism Mid Century Mervin M Jules (1912-1994 "The Money Lender" 15 1/2 x 20 1/2 inches Oil on board, c. 1940s Signed lower left F...

Oil on academy board by the Russian/American artist Nahum Tschacbasov. Signed and dated lower left, 1945. Condition: Excellent. Presently not framed. Biography : Russian-America...

Genre: Modern Subject: Abstract Medium: Oil Surface: Board Dimensions: 16" x 19 3/4" x 1/4" Dimensions w/Frame: 19 1/4" x 23 1/4" Hand signed lower right Ernesto Linares Early Mexic...

Dora Maar è lo pseudonimo di Henrietta Theodora Markovitch (Parigi 1907 - 1997). Avvolta nell'ombra monumentale di Picasso, è stata a lungo - e riduttivamente - conosciuta come la su...

George Condo at Cycladic (hand signed by George Condo), 2018 Limited Edition monograph with slipcase (hand signed by George Condo) 11 × 8 1/2 inches Published in a stated limited edi...

The Godfather - Original 1972 Lobby Card #6 Vintage Godfather Lobby Card: The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluc...

John William Buxton Knight was born in Sevenoaks, Kent, in 1843, the son of the landscape painter, William Knight.  Buxton Knight began his art studies at an early age by working in ...

Cityscape (Untitled), c. 1950s, mixed media on board, signed lower left, 13 1/2 x 18 inches, presented in its original frame Jean (Yanko) Varda was a Greek-born multi-media artist ...

Colorful and idyllic impressionist oil painting of an old wooden barn surrounded by trees by Redwood City, California artist, Irma "Edy" Caprini (American...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Mountain Lake - Plein Aire Landscape Acrylic on Board Lush mountain landscape by California Plein Aire artist Nick White (American, 1943-2009). The viewer looks out over a mountain ...

Gregory Block's (US based) "Strawberry Glaze" is an original, handmade oil painting that depicts a pink glazed donut. Gregory was born in Kansas City, Missouri, in 1986 and moved t...

Warm days come in April, when the snow has already melted, and the earth has dried up, the birds are nesting and the air is unusually ghostly and fresh. Sometimes you breathe it in w...

Acrylic & pencil on cardboard Levan Mekhuzla is Georgian artist born in 1945 who lives and works in Tbilisi, Georgia. Architect by profession, he is member of Georgian Painters Unio...

The evening expressionist painting with the snowy forest and the setting Sun is a beautiful wall decor, the painting is full of different colours, combinations of warm and cold shade...

Antique American modernist bridge landscape oil painting. Oil on canvas. Signed. Framed. Measuring: 28 by 36 inches overall, and 20 by 28 painting alone.. In excellent original cond...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In Sweet Start, Mayrig Simonjan presents a sumptuous still life...

Aaron Bohrod Autobiography, 1991 Signed lower right Oil on gesso board 12 x 16 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Painting Study of Al Fresco Spanish Tapas Bar Scene at Night by leading British Landscape Artist, Angela Wakefield. Art measures 12 x 12 inches Frame me...

Mid Century Modern Calla Lily in Bloom Still-Life in Oil on Board Gorgeous Mid Century Modern still life of Calla Lily with orange background by Agnes Stoklosa (American, 20th Centu...

Contemporary figurative mixed media on cardboard painting by Polish artist Dominika Stawarz-Burska. Artwork has characteristical glossy finish to it which resembles surface of cerami...

Signed oil on board riverscape circa 1940 by popular French impressionist painter Alexandre Louis Jacob. The piece depicts a view of tall trees, cottages and a caravan on the banks o...

Summertime in Martha's Vineyard is drenched in saturated yellows and reds. People in the foreground look out to the sea. Two people on horseback are masterfully rendered in a loose ...

acrylic on plastic board MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices d...

This captivating piece is available through Signet Contemporary Art Gallery and online. In "Side by Side", Richard Gower distills human connection into a minimalist yet emotionally ...

Portrait of a Monkey with Wine Jug Zacharias Noterman (Belgium & France 1824-1890) Initialed "Z N" l.r. Oil on board 8 x 6 inches PROVENANCE: Galerie Tamenaga, Paris (label verso); Louvre des Antiquaires, Paris; Berman Swarttz, Los Angeles, California, Marcella Swarttz, Beverly Hills, California     8 x 6 inches Zacharias Notermann (1820 in Ghent – 1890 in Paris) was a Belgian painter and printmaker who specialized in scenes with monkeys engaging in human activities (the so-called singeries), as well as in paintings of dogs. He also produced images and scenes of traveling circuses. Zacharias Noterman was born in Ghent in the family as the son of an artist-decorator. He was originally trained by his older brother Emmanuel Noterman, genre and animal painter active in Antwerp. Noterman continued his art education at the Academy of fine arts Antwerp. Zacharie Noterman...

Alphonse Léon Quizet French, 1885-1955 Canal Scene Oil on board 13 ¼ by 16 ¼ in, w/ frame 20 ¾ by 23 ¾ in Signed lower right Inventory Number: 01933 Alphonse Quizet was born on Ma...

Frederick John Mulhaupt Gloucester Boats Signed lower left Oil on board 12 x 16 inches Born in Rock Port, Missouri, in 1871, Mulhaupt studied...

Highly detailed mid century landscape depicting a glorious autumn scene, of a tranquil stream running through a forest full of tress with golden fall foliage, by Harriet Yule (Americ...

Mid Century Ravello Amalfi Coast Original Oil Painting - Villa Cimbrone La Cripta Wonderful perspective of the Gothic Arches of Villa Cimbrone's Crypt ...

San Francisco Bay Area Seascape with Ships in Oil on Cardboard Seascape with large ships by Honora Berg (American, 1897-1985). The ocean is shown in...

Dailis Rožlapa (1932-2014) Near Slita, cardboard/oil, 65x85cm, 1985

Original watercolor of a waterfall with birch trees on illustration board by the well known American artist, William Paskell. Signed lower left. Condi...

'Cone No 5: Sister Twin' from Kim Frohsin's important and historic Cautionary Tales series series of 2015. Twin Sister Cone is one of about 15 "portraits of construction cones by Fro...

Walter Herbert Wheeler (British, 1868-1960) A noble bulldog signed ‘WH Wheeler (lower right) oil on board 7 ¾ x 7 ¼ in. (19.7 x 18.3 cm.) with frame 10 x 9 ¾ in. (25.4 x 24.8 cm.) ...

This incredible photorealist oil painting is framed at 17.75 x 24 inches, and is ready to hang. Helen has spent the last several years establishing her reputation as a truly gifted ...

Signed Lower Right Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Screen print on Lenox Museum Board. Hand signed lower right by Andy Warhol. Hand numbered 84/200 on lower right (there are also 30 APs, 5 PPs, and 3 HCs). Artwork size: 40 x 32 in...

Bouquet with poppies Cardboard, oil, 29.3x23.5 cm

In the Urals, in the village of Kyn, I visited twice. And my attention was attracted by a pine tree that grew on a rather rocky hillside. Despite the harsh conditions, nature brings ...

Miniature Abstract Study on White Canvas by Contemporary British Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 12 x 10 inches Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business...

I saw flowers in the Ukrainian steppe. They inspired me to create this painting. I really like to paint abstract paintings. I paint them with feelings and the energy of the inner bo...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Rue à Sannois by Maurice Utrillo (1883-1955)...

This exceptional artwork is framed, signed & available for sale at Signet Contemporary Art Gallery and online. A composition brimming with timeless elegance, Summer Drink for A...

Neuquelman Lucien Paris 1909 – 1988 French Painter 'Old Harbor of Honfleur - Normandy' Signature: Signed bottom right Medium: Oil on board Dimensions: Image size 50 x 65 cm, frame s...

The Unspoken Between Us 41.5 x 33.5 cm (including frame) Oil on Board An enigmatic contemporary figurative painting that presents two semi-abstracted figures, rendered in broad, raw...

Alfred Thörne was born in 1850 in Horn, Östergötland, and belongs to a generation of Swedish painters whose formation was grounded in the academic tradition but increasingly shaped b...

Jessie Agnes Schley (American, 1854-1928) was born in Wisconsin, the daughter of Charles Schley, a prominent Milwaukee real estate agent. A devout Catholic, Schley tried twice to bec...

George Howell Gay (American, 1858-1931) Untitled Seascape, c. late 19th-early 20th century Watercolor on board 12 x 17 3/4 in. Framed: 16 1/4 x 22 1/4 in. Signed lower right: Geo Howell Gay George H. Gay was well known for his watercolor landscapes, seascapes and paintings of rivers and ships, mostly along the shores of New England. Gay also painted snowscapes, but these are scarcer. It is unusual to find an oil painting by this artist, as he worked mainly in watercolor. Some of his works display a tonalist aesthetic. He was born in Milwaukee, Wisconsin on July 2, 1858, and lived in Chicago and then in 1889, settled in Bronxville, New York. Gay was a pupil of Paul Brown and Henry Elkins in Chicago. He is known to have exhibited at the National Academy of Design in 1890; Boston Art...

"Beasts of Burden" (2023) by Andy Evansen is an original handmade watercolor painting on paper that depicts horses resting in the shade alongside a small creek. This piece measures 15 x 22 inches and 21 x 28 inches in its frame. Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He began painting watercolors in the mid 1990s as a change of pace from his career as a medical illustrator. Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis...

Antique American winter landscape oil painting. Oil on canvas. Signed. Framed. Measuring: 26 by 30 inches overall, and 20 by 24 painting alone.. In excellent original condition. Han...

Signed oil on board portrait circa 1940 by French post impressionist painter Jean Gabriel Domergue. The work depicts a blonde lady - Audrey - in a mint green dress...

Original recent acrylic on artist board painting of American flags flying on Fifth Avenue in New York City by the well known Hampton’s artist John Crimmins. Signed by the artist lowe...

Rare early American sunset Hudson River School swimming hole painting. Framed. Oil on board. Image size, 7.25H by 10L.

The artist completed this sketch while painting en plein air in Pereslavl-Zalessky at Alla Prima in 2013. This striking artwork captures the tranquil beauty of a wintry forest. Set a...

A dramatic mid-century western figurative action scene depicting a shootout in an old western town by Randy Steffen (American, 1917-1977), 1947. Several ...

Landscape signed lower left beautiful original gold leaf frame. ​ Frank Peyraud earned a lasting reputation for rural landscapes, especially snow scenes in broadly defined forms and glowing colors. Excepting a trip from 1921 to 1923 to Italy and Switzerland, he was based in Chicago, where a Registrar of the Chicago Art Institute in materials for a traveling exhibition, described him as the "dean of Chicago landscape artists." (Richter) Peyraud was one of the first American painters to focus on the Midwestern landscape and did many river and farm scenes including his signature snowscapes. Many of his paintings reflected Impressionism, an abstract style executed with rapid technique and broken brushstrokes brought over from France towards the end of the 19th Century. Impressionism received much attention in Chicago in some of the artwork exhibited at the 1893 Exposition. Of Peyraud and Impressionism, it was written that "he was the most successful of the progressive Chicago painters who experimented with impressionist approaches in the years following Exposition." He was credited with more discipline of execution than many of his peer impressionists and with a "valid impressionism", (Greenhouse) that conveyed poetic interpretations to what many persons regarded as very ordinary rural Illinois landscape. His snow scene haystack painting, Winter Light on the Farm, in the Marshall Collection of Peoria and exhibited at the Terra Museum, shows "crystalline atmosphere and fleeting light of a waning winter afternoon". (Greenwood) and seems to reference the serial haystack paintings by Claude Monet. Many of Peyraud's works had luminous back-lighting, and careful arrangement of contrasting shapes, and a tone inviting the viewer into a "slightly enchanted world into which quotidian human elements rarely intrude." (Richter) Peyraud was born in Bulle, Switzerland, and enrolled as an architecture student at the Ecole des Beaux-Arts in Paris. In 1881, at age 22 and an established architect in France, he emigrated to Chicago where he spent the remainder of his career. He found employment there as a cyclorama painter, which meant creating huge panoramic paintings in the round, "forerunner of the wide-screen motion picture." (Richter). In 1891, he became involved in retouching Paul Phillipoteaux's panorama, The Battle of Gettysburg, when it came to Chicago for exhibition He continued to work on panoramic and cycloramas spectacles including The Creation for the 1903 Louisiana Exposition. Spring Painted Desert in the Santa Fe Railroad Collection shows at least one trip West. Peyraud also did mural painting, several of them in Peoria, Illinois including a series of allegorical murals with Hardesty Maratta in the Peoria at the newly-built Public Library. In Peoria, he also taught classes and gave lectures. In 1906, he married Elizabeth Krisher, a portrait painter, and illustrator. Sources include: Marianne Richter, Union League Club of Chicago Art Collection, "Frank Charles Peyraud...

Kyle Paliotto is an American oil painter based in Hayden, Idaho, whose representational practice is shaped by the rural landscape of North Idaho. He gathers imagery from farms, field...

Decorative oil painting, fishing boat and sailing ship. Dimensions with frame in cm 81 x 96

Beautiful Monterey seascape in vivid blues by California artist T. Samantha Cook (American, 20th Century). Signed and dated "T. Samantha Cook / 68" lower right corner. Titled "A Sea ...