Art by Medium: Board

Little portrait by Arturo Noci realized in 1909 probably in US. Oil on board. Bronze frame Signed and dated by the artist at bottom right. Very good conditions.

Vintage American modernist merry go round portrait painting. Oil on board. Nicely framed. Excellent, ready to hang condition.

This intimate yet surprisingly monumental work, painted in oil on millboard in 1944, is attributed to the prominent master of Russian landscape, Nikolai Krymov (1884 - 1958). A class...

The artist painted this sketch from plain air on a snowy February day under an umbrella in Tsaritsyno Park. This artwork is a serene depiction of a winter landscape, capturing the qu...

Along the path on a walk, a vivid impressionist oil painting by Carol H. Kelly (American, 20th Century). Signed "C.H. Kelly" and dated "70" lower right. Unframed. Image size, 18.5"H ...

Andrea Boscoli (Florence, Italy, 1564 – Rome, Italy, 1608) Title: 𝘛𝘩𝘦 𝘱𝘢𝘺𝘮𝘦𝘯𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘶𝘵𝘺, 𝘧𝘳𝘰𝘮 𝘗𝘰𝘭𝘪𝘥𝘰𝘳𝘰 𝘥𝘢 𝘊𝘢𝘳𝘢𝘷𝘢𝘨𝘨𝘪𝘰 Medium: Pen and brow...

Autumn Trees, Mid Century Fall Landscape with Orange & Earthtones Lovely late 1960's vintage landscape oil painting of an autumnal scene by Cal...

'Hidden Portraits XXXIII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agei...

Medium: Pastel on Board Dimensions: 26.50" x 18.50" Signature: Signed Middle Right Date: 1949

Tom Harford Thompson b. 1964 Still Life, 2022 oil on board 20 x 30 cm 7 7/8 x 11 3/4 in signed with stamp and dated verso Tom Harford Thompson was born in Amersham in 1964. He train...

Combining images with provocative text, Kruger uses direct address—along with humor, vigilance, and empathy—to expose and undermine the power dynamics of identity, desire, and consum...

Vintage American furniture showroom interior oil painting. Framed. Measuring: 16 by 24 inches overall and 13 by 20 inches image alone. Excellent condition, ready to hang and enjoy.

An oil painting of sheep painted with thick paint applied spontaneously with a palette knife on linen. Displayed in a dark grey frame complimenting the tones of the sheep. ADDITIONA...

Signed oil on board figures in landscape by popular French post impressionist painter Victor Charreton. The work depicts a mother holding her small child's hand as they walk towards ...

High Desert Scene at sunrise circa 1930s by Herbert A. Schmidt (American, 1885 - 1930) Schmidt was a well known architect and designer of many San Francisco buildings and was a pupil at the Mark Hopkins Art Institute (SF) in 1899-1901. Graduated from the University of Pennsylvania in Architecture. President of the San Francisco Bohemian Club...

Oil on artist board painting by the American artist, Winfield Scott Clime. Signed lower left. Titled verso. Partial Lyme Association exhibition label verso. In good condition. Frame...

Artist: Marc Chagall, Russian (1887 - 1985) Title: Chagall Lithographe Volumes I, II, III, IV & Les Affiches de Marc Chagall by Cain, Julien, Fernand Mourlot, Charles Sorlier, Robert...

A modern illustration by American artist Ray Quigley depicting two men inside of a church.

In work/Four figures. Double-sided, cardboard, tempera, 56x47 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

A native of Philadelphia, John Pierce Barnes began his artistic training at the Philadelphia School of Industrial Design. He then attended the Pennsylvania Academy of the Fine Arts, ...

"Your New Home" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower right. It features abstract, surreal, and biomorphic obj...

Impressive early American modernist abstract painting by Alton S. Tobey (1914 - 2005). Oil on board. Framed. Signed. Image size, 24 by 48 inches.

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Fernand LANTOINE (Maretz 1876 - Paris 1956) Coastal landscape Oil on board Signed lower right 10,7 x 11 cm Fernand Lantoine was a painter and illustrator from northern France. Afte...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Rue à Sannois by Maurice Utrillo (1883-1955)...

An introspective, 1950s Mid-Century Modern pastel drawing of a young boy by notable Chicago artist Francis Chapin. Pastel on artist board. Image size: 16 x 15 inches. (Artwork is...

Street view. 2013. Cardboard, oil, 97x123 cm

Lucy Doane Greylock from Hairpin Turn Signed and Inscribed titled verso Oil on board 16 x 20 inches Lucy Doane was an established artist, illustrator and teacher whose regionalist ...

1940s Tromp L'oeil Still Life Rose and Amaranth in Alcove Wonderful rose and amaranth still life in an alcove by Riverda Kapunas (American/Greek, 20t...

Magnolia, c. 1946, oil on canvas, signed lower left, 22 3/4 x 25 3/4 inches, this original oil painting was part of Reindel's Flowers of Our Land series, commissioned by the John M...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Pac-Man from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on Lenn...

Stroud Valley is an Original Painting by Eleanor Woolley. Stroud valley is a bright colourful depiction of one of the artist's favourite places. It shows the end of the Cotswold esca...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Red Farmhouse in a Vineyard - Horse in Rocky Meadow on Reverse Acrylic on Board (Two Sided) Lush vineyard landscape by California Plein Aire artist Nick White (American, 1943-2009)....

One feels very small yet peaceful strolling among Sequoia Sempervirens, California’s oldest living residents. And if that’s not enough to make a human feel insignificant, these coast...

Abstract Composition in Pink and Black in Acrylic on Cardboard Dynamic abstract in black and pink by Honora Berg (American, 1897-1985). This piece is composed of multiple layers, with bright, bold colors at the bottom, building to black on top. Pink, magenta, yellow, and orange shine through a net of black. Unsigned, but was acquired with a collection of the artist's work. Estate stamp on verso "Estate of Honora Berg - Miller Fine Art" Numbered "246" on verso Unframed. Art size: 21.25"H x 14"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

19th Century French School - Study Of A Head After The Antique Study of a head after the antique Oil on cardboard 45.7 x 32 cm Without signature

Chiswick High Road, London by Ludovic-Rodo Pissarro (1878-1952) Oil on board 50 x 61 cm (19 ³/₄ x 24 inches) Signed lower left, Ludovic Rodo Signed, dated and titled on the reverse E...

Beautiful mid century still life of grapes with leaves and vines by Henry Jackson (American, 20th Century). Signed "H. Jackson" center right margin. Unfr...

Owl, Circa 1970 - Op Art-Inspired Geometric Composition Date: Approximately 1970 Medium: Gouache on cardboard with embossed stamp Dimensions: H 64 cm x W 49 cm approx. A stylized o...

Bouquet of flowers with sunflowers. Cardboard, oil, 31.5x22 cm Still life with flowers in vase

Henry H Parker British, (1858-1930) By the River Oil on board, signed Image size: 11.25 inches x 17.25 inches Size including frame: 19.25 inches x 25.25 inches A tranquil landscap...

A French Room is an original oil painting on the board realized by Alexander Sergeev in the 1990s. Very beautiful painting depicting a room with a sofa. Includes frame

William James Glackens 1870-1938 American Southern France Stamped by artist's estate “W.G. by E.G.” (en verso) Oil on canvas board William James Glackens was one of the most impo...

An exuberant Post-Impressionist still life of spring flowers shown informally arranged in a creamware vase against a variegated ivory background. Signed Lower Right 'H. Frank' and painted circa 1975. After initially studying in Paris, Harold Frank attended the New York Art Students League, the National Academy of Design, Pratt Institute, Chouinard Art Institute and UCLA where he was a colleague of Richard Diebenkorn, who had a lasting influence on his work. Other artists who deeply affected his creative philosophy included Matisse, Rouault, Picasso and De Kooning. His one-man and group exhibition record is extensive and he was shown internationally in London, Paris, Amsterdam and Aubonne, Switzerland, as well as throughout the United States from the 1960's through the 80's. Though he did not seek recognition as his reason to create, major awards also came his way (among them the Adolph and Clara Obrig Award and the Sudam Silver Medal from the National Academy of Design; the National Watercolor Society's Grumbacher Award; the John Marin Memorial Award in the Watercolor U.S.A. Show and a First Prize from the Laguna Beach Museum of Art. His subject matter included pure abstracts, landscapes, still lifes and the male and female head and figure. As many artists have done before and after him, he explored variations of each subject, experimenting with changes in medium, technique, light and color. His remarkable paintings of the female head and form quickly developed into a vehicle for his abstract interpretations. Though his brushwork is quick and sure, he often labored over several pieces at the same time. This piece is accompanied with a first edition copy of 'Harold Frank: Abstract Expressionist 1921-1995' by Sandie Stern and published by Millenium Twelve Two (2001). Education: National Academy of Design, New York, 1936; Art Students League, New York, 1937; Pratt Institute, Brooklyn, New York; Chouinard Art Institute, Los Angeles; University of California, Los Angeles. Selected One-Man Exhibitions: Savage Gallery, London, England, 1960; Galerij Werking, Amsterdam, Netherlands, 1960; Ardail-Castro Gallery, Paris, France, 1960; Pasadena Art Musuem, Pasadena, California, 1962; Ryder Gallery, Los Angeles, California, 1964; Ankrum Gallery, Los Angeles, California, 1964; Gallerie Chantepierre, Aubonne, Switzerland, 1966; Haggenmmaker Gallery, Beverly Hills, California, 1966; Irene Neuman Galleries (with Ernest Halpern), Los Angeles, California, 1968; Emerson Gallery, Encino, California, 1973; Otis Art Institute, Los Angeles, California, 1977; Chester House Gallery, Chester, Vermont, 1977; L'Atelier Gallerie, Carmel, California, 1978; Upstairs Downstairs...

Antonio Saura Atarés (Huesca, 1930 - Cuenca, 1998) "Autodafé" 1985. Oil and lacquer on cover, applied on board. 30 x 53 cm (44 x 67.5 cm) Signed and dated lower right: “Saura 8...

An expressive palette knife oil painting of harvest field views near Shurdington, Cheltenham. The thick, textured application of paint brings the l...

George Henry Hall (1825–1913) "Raspberries & Peonies with Basket" Signed lower right and dated 1862 & 63 Oil on board Sight size: 10.5 × 13.75 in. Frame size: 19 x 22 in. Frame: P...

Daud Akhriev's (EUR and US based) "Finca Naranja" is an original, handmade oil painting that depicts a sunny ledge with blooming glowers with a blue pool in the background. Artist ...

Sir Matthew Smith, CBE (British, 1879 – 1959) Still life with sculpture oil on board 21.1/4 x 23.3/4 in. (54 x 60.3 cm.) Provenance: Removed with the contents of his Aix studio, by Marion Monay, tfor the aertistin early 1940, to Beauchene, the nearby house of fellow artist Harry Morton Colvile (1905-1992) Given by the artist toColvile in January 1946 along with otherstudio effects. Given by Colvile’s only child, Professor Georgiana Colvile (1943-2018) to the present owner circa 2000 Literature: Alice Keene, ‘The Two Mr Smiths, The Life and Works of Matthew Smith’, 1995, pp.61,65,70 & 128 When in early 1940 Smith went back to Aix to pack up and close his studio there and send back to London all the paintings possible, the residue was hidden (see Literature, Keene 1995, p.61,65 &70) in various locations around Aix by Marion Monay, a good deal at Beauchene the house of his and her friend Harry Colvile who had been Monay’s lover prior to Smith (see Literature, Keene 1995, p.59) In 1946 with the war over, Smith went to Aix to retrieve all he could manage to ship back to England but what he had to leave at Beauchene he give to Colvile, including the clay female...

Salvekvick Bandages Advertisement. Little boy dressed in a Native American headdress and facepaint holding a tomahawk as his mother applies a bandage to his shoulder Much like Norman Rockwell, Kurt Ard...

Vibrant contemporary still-life with bold primary colors of a red apple and blue mug on a yellow table cloth with a bottle of wine by E. Star (American, 20th century). Presented in a...

Eric Cruikshank is a highly regarded Scottish abstract artist known for his minimalist and Color Field paintings that distill the emotive qualities of the Scottish landscape into lum...

The river. 1989, oil on cardboard, 46x60,5 cm Summer landscape by the river Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He pain...

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American Joseph Edward Knowles (1907-1980) "Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA" 19 1/2 x 50 1/2 inches Oil on board, c. 1930s. Estate stamp verso Framed: 27 x 60 inches The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos. BIO Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill. Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980. Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility. Knowles often used the wet-on-wet watercolor technique as he painted seascapes and landscapes, mostly along the California coast. He also employed dry-brush* techniques in many of his paintings, often leaving some of the white of the watercolor paper exposed. Some of the latter depict trees and other forms in a broken and airy manner that recalls Cezanne. Knowles' colored woodblock prints are more reserved and exact in their draftsmanship than his paintings. Spare, clean, lyrical lines are drawn to illustrate floral motifs and boat scenes with a touch of asymmetry conjuring Japanese woodblock prints. His murals from the post-World War II period are considerably more modern in their approach and show an emphasis on design and color. PROFESSIONAL ORGANIZATIONS California Watercolor Society (1940 - 1955) Santa Barbara Art Association (Vice President - 1952) ONE-MAN EXHIBITIONS Golden Gate International Exposition (GGIE) - San Francisco, California San Diego Fine Arts Gallery (SDMA) - San Diego, California Santa Barbara Museum of Art (SBMA) - Santa Barbara, California Cowie Galleries - Los Angeles, California Gallery de Silva - Santa Barbara, California Bradley Galleries - Santa Barbara, California MURALS Westmont College - Ellen Porter Hall Mural - Santa Barbara, California Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic - Santa Barbara, California Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California Ernest Righetti High School - Mosaic Mural - Santa Maria, California Shell Oil Company - Mosaic Panel - California Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California STAINED GLASS WINDOWS, WALLS and PANELS Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California La Rinconada Building - Santa Barbara, California ILLUSTRATIONS "California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975) China Designs: Two sets of dinnerware for Winfield China...

Signed lower right. Evelyn Faherty (1919 - 2015) Evelyn Faherty was born in the early 20th century and made her home in Yardley, Pennsylvania. She is a Bucks County Impressionist...

Beautiful diminutive landscape painting of the rocky outcroppings and deep blue water typical of the Monterey County coast by Kathleen Murray (Am...

Vintage French modernist still life oil painting. Framed. Oil on canvas.

John William Buxton Knight was born in Sevenoaks, Kent, in 1843, the son of the landscape painter, William Knight.  Buxton Knight began his art studies at an early age by working in ...

Severn Vale Sunrise is an Original Painting by Eleanor Woolley. Severn Vale Landscape is inspired by the impressive landscape of the Severn Vale, as it rolls away from the Cotswold h...