Art by Medium: Carbon Pencil

Initialed and dated in the lower right Provenance: Martha Jackson Gallery, NY David Anderson Gallery, Buffalo NY David Anderson Grandchildren's Trust, Buffalo NY Exhi...

From a series of paintings and drawings by Clifford Ellis and his wife Rosemary. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it clic...

To see our other Modern British Art, including others by Hennes, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you...

This is from a series of Andreae's sketches of European tourist destinations from the 1860s, to see some others, scroll down to "More from this Seller" and below it click on "See all...

From a series of paintings by Clifford Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - o...

Artist: Daniela Nikolova Medium: Pastel and pencil on canvas Size: 15.7" x 11.8"

From a series of paintings by Clifford Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - o...

Christian Eckart, an internationally acclaimed artist born in Calgary, Alberta in 1959, became an American citizen in 1995. After establishing his career in New York City between 198...

To see our other Modern British Art, and our other Peter Collins Holiday Brochures from Majorca, Lloret and other resorts, scroll down to "More from this Seller" and below it click o...

As Goldsmith Osman designed the Crown for the Investiture of the Prince of Wales in 1969, and as architect he commissioned Jacob Epstein's chef d'oeuvre, the Madonna and Child on the...

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

For other views of Oxford and Cambridge please see our other stock. Edwin La Dell ARA (1914-1970) Emmanuel College Cambridge Signed Waterco...

"La sentinelle de Thérèse" (The Sentinel of Therese), two soldiers discussing, bears a handwritten note at the bottom "if you feel like sneezing, you will go under the window of the ...

From a series of designs by Robert Bonfils for Bianchini Ferrier, to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Rober...

By Charles William Shaw 7.5" x 10.25" Pencil on Paper

Juventus Player in Acrobatic Fall - UEFA Champions League 1995-96 Marco Silombria (1936-2017) Charcoal on paper, signed and dated '96 Dimensions: 50 cm x 36 cm This dynamic draw...

Juventus Football Player, UEFA Champions League Final vs Ajax, 1996 – 101 x 72 cm Technique: Charcoal on paper, signed and dated ’96 Author: Marco Silombria (Savona, 1936 - Albissol...

Interesante dibujo a lápiz sobre papel de una maja con mantón, firmado. Tiene mucha calidad, tiene una pequeña rotura un poco más arriba de la firma. Bien enmarcado y con cristal. ...

Landscape is a drawing realized in 1960. Carbon Pencil on paper. Hand-Signed. Good conditions with slight foxing. The artwork is realized through deft expressive strokes.

Julie Beugin: Urban Abstraction and Contemplative Landscapes Julie Beugin's art vividly captures the essence of urban landscapes, focusing on the subtle details and quiet corners of...

Julie Beugin: Urban Abstraction and Contemplative Landscapes Julie Beugin's art vividly captures the essence of urban landscapes, focusing on the subtle details and quiet corners oft...

Jean Poulain 1884-1967 Jean Poulain was born in 1884 in Katanga (formerly Belgian Congo). The self-taught artist from an early age, he will be in search of all the emotions and beau...

The Profile is an Original Drawing in pencil and carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good condi...

The Escaping is an Original Drawing on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions with some smal...

Conditions : Excellent overall condition. A large Watercolor enlighted with tempera. Signed and Dated Dibdin 1863. Complementary shipping worlwide by DHL, FEDEX. Returning customer...

The Portrait Of A Boy is an Original Drawing in pencil on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower on the rear. ...

The Profile is an original Drawing in pencil on paper realized by Mino Maccari in mid 20th century. Good conditions with some foxing. Mino Maccari (1898-1989) was an Italian write...

The Portrait Of A Boy is an original Drawing in pencil on creamy-colored paper realized by Mino Maccari in mid 20th century. Hand-signed on the lower in pencil. Good conditions. M...

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Artist: Daniela Nikolova Medium: Pastel and pencil on canvas Size: 9.6" x 13.7"

The Dictator is an original pencil drawing realized in the half of the XX Century by the Italian artist Silvano Bozzolini (Fiesole, 1911 - 1998). Or...

Scène de l'insurrection de Vendéenne is an original artwork realized in the beginning of the XIX Century by a French artist. Original drawing on paper. Fair conditions: a rip on ...

Drawing of a Woman is an original artwork realized in watercolor by Jean Dreyfus-Stern in the first decades of the XX Century. Drawing on paper. The signature of the artist appea...

À la guerre is an original artwork realized by Laura D'Andrea in 2018. Oil, acrylic and carbon on canvas. Hand signed by the artist on the lower right margin. Perfect conditions. The artwork, realized by the artist with oil, acrylic colors, and carbon on canvas, shows an abstract composition with circular shapes. The dominant color is violet, yet there are also some blue and green shades. The title of the artwork recalls a battle: indeed, we can visualize some horses among the abstract lines. The composition suggests a sensation of movement. Laura D’Andrea is an Italian artist and engraver. She was born in Sicily, where she currently lives and works. She studied printing techniques and especially xylography at the Academies of Fine Arts in Rome and Urbino, as well as Philosophy and Literature at the University of Grenoble. Her first exhibition was “La mia Sicilia” (My Sicily) in 1969 at the Galleria Flaccovio in Palermo, where, a few years later, she exhibited with “Hippies a Londra” (Hippies in London). In the 1980s, she moved to Il Cairo in Egypt, where she studied Arabic calligraphy and found the opportunity to realize a series of graphic works to be exhibited at the Egypt Academy of Rome. In those years, she dedicated herself to doing research on the historical Sicilian Baroque art and culture. Between 1986 and 1988, her solo show “L’Immaginario nel Barocco” (The Baroque Culture) took place at the Galleria Artivisive in Rome, at the Museum and Library of Ursino, at the Recupero in Sicily, and at the European Parliament in Strasbourgh. In 2002, she participated in the exhibition “Memoria Greca nel Mediterraneo” (Greek memory in the Mediterranean) in Sicily. In 2007, she exhibited in Rome and in Saudi Arabia. Between 2011 and 2015, she started exploring the world of jazz music, which would become an important subject for her future artworks; in those same years, she exhibited her works in England and in Belgium. Her artworks represent a leap in the Mediterranean Sea, between Sicilian and Arab cultures. Laura D’Andrea loves jazz music: on her canvases, we can perceive the sounds of places and people far in both place and time. Other important elements of her works are calligraphy and Archeoscrittura. Archeoscrittura is a fascinating practice consisting of artists exploring their own genetic memories for finding signs of archaic scriptures. Laura D'Andrea draws inspiration from the depths of her personal memory, and from the study of symbols found in the Archaic writing in the Mediterranean. Her works can be viewed at the Museum of Modern Art Pecci in Florence; at the Museum of woodcut Carpi in Modena; at the Museum of Modern Art Maga in Varese, Milan; at the Museum of Modern Art in Valencia, Spain; at the Museum of Art Mart in Trento and Rovereto with the donation of Mirella Bentivoglio.

Indian ink, carbon black, walnut husk, gouaches & blue oil on canson paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Julie Beugin: Urban Abstraction and Contemplative Landscapes Julie Beugin's art vividly captures the essence of urban landscapes, focusing on the subtle details and quiet corners oft...

This is a framed original drawing on paper. Adonna Khare is an America Artist mainly focused on carbon pencil on paper drawings. She received her Masters of Fine Art from California ...

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

SNOW, MOON AND FLOWERS OF THE ÔGIYA TEA HOUSE Head and shoulders portrait of a beautiful courtesan of the Ôgiya Tea House. With an attentive gesture, she brings her left hand behind her ear with delicate wrist and finger motion. This image is part of the bijin-ga series, “Pretty women”, drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print “Snow, moon and flowers from the Ôgiya Tea House” (1793-1795). The tittle is a Japanese topic in art and design originating from a poem by Tang dynasty poet Bai Juyi. It became popular in the late Edo used to describe serene beauty. The artist reproduces the seal of the censor (Kiwame) and from the original publisher (Tsutaya, climbing leaf)), as it appears in the woodblock print used as a model; between the two, the signature of Mario BGil written in Japanese, with the date 14 (2014). The mesaurements of the drawing are 76 x 56 cm., with a painted surface of 67 x 49,5 cm. (the woodblock print is 36,2 x 25,9 cm.). With his work on the bijing-ga series, Mario BGil wanted to embellish, give brilliance and volume to the images presented by japanese artist Kitigawa Utamaro in those beautiful engravings, ennobled with the patina of time, which have served as inspiration. The result obtained is almost life-size portraits, endowed with strong chromaticism and valuable contrasts, all enhanced, in turn, with the volume provided by the weight and rigidity of the paper, and its thick texture (Fabriano Artistico “grana grosso”, 640g/m2; the thickness and hardness of the paper makes it necessary to transport it without rolling). In this way, Mario BGil pays tribute to his admired artist and offers us a new and enriched vision of this popular facet of oriental art from the 18th and 19th centuries. ABOUT THE ARTIST Mario BGil is a self-taught artist who for years has combined his creative activity with his work in the family business, away from commercial art galleries. In 2012, a deep interest in oriental art was awakened in him and he began to study the great masters of Japanese Ukiyo-e prints, who had such an influence on the European avant-garde of the late XIX century. The discovery of Kitagawa Utamaro (1753-1806), a key figure in the metropolitan culture of Edo (now Tokyo), and a point of reference in the history of Japanese engraving...

This is an framed original drawing on paper. Adonna Khare is an America Artist mainly focused on carbon pencil on paper drawings. She received her Masters of Fine Art from California...

This is a framed original drawing on paper. Adonna Khare is an America Artist mainly focused on carbon pencil on paper drawings. She received her Masters of Fine Art from California ...

This is a large scale original drawing on paper. Adonna Khare is an America Artist mainly focused on carbon pencil on paper drawings. She received her Masters of Fine Art from Califo...

Adonna Khare is an America artist mainly focused on carbon pencil on paper drawings. She received her Masters of Fine Art from California State University Long Beach. Her work has been collected by prestigious public and private collections throughout the world. In 2012 she won the world's largest art competition ArtPrize, competing against over 1500 artists from all around the world. She has been featured in the Los Angeles Time, NPR, The Huffington Post, Daily Mail, Juxtapoz Magazine...

12" x 9" Unframed Original Sketch Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in ...

Pencil on paper mounted on cardboard 138 x 107.5 cm 148.4 x 117 cm (cadre)

Pencil, colored pencil and charcoal on paper. Note: The painting shown on the wall may not be proportional to the room size.

This drawing (charcoal pencil on paper, 49 x 62 cm) is definitely a live study of a female figure, depicted nude in a semi-recumbent pose resting on her arm reminiscent of that of an...

An original Inkjet prints, carbon and beeswax mounted to wood that was included in the artistic duo's exhibition at the world renowned Albright Knox Art Gallery. Virocode is compose...

Pencil on paper mounted on cardboard 132 x 95 cm (cadre)

'Peek-a-boo Ghost in Spring" by Adam Handler. 34 x 40 in. Oil stick and pencil on linen. This painting by contemporary artist Adam Handler features a light pink and yellow palette. T...

In this delicate drawing, artist Josef Levi takes reference to art history by combining figures within one composition. The two characters depicted in this composition utilize the bottom half of the great artist Raphael, gradually phasing into the portrait of lovely lady named Vera. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levi had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Charcoal and pencil on paper. Note: The painting shown on the wall may not be proportional to the room size.

Achille Devéria (1800-1857) A young woman seen in profile Black Chalk on paper with cut edges Bears the stamp of the Achille Deveria Estate Sale of 1...

Helen Slimp (1890 - 1995) San Antonio Artist Image Size: 24 x 17 Frame Size: 30 x 24 Medium: Pencil Drawing 1931 "Bather" Nude Biography Helen Slimp (1890 - 1995) A Virginia native, Helen Ferne Slimp was a lifelong artist, who worked in oils, lithography, stained glass and china painting. She was a friend of Mount Rushmore sculptor Gutzam Borglum and art patron Marion Koogler McNay, painted alongside the Onderdonks and was a teacher to Porfirio Salinas. “She liked that modern stuff,” Slimp said of McNay in the Express-News in 1990, on her 100th birthday. “I never cared for it myself. I thought an apple should look like an apple.”Chester Slimp died in 1965, but Helen Slimp lived to be 105, dying Oct. 29, 2005. Helen Ferne Slimp's instructors were a "Who's Who" of American artists including Randall Davey, Ernest Lawson, Fremont Ellis, Gerald Cassidy, Harry Anthony De Young, and Jose Arpa. Please view my store front for other Great Vintage Texas Paintings...

Pencil and Charcoal on paper. Note: The painting shown on the wall may not be proportional to the room size.

Charcoal and pencil on paper. Note: The painting shown on the wall may not be proportional to the room size.

Charcoal and pencil on paper. Note: The painting shown on the wall may not be proportional to the room size.