Art by Medium: Carbon Pencil

Georges CONRAD (1874-1936) Secretary in the Subway Original pencil and color pencils drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good conditio...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Suzanne LALIQUE Long Red Dress : Antique Greek Costume (Antigone) Original carbon pencil and watercolor drawing Signed with the stamp of atelier on th...

Demetrios GALANIS (1879-1966) Summer Fruits : Figs, Pears & Grapes Original pencil and violet ink drawing Signed with the blue stamp signature of the artist On drawing paper 24 x ...

Fabrizio Ravanelli - Celebrating the Opening Goal in the UEFA Champions League Final 1995-1996 Technique: Charcoal on paper, Signed and dated ’96 Author: Marco Silombria (Savona, 19...

Drawing on paper, 1975 FRANCISZEK STAROWIEYSKI (b.1930- d.2009) studied paitning at Academy of Fine Arts in Kraków and Warsaw (1949-1955). He specialized in poster, drawing, paintin...

Bohemian Woman - Signed Graphite Portrait Drawing on Textured Paper Portrait of a woman in a Boehme Bandana with exaggerated eyes and a parted smile. A Carbon Pencil and eraser original drawing by Eugene Hawkins (American, b. 1933). Signed and dated upside-down along the bottom edge: "Eugene May 13th 1976" Presented in a new black mat. Mat size: 20"H x 16"W Paper size: 15"H x 11"W Eugene Hawkins (American, b. 1933) is a BIPOC artist known for his detailed portraiture and printmaking. He is listed in Who Was Who in American Art, 1564-1975, and his work was exhibited in the Whitney Museum of American Art. He spent the majority of his life working and exhibiting in Southern California. His work frequently touches upon socio-political subjects, making strong statements about the world. The California African American Museum features Eugene Hawkins's work in the Permanent Collection.Exhibition: 2017 Paperworks: Selections from the Permanent Collection focuses on works on paper produced from 1800?2000 and includes figurative, impressionistic, and abstract styles. The exhibition showcases the radically diverse range of works on paper created by African American and other artists over the last two centuries, and includes drawings, prints, paintings, and collages by Edward Mitchell Bannister...

Juventus Football Player - Tribute to UEFA Champions League Victory, 1996 Charcoal on paper, 50 x 36 cm Signed lower right: Silombria '96 This dynamic drawing by Marco Silombria (19...

Wonderful and historically interesting scene of a steam ship off the coast of Sandy Hook, New YorkCity before its voyage to Brazil. Part of a collection of pencil drawings , all uns...

Achille Devéria (1800-1857) A galant scene pencil on paper Some stains (see photographs please) Bears the stamp of the Achille Deveria Estate Sale o...

Pierre Robert Lucas (1913-1978) Mastings, an animated vew of the Port of Saint Malo, 1959, pencil drawing signed "Luca" on the lower right 25.5 x 34 cm titled and dated on the r...

A very interesting scene off of the coast of Bridgetown, Barbados. The USS Shamokin at sea on one of its first voyages after being de-commisioned from the American Navy.

'Omvetya III (Sea Carrots, Sennen)' Original Artwork. Unframed ______________ The evening light is drawing low soft shadows in the dunes at the salted edge of the Atlantic. 'Omvety...

'Omvetya II (Cargeen, Towards Treryn Dinas)' Original Artwork. Unframed ______________ Softly dancing seaweed, patiently awaits the return of the salty sea to fill the tidal pools. ...

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1931, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

Interesante dibujo a lápiz sobre papel de una maja con mantón, firmado. Tiene mucha calidad, tiene una pequeña rotura un poco más arriba de la firma. Bien enmarcado y con cristal. ...

The Nudes is a Drawing in carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions with some foxing ...

French school of the 19th century Pencil drawing 40 x 28 cm Signed and dated "E.B. / 1869" Inscription "Elm struck by lightning in 1870 / Ferme de Samoreau"

The Dictator is an original pencil drawing realized in the half of the XX Century by the Italian artist Silvano Bozzolini (Fiesole, 1911 - 1998). Or...

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

À la guerre is an original artwork realized by Laura D'Andrea in 2018. Oil, acrylic and carbon on canvas. Hand signed by the artist on the lower right margin. Perfect conditions. The artwork, realized by the artist with oil, acrylic colors, and carbon on canvas, shows an abstract composition with circular shapes. The dominant color is violet, yet there are also some blue and green shades. The title of the artwork recalls a battle: indeed, we can visualize some horses among the abstract lines. The composition suggests a sensation of movement. Laura D’Andrea is an Italian artist and engraver. She was born in Sicily, where she currently lives and works. She studied printing techniques and especially xylography at the Academies of Fine Arts in Rome and Urbino, as well as Philosophy and Literature at the University of Grenoble. Her first exhibition was “La mia Sicilia” (My Sicily) in 1969 at the Galleria Flaccovio in Palermo, where, a few years later, she exhibited with “Hippies a Londra” (Hippies in London). In the 1980s, she moved to Il Cairo in Egypt, where she studied Arabic calligraphy and found the opportunity to realize a series of graphic works to be exhibited at the Egypt Academy of Rome. In those years, she dedicated herself to doing research on the historical Sicilian Baroque art and culture. Between 1986 and 1988, her solo show “L’Immaginario nel Barocco” (The Baroque Culture) took place at the Galleria Artivisive in Rome, at the Museum and Library of Ursino, at the Recupero in Sicily, and at the European Parliament in Strasbourgh. In 2002, she participated in the exhibition “Memoria Greca nel Mediterraneo” (Greek memory in the Mediterranean) in Sicily. In 2007, she exhibited in Rome and in Saudi Arabia. Between 2011 and 2015, she started exploring the world of jazz music, which would become an important subject for her future artworks; in those same years, she exhibited her works in England and in Belgium. Her artworks represent a leap in the Mediterranean Sea, between Sicilian and Arab cultures. Laura D’Andrea loves jazz music: on her canvases, we can perceive the sounds of places and people far in both place and time. Other important elements of her works are calligraphy and Archeoscrittura. Archeoscrittura is a fascinating practice consisting of artists exploring their own genetic memories for finding signs of archaic scriptures. Laura D'Andrea draws inspiration from the depths of her personal memory, and from the study of symbols found in the Archaic writing in the Mediterranean. Her works can be viewed at the Museum of Modern Art Pecci in Florence; at the Museum of woodcut Carpi in Modena; at the Museum of Modern Art Maga in Varese, Milan; at the Museum of Modern Art in Valencia, Spain; at the Museum of Art Mart in Trento and Rovereto with the donation of Mirella Bentivoglio.

French school from the mid-19th century Pencil and gouache highlights 25 x 35 cm (32 x 50 cm with the mat) Located, dated and signed "Holy address / August 15, 45 / H"

From a series of paintings by Clifford Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - o...

Status: ON HOLD Collection: Studio Archive No. 87 Official Release: April 2026 ​This foundational work, FS No. 24(A), is currently reserved and held in the atelier vault. To maintai...

Archive Status: FS No. 24(B) ​If FS No. 24(A) was the manifesto of arrival, FS No. 24(B) is the execution of a "silent symmetry." This study documents the transition from linguistic...

Original drawing made with pencil on paper Unique piece

ORIGINAL DRAWING ON PAPER Hand signed and dated Unique piece

Erica with Pearls, 2018 Hand embellished monoprint on canvas with artist made frame 60 x 50 cm Signed, dated and annotated on verso Sophia’s Safehouse in an Uncanny Valley examines ...

Exceptional rare sketch by American modernist Oscar Bluemner. Very, very good condition. Framed beautifully. Signed lower left.

As Goldsmith Osman designed the Crown for the Investiture of the Prince of Wales in 1969, and as architect he commissioned Jacob Epstein's chef d'oeuvre, the Madonna and Child on the...

Original drawing made with pencil on paper Unique piece Hand signed lower left And dated 2021

Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...

Book with sketch 11 × 8 in 27.9 × 20.3 cm Edition 547/1000

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

Jean Poulain 1884-1967 Jean Poulain was born in 1884 in Katanga (former Belgian Congo). Self-taught artist from an early age, he will be in search of all the emotions and beauty of ...

is a visual meditation on the existential solitude of the self, ceaselessly turned toward the shadows of meaning. The work emerges from the silence between question and answer, betwe...

French School of the 19th Century Scenes of the parisian life, three drawings each one signed with the initials LV Pencil on paper Sizes of the drawings : 4.8 x 8 cm 4 x 6.5 cm 4....

In this piece, Iryna Burda captures the moment of inner birth — not of the body, but of the soul. At the intersection of stillness and tension, a delicate, vulnerable flower begins t...

To Feel You… The silence between us is deeper than water. This work is not an image, but a touch. Not form, but the vibration of presence. The fish — a shadow in the depths of consc...

Title: The Journey Matters More Than the Destination Description: This work is a map of an invisible terrain, where direction is set not by external markers but by inner landscapes. ...

"I Feel Like I’ve Been Torn to Pieces" is a visual metaphor for deep inner conflict, a struggle between forces that tear the self apart. In this work, Irina Burda continues her explo...

This beautiful Victorian pencil drawing dates to around 1890 and is by an unknown hand. It is a bust length seated portrait of a young girl gazing to her right. Her long hair is bac...

“We are at once different and so alike” — this piece explores the collective nature of internal limitations. It reflects on the delicate boundary between individual uniqueness and th...

Anxious Thoughts Ink drawing This piece visualizes a state where inner anxieties take shape and begin to constrict the mind. The octopus represents a multi-limbed embodiment of subc...

This piece speaks of love that loses its freedom and becomes a cage. Of a bond in which a person dissolves, forgetting themselves, living through another’s needs, pain, and fears. It...

A fine large charcoal and pencil drawing on paper by British listed artist James Stroudley. Executed in 1931, it is a stunning example of a 1930s Art Deco portrait. Very strong and b...

“Family Dinner” size of illustration 23-29 cm This work explores the invisible scripts that unfold around a familiar table. It reflects on tradition as something that both connects a...

Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...

Peaceful French sketch of running water in creek in pencil and oil pastel, circa 1930. Original artwork on paper displayed on a white mat with a gold ...

We would like to thank Madame Beck-Saiello for confirming the autograph nature of this drawing after an in-person examination. It was probably during an excursion in the countryside near Avignon that Claude-Joseph Vernet executed this drawing, enhanced with pen and brown ink, depicting a mansion on a hilltop overlooking a small village with geometric shapes. 1. Joseph Vernet, a painter influenced by Italy Claude-Joseph Vernet was born in Avignon in 1714, the son of Antoine Vernet (1689-1753), an artisan painter of architectural decorations, coach panels, and the like. He moved to the studio of Philippe Sauvan (1697-1792), a leading history painter in Avignon, and then worked with Jacques Viali (active 1681-1745), a decorative, landscape, and marine painter in Aix-en-Provence. Vernet's first recorded paintings were decorative overdoors executed in 1731 in the Aix townhouse of the marquise de Simiane. In 1734, Joseph de Seytres, marquis de Caumont, a leading amateur in Avignon, sponsored Vernet to make a study trip to Italy to complete his artistic education and to draw antiquities for his patron. As Avignon was a papal territory in Vernet's day, he also had a number of useful introductions among influential churchmen when he arrived in Rome. Vernet was soon at home in the French community there, and he was encouraged by Nicolas Vleughels (1668-1737), director of the Académie de France in Rome, even though the young painter had no official affiliation with the royal institution. He likely entered the studio of the French marine painter Adrien Manglard...

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

From a series of designs by Robert Bonfils for Bianchini Ferrier, to see some others scroll down to "More from this Seller" and below it click on "See all from this Seller." Robert...

Pencil drawing. Study for the drypoint of the same title, Appleby 20. 7 1/2 x 5 3/ (available on 1st dibs). Signed Blampied lower left. Housed in a 20 x 16-inch archival mat, suitable for framing. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court School of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...

From a series of paintings by Clifford Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - o...

Burnt graphite on paper mounted on wooden panel, realized by Paolo La Motta in 1998. Hand signed and dated on rear. Very good condition.

Burnt graphite on paper mounted on wooden panel, realized by Paolo La Motta in 1998 Hand signed and dated on rear. Very good condition.

"Lake Michigan Bathers" is an original pencil sketch by Francesco Spicuzza. The artist signed the piece in the lower right. On the reverse is a silver gelatin photo print...

From a series of paintings by Clifford Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - o...