Pinchas Maryan Art

Provenance: (Possibly) Wilhelm Suida; thence by descent to: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA Traditionally attributed to the French...

Greeting is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 5 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik...

Hard Times from is an original offset lithograph realized by George Grosz. The artwork is the plate n.27 from the portfolio Ecce Homo published between 1922/1923, edition of Der Ma...

Bereaved is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 13 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik...

From a series of paintings by Clifford Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - o...

Authentic drawing from the early 20th century by the well-known French painter Gustave Guetant (1873-1953). Technique: pencil and charcoal on paper. Bottom right stamp: ATELIER GUET...

Pencil drawing. Study for the drypoint of the same title, Appleby 20. 7 1/2 x 5 3/ (available on 1st dibs). Signed Blampied lower left. Housed in a 20 x 16-inch archival mat, suitable for framing. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court School of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...

Niño con pájaros from Rufino Tamayo 16 aguafuertes 1976. Color etching on Guarro paper. Hand signed and numbered in crayon by the artist. HC edition. Published by Ediciones Poligra...

Marc Chagall (Russia/France 1887‑1985) "In the Sky of the Opera" color lithograph on Arches 1980 Pencil-signed lower right, numbered 31/50 lower left; published by Editions Maeght,...

This bold screen print depicts a scene from the 1950s, set in a jazz coffee house in Greenwich Village called Nick's, which Simon patronized while in high school. The original stone ...

Serigraph on paper. Hand signed and numbered by the artist. Frame size approx 32 x 24 in. Artwork is in excellent condition. Edition of 125. Certificate of authenticity included. Al...

Signed limited edition lithograph, 'Les Amants', by Belgian/Dutch artist, Corneille. This is the artists own copy, L'épreuve d'artiste, from the edition of 40, Vincenzo Bitetti, Potenza of the rarer monochromatic version. Eau forte and aquatinte on craft paper with white highlights added. It is signed titled and dated in pencil by the artist. Presented in patinated wood frame under glass. Corneille was the pseudonym of Guillaume Cornelis van Beverloo, born July 4, 1922 in Liège (Belgium), of Dutch parents, and died in Auvers-sur-Oise (Val-d'Oise) September 5, 2010, he was a Dutch painter, engraver, sculptor and ceramist After attending the School of Fine Arts in Amsterdam, Corneille began exhibiting in 1946, then discovered surrealism. Co-founder in 1948 with Karel Appel, Eugène Brands, Constant Nieuwenhuis, Anton Rooskens and Theo Wolvecamp, of the Experimentele Groep in Holland movement which publishes the journal Reflex, anticipating the magazine Cobra (journal) which would appear the following year in Denmark, Belgium, then in the Netherlands. He is one of the initiators of Cobra with Karel Appel, Constant Nieuwenhuis, Asger Jorn and Dotremont. This group was soon joined by poets, painters and writers including Jacques Doucet, Pierre Alechinsky, Henry Heerup, Reinhoud, Else Alfelt, Carl-Henning Pedersen, Egill Jacobsen, C.O. Hultén, Anders Osterlind...