Art by Medium: Engraving

Salvador Dalí­ The Emerald Table from Alchimie des Philosophes, 1976 Lithograph and drypoint on parchment Hand signed and Edition 179 / 225 Sheet size 77 x 56 cm Printer: Art Lithog...

Armin Landeck created this 1936 drypoint was printed in an edition of 100. The image size is 6 7/8 x 10 7/8" and the paper size 12 1/2 x 16". It is Signed and dated in the...

MAN AND BEAST is an original wood engraving by the American artist Bernard Brussel-Smith, hand printed in tan brown and black ink on cream color Bishop Stoke wove paper. MAN AND BEAS...

Salvador Dali Cobea (Pisum Sensuale) from Flora Dalinae, 1968 Etching and drypoint on Japon paper Hand signed lower right Edition 163/175 Image 58 x 38.5 cm Sheet 76.7 x 56 cm Printe...

HELLEU, PAUL CÉSAR (1859 - 1927) "La Dame a la Toque" (Lady in Fur Hat) Drypoint printed in colors on pale cream wove paper, c. 1906 Signed in black crayo...

Les Bergers Romains Copper-line engraving by Jean Jacques Leveau (1729-1786) after Pierre Mettay (1728-1759). C1755. Proof, before lettering. Laid, watermarked paper. A landscap...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...

Engraving, 1994 Handsigned by the artist in pencil 24.00 cm. x 16.50 cm. 9.45 in. x 6.5 in. (paper) 20.00 cm. x 12.50 cm. 7.87 in. x 4.92 in. (image) A small engraving of the Br...

A very good impression of this color engraving, soft-ground etching and scorper on Johannot paper. Artist's proof, aside from the edition of 200. Signed, dated and titled in pencil, ...

La Ressuscitée from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 A...

Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...

Paris: Gazette des Beaux-Arts, 1856. Drypoint etching on cream laid paper, 4 7/8 x 8 3/8 inches (124 x 245 mm), full margins. In good condition with light uniform age tone. Fourth s...

Georg Pencz (1500-50) engraving, c. 1540, Abraham and Sarah (Sarah Presenting Hagar to Abraham). Reference: Bartsch 1, Landau 1, only state. [title...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...

Hermine David (1886-1970), Marechal Ferrant (The Blacksmith), etching and drypoint, signed in pencil lower right [also signed in the plate lower left], ...

Medium: original etching and drypoint. Executed in 1885 and printed on thin china paper, this is an exceptionally rare state with the figure study of a child etched at the bottom lef...

A Winter Morning-Shoveling Out Wood engraving, 1871, with grey ink wash added later by a skillful artist Signed with the artist's initials lower right (see photo) Signed in type fac...

Kvällsilhuett (Evening Silhouette) is a contemplative mezzotint by Swedish artist Gunnar Norrman. Rendered in rich blacks and subtle tonal gradations, the composition depicts the sil...

This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...

The arrest of Christ; Judas embraces Christ as a group of soldiers apprehend Him; Christ places His hand on the fearful Malchus who sits on the ground holding a lamp; Peter grips his sword; one of the soldiers holds up a flaming torch; after Karel van Mander The scene is out of a set of 13 engravings "Passion of Christ" Engraving Published by: Jacques de Gheyn...

After William Holman Hunt (1827-1910) ‘Shadow of Death’ Mezzotint Image: 73 x 57cm Frame: 104 x 84 cm Engraved by Frederick Stacpoole (1813-1907), on wove paper published 1878 by T...

Pablo Picasso ceramic Visage de femme (Woman's Face), 1953 is a vibrantly colored pitcher decorated with contrasting saturated greens against chestnut ...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 44 x 62 cm This engraving was originally published by the Society of Antiquaries of London, an...

"View of the City of Milwaukee" from "Harper's Weekly" is an original hand-colored wood engraving by Theodore R. Davis. It depicts an aerial view of the Wisconsin lakeside city in 1882. 9" x 13 3/8" art 17 5/8" x 21 3/4" frame Theodore R. Davis (1840–1894) was a 19th-century American artist, who made numerous drawings of significant military and political events during the American Civil War and its aftermath. As a child, Theodore R. Davis was taken to Washington D.C. where he graduated from Rittenhouse Academy. When he was fifteen, he moved to New York where studied art under Henry W. Herrick and James Walker. The Training Theodore Davis received under James Walker was informal. Davis typified certain artists as "special artists" was hired by popular magazines and newspapers. He was hired by them to illustrate the Civil War. He was hired by Harpers Weekly in 1861.[ During the Civil War, he served as a captain in the 15th Connecticut Volunteer Infantry. After the war, he became a companion of the New York Commandery of the Military Order of the Loyal Legion of the United States. Some of these drawings include the Battle of Champion Hill, and the most significant sketch of General Joseph E. Johnston and General William T. Sherman meeting at the Bennett Farm near Durham Station to discuss the surrender terms of the remaining Confederate armies in the Southeast. After the war when the Cyclorama in Atlanta was being painted, Davis was asked for his ideas having traveled with Sherman's army. He was later added to the painting. Theodore Davis was a staff artist at Harper's Weekly. Many of his drawings were published as wood engravings in Harper's Weekly. Theodore R. Davis was chosen to create the Haye's China with a chance meeting. Mr. Davis suggested using flora and fauna of the American decor...

Salvador Dali (1904-1989) - Cobea (Pisum sensuale) (Cobaea) Drypoint etching with stencil from 1968. The edition 63/175 on Japan nacré. Dimensions of work: 76.3 x 56.5 cm. Hand s...

untitled (Duck taking to flight, flushed by a dog) Drypoint & Aquatint, c. 1940 signed lower right Created while the artist was a commercial artist working in Minneapolis, after his ...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Salvador Dali­ L'Ouroboros from Alchimie des Philosophes, 1976 Lithograph and drypoint on parchment Hand signed and Edition 179 / 225 Sheet size 77 x 56 cm Printer: Art Lithographie...

Views of North African cities (Tunis, Algiers, and Jijel) alongside ethnographic descriptions of the "Peoples of Barbary." Paris: Châtelain, 1723. Copperplate engraving on cream la...

The painting is being offered with a work and authenticity certificate

Jorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition) Date of creation: 1977 Medium: Etching on paper Edition: 75 + 20 E.A. Size: 50 x 65,5 cm Condition: In perfect conditions an...

HELLEU, PAUL CÉSAR (1859 - 1927) "La Dame a la Toque" (Lady in Fur Hat) Montesquiou XXXVI, c. 1906 Drypoint printed in colors on pale cream wove paper Signed in black crayon lower ...

Engraving after Paul Jouve From the work of Terrasse in 1948 490 copies Size etching: 23 x 18 cm Frame: 45 x 49 cm

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 12 1/4 inches (290 x 312 mm), full, bu...

'La Brebis' Copper-line engraving, circa 1765 From Buffon's "Histoire Naturelle, Generale et Particuliere Avec la Description du Cabinet du Roi" which was published in Paris. 24c...

This striking circa 1820 engraving by Carle Vernet, titled “Cosaque en Bataille” (“Cossack in Battle”), captures the dramatic energy and movement that made Vernet one of the great mi...

The painting is being offered with a work and authenticity certificate

Bernard Buffet Annabel, 1979 Drypoint Hand-signed lower right Numbered 48/100 Image size 38.5 x 32 cm Sheet size 66 x 50 cm

This 1817 original engraved portrait after Carle Vernet, engraved by Jean-Pierre Jazet, depicts Charles Ferdinand, Duc de Berry (1778–1820), son of the future King Charles X of Franc...

Donald Baechler, Potted Plant, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint on ...

HELLEU, PAUL CÉSAR (1859 - 1927) MADAME GEORGES MENIER Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full Margins 22 1/4” x 13...

Drypoint on paper by famous Taos Artist Gene Kloss (1903-1996). Titled: “Tree Vigor.” Pencil signed lower right and in excellent condition. Image measures: 5" H x 6" W. Sheet size...

Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...

Joan Miro - L'Issue Dérobée - Original Aquatint One plate from Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 (D. 687-706; C. books 187) 1974 Dimensions: 36 x 54 cm Ed...

Medium: mezzotint. Engraved by John Cother Webb after the J. M. W. Turner painting and signed in pencil by John Cother Webb. Printed in 1924 on chine-collé paper (china paper mounted...

The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...

"Genesis Americana 2-6" 1982 Serigraph Ed. 84 of 92 26 x 20 in These are five prints from the series "Genesis Americana" by the artist in 1982. They are numbered from 2 to 6, and ea...

Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...

LUCAS VAN LEYEN (1494 Leyden 1533) MARK THE EVANGELIST, 1518. (Bartsch 100; Volbehr 98; Filedt Kok 100). Copperplate engraving. Engraved monogram and date at the upper edge. Sheet 4...

The painting is being offered with a work and authenticity certificate.

The Raven is a figurative bronze sculpture by French artist Romain Langlois, representing the face of a young man with long hair, his facial features engraved with a traditional tatt...

Politics (Tonnere de Brest). 1926. Drypoint. Appleby 108. 7 x 9 (sheet 10 1/2 x 15 1/2). A rich impression printed on cream wove paper with full margins. Illustrated: Salaman, Modern...

Peter Milton’s Daylilies is a haunting meditation on memory, mortality, and the layered complexity of personal and cultural history. Like much of Milton’s work, the print operates le...

Bearing a wry handwritten inscription in the lower margin plate that reads: "un Cochon de propriétaire qui ne fera de bien qu'après sa mort" (A pig of a landlord who will do no good ...

Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa. The Netherlands: 1705....

Tere Metta (Mexico, ) 'Untitled', 2002 etching, aquatint on paper Guarro Biblos 250g. 16.8 x 6.9 in. (42.5 x 17.5 cm.) ID: MET-101 Unframed

Peterdi, Gabor. IN THE FOREST. Johnson 139. Etching and engraving on Zinc, 1957. Edition of 200 published by I.G.A.S., NY. Signed and dated in pencil and numbered "186." 13 1/2 X 17...

The Dinner Horn Wood engraving, 1870, with grey ink wash by a later skillful artist Signed in type face in the caption below the image. (see photo) One of Homer's most famous illus...

Christoph Weigel (1654-1725) Map of Austria and Slovenia, 1719. Hand-colored engraving on laid paper. Plate measures 15.25 x 12.75 inches. Framed measurement: 19 x 21 inches. Jo...