Art by Medium: Engraving

A miniature image in an edition of 30 features two beach huts and magical flying fish going by. The image is surreal and serene both at the same time, A lot of quiet emotion is comm...

Born in Charleroi, Belgium, Christine Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills that dot the landscape of the ...

Seated Woman Holding her Shirt is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1658. This wonderful piece of art belongs ...

Print Edition : 1/7 51.00 cm. x 66.00 cm. 20.08 in. x 25.98 in. (paper) 38.00 cm. x 66.00 cm. 14.96 in. x 25.98 in. (image) Annoted "HC" Handsigned by the artist in pencil Ref : LC...

The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...

"Mr. Thirteen" is an etching, engraving and drypoint created in 1995, edition: 12 signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circl...

Artist: Dali, Salvador Title: Liquid and Gaseous Television Series: Imaginations and Objects of the Future Date: 1975 Medium: Lithograph with original drypoint with collage Unfr...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

This is an early 19th century map of ancient Syria and Egypt entitled "Carte de la Syrie et de l'Egypte anciennes/dressée par M. Lapie, Colonel d'Etat M...

A Rose is an original modern artwork realized in the 1920s ca by an Italian engraving master. Original drypoint on paper. Hand-signed by the artist on the lower right corner in penc...

Boris Margo is one of the artists whose work is instantly identified with 'Mid-century American Modernism.' Usually abstract with a spiky surrealist edge, it speaks to extensive inno...

Edition of 80. Signed, titled and numbered in pencil. Pasternak's work was featured o on the title page of Carol Wax's masterful book "The History of the Mezzotint". Pasternak has b...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Craig McPherson captures a night view of the neon lights from commercial signs reflected in the water at Ocean Terminal in Kowloon, as seen from the terminal of the Star Ferry to cen...

"Dialogue to the Wind" by Tomoya Uchida (American, 20th Century). Plant matter swirls in the air above a minimalist landscape. In the foreground, two bees have landed on a housekey. The sky is subtly textured, creating the impression of passing gusts of wind. Titled "Dialogue to the Wind" along the bottom edge. Signed and dated "T. Uchida - 89" in the lower right corner. Presented in a new light grey mat with foamcore backing. Mat size: 22"H x 17"W Paper size: 19.75"H x 13"W Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...

Hand signed. Artist's proof. Etching and drypoint on ivory colored paper. In excellent condition. Image Dimensions : 48 x 32 cm Reference: I Selection, Plate IV, Propyläen, berlin,...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A copper mezzotint printed on Hahnemulle paper in an edition of 20, Graduated fro...

This is a 16th century original hand-colored copperplate engraved map of View of View of Meissen, Germany entitled "Misena Hermun Duvorum Urbs" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575. The map depicts a side view and bird's-eye view, looking across the Elbe River (labelled Albis Fluvius on the map; White River in Latin) from the northeast. In the foreground are three women in conversation on a hill above the city, along with a man and a woman in conversation by a road, all dressed in contemporary costumes of the upper class. A coat-of-arms is present in each upper corner. A great castle sits atop a hill in the background on the left. Meissen grew up around Albrechtsburg castle, built by Emperor Henry I around AD 929, and was granted a municipal charter at the end of the 12th century. From 1471 onwards, the castle complex was reconstructed as the residence of the Saxon electors on the northeast corner of the Domberg (Cathedral Hill). Meissen cathedral is a Gothic hall church begun c. 1270; in 1413 a bolt of lightning destroyed its west towers, which were replaced only in the 20th century. Meissen lies to the northwest of Dresden, Germany in Saxony. Meissen is famous for its Meissen porcelain and the Albrechtsburg castle The following is an English translation of an excerpt from Braun's description of the city:  "This city is surrounded by very many rivers, to the east flows the Elbe, to the south the Triebisch, to the west are the mountains, to the north the Meisse, after which the city is said to be named. The city is well-situated in its surroundings, the navigable rivers, the mountains and the healthy air. Around the city there is a good land to grow grain, fertile vineyards on the hillsides and without doubt the mountains are not without ore, for one mile away, up the Elbe, is Scharfenberg, where silver and lead ore are mined.." 
  References: Van der Krogt 4, 2684; Taschen, Braun and Hogenberg...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Atraphaxis (Shrub); Cabomba (Carolina Fanwort)" (Hexandrie, Digynie, Plate 265) Portfolio: Histoire Naturel...

Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...

A. Ghosh - Untitled Bronze Casting & Bronze Engraving H 42 x D 12 x W 18 inches ( Delivery Time 55 days ) Born : 19.01.1972 Qualification : Diploma in furniture design silpa sadana...

This large hand-colored map entitled "Le Duché et Gouvernement de Normandie divisée en Haute et Basse Normandie en divers Pays; et par evêchez, avec le Gouvernement General du Havre ...

Signed in pencil. This scene is a hundred years old but if we have snow this year it can easily be recreated.

Remington Strip Tease had a black iron dome covering the moving parts and suppressing noise. It is presented in a light that suggests a monument. It is f...

Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...

This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...

This artwork titled "Drypoint Lambda II" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist...

Palm Springs Courtyard with Fountain - Drypoint Etching on Paper Stately drypoint etching of the courtyard of a Palm Springs house by Leland "Lee" Fuller (American, 1899-1962). The focus of this piece is the courtyard of a house with a fountain. Behind the garden and fountain, there is a section of the house with an arched doorway and tile roof. This was likely a house that Fuller designed. From the Robert Azensky Fine Art Mary Pickford...

This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Phænomena Motuum Irregularium quos Planetar inferiores Venus et M...

Colour-printed drypoint etching on paper, edited in 1970. Limited edition, numbered in lower left corner 87/125 Signed in pencil by artist in lower right corner. Plate size: 40 x 26...

The lush colors and rich textures of mezzotint are often combined with some sly wit in Mitchell's prints. This proud portrait of a chicken is combined with the ingredients for a reci...

This is a 17th century portrait engraving of Saint Vincent de Paul by Gerard Edelinck (1640-1707) after a painting by Simon Francois (1606-1671), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Vincent de Paul (1581-1660) was a French Catholic...

This black and white mezzotint of a shell next to a violin is an artist proof that was inscribed Happy New Year 2000 and signed by the artist. The regular e...

An attractive hand-colored copperplate engraved 17th century map of Prussia entitled "Prussia Accurate Descripta a Gasparo Henneberg Erlichensi", published in Amsterdam by Joannes Janssonius in 1664. This very detailed map from the golden age of Dutch cartography includes present-day Poland, Latvia, Lithuania, Estonia and portions of Germany. This highly detailed map is embellished by three ornate pink, red, mint green and gold...

On the Roof is an Etching and drypoint realized by Auguste Lepère in the late 19th Century. Good condition.

Signed, titled and numbered from the edition of 30. Most of his mezzotints are tiny, and his subjects are the simplest of everyday objects: an egg, seashell, carrot, potatoes. Simil...

This beautiful, original hand-colored orchid lithograph entitled "Trichosma Suavis" Orchids by John Nugent Fitch is plate 114 in Robert Warner's publication 'The Orchid Album, Compri...

This Finnish artist creates a mezzotint in black and white. This impression is #34 of 100 and is signed, dated and titled in pencil. Jukka Vanttinen (Finn, b. 1954) Jukka Vanttinen...

Presse Ludivico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No. 8 is from a series of original engravings published by Lodovico Mirri in the late 18th century and eng...

This is an artist's proof (xv/xv) of an early telephone that is signed and numbered by the artist in pencil Schkolnyk was born in Paris, France in 195...

Laurent Schkolnyk created this original mezzotint, L' Anais that is signed, titled and numbered #22 in an edition of 30. Since the fruit was so perishable, it became a symbol of lu...

Black and white figurative drypoint etching print by Polish artist Czeslaw Tumielewicz. Artwork depicts three people flying above a residency. There is moon, sun and a sea in the bac...

A fine 18th Century etching by John Murphy after the original painting by Pietro Da Cortona. The scene shows Jesus appearing to Mary in the garden after his crucifixion. There is an ...

This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...

George Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 2", Portrait/ Figurative Etching and Drypoint signed on Paper, 12.50 x 8.75 (15.25 x 11.50 Framed),...

Monochrome abstract conceptual artwork uses the principle of color field painting. 30x30x1,7cm, Ready to hang and signed on the backside. Shipping worldwide in a safe package with ...

Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...

This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...

A "Pylon" of the Brooklyn Bridge with the Manhattan Bridge and Williamsburg Bridge visible in the background is captured in this powerful image by Frederick Mershimer. It is #77 in t...

Folk Dancers, Skansen Image: 24.6 x 19.0 cm Mount: 37.3 x 31.0 cm Wood engraving 1932 One of Fourteen Wood Engravings, from drawings made on Orient Line Cruises by Robert Gibbings...

Peter Takal’s original drypoint engraving “City Roofs” is an accomplished work of art created in 1956. It is printed upon fine laid paper with full deckled margins as published in the limited edition of two hundred and fifty impressions. This engraving bears an embossed stamp “The Print Club of Chicago” on verso. This impression is signed by Takal in pencil. “City Roofs” is a fine example of the engraved art created by the 20th century Romanian / German / American artist, Peter Takal. Peter Takal: Born in Romania in 1905, Peter Takal spent most of his youth in Berlin and was mainly self-taught. His first one-man exhibition took place in the Gurlitt Gallery, Berlin, in 1932. During the following seven years his art was frequently exhibited at galleries in Berlin, Munich, Paris and as well as Casablanca and Algiers. At the beginning of the Second World War (1939), Peter Takal came to the United States for an exhibition of his art at the Katherine Kuhe Gallery, Chicago. He decided to remain in the United States and became an American citizen in 1944. Living in New York, Peter Takal quickly established himself as a leading printmaker and a modern master of both lithography and drypoint engraving. One-man exhibitions of his art took place in New York City (1942), Chicago (1939 & 1941), Washington (1959) and Los Angeles (1966). International exhibitions of his art were held at the Galeria de Arte Mexicano, Mexico City (1959), the Palazzo Strozzi, Florence, Italy (1960) and at the Kestner-Museum in Germany (1962). Museums to date that include Peter Takal's original prints in their collections are, the Chicago Art Institute, the Library of Congress, Washington, the Los Angeles County Museum of Art, the United States State Department, UCLA, the Berlin National Museum and the Bibliotheque Nationale, Paris. Over the years, the Museum of Modern Art in New York and the Arkansas Arts Center have acquired a very extensive collection of Peter Takal's lithographs and drypoints. The artist died in 1995. The Print Club of Cleveland: Trees and Fields is an original lithograph commissioned by the Print Club of Cleveland in 1957 and published in a signed edition of 250 impressions. The Print Club of Cleveland is a non-profit adjunct organization and the country's first museum-affiliated print club devoted to the promotion of art and printmaking as a fine art for printmakers and collectors alike. With its creation in 1919, it has helped to support the growth of the department of prints and drawings at the Cleveland Museum of Fine Arts and has also been a source of great enrichment for collectors of fine prints. During the organizations long history, the club has annually commissioned one original etching engraving, lithograph, woodcut and or other form of original graphic art from such fine American artists as John Taylor Arms, Suzanne Anker, Luigi Lucioni, Will Barnet, Mark Tobey, Lyonel Feininger, Henry George Keller, Louis Lozowick, Karl Schrag, David Jansheski, Deborah Remington, and Peter Takal, as well as from leading international artists such as Henri Matisse, Edmund Blampied, Jean-Emile Laboureur, Salvador Dali, Michael di Cerbo, Phyliss Sloane, Paolo Boni, Juvenal Sanso...

Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with grasses and ferns that lie beneath. Christine Ravaux is a Belgian artist who uses nature in m...

Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5. Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...

Newcastle - Upon - Tyne is an engraving realized in 1845 by E. Finden. Signed in plate. The artwork is realized in a well-balanced composition.

A spectacular view of the sun breaking through the clouds above waves crashing on an ocean shore. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story ...

Black and white etching on watercolor paper signed dated

"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops. The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition. Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s. Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...

This is an 18th century copperplate engraved portrait of Sir Francis Bacon, Viscount St. Albans, Lord Chancellor by Jacobus Houbraken in 1738 after a p...

Loneliness is an original print in etching and drypoint, realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through confident str...