Art by Medium: Gouache

A painting by Alexander Calder. "Directions" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and oranges by artist Alexander Calder...

A refined example of French Art Deco illustration, this elegant drawing is executed in ink and gouache on blue laid paper and showcases the stylish, fashion‑forward aesthetic of the ...

Title: French Mid Century Modernist Village Street Houses Acrylic Painting Medium: Acrylic on artist paper, unframed Size: 6.75 x 9.5 inches (height x width) Provenance: private col...

Judith Rothschild 1921 - New York 1– 1993 Untitled Circa 1945 Gouache, watercolor and ink with Collage on blue paper 9 x 12 inches (23 x 30.5 cm) Framed: 16 ½ x 19 ½ inches (42 x 49...

Lower East Side, New York City Tenement shops Hand signed lower right Abram Tromka was born May 1, 1896 in Poland. At the age of seven he immigrated with his family to the United St...

Represented by George Billis Gallery in Westport CT.

Alexander Sharpe Ross gives us a voyeur view of an attractive couple kissing and embracing on a couch. Sharpe's radical use of composition is on ...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

Paris: Street Cafe Society by Henri Miloch (1898-1979) signed lower right watercolour and gouache painting on artist's paper, unframed Sheet:: 9.75 x 12.5...

August Frederick Biehle (American, 1885–1979) Chrysanthemums and Gerbera Daisies Gouache and litho crayon on paper Signed lower right 28 x 20 inches 33.75 x 26 inches, framed A vers...

A mid-century Provençal landscape in gouache and watercolour on paper by French artist Gabrielle Ricard-Cordingley. Acquired from the artist's atelier. This artwork captures a vibra...

Half-Limousine coachwork design for an Austro-Daimler. Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbere...

Title: Mid Century French Cubist Portrait Gouache Atelier Magdeleine Renard Artist: Atelier Magdeleine Renard (1913–1997) Medium: Original gouache painting on artist paper, unframed....

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude man crouching. Be...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Stunning sketch of a nude with washes of aqua and pink. This is a part of Shap's '80s Interiors...

Mending the Nets by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE gouache on artist paper stuck on card, unframed overall size: 26.5 x 31 inches painting: 20 x 25 inches...

Born in Nuremberg, Germany on July 11, 1864. Ritschel was educated at the Latin and Industrial School in Nuremberg. As a youth he worked as a sailor and it was during this time that ...

Flowers and pixel design. Sealed on the back with design studio name and number 268 We offer a small number of these original illustration designs by this design studio based in Alc...

Watercolour landscape of a lake and surrounding mountains by Nano. The painting is signed bottom left and presented in a fine period gilt frame under glass. This painting portrays a...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant sketch of sitting nude woman with yellow blanket. 2...

Genevive Moreau (French, fl. early Twentieth Century) Design for Fabric - Triangles in Green, Blue and Terracotta (c. 1925) Gouache 22 x 16 cm Signed in pencil; from a small portfol...

Anna Schuster Draft Design (Geometric Abstract, Shapes, Dark, Pastel) Gouache on Paper Year: 1992 Signed by hand, dated and inscribed Unique Size: 22.6 × 23.4 on 23.8 × 33.5 inches (57.4 × 59.4 cm on 60.5 × 85.1 cm) COA provided Anna Schuster is a German contemporary artist whose multidisciplinary practice spans painting, installation, photography, video, and new media. She studied from 1981–1983 at the Freie Kunstschule Stuttgart and from 1983–1989 at the Universität der Künste (UdK) Berlin, where she later also held several academic positions including guest professorship and teaching assignments. Schuster’s work is characterized by process-oriented exploration in which layering, fragmentation, and found elements reveal the evolution of the artistic act itself. Rather than presenting a fixed final image, her works emphasize transformation and temporality, allowing each stage of the process to remain visible and to trigger the next. In her video installations particularly, the dimension of time—through movement, stillness, and spatial perception—plays a central role. As Schuster has noted, “Every fixation simultaneously provokes its reversal and dissolution,” a concept that reflects her interest in instability, perception, and the poetic tension between structure and change. Her works have been exhibited widely in Germany and internationally and are held in numerous public and private collections, including the Kupferstichkabinett Berlin, the Berlinische Galerie, the Staatsgalerie Stuttgart, and the Skulpturenmuseum Glaskasten Marl. She lives and works in Berlin. Anna Schuster installation art, German contemporary installation artist, process-based artwork, layered collage and assemblage, video installation art Berlin, spatial installation works, fragmentary visual language, conceptual mixed media installation, site-specific installation artist, experimental media art Anna Schuster artist, German contemporary art, Berlin installation artist, Universität der Künste Berlin alumni, multimedia contemporary practice, video and installation art Germany, European conceptual art, post-1980s German art...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

Peri Schwartz (born October 4, 1951, Brooklyn, New York) is an American painter and printmaker. She was born in Brooklyn, New York and raised in Far Rockaway, New York. She received her BFA from Boston University College of Fine Arts in 1973 and an MFA from Queens College in 1975. Up for sale is a wonderful Still Life with fruits Painting...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Signed lower left, 'Carole Barnes AWS' (American, 20th century) and painted circa 1985. Carole Barnes has exhibited widely and with success and is the recipient of over 50 prizes, m...

Title: Menton Harbor French Riviera Watercolor Gouache Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on thick paper, unframed Size (H x W): 22.5 x 30 inches S...

Advertisement for the Interwoven Stocking Company, New Brunswick, NJ. "A Colonial Christmas", Title given by Interwoven. (“Christmas in Philadelphia—Independence Hall” is title give...

A painting by Alexander Calder. "Mickey Mouse" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and oran...

Genre: Other Subject: Figures Medium: Other, Gouache Surface: Paper Country: United States sight size 17 X 13 inches Emigrating to Boston in 1913 from Poland with his Russian-Jewis...

6074 South of France harbour scene Image size 14.5x20" Framed Signed

“Graduation Day” is emblematic of mid-century American Illustration. But the real story of this storytelling work is that it embodies the lost art of portrait painting and graphic design. Alex Ross borrows on the classical tradition and flaunts his skills as a narrative painter. In “Graduation Day”, he paints a complex composition involving at least thirteen portraits. The subjects are beautifully rendered and lit. They are set against a dark grey background and jump off the surface at the viewer. The composition is complexly designed. The future graduate in the red jacket engaging with a girl photographer is a compositional device that leads the viewer's eye to the main subject - a father congratulating his son on graduating from medical school. Creating art that relies on facial expressions and body gestures is a talent absent in contemporary art. Why? It’s very hard to do and takes years and training and practice to get it right. Despite Alex Ross's folksy subject matter, this work is a high example of naturalism and representation by an important member of the Golden Age of American Illustration. Signed lower right Born in the town of Dunfermline, Scotland, Alexander Sharpe Ross (1908-1990) moved with his family to Pittsburgh, Pennsylvania in 1911. After attending Carnegie Tech (now Carnegie Mellon University), Ross moved to New York and joined the Charles E. Cooper Studio, where he worked among such notable illustrators as Ward Brackett, Stevan Dohanos, J. Frederick Smith...

Title: La Roche dOngle Provence Landscape Watercolor Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Gouache and watercolour on paper, unframed Size (H x W): 22.75 x 30.25 ...

Certification of authenticity stamped, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los...

Signed lower right, 'Mario Cespedes' (Bolivian-American, born 1942) and created circa 1985. Matted dimensions: 24 H x 18 W x .25 D inches. Born in Bolivia, Mario Cespedes immigrated...

Girl in a cafe 70x50 cm

6035 Antique miniture gouache painting of the three wise men in a newer decorative frame. Monogramed T/S Image 5x2.75"

A woman must remain fashionable, even when at the beach. This late 19th-century gouache and watercolor piece, likely created between 1885 and 1900, depicts two lively young women in ...

A stylish, colorful 1950s Mid-Century Modern abstract geometric textile design (depicting a polychrome Wedge Star pattern in red, white and blue tones) by notable costume, set and fa...

The images on the water towers are from the artist sketchbook. It was also a part of a wheatpaste street art initiative from 2020. During the COVID lockdown he wanted to inject a little bit of nature back in downtown New York. Referencing not only wildlife in general but also specifically from the neighborhood. In this series you might find dogs or cats from artists he personally knows but you might find a raccoon that somehow invaded the city. Ethan Minsker's descriptors include writer, filmmaker, artist, publisher, and zine creator. His work chronicles the lifestyles and cultures of overlooked and underappreciated artists. He was a founding member of the Antagonist Art Movement, a New York City-based group of artists, writers, and musicians who promoted work by up-and-coming talent between 2000 and 2011. Ethan was the recipient of the Acker Award for Visual Arts in 2017. He was also the creator and editor-in-chief of Psycho Moto Zine, which has been in publication from 1988–present. He received his B.F.A. in Film with honors from the School of the Visual Arts and his masters in Media from the New School. Ethan has written three novels, produced nine feature films, and continues his relationship with under-served artists as a board member and president of Citizens for the Arts, a nonprofit group whose mission is to promote art for kids...

This painting, titled New England Town by the Sea and created by A. Hatmaker in 1989, captures the charm of a quaint coastal village in New England. Executed in a folk-art style, the...

Pierre MONTHEILLET (1923-2011) Composition in green and yellow Mixed media on paper - monotype Signed and dedicated “pour mes amis Sallaz” lower right Dimensions of the work: 28.5 x ...

From the estate of Jerry Opper & Ruth Friedman Opper Black Floor c. 1940-1950's Gouache on Paper 15" x 18" Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Petalled Grey [2021] Original Flowers Watercolour, gouache and gesso Image size: H:65 cm x W:49.4 cm Complete Size of Unframed Work: H:68 cm x W:53 cm x D:0.01cm Sold Unframed Please...

Miniature portrait, gouache and watercolour, from the Belle Epoque period of a fine 18th century lady, probably Madame Sophie Fille de Louis XV after Jean Marc Nattier, by noted port...

Beautiful Surrealist costume design by Polish artist, Andrezej Majewski (1927-2011) Costume Designs for Moliere's The Imaginary Invalid, 1962. Collage with cut paper, gouache and i...

Genevive Moreau (French, fl. early Twentieth Century) Three Designs in Blue Gouache 32 x 50 cm c. 1925 Signed in pencil; from a small portfolio of well-executed designs by the artis...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint. • One-of-a-kind abstract artwork on paper measuring 20 x 16 inches • Unframed and signed by the artist on the back • Includes certificate of authenticity issued by the art gallery • Convenient local Los Angeles delivery available • Affordable Continental U.S. and international shipping available Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking. Manning earned a BFA in Two-Dimensional Studies from Bowling Green State University (2011) and an MFA from the University of Cincinnati (2014). His work has been exhibited widely in the U.S. and abroad and gained early institutional and critical attention through selection for the 2017 Texas Biennial, curated by Leslie Moody Castro, with press coverage in Texas arts media. Artspace Warehouse has been representing and exhibiting Max Manning's original artworks since 2025. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2017 Language Game, TW Fine Art, Brisbane, Queensland, Australia 2015 In Tongues, EN EM Art Space, Sacramento, California 2014 Now Made with Real Paint, No Future Projects (online) Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio 2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio 2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio GROUP EXHIBITIONS 2025 Space City Spotlight, Seismic Gallery, Houston, Texas 2023 No Zoning, Reeves Art and Design, Houston, Texas 2022 Crimson Tide, Soft Times Gallery, San Francisco, California The Big Show, Lawndale Art Center, Houston, Texas Small Works, Soft Times Gallery, San Francisco, California Summer Preview, Todd Weiner Gallery, Kansas City, Missouri 2022 Salina Biennial, Salina Art Center, Salina, Kansas Project for Ukraine, Far By Wide — Online Exhibition Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio 2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio Loop, Box 13 ArtSpace, Houston, Texas 2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas Lines of Thought, CICA Museum, Gimpo, South Korea Flatfile Exhibition, Collar Works, Troy, New York Mirror Eye, curated by Youngspace and Far by Wide, Ortega y Gasset Projects, Brooklyn, NY Ortega y Gasset Flatfile Exhibition, Ortega y Gasset Projects, Brooklyn, New York 2019 The Christmas Edit, TWFINEART Group Art Show, Todd Weiner Gallery, Kansas City, MO Be. Long. I Like Your Work Juried Exhibition, curated by Erika B. Hess, David Linneweh, and Mychaelyn Michalec, Dutoit Gallery, Dayton, Ohio Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas Priority Mail, Ground Floor Gallery, Brooklyn, NY Art Hustle, Reed Gallery, Cincinnati, OH Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York 2018 Trade Show, My Friend PTX, Paris, Texas TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia Papercuts, curated by Kristian Day, Saatchi Gallery, London, England The Big Show, Lawndale Art Center, Houston, Texas Squaring the Sun, curated by Jessica Cannon, Far By Wide — Online Exhibition 2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England Winter Exhibition, James May Gallery, St. Algoma, Wisconsin 2017 Texas Biennial, curated by Leslie Moody Castro, Big Medium Austin, Austin, Texas Milestones, Bowling Green State University, Bowling Green, Ohio Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California Priority Mail, Ground Floor Gallery, Brooklyn, New York Chaos, Ro2 Art, Dallas, Texas Intimates, Skylab Gallery, Columbus, Ohio ATTACH FILES, 50/50, Kansas City, Missouri Día de los Muertos, Lawndale Art Center 2016 Funkytown, Urbano, Berkeley, California The Big Show 2016, Lawndale Art Center, Houston, Texas Small Works, Trestle Gallery, Brooklyn, New York From Here, Fluorescent Gallery, Knoxville, Tennessee Construct, 337 Project Space, Grand Rapids, Michigan 2015 Be, Mist Gallery — Online Exhibition More or Less, Front/Space, Kansas City, Missouri Le Cours de Chose, Le Praticable Espace D’Exposition, Rennes, France At the Sound of The Bell: Break Away, Pear Gallery, Cincinnati, Ohio Chill, Zen, Funk and Twang, Curating Contemporary — Online Exhibition 2014 Sugar Rush, En Em Art Space, Sacramento, California New Abstraction: 3 Select, Metropolis Collective, Mechanicsburg, Pennsylvania Extraordinary Flecks and Things Butting Up, LOHIOH, Cincinnati, Ohio By The Pleasure of Doing, Espacio 20/20, San Juan, Puerto Rico Divisible: please, actually, introspective, Divisible Project Space, Dayton, Ohio Business Casual, collaborative show with Jessica Simorte, Neon Heater Gallery, Findlay, Ohio LUSH, Contemporary Arts Center, Cincinnati, Ohio Fiction, University of Dayton Galleries, Dayton, Ohio 2013 Fresh Paint Showcase, Media Wall at Commerce Square, Philadelphia, Pennsylvania Pop-Up Art, Niehoff Design Studio, Cincinnati, Ohio Members Small Works Exhibition, Roy G Biv Gallery, Columbus, Ohio Wintery Mix, Rock Paper Scissors, Cincinnati, Ohio Crosspollination, Collaborative show with Jessica Simorte, 840 Gallery, Cincinnati, Ohio Sweety Salty Sculpture Funk, Collaborative show with Jessica Simorte, Pipeline Artist Space, Cincinnati, Ohio All Fall Down, Meyers Gallery, University of Cincinnati, Cincinnati, Ohio Modern Makers & Fernside Benefit Art Auction, Niehoff Urban Studio, Cincinnati, Ohio Renewal, Drift...

Adolf Arthur Dehn Haitian Scene A, ca. 1951 Watercolor gouache on board Signed on the front Frame included: held in vintage modern frame Measurements: Framed: 11 inches vertical by ...

by Paul-Louis Bolot (French 1918-2003) signed & dated 1976 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

William C. Grauer’s watercolor A Fishing Village Along the Gaspé Coast (c. 1930s) presents a quiet yet enduring image of maritime life on the Gaspé Peninsula, a rugged stretch of coa...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

A complex story is portrayed in one picture. American Glamour Illustrator Jon Whitcomb interprets a Mid-Century Cosmopolitan story about a beautiful blond actress who, on set, appea...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

The enduring appeal of Ben Denison's work is not what would be considered corny men's magazine humor of the early 1960s, but rather his masterful painting skills. In the present wor...

My life as an artist started in 1976 when I left Kishinev (Bessarabia) for Israel. In my youth I did not have the opportunity to study an regularly, although I learned painting durin...

The images on the water towers are from the artist sketchbook. It was also a part of a wheatpaste street art initiative from 2020. During the COVID lockdown he wanted to inject a little bit of nature back in downtown New York. Referencing not only wildlife in general but also specifically from the neighborhood. In this series you might find dogs or cats from artists he personally knows but you might find a raccoon that somehow invaded the city. Ethan Minsker's descriptors include writer, filmmaker, artist, publisher, and zine creator. His work chronicles the lifestyles and cultures of overlooked and underappreciated artists. He was a founding member of the Antagonist Art Movement, a New York City-based group of artists, writers, and musicians who promoted work by up-and-coming talent between 2000 and 2011. Ethan was the recipient of the Acker Award for Visual Arts in 2017. He was also the creator and editor-in-chief of Psycho Moto Zine, which has been in publication from 1988–present. He received his B.F.A. in Film with honors from the School of the Visual Arts and his masters in Media from the New School. Ethan has written three novels, produced nine feature films, and continues his relationship with under-served artists as a board member and president of Citizens for the Arts, a nonprofit group whose mission is to promote art for kids...

Golden Wave A Crest of Elegance and Diamonds circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper, unframed overall design o...

Pair of intriguing 18th Century Indo Persian gouache paintings on paper of Indian culture. Presented under glass in silver tone wood frames.