Art by Medium: Gouache

Approximate date: 1924 Medium: Gouache on Board Signature: Signed Center Left Sight Size 20.75" x 29.88", Framed 49.00" x 39.00"

*UK BUYERS WILL NEED TO PAY AN ADDITIONAL 20% ON TOP OF THE ABOVE PRICE Wo Alu und Honig Fließen by OTTO PIENE (1928-2014) Fire gouache with aluminium on cardboard 99 x 64 cm (39 x...

George Dannatt (1915-2009) Porthmeor: Two Whites with Circle 1970 Gouache on paper Image: 13.4 x 17.5 cm Frame: 31.4 x 36.2 cm Provenance: The George and Ann Dannatt Estate, T...

Evening with oysters 70x50 cm

A precise and exact rendering and meticulous spacial arrangement are on full display in Lewandowski's this later work. The work looks better in person. The artwork is in pristine co...

Work on paper without frame

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Fantasy, circa 1940 Technique: Original Hand Signed Gouache on paper size: 46.2 x 29.4 cm / 18.2 x 11.6 in Additional Information: This work is a guache painting by the famous Hungarian artist Bela Kadar. It is hand signed in pencil "Kadar Bela" in the lower right corner of the paper. Exhibitions: New York, Shepherd & Derom Galleries, Hungarian Modernism, 29 April-2 July 2010, no.12. Tel Aviv, Galerie le Minotaure...

Judd Mercer's (US based) "035 - Plein Air-Flat Irons Vista, CO" is a gouache painting depicting a few large trees in a valley. Artist bio/statement Judd Mercer is a contemporary la...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: Medium: signed gouache on paper, loosely laid over card, unfram...

The beloved couple Alice and Martin Provensen were an American couple who illustrated more than 40 children's books. Martin Provensen creat...

"When the World Was New" by Thane Gorek (United States) is a handmade landscape oil painting that is framed and ready to hang.

Charles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His father, John Galen Howard, was an architect who had trained at M.I.T. and the École des Beaux-Arts in Paris and apprenticed in Boston with Henry Hobson Richardson. In New York, the elder Howard worked for McKim, Mead and White before establishing a successful private practice. Mary Robertson Bradbury Howard, Charles’s mother, had studied art before her marriage. John Galen Howard moved his household to California in 1902 to assume the position of supervising architect of the new University of California campus at Berkeley and to serve as Professor of Architecture and the first Dean of the School of Architecture (established in 1903). The four Howard boys grew up to be artists and all married artists, leaving a combined family legacy of art making in the San Francisco Bay area that endures to this day, most notably in design, murals, and reliefs at the Coit Tower and in buildings on the Berkeley campus. Charles Howard graduated from the University of California at Berkeley in 1921 as a journalism major and pursued graduate studies in English at Harvard and Columbia Universities before embarking on a two-year trip to Europe. Howard went to Europe as a would-be writer. But a near-religious experience, seeing a picture by Giorgione in a remote town outside of Venice, proved a life-altering epiphany. In his own words, “I cut the tour at once and hurried immediately back to Paris, to begin painting. I have been painting whenever I could ever since” (Charles Howard, “What Concerns Me,” Magazine of Art 39 [February 1946], p. 63). Giorgione’s achievement, in utilizing a structured and rational visual language of art to convey high emotion on canvas, instantly convinced Howard that painting, and not literature, offered the best vehicle to express what he wanted to say. Howard returned to the United States in 1925, confirmed in his intent to become an artist. Howard settled in New York and supported himself as a painter in the decorating workshop of Louis Bouché and Rudolph Guertler, where he specialized in mural painting. Devoting spare time to his own work, he lived in Greenwich Village and immersed himself in the downtown avant-garde cultural milieu. The late 1920s and early 1930s were the years of Howard’s art apprenticeship. He never pursued formal art instruction, but his keen eye, depth of feeling, and intense commitment to the process of art making, allowed him to assimilate elements of painting intuitively from the wide variety of art that interested him. He found inspiration in the modernist movements of the day, both for their adherence to abstract formal qualities and for the cosmopolitan, international nature of the movements themselves. Influenced deeply by Surrealism, Howard was part of a group of American and European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organized and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. Levy remained the preeminent force in advocating for Surrealism in America until he closed his gallery in 1949. Howard’s association with Levy in the early 1930s confirms the artist’s place among the avant-garde community in New York at that time. In 1933, Howard left New York for London. It is likely that among the factors that led to the move were Howard’s desire to be a part of an international art community, as well as his marriage to English artist, Madge Knight...

Signed lower left, 'Peter Brandes' (Danish, born 1944), dated 1969 and stamped, lower right, with the artist's chop mark. Bearing artist dedication to 'K...

Noel Daggett, American (1925 - 2005) - Good Takings, Year: 1991, Medium: Gouache on Board, signed and dated l.r., Size: 10 in. x 17 in. (25.4 cm x 43.18 cm), Frame Size: 17.5 x 2...

9 3/4"H x 6 3/4"W

Watercolor and gouache on paper laid on board Magazine Illustration defined by bold graphic composition and limited color palate yielding a powerful image that jumps off the page. u...

This artwork vividly captures the grandeur of a rugged mountain landscape, reflected serenely in an expansive body of water. The mountains boast a rich tapestry of earthy tones, intr...

Vibrant chinoiserie 3 dragon boat flotilla richly hand-painted in vibrant gouache colours 1950s Art Sz: 14 3/4"H x 14 3/4"W Frame Sz: 25 1/2"H x 25 1/2"W

A bright and animated Parisian street view with a gendarme poised languidly to survey the street outside the Hotel de Clichy beside a flower vendor tending her colorful stall . A cha...

Signed Lower Left by Artist Collier's Weekly magazine cover, April 23, 1921

Editions Albert Morance 1925 11" x 9 3/8" Lacking plate 8, 26, 30 & 36 Jean Badovici (6 January 1893 – 17 August 1956) was a French architect and ar...

Gahan Wilson was the Master of the macabre, and most of his work is associated with Charles Addams. The beauty of a Gahan Wilson is that is a payoff pu...

by Paul-Louis Bolot (French 1918-2003) signed & dated 1976 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

French Chateau by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on artist paper, unframed size: 13 x 15 inches condition: very good and ready ...

9 3/4"H x 6 3/4"W

This evocative artwork portrays a ballerina in a moment of quiet concentration, seated while adjusting her shoe. The artist masterfully uses a palette of soft pastels and earthy tone...

Italian painter Signed work Work on panel Flush frame in white wood 48 x 63 x 2 cm

Rolph Scarlett (1889-1984) Geometric Shapes Gauche on Paper 14 ½" x 13” 22" x 21" framed In this original artwork, the artist transforms circles, shapes, and lines within an ide...

Rolph Scarlett Untitled Mid-Century Modern Geometric Abstraction, ca. 1950 Gouache on paper painting Hand signed on lower right front This is a stunning original, signed vintage 1950...

Signature: Signed Lower Right

“Summer Wave 1” - Oil, Acrylic, and Ink on Canvas, 48 x 48 inches Comes with a champagne color floater frame. “Summer Wave 1” radiates with a lush vibrancy, where waves of layered s...

#5-3064 Native American Portraits gouache/watercolor /india ink on board, male portrait, displayed in a black/wood frame, signed lower left by A.Jarret. Image size 14 H x 21.75 W

Original mixed media composed of watercolor and gouache on archival paper. Signed lower right. Condition is very good. Appears to be a self portrait of the artist. Circa 1970. Under glass. Framed in a contemporary gold frame Overall framed measurements are 12 by 10 inches. Provenance: A Sarasota, Florida estate. Julee Docking biography: Painter, Oil, Watercolor, Acrylic, Collage, Woodcuts, Charcoal, Mixedmedia, Sculptor, Clay, Mixed media. Born: Bethesda-Chevy Chase, Maryland Studied: Corcoran Art School-Washington DC High Museum,Atlanta ,GA and Private Lessons Taught: Painting and Sculpture in Atlanta and Sarasota Membership: National League of American Pen Women, Women's Caucus ofArt, Florida Artists Group member 1973 Petticoat Painters member 1975 Art Center Sarasota member 1972 Manatee Art Center Venice Art Center Artist Statement: I enjoy painting in all media, relying on "Chance" to help create the First Ecstatic Impression of either abstract or Realism Genres. A long time resident of Sarasota, Julee Docking has been listed in "A History of Visual Art in Sarasota" And was part of the fine Arts Society "Artist and Collectors Tour" in 1973 and again in 1988 AWARDS: Grumbacher Gold Medallion, Cornell Museum FL Hilton Leach...

Experience the bold elegance of Louis Leon Ribak's original mid-century modern abstract painting, a striking composition by the renowned Taos, New Mexico artist. This captivating gou...

'Composition in Orange and Red', gouache on paper, by James Pichette (circa 1970s). A dynamic, lively abstract composition by an artist known for such s...

An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...

Signed lower right, 'Marie Pascal' (French-American, 20th century) and painted circa 1990. Exhibited: Gallery Concord, December 1991. Marie Pascal studied at the École Nationale Sup...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Original gouache and watercolor on brown archival paper of a standing crow in profile. Signed and dated lower right. Condition is good to very good. Colors of the bird are strong a...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Palace with Vignettes of Scenes of Royal Court Life Early 19th century Rajput School Gouache on heavy paper, mounted to gold flecked support board c. 1820 Unsigned as usual Inscribed...

Femme au bord de la rivière by Georges Manzana Pissarro (1871-1961) Gouache, pastel and silver paint on paper 29.7 x 44.4 cm (11 ³/₄ x 17 ¹/₂ inches) Signed lower left, manzana. Pis...

Classic Turrey "With God I Shall" coat-of-arms in gouache c1950s Art Sz: 11 3/4"H x 9 3/4"W Frame Sz: 13"H x 11"W

This gouache painting captures a woman comfortably seated in a lounge chair on a sunny patio. Her long purple hair and sunglasses give her a relaxed, summery look. Her body is repres...

Apocalypse in 1962? At the height of the Cold War, Life Magazine commissions an illustration that describes the world's end by means other than a nuclear war with Russia. Richard Erdoes brilliantly illustrates the work with his highly stylized painting technique. My favorite part of the work is on the left side showing a group of people packed together as they fall into oblivion. A clear reference would be Hieronymus Bosch's "The Last Judgment " Once Again the World Ends." Illustration published in Life Magazine, Feb. 9, 1962 Signed in lower right image. Unframed Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,[1] to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.[2] After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,[3] He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...

9 3/4"H x 6 3/4"W

9 3/4"H x 6 3/4"W

9 3/4"H x 6 3/4"W

Donald Stacy "Abstract #4" c.1950s Ink & Gouache on paper 10.5x19.5" brown, ripple, wood frame 11.5”x1”x20.75” Signed in pencil lower right with label on reverse Came from artist's e...

5129 Gouche on paper of a Nantucket water inlet Framed Imagesize 13.5x14"

Tonalist style, abstract figurative watercolor by Susan Hope Fogel watercolor on Arches heavy-weight paper 30 x 44 inches, diptych of two sheets measuring 30 x 22 inches each 35.5 x...

Signature: Signed Lower Right Medium: Gouache on Paperboard The present work was published as the main illustration for a short story by Beryl Markham published in The Saturday Even...

Red, Green and White Gemstone ring Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed overall pape...

Medium: Gouache, Pencil, and Wash on Board Signature: Signed and Dated Lower Right: Harrison / Fisher / 1901 “More Attractive.” Interior illustration for Life magazine, published Fe...

Charming painting of a Mediterranean town, two men untangle a fishnet while beach goers frolic on the shore, circa 1940. Original one-of-a-kind vintage work of art on paper displaye...

Alois E. Wittlin (1903-1979) was a Swiss painter recognized for his depiction of landscapes and scenes inspired by everyday life. His works often featured vibrant rural settings, cap...

Bold, colorful abstract cityscape of Tel Aviv 15 X 19 inches including mat (needs new mat). painting is 10.5 X 14.5 Provenance: prominent South Florida art...

Title: French Mid 20th Century Portrait of Woman in Alsatian Traditional Headdress by Anne Marie Migette Perard (French 1902-1977) Medium: ...