Art by Medium: Handmade Paper

Poppies and Wildflowers unfolds as a lyrical triptych, where fluid brushwork and a vibrant yet balanced palette evoke the quiet vitality of spring. Red poppies emerge among delicate ...

Chalcographie du Musee du Louvre, 1855. Etching on cream wove paper, 17 5/16 x 19 3/16 inches (439 x 488 mm); sheet 17 3/4 x 20 1/8 inches (451 x 519 mm), full margins. Scattered ma...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood or black on request. The title of this works is "From the Apollon...

'Mirror 46' 2021 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 30 x 40 in. Tran's ‘Mirror’ series, is heavily influenced by her history ...

Beautiful portrait of an African-American woman, ca. 1965-70. Ink on mulberry kozo paper, sheet measuring 9.5 x 14 inches. Original damaged matting depicted here to corroborate age...

The painting is being offered with a work and authenticity certificate

A masterful rendering of Kukulkan at the base of the west face of the northern stairway of El Castillo, Chichen Itza. Etching on antique watermarked fine Barcelona cream laid paper,...

ArchiParis – Quai du Louvre is a drawing by contemporary French artist Guillaume Chansarel. This drawing depicts Quai du Louvre; a quay along the Seine in Paris, in the 1st arrondiss...

An extensive, rare herbarium of Atlantic coast seaweed specimens collected between 1884 and 1885 from New York City to Nantucket. American School, 19th century Flowers of the Sea; H...

Pen and ink with black and brown ink and brown wash on buff wove paper, 10 3/8 x 9 3/8 inches (262 x 232 mm), the full sheet. Signed in brown ink in the lower right image area. In ve...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Sp...

Etching on laid paper, 13 1/2 x 7 1/2 (343 x 191); sheet 16 1/2 x 11 inches (420 x 280 mm), full margins. Signed and dated by Arms in the lower right corner. From the edition of 150 ...

Amida, a Deity of Japan; One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earliest period to the present time Vol...

Patti Warashina Between a Rock & a Hard Place Original 5 Plate Lithograph on Rives BFK, White Year: 2017 Edition: 20 of 24 Paper Size: 24 × 18.5 inches (60.96 × 46.99 cm) Image ...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Pen and grayish ink on wove paper, 9 1/2 x 14 3/4 inches (242 x 375 mm), the full sheet. Signed in pencil in the lower right image area. In good condition with some minor surface soi...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

Wood engraving on onionskin paper, 14 1/2 x 9 inches (369 x 228 mm), the full sheet. In very good condition with minor cockling around the areas of the mount at the top corners. [Lo...

London: The Studio, 1898. Wood engraving on blue wove paper, 8 x 5 3/8 inches (202 x 137 mm), full margins. As published in The Studio, Volume 12, 1898, with the blindstamp in the l...

Stone lithograph in black ink on tissue-thin wove Japon paper, 9 x 11 1/4 inches (228 x 285 mm), full margins. Signed and numbered 43/125 in pencil in the lower margin. Overall mod...

medium: Chinese ink, ink stick, and charcoal on handmade paper ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is roote...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Title: Portrait Of Samurai Medium: Woodblock Print Style: Ukiyo-e Size: 13 1/2"" x 9 1/2"" Frame Size: 18 1/2"" x 14 1/2"" Signature: Kunisada Provenance: Collection from E...

A mid-19th century view of a New York institution still in operation. New York: The New York Mirror, c1835. Engraving on wove paper, 10 x 13 3/4 inches (254 x 349 mm), the full sheet. The sheet is significantly worn with scattered multiple edge tears, creases and toning throughout. The Institution for the Instruction of the Deaf and Dumb was founded in 1817 by the Rev. John Stanford...

Graphite and watercolor on grayish-tan wove paper, 10 3/4 x 8 3/8 inches (272 x 212 mm) the full sheet. An unfinished study in good condition. On the mat-back is a notation that the...

Contemporary figurative portrait by Polish artist Anna Masiul-Gozdecka. Painting is signed by the artist. ANNA MASIUL-GOZDECKA Graduated from Warsaw Academy of Fine Arts in 2000. Sh...

A superb impression of Martin Lewis's consummate image of Japan. Etching with drypoint on fine cream laid paper, 13 7/8 x 10 3/8 inches (352 x 265 mm); sheet 17 3/4 x 14 1/4 inches ...

Edna Hibel (American, 1917-2015) Two Lithographs from the David Suite, 1978 Hand pulled original lithograph on Japanese rice paper Sheet: 26 x 20 in. Signed lower right: Hibel Number...

Mu I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink on rice paper mounted on paper, dimensions are 38 × 70 cm (15 × 27.6 in). The artw...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the road into Ishiyakushi. Signed in Kanji upper right, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japan...

Etching on antique cream laid paper with a partial watermark (likely Arches), 12 1/8 x 6 1/8 inches (308 x 156 mm), full margins. Signed and dated in pencil in the lower right margin...

Artist: James Coignard (French, 1925-2008) Title: "Deux Bleus Sur Noir (Two Blues on Black)" *Signed by Coignard in pencil lower right Year: 2006 Medium: Original Hand-Embellished Ca...

Frankfurt: c1549. Engraving on laid paper, 7/8 x 5 3/8 (22 x 136 mm), thread margins. Fine impression. A fine first state (of 3) impression, with the collector's stamp of Pieter M.M....

Cups “J” by Nancy Mintz is an abstract wall sculpture that feels airy and luminous, with translucent Japanese paper softly diffusing light across delicate radial sections. The dark b...

Cups "A" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

TECHNICAL INFORMATION: Shepard Fairey Sedation Pill HPM 2013 HPM (hand-painted multiple), screenprint and mixed media collage on paper Edition 10 of 10 Pencil signed and numbered Condition: This work is in excellent condition. Frame: Framed in a maple wood shadowbox frame with UV protective Plexiglass ABOUT THE WORK: This piece is an HPM, or Hand Painted Multiple. This means that before the screenprint process takes place, Fairey creates the paper by collaging his patterns, stencil, newspaper clippings, and advertising logos...

In this piece, I've explored the dance between light and shadow, crafting an intimate journey through an architectural passage that beckons with history and mystery. Employing oil on...

An iconic Thames Sailing Barge being unloaded along an estuary riverbank. English School, 19th century Watercolor and graphite on wove paper laid down to board, 7 1/2 x 10 1/2 inches...

A superb impression on Japon paper, one of only three proofs. Etching on handmade Japon paper with a deckle edge, 13 1/8 x 9 7/8 inches (333 x 252 mm); sheet 18 1/4 x 13 3/4 inches ...

Includes a Certificate of Authenticity

Etching on cream wove paper, 8 1/8 x 9 3/4 inches (205 x 246 mm), full margins. Signed in pencil, lower right margin. One minor printing defect appearing as a slightly folded bottom ...

This original painting by Romina Milano evokes a living, coral-like network—an abstracted ecosystem where branching forms and fluid lines suggest growth, interconnection, and renewal...

Etching on cream laid paper with a deckle edge and with an unidentified watermark with an "AL" inside an ovoid cartouche with a garter and buckle (likely English 19th century), 9 1/2...

Etching on delicate, fibrous Japon paper with a deckle edge, 8 7/8 x 4 1/8 (227 x 105 mm); sheet 12 x 7 7/8 inches (304 x 100 mm), full margins. Signed and dated in pencil in the low...

The painting is being offered with a work and authenticity certificate

Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...

This beautiful diptych captures the vibrant intricacy of coral reef ecosystems through layered textures and flowing organic forms. Bold strokes of pink, violet, ochre, and coral oran...

London: Boydell, 1810. Aquatint with engraving printed in sepia on cream wove paper with a partial 1805 watermark, 6 x 9 1/2 (153 x 242 mm); sheet 10 3/8 x 14 1/8 inches (264 x 360 ...

Patti Warashina Kiln Yard Original 2 Color Lithograph on Somerset, Radiant White Year: 2016 Edition: 31 of 35 Paper Size: 24.5 × 29 inches (62.23 × 73.66 cm) Image Size: 20 × 26 inc...

Mary Marley's "Tres in Unum" is a mixed media collage created with cut paper and acrylic paint on 300 lb. watercolor paper. The artist signature is on the back and it is unframed, me...

Giclee on heavy Handmade cotton paper Signed and inscribed with archive In great condition

Paris: Henri Petiet, 1923. Etching with drypoint and roulette on buff Van Gelder Zonen paper with a partial watermark, 7 5/8 x 16 inches (194 x 407 mm); sheet 9 5/8 x 17 3/4 inches ...

Mary Marley's "Three Times as Much" is a mixed media collage created with cut paper and acrylic paint on 300 lb. watercolor paper. The artist signature is on the back and it is unfra...

Graphite on light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In very good condition. A detailed rendering of the balustrade and newel of the Escalier de Luynes, al...

Richard Serra's 'Cape Breton Horizontal Reversal No. 16' (2014) exemplifies the radical approach to works on paper that has run in parallel with his celebrated sculptural practice th...

A lovely Regency era composition with a billowing sky and timber-framed houses; likely the Cotswolds or East Anglia. English School, 19th century c1820. Pen and ink in grayish black ...