Art by Medium: Laid Paper

A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...

An antique engraved view of "Romelborg", Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johan...

"Floating Stones" Monoprint in Ink on Heavy Paper High-contrast composition by California artist Stacey Pollard (American, b. 1962). Although primarily abstract in nature, there are...

Minimalist mid-century modern landscape of three autumnal trees by M. Lehtio (American, 20th century). Signed "M. Lehtio" and dated "48." Presented in a wood frame and non-glare glas...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Susan B. Anthony the Elder, monoprint with Chine collé, 18 ½ x 13 ¼ inches, 2020 From Wikipedia Susan B. Anthony (born Susan Anthony; February 15, 1820 – March 13, 1906) was an American social reformer and women's rights activist who played a pivotal role in the women's suffrage movement. Born into a Quaker family committed to social equality, she collected anti-slavery petitions at the age of 17. In 1856, she became the New York state agent for the American Anti-Slavery Society. In 1851, she met Elizabeth Cady Stanton, who became her lifelong friend and co-worker in social reform activities, primarily in the field of women's rights. In 1852, they founded the New York Women's State Temperance Society after Anthony was prevented from speaking at a temperance conference because she was female. In 1863, they founded the Women's Loyal National League, which conducted the largest petition drive in United States history...

Don Giffin (American, 1948-2003) Phone in the Desert, 1999 Mixed media painting Hand signed Don Giffin, titled and dated (verso) 76 x 52 inches. (including ...

Watercolor of a pink rose with a stem on laid paper by Barbara Gibson (20th Century). Presented in a double mat in a modern silver frame. Signed "Barbara Gibson" and dated "1989" in ...

Michel Scarpa' collage formed by cardboard blocks covered by comics stripes. It comes framed. Beautiful signed work of this artist that experienced a lot this tecnique.

Untitled, c. 20th Century Acrylic on paper 20 x 16 1/4 in. Matte: 24 x 20 in. Signed center: Shapiro

Original engraving with later hand-coloring from "Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historia...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. The Suffragist (Alice Paul) One of the prime dedicated vocal leaders of the women’s suffrage movement in the twentieth century, Alice Paul actively campaigned for the passage of the 19th Amendment to the US Constitution...

Mid century nude figure study of a woman seated on the shore of a lake by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collection of her wo...

Signed lower left, 'Denis Paul Noyer' (French, b. 1940) and created circa 1975. An exceptionally finely-detailed, silver point and colored pencil drawing showing a view of a Parisia...

"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Gorgeous abstracted figurative of Caryatids titled "Ring Three" by Doris Ann Warner (American, 1925-2010). Signed, titled, and dated "Warner 1970" on verso. Displayed in rustic wood ...

Artist: Yohanan Simon (1905-1976) Title: Landscape Medium: Gouache on paper laid to card Date: 1962 Signature: Signed and dated in Hebrew Paper Size: 16.75 x 21 inches Frame Size: 24...

Female Figure Underwater Realist Etching --"Separation" by Carol Bennett Unique etching of a female figure submersed beneath the surface of water by California and Hawaii artist Ca...

Gorgeous watercolor seascape of waves over rocks by Donald Swyner (American, 20th Century), circa 1990. Signed lower left corner. Presented in rustic wood frame. Shipped without glas...

Signed lower right, 'Tremewen' for Ian Tremewen (Australian, born 1954), additionally signed, verso, dated 1993 and titled, 'Poster Idea, #9328, Pink Palms, Rainforest Beach' A watercolor and gouache study for a gallery exhibition at the Village Gallery, Lahaina, Maui, Hawaii. Ian Tremewen began showing his watercolors with Village Gallery in 1976 while living on Maui. Born in Montreal and now based in Australia, Tremewen has spent much of his life in the Caribbean and Hawaiian tropics. Tremewen's work reflects the interest he feels for light, space and shadow working in sculpture, contemporary glass and textiles. His abstract interpretation of the amorphic shapes of nature, coupled with his design and composition enable him to present his work with a view that is distinctly his own. Artist's Statement: "As an artist, I can experiment with many aspects and combinations. I've always been fascinated by the psychedelic colours hidden in rainforests. For me, these elements invite abstraction, where a shape, along with colour and texture, defines an object. There now appears to be a refreshing openness emerging in the art world. I feel there is a freedom to stretch and explore ideas and alternatives like never before using mediums and concepts that are expanding the world of art and design.” Solo Exhibitions: Napua Gallery, USA Village Gallery Contemporary, USA Karratha Art Centre, Australia Metro Arts, Australia Gold Coast City Art Gallery, Australia Grand Orbit, Australia Paperworks Gallery, Canada Corporate Art West, USA Budds Beach Gallery, Australia Pandanus Art, Australia Tremewen@Marine, Australia Group Exhibitions: S.H. Ervin Gallery, Australia Ritz-Carlton, USA Contemporary Art Gallery, USA Parliament Building, Australia Gold Coast City Art Gallery, Australia Nordstroms, USA Tattersalls Club, Australia Honolulu Academy of Art, USA Federation...What About the Nation? Museums and Galleries Foundation, Australia Selected Awards: Hui Noeau, USA Suncorp Biennial, Australia S.O.S. Festival, Australia Hawaii Watercolour Society, USA Heritage Art Festival, Australia R.E.I.Q. Bicentennial, Australia Woven Image, Australia Art Maui, USA Courier Mail Art Prize, Australia Tweed Regional Art Gallery, Australia Paradise Art Award, Australia Commissions: Sydney Airports Corporation, Australia Lloyds Of London...

A striking mid century figurative oil painting of a seated nude woman posing in a long lavish red robe by Northern California artist Genevieve Rogers (America...

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '80/80'; also inscribed, lower left, 'Garci...

Rene Genis (French 1922-2004) "Le Gilet Bleu” The Blue Jacket. Portrait of a young man in a blue jacket/sweater with an insignia on the breast and a blue ...

Expressive vintage silkscreen on black paper by Alice Aycock (American, 20th Century). Hand signed and dated "Alice Aycock 1990" with hand written ...

Serene depiction of a cabin in a marsh by Floyd Town (American, 20th c.). Washes of color create an abstracted background for the scene, punctuated with bar...

Passages - A Suite of 16 Prints by Patricia Pearce and other artists A set of lithographs by College of San Mateo class of 1992, instructed by Patricia A. Pearce (American, b 1948). Each print is on laid paper, meaning they all have ragged edges. Presented in a black folio with title sheet, table of contents, and ties. Includes protective tissue paper dividers between each piece. Each piece is numbered, titled, and signed by the artist. Patricia Pearce is a California artist who attended San Francisco State and UC Irvine and is the adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo, San Francisco Exhibitions: Montalvo, California Center for the Arts; Pacific Prints, Palo Alto. Other artists in the collection include: Tom Attix Donna Catalini I. Colon Nancy Conner Judith Gaulke (American, b. 1946) is originally from Hood River, Oregon. Gaulke has been working in oils on canvas most of her life, painting seriously since 1988 when she had her first showing, then her first gallery representation in 1990. She is attracted to lone objects and scenes not yet populated — table settings, chairs, boats — all interpreted to give the viewer a sense of calm. Gaulke now resides in Atherton, California with her husband Michael. Together they created the Michael and Judith Gaulke Chair of Electrical Engineering and Computer Science at Oregon State University, an endowment for the College of Engineering. Exhibitions: “Varied Visions” - Main House at Holbrook-Palmer Park, Atherton, CA - 1998 Solo Show - Wente Vineyards, Livermore, CA - 1998 Atherton Arts Foundation Show - Jennings Pavilion, Holbrook-Palmer Park, Atherton, CA - 2006, 2009-2011 Pacific Art League 95th Anniversary Exhibition - Palo Alto, CA - 2016 Betty Gong M. A. Gothan Gretel Hadland Tokuko Ikeda Michelle P. Kern (American, 20th C) has lived and worked in Northern California all her life. Educated in art in the Bay Area, she has worked in art and arts education for several decades. She has a BFA and MFA in Ceramics from California College of the Arts. Kern has taught ceramics for the College of San Mateo since 2006. She has also taught for the Summer Enrichment Program for California College of the Arts, the Richmond Art Center, the California State Summer School for the arts, and for the summer program for the Crystal Springs Uplands School. Kern was the recipient of the Ernie Kim...

Mid Century Modern East Bay IV Abstracted Landscape by Erle Loran Dynamic mid century abstracted geometric landscape drawing of the East Bay California landscape by Erle Loran (American, 1905-1999), circa 1950. From a collection of estate of Ruth Loran (wife of artist). Presented in mat. Unframed. Mat size: 13"H x 16"W. Paper size: 9"H x 12"W Provenance: This piece was from Erle Loran's sketch book and this drawing was then matted, purchased from the Erle Loran estate and the Carlson Gallery, Carmel. Erle Loran was a modernist of urban-coast views and geometric painting. Loran was born in Minneapolis, Minnesota in 1905. He attended the University of Minnesota for a while before studying at the Minneapolis School of Art, under Cameron Booth...

Rene Genis (French 1922-2004) “Pont Levis - Chenonceau” Draw Bridge at Chenonceau: a 16th-century castle built over the river “Le Cher,” approximately 100 miles south of Paris, Franc...

Beautiful tonalist landscape of California foothills and country road. Signed and dated "CKP" and "'69" lower right corner. Presented in rustic wood frame with eggshell mat under nonglare glass. Image size: 18.25"H x 13.25"W. Framed size: 23.5"H x 18"W. California Tonalism was art movement that existed in California from circa 1890 to 1920. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.25" x 16.63" Image size (each): approx. 7" x 12" Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition Notes: Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Gorgeous autumnal watercolor of a landscape overlooking the Santa Cruz mountaintops by noted Santa Clara artist Louise Nygard (American, 20th cent...

Farm in Autumn with Pumpkins in Watercolor on Heavy Paper Colorful landscape of a farm in autumn with pumpkins by Les (Leslie Luverne) Anderson (Americ...

Engraving printed in black ink on hand-made, thin-laid paper, 3 5/8 x 3 5/8 inches (84 x 84 mm), 3/4 inch margins. In excellent condition, printed 19th century.

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Anna Julia Cooper, monoprint with Chine collé, 27 x 19 3/4 inches, 2020 1858-1964 An educator, administrator, and social reformer, Anna J. Haywood Cooper was born a slave in Raleigh, North Carolina, and spent fourteen years fighting to gain access to Latin and Greek classes reserved for men at St. Augustine's Normal School and Collegiate Institute, from which she graduated in 1877. She married the Reverend A. C. Cooper at St. Augustine's, where each taught, but after his death in 1881, she began the second phase of her education at Oberlin. That year she joined Mary Eliza Church (Terrell) and Ida A. Gibbs Hunt in the "gentleman's" collegiate course and graduated in 1884. One of the pioneer African-American women who earned a B.A., she returned to Oberlin for an M.A. in Mathematics, which she received in 1887. Continuing her trailblazing for race and gender issues, Cooper wrote the feminist manifesto, A Voice from the South, spoke at feminist and educational conferences, and achieved many honors such as membership in the American Negro Academy. She was a leader in the National Association of Colored Women. Aligned with DuBois's philosophy, she spoke at the 1900 Pan African Conference in London, arguing for self-determination for African-Americans and an end to colonialism in Africa and apartheid in South Africa. Anna Cooper received a Ph.D. at the Sorbonne in 1925 after a decade of study while she also maintained a full-time teaching load. Her thesis was on French policies during slavery. She had been shaping Frelinghuysen University in Washington, D.C., an interdenominational Bible college, and became its president in 1930, at the age of 72. She died in 1964 at the age of 105. In preparation for this ongoing series the artist received images from Legacy Magazine’s photo archive of 19th Century women writers, understanding that she’d obtain permission from each source to use the photos in her artworks. Permissions were received and she began the series in 1992. The Harvard/Radcliffe Schlesinger library then offered Suzanne access to relevant microfiche images that were employed in subsequent works. In addition, the library exhibited the in 1992. The collector Vivien Leone purchased and donated one to the library, and the library subsequently purchased two more. The Women’s Rights Historical Park in Seneca Falls, NY, exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Gorgeous archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of a Nash's first born son Jackson, age five, looking into an aquarium in his San Francisco house...

Rene Genis (French 1922-2004) "Pecheur Bord De Bienne, Jura" Fishing The Edge Of The Property, Jura, Switzerland. Rolling hills on background, trees, glade and pond(?) in foreground...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. The Spirit of Hope (Alice Paul) One of the prime dedicated vocal leaders of the women’s suffrage movement in the twentieth century, Alice Paul actively campaigned for the passage of the 19th Amendment...

"Wagon Shed", a 1970's farm landscape of San Louis Obispo by Helen Hollister (American, 1921-2020), 1975. Presented in a wooden frame. Signed "Helen Holliste...

Beautiful still-life painting of fuchsias in a hanging basket by Rose Sloan (American, b.1941). Signed and dated "Rose Sloan '82" lower right. Presented in a metal frame and shipped without glass. Image, 13"H x 20"L. Rose Sloan graduated in 1962 with a degree in Art Education from the University of Utah. Sloan now resides in Monterey, California where she teaches art classes and primarily paints plein-air paintings and still lifes.

Detailed illustration of a sailor in a catamaran by Edward T. Liljenwall (American, 1943-2010). The sailboat is tilted at an extreme angle, with the sailor leaning out over the edge ...

Serene, beautifully executed watercolor, using a wide spectrum of color with a delicate and subtle hand, by Don Kitz (American, 1939-2019), c.1970. Feel the peace and serenity of thi...

Dynamic abstracted geometric landscape drawing of the East Bay California landscape by Erle Loran (American, 1905-1999), circa 1950. From a collection of esta...

Dramatic seascape by an unknown artist (20th Century). Dark clouds are parting over the sea, allowing beams of light to pass through, falling on rocky outcroppings. Two small sailboa...

Wonderful watercolor landscape of Finland countryside in Winter during WWII by O. Makela (Finnish/American, 19/20th Century), 1942. Signed and dated lower right corner. Condition: ve...

Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" Portfolio: A Natural History of Uncommon Birds, and of Some O...

Gorgeous archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of an abstracted photogpah of his mother Mary Nash. #12/25. Titled, signed and dated '89. Stamp and signed on verso. Condition: Excellent. Unframed. Image size: 22"50"H x 15.25"W. Size including border: 24.33"H x 22.50"W. The original photo is in the Rock & Roll Hall of Fame Museum. Graham said about this photo, "This is a photo I took of my mother Mary when I was 11, in 1953. She was 33. It was the first image I took where I realized that it's possible that I see differently than most people. Normally my mother would be making the bed, or cooking breakfast — mother stuff. I'd never seen my mother in this contemplative mood. I'd never seen her either looking into her future or wondering if her life had been what she wanted or thinking about her past. I don't know. I only know that that's an incredible moment in my mother's existence." While best known as a founding member of the rock band Crosby, Stills, Nash, and (sometimes) Young, Nash also developed a parallel career as a photographer, collector, and pioneer of digital imaging. Nash's photographs include revealing portraits of family and friends, images of life on the road, still lifes and landscapes, street photographs, bad credit people, and a unique series of self-portraits which often shows him reflected in windows and mirrors. His photography establishes Nash as a masterful visual artist with a keen eye for moments and scenes not immediately available to the common eye. In 2006, fifty years of Graham Nash's photographic images were shown in his first solo museum exhibition, Eye to Eye: Photographs by Graham Nash, at San Diego's Museum of Photographic Arts. MoPA Director Arthur Ollman...

ARTIFACTS, 2015, Acrylic painting on paper artist mounted to panel, Hand signed and dated right side Dimensions: 24 x 43 x 1 ¾” This depicts an old cast iron Mickey Mouse, Felix the Cat, an old tin can of pop corn and other vintage, nostalgic, Americana. Born in 1938, Ralph Allen Massey is a talented American artist, sculptor and jewelry designer. Prior to the 1980s, in his work he preferred sculpture. However, in the early 1980s, together with the artist Sylvia Bennett, he opened the art studio “Raven”. using his creativity, has become the creation of jewelry decorations and jewelry boxes. An interesting collection was “Wildlife”, brooches, earrings and rings in the form of animals and birds. Also, no less interesting was the line of jewellery inspired by the characters of the books “Alice in Wonderland...

"Gujulpahn Appetizer" Intaglio Hand painted on Paper by Kyung A. Kang Original 1983 hand painting and Intaglio titled "Appetizer" from the "The Perfect Meal" Folio featuring 14 Art...

This is an Abstract Expressionist torn and folded paper painted collage. The paper is metallised through some process. they are very luminous and beautiful. it is mounted on heavy ...

Farm in Autumn with Corn and Pumpkins in Watercolor on Heavy Paper Colorful landscape of a farm in autumn with pumpkins by Les (Leslie Luverne) Anderso...

Beautiful multi color serigraph by Roy Ahlgren (American, 1927-2011). This piece transitions from a dark magenta to a silvery blue, passing through warm grey shades in between. The s...

Estate stamp, verso, for Victor di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

Bright and bountiful depiction of a patch of flowers in a garden by Lila Mills (American, 20th Century). Various flowers, including lilies, daffodils, and tulips, are shown against a...

Mid Century Modern East Bay III Abstracted Landscape by Erle Loran Dynamic mid century abstracted geometric landscape drawing of the East Bay California landscape by Erle Loran (American, 1905-1999), circa 1950. From a collection of estate of Ruth Loran (wife of artist). Presented in new black mat. Unframed. Mat size: 13"H x 16"W Paper size: 9"H x 12"W Provenance: This piece was from Erle Loran's sketch book and this drawing was then matted, purchased from the Erle Loran estate and the Carlson Gallery, Carmel. Erle Loran was a modernist of urban-coast views and geometric painting. Loran was born in Minneapolis, Minnesota in 1905. He attended the University of Minnesota for a while before studying at the Minneapolis School of Art, under Cameron Booth...

A set of lithographs by College of San Mateo class of 1989, instructed by Patricia A. Pearce (American, b 1948). Pieces are individually signed by each artist. Each print is on laid paper, meaning they all have ragged edges. Presented in a black folio with title sheet, table of contents, and ties. Includes protective tissue paper dividers between each piece. Image size: 14"H x 11"W Patricia Pearce is a California artist who attended San Francisco State and UC Irvine and is the adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo, San Francisco Exhibitions: Montalvo, California Center for the Arts; Pacific Prints, Palo Alto. Other artists in the collection include: Peggy Christgau (American, b. 1939) Marcia Pagels (American, b. 1930) - BA in Art, Stanford, 1951. Barbara Cohn (American, b. 1923) Megumi Kido Julia Pitcher (American, b. 1942) Bu King Liane Rocker (American, b. 1929) Jane Leddy...

Beautiful painterly style watercolor still life of yellow roses mixed with red buds by Mary Alice Hinman (American, 1930-2012), c.1990s. Signed "M.A. Hinman" lower right. Image, 10.5...

Joyful image of a woodcut print of a Reindeer pulling a Laplander Sami in his Pulk (small toboggan), a traditional scene in Lapland folklore and history by Yuri Mot. Signed indistinc...

Rene Genis (French 1922-2004) Title illegibly written. "La Bienne" "Jura" (?) - Illegible - "The Property" in "Jura" Switzerland. Rolling hills on background, trees, glade and pond(?...

Turbulent seascape by an unknown artist (20th Century). Just offshore, waves crash up against jagged rocks. The waves and rocks are rendered with impasto, creating texture and thickn...

Watercolor of pink begonias by Barbara Gibson (20th Century). A large tuberous begonia is potted in a green pot. There are several large blossoms, and a few ...