Art by Medium: Laid Paper

A lovely, early drawing of the Roman god Mercury. Pen and brown ink on cream laid paper, with a partial crown and shield watermark, 7 1/4 x 4 7/8 inches (184x 123 mm) (matrix). In go...

Vintage Etching - Cathedral of Notre Dame and the Chapel of St. Michel, 1928 Vintage black and white etching of the Cathedral of Notre Dame and the Chapel of St. Michel, 1928 by Joh...

Linda Stein, Practice Makes Perfect 120 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Practice Makes Perfect 120 is from Linda Stein's Missives series--a body of work...

Etching on cream laid antique J Whatman paper with a watermark, 4 1/2 x 2 3/8 inches (109 x 61 mm); sheet 8 1/2 x 6 1/8 inches (216 x 153 mm), full margins. A proof impression from t...

Amsterdam: Francois Halma, circa 1700. Engraving on laid paper, 13 x 7 3/4 inches (350 x 197 mm); sheet 15 3/4 x 9 3/4 inches (400 x 248 mm), full margins. In very good condition wi...

Linda Stein, Rolling Wave 127 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Rolling Wave 127 is from Linda Stein's Missives series--a body of work born from her earli...

Linda Stein, Voyage Beyond 122 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Voyage Beyond 122 is from Linda Stein's Missives series--a body of work born from her ear...

Etching on antique laid paper, 6 9/16 x 3 15/16 inches (167 x 100 mm), signed and dated in pencil, lower margin. Potentially a trial proof impression aside from the unsigned edition of 1459. Non-archival tape residue along the top and bottom sheet edges, recto, well outside of image area. Scattered handling creases and general scattered soiling in the margins, minor and unobtrusive. [Fletcher 217]. This work was commissioned by The Architectural Forum...

Carl Haag 1820 - 1915 One of the Howling Dawashes in Cairo Watercolour on paper, signed lower right & dated 1880 Image Size: 10 5/8 x 7 3/4 inches (27 x 19.5 cm) Original Frame ...

London: 1876. Etching with drypoint on cream laid paper with a partial large heraldic watermark, 9 3/4 x 6 1/2 inches (247 x 165 mm); sheet 14 x 10 3/8 inches (355 x 264 mm), full m...

These beautiful Italian 18th Centruy engravings on laid paper feature the portrait of two famous Italian painters: Veronese and Guido Reni. They were engraved by Pier Antonio Pazzi a...

Original leaflet from Johann Prüss' 1479 printing of "Das Heldenbuch." The Heldenbücher is the title given to a group of late medieval/early renaissance Germanic manuscripts primari...

Wonderful geometric abstract screen print abstract in black, blue and yellow by Margo Hoff (American, 1912-2008), circa 1980. Titled "Construction Over Yellow Sky" lower left and signed lower right. Unframed. Presented on mat. Image size: 22"H x 30"W. Margo Hoff was born in Tulsa, Oklahoma, in 1912—the second oldest of eight children. Stricken with typhoid fever in 1923, she was bedridden for a summer and amused herself by drawing and making paper cutouts. Her formal studies began in high school and continued during two years at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago where she took classes at Hull House, the National Academy of Art and, later, the School of the Art Institute of Chicago. She remained in Chicago until 1960 and the city’s vibrant mid-century art scene profoundly shaped the first half of her artistic career. Hoff’s Chicago paintings were almost entirely figurative and evidence a classic mid-century modern urbanism informed by Matisse, the Mexican muralists, and other artists of the local milieu. Hoff traveled extensively throughout her life, in the United States, Central and South America, the Middle East, Asia, Africa and Europe. When asked about the influences on her work Hoff stated “Almost anything except the work of other artists.” She cited the sources of her inspiration in “rocks, weeds, views from airplanes, rivers, subways, forests, machines, kinds of lights, red...

Etching with engraving on cream laid paper with a partial watermark, 12 x 8 1/4 (305 x 210 mm); sheet 16 3/4 x 11 inches (425 x 280 mm), full margins. Signed by both Sweet and Shapla...

"Boonton Falls" Forest Landscape in Watercolor on Paper Serene landscape by Hedy Pfreundschuh (American, b. 1937). A river is flowing towards the viewer, with a waterfall in the mid...

"Japanese Poster", Modern Pop Art Black & White Limited Edition Photograph 12/25 Whimsical & edgy modern archival digital photograph, limited edition giclee by Graham Nash (...

Graphite and watercolor on light weight salmon-colored wove paper, 4 1/4 x 7 5/8 inches (109 x 194 mm), the full sheet. An unfinished study in good condition. On the mat-back is a n...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 112] A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Pen and sepia ink on cream laid paper, 8 3/4 x 5 3/8 inches (222 x 136 mm). Scattered paper tape repairs on the verso in the area of the upper left corner, and along the right sheet...

Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in black ink on the recto, as well as the Jaipur City Council blindstamp, 13 5/8...

Punchy reds and zestful hot pinks convey a sense of intense motion and engine heat. The art is as much a color-field painting as a narrative work. It was a commissioned illustration for Sports Illustrated...

"Tarantella" - Geometric Abstract Screen Print with Peach, Red, and Black A minimal geometric abstract screen print in peach, red and black by Michael Hale (British, b. 1934). Prese...

Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...

New York: New York Etching Club, 1887. Etching with aquatint in brown ink on cream laid paper, 4 x 5 inches (98 x 125 mm), full margins. In excellent condition.

Benedetto Caliari (Verona 1538 – 1598 Venice) Portrait of a Woman Pen and brown ink, brown ink wash, heightened with white gouache, on prepared brown paper 22.4 × 30 cm Provenance...

An impression printed by the artist Etching on antique cream laid paper, 1 7/8 x 3 1/8 inches (49 x 79 mm), full margins. Signed, dated, and titled in pencil, lower margin. From the...

Antique French print of an archway with a seascape in the background by Emilie Richard Haumont (early 20th cent). Beautifully rendered piece of an idyll...

A superb impression of a scarce proof on rare paper. Etching on blue laid watermarked "Hand Made" paper, 7 3/8 x 3/14 inches (188 x 83 mm); sheet 11 1/2 x 8 1/4 inches (292 x 209 mm...

Engraving on light weight laid paper with an small indiscernible, alphabetic watermark, 9 x 7 1/2 (230 x 188 mm); sheet 11 1/4 x 8 1/2 inches (284 x 215 mm), wide margins. In very go...

This watercolour is hand signed and dated in pencil by the artist "Heckel 48" [1948] in the lower right image. It is also hand titled in pencil “Gelbe Blüten” [Yellow Flowers] in th...

Allan D'Arcangelo Constellation, 1971 Acrylic on paper, mounted to canvas Hand signed and dated 1971 lower front Frame included Measurements: Framed: 23.75 x 23.75 x 1.25 inches Artw...

Ink and gouache with yellow heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, and the Jaipur State Council Stamp dated June 5 18...

Etching on antique laid Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signed, dated and inscribed "Ed. 100 II" in pencil in the lower margin. One of 100 impressio...

Graphite on cream wove paper, laid down to a laid paper matrix with an E & J 1802 watermark, titled in ink and pencil in the margin, 21 1/8 x 15 inches (537 x 381 mm), the full sheet...

Engraving on cream laid paper laid down to wove paper, 4 1/4 x 2 5/8 inches (109 x 68), trimmed inside the platemark. Scattered discoloration and uniform age tone, all consistent wit...

Etching on antique cream laid paper with a deckle edge and an unidentified round watermark with an arm holding a torch, 3 1/2 x 5 5/8 inches (89 x 144 mm); sheet 5 3/4 x 8 3/8 inches...

Rosanna Gaddoni Attunement 66 x 48 cm Charcoal and graphite on Rives Arches Paper 175 gm2 crème white Framed the size is 78 x 58,5 cm ( Frame is included in price) Framed in a natu...

Etching by Brunet-Debaines, Alfred (after William Ewart Lockhart) Paris: A. Durand, 1878. Etching on watermarked Van Gelder Portfolio cream laid paper,10 1/4 x 7 1/4 inches (260 x ...

Original stipple engraving on a verge type of hand laid paper. The overall size of the engraving is 15.75 inches by 12.75 inches The image size of the engraving is 14 inches by 12 i...

JOHN EDWARD GOODALL 1853 - 1920 THE CHOSEN PATH Pencil, watercolour and gouache, signed lower right Image size: 6 ¼ x 8 ¼ inches (16 x 21 cm) Hand made gilt frame John Edward Goodall was the son of Alfred Goodall and Mary Palmer. Alfred was a brother to Edward A. and Frederick Goodall, both accomplished artists. He was most prolific during the period between 1877 and 1911. In the 1891 census he is shown as being married to Grace, manager of the Sommerville Club, London but by 1901 he is to be found with a woman named Annie. John associated with a bohemian art circle and tended to have a corresponding lifestyle. The work produced by Goodall is well executed and often in watercolour. He trained at art school in London and travelled extensively. He was not the prolific artist like his uncles and a lot about his life is still...

Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...

Wonderful painting of mist at the base of Grand Teton Peak in the Grand Tetons titled "Morning Mist" by Keith Fay (American, 1920 - 2008), circa 1980), C. 19...

Etching on extremely delicate antique Japon laid paper, 12 x 5 (305 x 127 mm); sheet 15 3/4 x 7 1/8 inches (400 x 178 mm), full margins. In very good condition. A magnificently detai...

Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...

ARTIFACTS, 2015, Acrylic painting on paper artist mounted to panel, Hand signed and dated right side Dimensions: 24 x 43 x 1 ¾” This depicts an old cast iron Mickey Mouse...

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

Graphite on grayish brown laid paper, 4 1/2 x 8 5/8 inches (107 x 217 mm), the full sheet. In good condition with light toning and a small loss at the lower left corner. There are ad...

An 18th century view of the first permanent water fountain in London. London: J.Boydell, 1753. Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...

Japan: circa 1770. Woodcut on cream laid paper, 7 1/4 x 2 1/2 inches (182 x 63 mm), narrow margins. Laid down to non-archival board with scattered soiling and some adhesive staining...

Heliogravure on cream laid paper, 6 1/2 x 5 1/2 inches (164 x 138 mm), thread margins. Uniform toning on the recto, and scattered light foxing and various notations in purple ink and...

"The Retreat From Long Island" - 1932 Etching On Paper Black and white etching titled "The Retreat from Long Island" (from the portfolio ​“The Bicentennial Pageant of George Washing...

After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...

A signed impression from the artist's own collection. Kansas City: Miniature Print Society, 1946. Etching on antique cream laid paper, 3 5/15 x 1 7/8 inches (84 x 49 mm), full margi...

Etching with engraving and drypoint printed in brownish black ink on cream laid paper with a partial heraldic A and fleur-de-lis watermark, 5 5/8 x 4 1/4 inches ( 341 x 107 mm), full...

Executed in 1911, just three years after Margherita Kronberg graduated from the Royal Academy of Fine Arts, this early drawing portrays the artist’s younger brother, Staffan, dressed...

"Charge of the Revolutionist Cavalry" - 1931 Woodcut On Paper 1931 Black and white woodcut print titled "Charge of the Revolutionist Cavalry" by Leo...

Oil pastel on paper realized by Sirio Pellegrini in 1960s. Very good condition. Includes a coeval wooden frame cm. 52x61.5. Sirio Pellegrini, born in Rome on March 1, 1922, of Abr...

Rosanna Gaddoni Solstizio d’Inverno 102 x 66 cm Charcoal and graphite on Rives Arches Paper 175 gm2 crème white Framed the size is 112 x 78 cm ( Frame is included in price) Framed ...

Signed lower right, second panel, 'Isabelle Schrock' for Isabelle Schrock Barnett (American, 1903-1995) and painted circa 1975. Additionally s...

Gorgeous mid century landscape of High Sierras full of clouds and cool lake water. some impasto texture also. A well done oil by a California plein air painter. Image 24"H x 30"W Oi...