Art by Medium: Laid Paper

Subscription lithographs in stock Full plate: 2 Presented in a acid free mount David Roberts' The Holy Land. nPublished by F.G. Moon & Son, London 1842-49. This Vignette represents...

Mariano Rodriguez Gallo, 1941 Ink, Tempera, and watercolor on paper 13 x 10 in Signed on the lower right. COA by Mariano Rodriguez Foundation, Madrid. Provenance: Private Collectio...

Cut paper collage for proposed Holiday Magazine Cover. Inscribed on Verso. Rudolph de Harak was a graphic and environmental designer and art director ...

Oil, acrylic, spraypaint on canvas. Bridge to a friend of the artist's house.

Mariano Rodriguez Sketch for Pelea de Gallos, 1942, Pencil and watercolor on paper 11 x 14 in Provenance: State of the artist Private Collection, Monaco. Exhibited: 2004: Mariano. ...

James Louis Steg Untitled (children playing and dolls) 30 x 22 “ Xerography on paper on paperboard Unsigned This is a unique work, a collage made from manipulated xerography. James...

Huang Wei's 2021 watercolor painting, Deep Tranquility Flows, is a profound meditation on serenity, deeply influenced by Tibetan Buddhist philosophy. Through fluid, wave-like patterns in mesmerizing shades of blue, Wei evokes the essence of water as both a physical and spiritual element—symbolizing impermanence, harmony, and the flow of inner peace. The painting’s deep, layered blues recall the sacred hues often found in Tibetan thangka paintings, associated with wisdom and the infinite nature of the mind. The undulating forms mimic the movement of flowing currents, much like the cyclical rhythms of meditation and breath in Buddhist practice. Wei’s meticulous brushwork creates a rhythmic stillness, drawing the viewer into a contemplative state, reminiscent of the tranquility sought in Tibetan Buddhist teachings. Blending traditional Chinese techniques with contemporary watercolor expression, Deep Tranquility Flows transcends mere visual beauty. It becomes a spiritual experience—an invitation to pause, reflect, and connect with the deeper currents of existence. Wei’s work reminds us of the profound calm found in nature and within ourselves, offering a moment of peace amid the chaos of modern life. Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

A wonderful abstract expressionist three dimensional construction by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This construction consists of antique lithographs laid on board, including a shooting target sheet, and metal jacks, all presented on an antique celestial map...

A fine abstract expressionist paper collage with windmills by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of antique sepia...

This unusual work by Jacques Schultz-Dal presents a rare and highly appealing subject : a portfolio for drawings, one of the most intimate objects of the artist’s studio and of the w...

Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

Approximate Date: 1895 Medium: Gouache on paper laid to card Signature: Signed and dated 'R.F. Zogbaum/ 95' bottom right Size: 18 x 13 3/4 in. Harper's Weekly: A Journal of Civilization, New York, December 28, 1895, vol. XXXIX, no. 2036, (cover illustration). The present painting represents a battle fought August 9 and 10, 1877, between the United States troops and Chief Joseph...

Two elegant and leggy models are rendered and meticulously designed in this illustration for Geoffrey Beene. Miyake's composition is one model as two or two models as one. We see th...

JOHN EDWARD GOODALL 1853 - 1920 THE CHOSEN PATH Pencil, watercolour and gouache, signed lower right Image size: 6 ¼ x 8 ¼ inches (16 x 21 cm) Hand made gilt frame John Edward Goodall was the son of Alfred Goodall and Mary Palmer. Alfred was a brother to Edward A. and Frederick Goodall, both accomplished artists. He was most prolific during the period between 1877 and 1911. In the 1891 census he is shown as being married to Grace, manager of the Sommerville Club, London but by 1901 he is to be found with a woman named Annie. John associated with a bohemian art circle and tended to have a corresponding lifestyle. The work produced by Goodall is well executed and often in watercolour. He trained at art school in London and travelled extensively. He was not the prolific artist like his uncles and a lot about his life is still...

Mixed media on paper, 1989, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 29 1/2 x 22 in. (sheet), 32 1/2 x 24 1/2 in. (frame).

mounted, framed and glazed Adele Moreau is a London based artist. She constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books...

This watercolour painting is by the English artist Henry Ryland, celebrated in his day and since for his Neoclassical pictures. Ryland was a contemporary of Lawrence Alma-Tadema and ...

Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautif...

Original mixed media composition by French contemporary artist Richard Texier (born 1955), titled “Paysages à Délices”, executed in 1986. This highly expressive work combines ink, w...

Circle of Adolph von Menzel (Berlin or Munich, circa 1890) Head of a Bearded Man in Profile, Wearing an Officer's Jacket Black chalk and white chalk on prepared blue paper, 45 × 30....

David Roberts RA Fortress of Akaba 1796 - 1864 Subscription Edition lithograph Half plate: 107 Presented in a acid free mount

David Roberts RA Hebron 1796 - 1864 First Edition and Subscription Edition lithographs available Full plate: 55 Presented in a acid free mount Modern hand-coloured lithograph for th...

First Edition lithograph Half plate: 19 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

A fine abstract expressionist paper construction by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This construction consists of a cut-out of a horse, a celestial map, several small animal figures, with a yellow brick wall paper background, monogrammed lower right “VB,” signed, dated 2002, and titled on verso “The Great...

A fine abstract expressionist paper collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of a cut-out of a rose, shooting target, map, and horse with an antique marbled paper...

Mixed media on laid paper by Hubert Brake. "Abstrakte Komposition I", 1952 48,6 x 62 cm signed and dated

Mixed media on paper, 1989, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 29 1/2 x 22 in. (sheet), 32 1/2 x 24 1/2 in. (frame).

Chryssa began working with neon in 1962, creating large-scale neon works using faux letters rather than legible characters. Reduced to base semiotics, her letterforms became examinat...

Signed oil on paper laid on board figures in landscape circa 1890 by French Neo-Impressionist painter Albert Dubois-Pillet. This pointillist piece depicts and elegant couple enjoying...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This abstract oil painting by late Houston artist Dick Wray exhibits a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s artw...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

An original crayon on paper drawing by Benjamin Benno, American (1901 - 1980) measuring 30 x 17 inches. By the early 1930s he had established a reputation as a member of the internat...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

An original oil pastel on paper drawing by Benjamin Benno, American (1901 - 1980) measuring 19 x 25 inches. By the early 1930s he had established a reputation as a member of the inte...

An original oil pastel on paper drawing by Benjamin Benno, American (1901 - 1980) measuring 19 x 25 inches. By the early 1930s he had established a reputation as a member of the international avant-garde and exhibited with the most significant European artists including Paul Klee, Max Ernst, Wassily Kandinsky, Salvador Dalí, Joan Miró, Hans Arp, and Fernand Léger. Pablo Picasso sponsored Benno's first one-man show in Paris in 1934. Still Life with Mandolin...

Guiseppe Aureli (1858-1929) "An Opulent Evening" c. 1880s Watercolor on Paper Signed Lower Right Site Size: approx. 30 x 20 inches Framed Size: approx. 37 x 29 inches Giuseppe Aureli (December 5, 1858 in Rome – 1929) was an Italian painter and watercolorist. His work is noted for its historical subject matter, portraits of Italian noble families as well as genre paintings and local scenes, especially work with Oriental themes. He received his early art education at the Academia de San Luca where he was the pupil of Pietro Gabarini and Cesare Maccari.[1] He exhibited in various exhibitions; including: The International Exhibition of 1888 in Munich and the World Fair of 1893 in Chicago, but his Oriental works were rarely included in these early exhibitions. Having his workshop at 48 Via Margutta in Rome, Aureli was in a position to exchange ideas with the most prolific Orientalist artists at that the time. He used the same staircase that led to a rabbit-warren of studios including those of Filippo Bartolini, Enrico Tarenghi...

Colt Type 10, 2016 Mixed media on hand-collaged paper 10 1/2 × 8 in 26.7 × 20.3 cm