Art by Medium: Laid Paper

Haarlem: c1700. Mezzotint on watermarked laid paper, 11 1/2 x 18 1/4 inches (290 x 462 mm), thread margins. In good condition with expert repairs at the right corners, and upper-lef...

Etching on on laid paper, adhered along left sheet edge to archival wove paper. A rich inking impression in very good condition. From the Picart Edition of 1710. - Ex-collection Fer...

Dramatic seascape by an unknown artist (20th Century). Dark clouds are parting over the sea, allowing beams of light to pass through, falling on rocky outcroppings. Two small sailboa...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in purple ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and...

Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...

Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, 12 1/2 x 9 inches (318 x 230 mm). Toning, handling c...

Signed lower left "Vigny" for Sylvain Vigny (French, 1903-1970) and painted, circa 1935, on artists board prepared by Maison Franco, 19 Rue Pastorelli, Nice. Born in Vienna, Sylvain...

Engraving printed in black ink on hand-made, thin-laid paper, 3 5/8 x 3 5/8 inches (84 x 84 mm), 3/4 inch margins. In excellent condition, printed 19th century.

An early 20th century view of Times Square. The Society of Iconophiles, 1904. Lithograph in black ink on tissue-thin, laid Japon paper with an anchor and numeral 48 watermark, 8 3/...

"Ridge Oak" Northern Mt Tamalpais California Watercolor 1991 Perfectly executed plein air watercolor looking out towards Mt. Tamalpais in spring by J. Gal...

Etching on antique laid Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signed, dated and inscribed "Ed. 100 II" in pencil in the lower margin. One of 100 impressio...

Original Mid Century Pen and Ink on Paper "Cowboy and Bronco" Western Genre Compelling pen and ink western picture of Cowboy wrangling the bro...

Washington's Courtship - 1932 Etching on Paper 1932 black and white etching depicting George and Martha Washington by William Auerbach-Levy (Russian, 1889-1964). Titled "Washington'...

Etching on fine, laid antique Head & Co. paper with a partial watermark. 1/2 x 13/16 (13 x 21 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. A trial pr...

Etching on cream laid paper, 4 5/8 x 3 1/2 inches (118 x 89 mm), thread margins. Laid down to a medium weight laid support, scattered nicks and corner wear. The top and bottom corner...

Etching on cream laid Arches paper, 6 9/16 x 5 1/8 inches (166 x 129 mm), full margins. Signed in pencil, lower center margin. A very good impression. Titled, dated, and inscribed in...

A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...

The Japanese film poster for Star Wars Return of the Jedi, featuring very cool artwork by acclaimed Tokyo born illustrator Kazuhiko Sano. Actual poster size is 20 1/4 x 28 3/4 inch...

Etching with aquatint on cream laid paper with a partial Arches watermark, 5 3/8 x 4 inches (135 x 100 mm), full margins. Signed illegibly in pencil in the lower right margin.

Etching on antique laid paper, 6 9/16 x 3 15/16 inches (167 x 100 mm), signed and dated in pencil, lower margin. Potentially a trial proof impression aside from the unsigned edition of 1459. Non-archival tape residue along the top and bottom sheet edges, recto, well outside of image area. Scattered handling creases and general scattered soiling in the margins, minor and unobtrusive. [Fletcher 217]. This work was commissioned by The Architectural Forum...

Linda Stein, Hot Rush 129 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Hot Rush 129 is from Linda Stein's Missives series--a body of work born from her earlier explo...

Linda Stein, Across the Middle 132 - Signed Feminist LGBTQ+ Acrylic Colorful Painting Across the Middle 132 is from Linda Stein's Missives series--a body of work born from her earli...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.003 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.003 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.004 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.004 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Safe Landing 131 - Signed Feminist LGBTQ+ Acrylic on Paper Colorful Painting Safe Landing 131 is from Linda Stein's Missives series--a body of work born from her earli...

A beautiful 18th century nautical scene filled with movement and activity. One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts four vesse...

Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...

"Funchal, Madeira Franciscans Convent" Antique Drawing on Paper Watkinson Delicate and detailed drawing of Funchal, Madeira by Hartford, Connecticut artist Edward Watkins Wells (181...

King, Daniel (with Wenceslaus Hollar) Ordinis Benedictini monialis; Saint Thecla of Kitzengen c 1650. Etching with engraving on cream laid paper with an indiscernible watermark wit...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Baccharis (Baccharises); Chrysocoma (Golden Bitter Bush)" (Syngenesie; Polygamie, Plate 698) Portfolio: His...

Detailed and serene watercolor of a small town at the edge of a body of water by an unknown artist. A large churchtower rises above the buildings, with mountains in the background. A...

Schooners on the Coast with Rocks Tide Pools and bird by Howard Garfield Gray Schooners in the mist by artist and illustrator Howard Garfield Gray (American, 19th-20th C). Watercolor...

California Lake Landscape in Watercolor on Paper Serene landscape by Donna N. Schuster (American, 1883-1953). The viewer stands at the edge of a lake, under a few trees. At the far ...

Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...

Etching on antique Emberlin 1846 cream laid paper with a parial watermark of Britannia, or Seated Victory, set in a cartouche, surmounted by the Crown of England, 3 1/4 x 5 1/2 inche...

Etching with engraving on cream laid Hudelist paper with a large indicative watermark, 5 1/8 x 5 5/8 inches (130 x 143 mm), full margins. From the edition of only 50 impressions prin...

Etching on fine, light cream laid paper, 2 1/4 x 2 15/16 inches ( 58 x 75 mm), full margins. Signed and inscribed "II" in pencil, lower margin. A trial proof impression of the second...

Etching on white laid paper with an "England" watermark, 3 x 1 3/4 inches (76 x 45 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. One of 13 trial proof ...

Etching on handmade, cream laid paper. 5 13/16 x 7 5/8 inches (146 x 192 mm), thread margins. Scattered handling creases, light age tone, and minor paper inconsistoncies throughout....

from "Sport of Love" (Scherzi d'amore) Etching on laid paper with a partial, indiscernible watermark, 5 5/8 x 3 5/8 inches (143 x 93 mm), margins. Scattered light areas of brown disc...

Alexander Liberman STOI V, 1986 Wood with paper and paint 97 1/2 × 28 × 37 inches This work is hand signed twice by Alexander Liberman: Signed on the side as well as the underside an...

Etching with drypoint in black ink on antique laid paper with various large watermarks, 6 3/4 x 5 3/8 inches (172 x 132 mm), full margins with deckle edges on two sides. Signed, date...

Etching on antique laid paper, 6 9/16 x 3 15/16 inches (167 x 100 mm), signed and dated in pencil, lower margin. Potentially a trial proof impression aside from the unsigned edition ...

Paris: Gazette des Beaux Arts, 1896. Etching with aquatint on cream laid paper, 7 7/8 x 4 7/8 (200 x 125 mm), full margins. Edition of roughly 750. In good condition with uniform ton...

A portrait of Maximilien de Bethune, Duc de Sully, the Ambassador from Henry IV of France to James I of England; by Gerard Edelinck, after Franz Pourbus the Younger Etching on fine ...

Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...

Etching with engraving and drypoint printed in brownish black ink on cream laid paper with a partial heraldic A and fleur-de-lis watermark, 5 5/8 x 4 1/4 inches ( 341 x 107 mm), full...

Etching on F.J. Head & Co. watermarked cream laid paper, 8 1/8 x 7 5/8 (205 x 184 mm), full margins. Signed and dated in pencil, lower margin. Illustrated in Dorothy Noyes Arms, Chur...

tching on green-hued antique laid Japon paper, 9 7/16 x 4 1/16 (240 x 104 mm), full margins. Signed, dated and inscribed "Ed. 100 II." One of a total edition on 124 impressions, prin...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in black ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and ...

An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery. Lucas Vorsterman the Elder (after Anthony van Dyck). Carolus de Mallery, from Icones Principum Viror...

An 18th century view of the first permanent water fountain in London. London: J.Boydell, 1753. Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...

London: A. Churchill & J. Knapton, 1754 Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...

Vintage American abstract oil painting. Oil on canvas. Framed. Measuring: 22.5 by 12.5 inches overall and 22 x 12 painting alone. Signed on verso "Paola Asse" Framed in a wood moldin...

After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in gray ink, and the 1889 Jaipur State Council stamp in black ink, 13 1/4 x 8 3/4 inches (335 x 222 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval Hindi inscriptions in ink on the recto. "A ragamala, translated from Sanskrit as "garland of ragas," is a series of paintings depicting a range of musical melodies known as ragas. Its root word, raga, means color, mood, and delight, and the depiction of these moods was a favored subject in later Indian court paintings...

Deuchar, David, (after van Ostade). Little Girl Playing with a Baby in its Mother's Arms; Mother with Two Children. Edinburgh: c 1800. Etching on cream laid paper, 3 3/4 x 2 3/4 inch...

Shops in a Small Town - Original Watercolor on Paper Beautiful watercolor painting a small town main street by Ken L. Stephens (American, 20th Century). There are several colorful b...

Black crayon and graphite with white heightening on blue handmade laid paper. Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand. ________ Aglio was born in Cremona is 1777 and his artistic talent was recognized early in his life. He was promised a place at the University in Milan by the Holy Roman Emperor, however, his formal education was upended before it even began by the invasion of Italy and Austria by Napoleon. Aglio joined the war effort and fought in a series of major battles near Venice before becoming seriously ill. At the age of about 23 he was released from duty, and traveled to Rome to focus on his health, and landscape painting. In Rome, Aglio studied with the renowned artist Campovecchio. At the invitation of well known British architect William Wilkins (designer of the National Gallery and University College London), Aglio relocated to London in 1803. He made London his permanent home, and married Letitia Clarke in 1805. He enjoyed a lucrative career painting frescoes in the interiors of high society townhouses, country manors, and major London concert halls and theaters. Most notably, Aglio painted multiple official portraits of Queen Victoria...