Art by Medium: Laid Paper

Artist: (after) Anthony van Dyck (Dutch, 1599-1641) Title: "Dominus Nicolaus Vander Borcht" Year: 1703 (first or second state of three) Medium: Original Engraving on laid paper Limi...

Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" (Plates 90, 308) Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History Year: 1743-1764 Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers Limited edition: Unknown Printer: C. Rickaby, London, UK Publisher: William Gardiner and Messrs. Robinson, London, UK Sheet size (each): approx. 11.25" x 9" Image size (each): approx. 8.63" x 7.38" Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198 Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors Notes: Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included. Biography: George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...

Giovanni Benedetto Castiglione, called Il Grechetto (Genoa 1609–1664 Mantua) The Raising of Lazarus Brush drawing in red and brown oil paint, heightened with blue and white, on laid...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226) Portfolio: Buck's Antiquities or Venerable ...

Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of this New Design to the Earl of Islay" (Vol. 1, Plate 53) and "This New Design to the Earl of Islay" (Vol. 1, Plate 5...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting Framed size: 18.63" x 16.38" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

A searing, veiled political and religious allegory targeting the Spanish Inquisition and the persecution of Protestants in the Netherlands during the Eighty Years' War. Haarlem: Hen...

Artist: Paul Rodolphe Joseph Dujardin (French, 1843-1913) Title: "Portrait de Mlle L... (Portrait of Miss L...)" Portfolio: Gazette des Beaux-Arts *Signed by Dujardin after Lehmann i...

Artist: Pierre Bulliard (French, 1742-1793) Titles: "La Gratiole Officinale (Grace of God)" (Plate 130), "La Digitale Jaune (Yellow Foxglove)" (Plate 65), "La Renoncule Acre (Acre Bu...

FEDERICO BAROCCI (Urbino 1526-35 - 1612) Study of bearded man Black and red chalk, stumping, pastel heightened with white on brown-prepared paper 15 3/8 x 10 5/8 in 39 x 27 cm Unsi...

Surreal abstract figurative of a dreamy, meditative scene including multiple figures and flowers, blended with sill-life and landscape elements by Noel Howard (American, 20th Century...

Date: 1938 Medium: Oil on Paperboard Sight Size 20.25" x 13.875", Framed to 27.50" x 21.00" Signature: Signed Lower Right with Initials: N/R 'Philip found himself involved in a humi...

Artus WOLFAERTS (1581-1641) Study of a head Oil on paper, transferred on panel. 39,5 x 29 cm Unsigned Provenance Private collection, France Firstly thought to be from Rubens’s S...

Wrapped Statues/West Germany Christo (Bulgarian, 1935-2020) Mixed Media Hand-signed lower right Numbered PP 1/10 lower left 35 x 27 inches 39.25 x 31.2...

Attributed to Gabriel-Jacques de Saint-Aubin (Paris, 1724 – 1780) Le Menuet, circa 1765–1770 Red chalk on paper 13 3/8 x 8 1/4 in (34 x 21 cm) Verso: black chalk and red chalk Unsi...

DAVID ROBERTS RA Convent of St Saba 1796 - 1864 First Edition lithograph Full plate: 53 Presented in a acid free mount Original hand coloured subscription edition and Modern hand-c...

Seba, Albertus. Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam. Amsterdam, Wetsten, Smith, Jans...

Estate stamp, verso, for Victor di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

A very good, dark and evenly-printed impression of this scarce lithograph on cream laid paper. From the edition of approximately 50.

Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745. This plate: Cereus Minimus Serpens Americanus. [Cactus]. Mezzotint engraving print...

OSKAR BERGMAN (1879–1963) Sweden BAGGENSFJÄRDEN, STOCKHOLM, 1922 signed and dated lower right pencil on paper unframed 18 × 26.5 cm (7.1 × 10.4 in) framed 23.5 × 32 cm (9.3 × 12.6 ...

French School, 18th century Circle of Hubert Robert (1733–1808) Landscape with Antique Ruins Red chalk on paper, 31 x 20.5 cm Unsigned Collector’s stamp lower left, very faint: “L...

French Symbolist School (circa 1890–1910) Landscape with Meditative Figures Charcoal on paper (watermark “France” and “Ingres d’Arches,” circa 1890) 57 x 31 cm Provenance: Private ...

David Roberts RA The Entrance to the Citadel of Cairo 1796 - 1864 Subscription & first edition lithographs in stock Full plate: 228 Presented in an acid free mount The viewpoint is ...

Etching on laid paper, 13 1/2 x 7 1/2 (343 x 191); sheet 16 1/2 x 11 inches (420 x 280 mm), full margins. Signed and dated by Arms in the lower right corner. From the edition of 150 ...

First edition lithograph Half plate: 9 Presented in a acid free mount Published by F.G. Moon & Son, London 1842-49.

Hidetaka Ohno abstract expressionist painting Titled: No.2 - 1960 1960 Sumi ink on paper Measures 26 x 22.75 inches sight size, and 30.2 x 26.75 x 1 inches overall, including the fr...

Woodcut on laid paper, 8 3/8 x 9 1/8 inches (212 x 233 mm), the full sheet. In excellent condition with text and portraits of Empedocles, Sapho, Zeuxis and others on the verso, as is...

A late-Boroque study of relief-style carvings adorned with scrolling acanthus leaves, mythical figures, and floral swags. Graphite on cream laid paper, 6 x 4 1/2 inches (154 x 115 m...

A Medici-era study of decorative carousels from an equestrian pageant. c1700. Pen and brown ink on cream laid paper, 3 x 8 inches (76 x 230 mm), the full sheet. In good condition wi...

c1700. Pen and brown ink on cream laid paper, 3 x 8 inches (76 x 230 mm), the full sheet. In good condition with some edge wear and losses at all but the lower right corner. Adhered ...

An early impression from an exceptional English collection. Rome: M. Scheap, 1658. Engraving on cream laid paper, 4 5/8 x 5 7/8 inches (117 x 125 mm); sheet 5 x 6 1/8 inches (128 x...

Untitled Prakash Jogi Ink on Paper 30cm x 42cm Signed and Dated 2014

An oil painting featuring a typical western USA mountains. The oil painting is based on a photographic base using photo graphic paper laid on the canvas. Ayline Olukman is a multim...

Frankfurt: c1549. Engraving on laid paper, 7/8 x 5 3/8 (22 x 136 mm), thread margins. Fine impression. A fine first state (of 3) impression, with the collector's stamp of Pieter M.M....

Utrecht: Herman van Swanevelt, c1650. Etching on cream laid paper, 6 3/4 x 10 3/4 (172 x 273 mm); sheet 7 1/4 x 11 inches (185 x 280 mm), margins. In good condition with some minor s...

Italian School, 18th century, circle of Giovanni Battista Piranesi Capriccio con arco (verso: study of a man) Brown ink on paper, 39 x 24.5 cm Unsigned Provenance: Private collec...

An image after the draftsman who accompanied Captain James Cook, R. N. on his second voyage of exploration to the South Pacific aboard the Resolution (1772–75). London: Hogg, Alexan...

Wonderful geometric abstract screen print abstract in black, blue and yellow by Margo Hoff (American, 1912-2008), circa 1980. Titled "Construction Over Yellow Sky" lower left and signed lower right. Unframed. Presented on mat. Image size: 22"H x 30"W. Margo Hoff was born in Tulsa, Oklahoma, in 1912—the second oldest of eight children. Stricken with typhoid fever in 1923, she was bedridden for a summer and amused herself by drawing and making paper cutouts. Her formal studies began in high school and continued during two years at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago where she took classes at Hull House, the National Academy of Art and, later, the School of the Art Institute of Chicago. She remained in Chicago until 1960 and the city’s vibrant mid-century art scene profoundly shaped the first half of her artistic career. Hoff’s Chicago paintings were almost entirely figurative and evidence a classic mid-century modern urbanism informed by Matisse, the Mexican muralists, and other artists of the local milieu. Hoff traveled extensively throughout her life, in the United States, Central and South America, the Middle East, Asia, Africa and Europe. When asked about the influences on her work Hoff stated “Almost anything except the work of other artists.” She cited the sources of her inspiration in “rocks, weeds, views from airplanes, rivers, subways, forests, machines, kinds of lights, red...

Shackled Ottoman slaves prepare a communal meal in a military field camp. A superb impression from an important English collection. Rome: M. Scheap, 1658. Engraving on cream laid p...

We are pleased to offer another impressive abstract expression painting by French abstract expressionist artist Christophe. This painti...

A fierce battle scene with women warriors. (after Perino del Vaga) Engraving on oval-shaped light laid paper, 8 1/4 x 10 3/4 inches (260 x 274 mm), the full sheet, trimmed at the pl...

Allan D'Arcangelo Constellation, 1971 Acrylic on paper, mounted to canvas Hand signed and dated 1971 lower front Frame included Measurements: Framed: 23.75 x 23.75 x 1.25 inches Artw...

"Japanese Poster", Modern Pop Art Black & White Limited Edition Photograph 12/25 Whimsical & edgy modern archival digital photograph, limited edition giclee by Graham Nash (...

Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...

Jean Crotti Jeune fille aux cheveux roulés (Girl with rolled-up hair), ca. 1920 Pencil on paper 17 9/10 × 12 3/5 in 45.5 × 32 cm Unsigned Condition: Excellent condition.

Miriam Schapiro Cabinet, 1999 Fabric, Rickrack, photography, magazine images, greeting cards, lithography, collage, text Hand Signed and dated by the artist on the lower right front ...

Rome: Scudellari, 1822. Engraving on laid paper, 13 3/8 x 18 1/4 inches (350 x 464 mm), the full sheet, trimmed at the platemark. In very good condition with minor toning and handli...

This charcoal drawing from 1910 is an unusually powerful example of David Cronholm’s ability to transform a forest motif into something at once precise, immersive and deeply atmosphe...

Signed lower left, 'Carole Barnes AWS' (American, 20th century) and painted circa 1985. Carole Barnes has exhibited widely and with success and is the recipient of over 50 prizes, m...

These colored engravings are from Edward Joseph Lowe's 1861 book "Beautiful Leaved Plants. Being a Description of the Most Beautiful Leaved Plants ...

A collabroation between Sir William Hamilton & Pietro Fabris Naples: Pietro Fabris, 1776. Engraving with hand coloring in gouache and watercolor on 18th century laid paper with an...

In this double-sided red chalk study, Simone Cantarini offers us a double reflection on the theme of the Judgment of Solomon. This sheet reveals his precise style and his sense of de...

DAVID ROBERTS RA Sebaste, Ancient Samaria 1796 - 1864 First Edition lithograph Full plate: 44 Presented in a acid free mount Modern hand-coloured lithograph for the first edition o...

Damien Hirst "Shark" Sketch of the famous shark of Damien Hirst and signed by the artist, Ink on paper. 20,5 x 29 in Frame included

A superb impression of Martin Lewis's consummate image of Japan. Etching with drypoint on fine cream laid paper, 13 7/8 x 10 3/8 inches (352 x 265 mm); sheet 17 3/4 x 14 1/4 inches ...

A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...

Etching on elaborately watermarked, antique, cream laid Dard Hunter paper, 13 5/8 x 7 1/78 inches (347 x 181 mm), full margins. Signed, titled, dated and inscribed "Ed. 100 II." From...

Julien Leopold BOILLY Paris 1796-1874 Portrait of a man First third of the 19th century Pierre noire Signed on the right 23,5 x 17 cm 38 x 29 cm framed Small stains

Etching with engraving on thin laid paper with an unidentified ovoid purple ink stamp (not in Lugt), 9 3/4 x 12 7/8 inches (247 x 326 mm), thread margins. Uniform age tone with scatt...