Dick Wray

"Untitled #1422" - Abstract Oil Painting, Gestural Abstraction, Contemporary art

2003

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This abstract oil painting by late Houston artist Dick Wray exhibits a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s artw...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

Marcelle Ferron (1924-2001) is one of the most important artists from Quebec. A master of abstraction, she is one of the two women who signed the Refus Global in 1948 and exhibited w...

Assemblage of 16 canvases 8.5 x 11 inches each one, total assemblage size 37 x 47 inches (direction installation sheet will be provided) Framing option is available. This painting i...

This is an Abstract Expressionist torn and folded paper painted collage. The paper is metallicized through some process. they are very luminous and beautiful. it is mounted on heav...

This is an Abstract Expressionist torn and folded paper painted collage. The paper is metallised through some process. they are very luminous and beautiful. it is mounted on heavy ...

Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This San Francisco Bay area artist studied with Jerry Morgan at the San Francisco Art Institute and has ex...

Robert Motherwell Elegy to the Spanish Republic No. 110C 1968 Acrylic and graphite on paper 15.2 x 20.3 cms (6 x 8 ins) Robert Motherwell's Elegies series represent one of the iconic motifs of Abstract Expressionism.  Based on a 1948 ink illustration the artist executed accompanying a Harold Rosenberg poem, “A Bird for every bird,” the drawing shows the hypnotically repetitive patterning of ovoids and vertical beams.  The stark contrast of the black ink on white paper references the symbolic use of the color black by artists such as Goya, Manet and Matisse to convey death, loss, and tragedy.  Motherwell was quite affected by the turbulence of the Spanish Civil War and alludes to the Spanish republic in his Elegies. Motherwell’s plumbing the depths of poetry, history, and primordial art in the Elegies is considered a hallmark of nascent Abstract Expressionist painting in its desire to "excavate" essential imagery of mankind. Motherwell, who originally trained as a philosophy scholar and later became of the great editors of 20th century art documents, grasped very early on the crucial importance that in order to contribute meaningfully to the canon of modern art, one must create a principle of aesthetics. Through the surrealist concept of automatism, the artist finally found the creative principle that eventually governed his extraordinary artistic output and produced the Elegies, one of the most salient, immediate painterly images of 20th century abstract painting. In fact, he has alluded to the fact that each one of his Elegies begins as an automatic drawing, and certain shapes are then blocked to create the signature armature of the vertical bars and ovals. The Elegies seem to possess the power of an archetypal image, an image the mind already grasps on a subconscious level. Motherwell's play of dualities of black and white as well as other dichotomies—the geometric versus the organic, chaos versus order, death versus life—was a condition of living through a tumultuous period in American history. During an interview, he vividly recalled the 1940s as the time when society was ordered by a set of contradictions.  In Motherwell's Elegies, he not only discovered an incredibly elastic pictorial language that would communicate on multiple levels but also acknowledged these contradictions in a manner that would resonate in abstract form.  The present work served as a model for a painting, Spanish Elegy...