Art by Medium: Lithograph

Color lithograph after the 1954 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Magritte...

Original lithograph design by Le Corbusier for an exhibition held in 1966 at the Pavillon de Marsan in Paris. The original lithograph measures 15.5 x 16 inches. Very rare and hard-to...

This is from the suite by Jean Paul Sartre and Andre Masson, Limited edition of 175. published by Fernand Mourlot, 1961. The portfolio is numbered #29/175 and hand signed by Andre Ma...

Dang (Hoi) Lebadang Floral Still Life Lithograph C.1970 Lithograph dimensions 7" wide x 7.75" high Frame dimensions 17" wide x 19" high (the frame has no glass) Pencil signed and ...

Urbain HUCHET Paris : Concorde Square and American Embassy, c. 1970 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On velllum paper, size 19 x 28 cm (c...

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Medium: original lithograph (in two sections). Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 x 22 3/4 inches (408 x...

Color lithograph. Printed by Ancourt, Paris. The Divan Japonais was a small café-concert at 75 rue des Martyrs, Paris, where Yvette Guilbert began her career. This is Toulouse-Lautr...

Medium: original lithograph. Printed in 1970 for the art revue Derriere le Miroir (issue number 188) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 278 mm). Not signed...

Original large-format Biere Champigneulles antique poster, circa 1925. The artist is Paul Mohr (1890 – 1959). Printed by Affiches Edia, Paris. Archival linen...

Artista: Toulouse Lautrec Año: 1964 Afiche litográfico original de Toulouse Lautrec creado en 1964 para una exposición en la Galerie 65 Cannes, im...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

In the golden age of Belle Époque Paris, the world of art and satire converged with a vibrant energy, encapsulating the spirit of the era. Among the luminaries who illuminated this p...

This artwork "Ballet Dancer" 1989 is a color offset lithograph by American artist Robert Olson. It is hand signed and numbered 140/1275 in gold felt pen. ...

This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...

The lithograph titled “Monolithic” was created in 1999 in an edition of 40 and published by Marvin Bolotsky. This impression is inscribed “39/40”. The paper size is 15.25 x 141.75 i...

Actual Lithograph without matte is 16" X 12". BENJAMIN KOPMAN (1887 - 1965) Painter, Illustrator and printmaker Benjamin Kopman was born in Vitebsk, Russia and emigrated to the Unit...

This stunning original 1957 poster was created for the Musée National d’Art Moderne in Paris to celebrate the pioneering work of Robert Delaunay, one of the founding figures of Orphi...

The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Wo...

Medium: original lithograph. Signed by the artist in blue pencil. Printed by Imprimerie Clot, Bramsen et Georges on Arches paper in a limited edition of 100. This lithograph was publ...

"Eve Incurs God's Displeasure" is an original double sided lithograph by Marc Chagall. On recto the print features the biblical story of Eve being scolded by God for her sin in the G...

This unique and highly evocative work by Jeff Koons unites art historical exhibition ephemera and the artist's own hand into a one-of-a-kind object. The work originates as a rare fol...

Keith Haring Lithograph 1982: Double-sided lithographic insert from the seminal spiral bound, 1982 Tony Shafrazi catalog published on the occasion of Haring's first gallery solo exhi...

color lithograph, linocut, and screenprint with hand-coloring collage on T.H. Saunders and hand-cut Somerset paper Edition 48 of 60 signed, dated, and numbered in pencil (sheet) 52....

Marc CHAGALL Opera Garnier : The Ballet, 1969 Original stone lithograph (Printed in Mourlot workshop) Unsigned and not numbered On paper 35 x 25 cm (c. 14 x 10 inch) Edited by XX Si...

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This ...

Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...

Medium: lithograph. Printed in 1965 on laid paper and published by the Musee National d'Art Moderne of Paris for a rare catalogue. Size: 12 1/2 x 9 1/4 inches (320 x 234 mm). Not sig...

Color lithograph, Edition 30 Kushner has collaborated with Master printer Bud Shark since 1982 on various monotypes and lithographs. These exuberant, sensuous prints often include...

'Babylone d'Allemagne' or 'German Babylon' is an original lithograph poster by the lauded artist of the Art Nouveau style Henri de Toulouse-Lautrec. This is the second poster that La...

Janick LEDERLE On the Greek Island Original lithograph (Mourlot) Handsigned in pencil Numbered on /275 copies On vellum 54 x 69 cm (c. 21.2 x 27.1 in) Excellent condition

This original vintage advertising poster for Cognac Quevedo is a stunning example of early 20th-century commercial art, blending humor, elegance, and striking visuals to promote the ...

"Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses. (M.465)" from Marc Chagall's...

Lithograph with offset lettering Hand signed in graphite by Larry Rivers and inscribed to Al (Abram) Lerner - the Hirshhorn Museum's very first director (more about both Rivers and Lerner below) Also bears artists printed name, copyright and date (1981) A rare proof, aside from the regular edition of 400 Unframed This marvelous hand signed print was published on the occasion of a major 1981 Larry Rivers exhibition at the Hirshhorn. Forty-three works by Rivers, including paintings, sculptures, and mixed-media compositions selected from the Hirshhorn’s permanent collection, were displayed in this exhibition, among them I Like Ingres, Too; Molly and Breakfast; and the massive piece The Russian Revolution. Larry Rivers Biography (courtesy Guggenheim Museum): b. 1923, Bronx, New York; d. 2002, New York Born in August 17, 1923, and raised in the Bronx, Larry Rivers was a painter, sculptor, printmaker, poet, and musician at the crossroads of Abstract Expressionism and Pop art, who bucked prevailing trends in favor of a more singular style. The son of Ukrainian Jewish immigrants, he was known as Yitzroch Loiza (Irving) Grossberg until age 17, when a nightclub emcee announced his band as “Larry Rivers and the Mud Cats.” He adopted the name that same year. Following a brief stint in the U.S. Army, Rivers spent a year at the Juilliard School of Music studying musical theory and composition. He then pursued his only formal artistic training at Hans Hofmann’s painting school in New York from 1947 to 1948. Countering the vogue for abstraction at the time, Hofmann’s approach emphasized drawing as the foundation of all art making and presented the old masters as rich resources for creative exchange. In 1951, Rivers received a BA in art education from New York University. Proceeding from the conviction that figuration was not antithetical to modernism, Rivers completed his first major work, The Burial, in 1951, signaling the major concerns that he would return to throughout his life. With this painterly restaging of Gustave Courbet’s masterpiece A Burial at Ornans (Un enterrement à Ornans, 1849–50), Rivers began a sustained engagement with canonical paintings, imaginatively connecting contemporary art with art history. In works such as Washington Crossing the Delaware (1953), Rivers similarly mined the past for inspiration; a few years later, he began to take up more contemporary images, as in Dutch Masters and Cigars (1964), which was partly copied from a cigar box that itself depicted Rembrandt’s 1662 painting The Syndics of the Clothmakers’ Guild (De Staalmeesters). Subsequently, Rivers made several works that combine sculpture and painting, including I Like Olympia in Blackface (1970), which reverses the roles of Édouard Manet’s Olympia and her African servant. Later that decade, Rivers began appropriating his own work from the 1950s and 1960s with the series Golden Oldies (1978–79). In an interview with his close friend the poet Frank O’Hara, Rivers illuminated the premises of his approach, saying, “I think of a picture of a smorgasbord of the recognizable.”¹ Two of his largest projects adopted broad historical themes. The History of the Russian Revolution from Marx to Mayakovsky (1965), an enormous mixed-media assemblage, incorporated painted portraits, architectural cutouts, stenciled lettering, and found objects. The monumental History of Matzah: The Story of the Jews (1984–85) also used text and three-dimensional relief elements, this time to narrate Jewish history from Moses to Theodore Herzl, the founder of Zionism. Rivers’s first major survey was organized by the Rose Art Museum, Brandeis University, Waltham, Massachusetts, in 1965; it traveled to the Pasadena Art Museum; Jewish Museum, New York; Detroit Institute of Arts; and Minneapolis Institute of Arts. A retrospective of his paintings and drawings opened at the Butler Institute of American Art, Youngstown, Ohio, in 1990, and toured the United States for a further two years, with stops in the Norton Gallery of Art, West Palm Beach, Florida; Fort Wayne Museum of Art, Indiana; Scottsdale Center for the Arts, Arizona; and J. B. Speed Art Museum, Louisville, Kentucky. In 1997, the Philharmonic Center for the Arts, Naples, Florida, staged a retrospective of the works Rivers made between 1980 and 1997. His most comprehensive retrospective to date was at the Corcoran Gallery of Art in Washington, D.C., in 2002. Rivers continued painting up until three months before his death in Southampton, New York, on August 14, 2002. More about Al (Abram) Lerner – the Hirshhorn’s first director First director of the Hirshhorn Museum and Sculpture Garden, 1974-1984. Lerner was the son of Lower East Side Manhattan immigrants, Hyman Lerner, a garment presser, and Sarah Becker...

Artist: Joan Miro Medium: Original lithograph Title: Le Bélier Fleuri Portfolio: Derriere le Miroir Miro: Peintures sur Papier Year: 1971 Frame...

Hilliard Dean, '#5', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'June 11, 70' in pencil in...

Untitled is an original contemporary artwork realized by Lucio Fontana in 1963. Mixed colored photolithograph. Hand signed in pencil by the artist on the lower right margin. Numbe...

Sun, 1975 - from Our Unfinished Revolution portfolio Lithograph in colors ***Professionally framed*** One of 250 copies, with the printed signature and date on offset paper. Print...

Ernie Barnes 1938–2009 Destination Unknown 1979 offset lithograph in colors image: 16½ h × 22 w in (42 × 56 cm) sheet: 18¾ h × 25⅛ w in (48 × 64 cm) Signed and numbered to lower edge Eugene Barnes’.

80 x 60 cm - sheet size 82 x 64 cm - Framed Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark David Shrigley is a British artist celebrated for his dis...

In Between Acts George Russin, American (1910–2010) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 250 Size: 22 x 29 in. (55.88 x 73.66 cm)

Paul JOUVE The Judgment of Paris (Monkeys), 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm ...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Nice poster of Alexis Kow for the 24h of Le Mans. Alexis Kow said Kow is a French designer, poster artist, illustrator and model maker, born September 17, 1901 in Moscow. As early as...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe IV Catalogue Raisonne. Nicely framed. Lithographs II ...

Artist: Alexander Calder Title: "Swirl" from The Flying Colors Collection, 1975 for Braniff Airlines Year: 1974 Signed in Plate Framed Dimensions: 28.75" x 22.5" Print Dimensions: 26...

Jean-Gabriel DOMERGUE At the Moulin Rouge : French Cancan, 1956 Original lithograph (Mourlot workshop) Printed signature in the plate On Japan paper 40 x 31 cm (c. 16 x 12") INFORM...

Artist: Isabelle Planté Title: Le Cirque Magique - Year: 1998 Print : Lithograph on wove paper Size: 35'' x 24'' inches image size 26.5" x 21" inches Edition: Signed in pencil a...

Poster of Pablo Picasso ( 1881- 1973 ) for an exhibition at the Galerie de l'Élysée. Pablo Picasso is one of the most prolific and revolutionary artists the world has ever known. He ...

Francis de SAINT GENIES (1925-) Kiss On The Moon Original lithograph Handsigned in pencil Limited /250copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condition

Paul Klee (after) The Yellow Donkey (Der Gelbe Esel) Year: 1939 Lithograph Size: 14.125x19.6 on 20.6x26 inches Esther Gentle, Reproduction, 1952 Edition: 300 Inscribed in pencil stam...

Original exhibition poster printed for the presentation of Chagall’s stained-glass windows The Twelve Tribes of Israel at the Palace of the Louvre, Paris. The image is an interpretat...

Théophile Alexandre STEINLEN The Pretty Parisan and the Geese Original Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") Authenticated wit...

Signed lower right, "M. Mouly" for Marcel Mouly (French, 1918-2008). Inscribed lower left with number and limitation, '106/300'. Previously with: Park West Gallery, Southfield, Michi...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

This 1992 original lithograph titled Montagne Sainte-Victoire was created by the Japanese printmaker Shoichi Hasegawa. The print is numbered 1/150 and hand-signed by the artist, conf...

Signed lithograph artist proof . In good condition measures 34x34. Signed and numbered Artist proof

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...