Art by Medium: Panel

An oil painting of a Haystack in a grassy field. Painted en plein air on Gibson Lane, in Sagaponack, New York, during the summer of 2019. Butko focuses in on one particular haystack,...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

About the Artist: Andrew Hildenbrand is a New York based painter who received his BFA in painting from the Pratt Institute in 2023. Thinking of hi...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Diptych. The dimensions of each element are 84 x 60 cm (33.1 x 23.6 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaust...

Favorite Day (Abstracted Moody Landscape in Earth tones) by David Konigsberg 2025, oil on panel, 24 x 32 inches Konigsberg is a conceptual realist who works across media and paintin...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Katheryn Holt (American, born 1951) "Windswept I" 2025 Oil paint and mixed media on cradled wood panel The artist signed the back of the painting. “Windswept I” is a serene abstract...

Katheryn Holt (American, born 1951) "Storm Surge III" 2022 Oil paint and mixed media on cradled wood panel. The artist signed the back of the painting. With Frame: 33" x 43" x 2" ...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Nicolai S. Cikovsky (1894 - 1984) On the Beach Oil on panel 15 1/4 x 20 inches Signed lower right Provenance: ACA Galleries, New York

Orange Slice Galveston Beach 9"x12" oil People at the Beach Impressionism "Early summer on Galveston Beach I painted the complementary colors of blue waters and orange umbrella. " Ga...

The Whataburger Bag Contemporary Texan Artist Oil on panel 12" x 9" Whataburger began as a single burger stand in Corpus Christi on August 8, 1950, as post-war prosperity helped fu...

Anne Sargent Walker’s oil, acrylic and collage painting "Out of Synch" is one of many to explore the beauty, complexity and fragility of the natural world and our complicated relatio...

19th century English landscape with trees, a Harvest Field during Summertime. A wonderful classic English landscape dating from the middle of the 19th century. This style of paintin...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

Double-sided oil painting on panel Price includes $200 additional cost of framing. This work is offered by ClampArt in New York City.

This abstract, contemporary painting by Ned Martin features a light, metallic, and neutral palette. A grid of textured rectangles are patterned together, with varying layers of paint...

A beautiful 19th century Flemish Old Master style oil on panel depicting a man smoking a clay pipe in an interior. Excellent quality work in very good original condition. Presented i...

​Frances Mabel Hollams (1877-1964) Jill, a West Highland terrier signed and dated 'FM Hollams 38' (lower right) and inscribed 'JILL' (lower left) oil on panel 13 ½ x 18 in. (34.3 x ...

Collage No. 26 by Kim Fonder is an abstract original artwork that embodies a rich blend of layered paper and organic textures. Crafted on burlap over panel, this large-scale piece at...

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

This piece titled "Reach" is an original artwork by Jake Weiss made of acrylic on panel. This piece measures 6"h x 6"w and is signed by the artist. Jake Weiss is an artist from the ...

This piece titled "Coin-Operated" is an original artwork by Mike Howat made of acrylic on cradled panel. This piece measures 16"h x 16"w and is signed by the artist. Mike Howat is a...

Rome is original artwork realized by Michele Cascella in the mid-20th Century. Mixed colored oil painting on panel. Hand-signed on the lower right....

Interior with fruit (Interior con frutas). Expressionist Colorful Oil on wood panel Still life with view in the background, Author: Aracely Alarcón. Me...

Here, Aeling revisits the Midwestern marshlands that have long informed his sense of natural structure. The clustering of trees along the waterline hints at the intricate ecology of riparian zones—a subject he has studied through countless field excursions. The soft cloud cover overhead adds a sense of atmospheric density, contrasting with the crisp detail of grasses below. As in much of his work, this landscape becomes a meditation on endurance: land that has witnessed centuries of seasonal cycles. Jeff Aeling Pond Late Afternoon Oil on panel 10h x 14w in 25.40h x 35.56w cm JAE054 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...

"Glen Canyon Citizens - Red Tailed Hawk" in Acrylic on Cradled Wood Panel Dramatic animal portrait by notable San Francisco muralist Joshua Coffy (American, 1976-2023). This piece i...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts two delicate butterflies in ascension placed in a wonderful periwinkle blue landscape...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw R...

GREG MILLER "Love Story" Acrylic, Collage on Panel 36 x 36 in. Round Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his rela...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

The couple is a work of art realized by Giovanna Picciau (1977, Turin) in 1987.  Oil on Canvas. Cm. 90x100.  Very good conditions!

20th Century School, Still Life Scene of Pink Roses in a Silver Trumpet Vase, Oil on Panel, 1930, illegibly signed "G. L'A ... (?)" lower right, giltwood frame. Image: 15.5" H x 9.5...

British Schooner Ship Entering Jersey / Guernsey Harbour Port, 19th Century British School 19th Century Marine Oil study of a British Schooner entering the harbour of Jersey/Guerns...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

A narrative landscape, suggesting a collision of art, history, and phantasm. Oil paint, collage, mixed media on panel. references Guggenheim, Roman colosseum

Painted from life, a single pink peony blossoms amidst green leaves against a black backdrop. A classical painting subject and style, with a fresh and intriguing touch. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: 13.25 x 11.75 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design...

You look at my paintings, that's a slice of life you never saw before. Right now, and for a good number of years, I've been an urban painter. My life, my reality is Chicago. Bow n...

Antique Oil Painting (pair) Jovial Monk with a Drink Attributed to Eduard VON GRÜTZNER (XIX - XX) Medium: Oil on Panel Dimensions: Framed: 37 x 30 cm Artwork: 27 x 21 cm Framed 38 x 31 cm Flat 27 x 22 cm Style: Traditional European Genre Painting This charming oil paintings, attributed to Eduard VON GRÜTZNER, depicts a jovial, cheerful monk raising a glass in a toast. The composition reflects the long-standing European tradition of genre painting, capturing moments of everyday life with warmth and humor. The subject, dressed in a flowing brown robe and wearing a Renaissance-style beret, exudes an air of contentment and mirth, making this work a delightful representation of the age-old connection between monastic life and brewing culture. Executed in oil on panel, the painting exhibits fine attention to detail, particularly in the expressive facial features and rich textures of the monk’s clothing. The deep blue background contrasts beautifully with the warm tones of the figure, creating a striking visual impact. This type of subject matter was popular in 19th and early 20th-century European art, often appearing in German, Flemish, and Dutch tavern scenes...

Gold leaf floater framed included. 21" x 17" Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and runni...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catch...

"Through Thick and Thin" is an original contemporary mixed media painting on panel by Peter Knapp, measuring 24 x 32 x 1 inches. Framed in a professional deep walnut finish floater f...

Pupil of Rembrandt Portrait of a Young Man 17th Century Oil on oak panel Image size: 4 1/4 x 5 inches (11 x 13 cm) Dutch ebonised frame This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes. Rembrandt’s Pupils Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to  the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...

Sherry Giryotas' abstract paintings in this series are reminiscent of Paul Klee’s paintings with orange hues and geometrical shapes which almost take o...

Henry Charles Hannig "Mother and Daughter" Original Oil Painting C.1930 Original oil on panel Dimensions 15" wide x 18" high The lightly distressed frame measures 18" wide x 21" h...

Aeling’s fascination with atmospheric drama—rooted in his childhood in the American West, where weather dominates the horizon—finds powerful expression in this seascape. The low line of the ocean reinforces the artist’s signature device: vast, open skies that dwarf the land below. Yet the work also reflects a more personal history: Aeling’s enduring love of Hawaii, where he spent many winters surfing and studying the Pacific’s shifting moods. Those days on the water deepened his awareness of how ocean and sky interact, how storms gather, dissolve, and re-form with astonishing rapidity. The painting captures that moment when light changes direction and the boundary between calm and impending weather becomes charged with meaning. His precise modulation of color and temperature recalls his study of 19th-century luminists, yet the lived experience of Hawaiian surf breaks gives the scene an immediacy and authenticity that is distinctly his own. Jeff Aeling Sunset Aliomanu Bay, Kauai oil on panel 28h x 48w in 71.12h x 121.92w cm JAE040 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

Contemporary gestural purple, blue, and cream abstract painting by American artist Michael Kessler. The work consists of many very thin layers of paint that are built up to reveal th...

Work by Sam Moyer

Hans August Lassen (1857–1927) – "Im Atelier des Malers" (1887) Artist: Hans August Lassen Title: Im Atelier des Malers (In the Painter’s Studio) Date: 1887 Medium: Oil on Panel Dime...

Charming 17th-century genre scene, attributed to the entourage of Adriaen van Ostade, and appraised by Cabinet Turquin. The work vividly illustrates a lively peasant interior, where ...

This abstract painting by artist Ned Martin features a blue heron in profile, looking to the right side of the canvas. The background is composed of blue, silver, and black squares t...

"Mediterranean Beach Scene by Francisco Benavente Solís." Oil on panel. Hand-signed in the lower right corner. Artwork: 35 × 50 cm (13.8 × 19.7 in.). 55 × 70 cm (21.7 × 27.6 in.)....

Intersections 4 is an original painting realized by the Italian artist Salvatore Travascio in the 2010s. This is a beautiful oil painting on paper on wooden support. Hand-signed on ...

Night Doorway, Oil on panel, nocturne Park Slope, Brooklyn Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whet...

Well painted and very decorative oil on panel Painted on a mahogany panel and monogrammed L.B Well framed in a new English handmade gold leaf frame. The...

Sandra Cohen’s “the separation of isotopes” is a 12 x 12 x 1 inch abstract acrylic painting on cradled wood, in bright tones of pink, blue, orange, yellow, white and black. A simplif...