Art by Medium: Panel

Robertson K. Mygatt (American, 1862-1919) Trees by a Small Pond Oil on panel, 5 1/8 x 6 3/4 inches Framed: 9 1/2 x 11 1/2 inches (approx.) Unsigned The landscape painter and etcher...

"Connection" (2024) by Stephanie Hartshorn is an original handmade oil painting on wood panel that depicts a city center and highlights the various...

In this sketch entitled “Camel Beach”, the artist transports us to the shores of Santander through carefully placed brushstrokes. With a palette of cold tones, the painting captures ...

"Jinx" oil on panel 10 x 8 inches 2021

"Common Thread 2" by Stefan Smit (South Africa based) is an original oil on panel depicting a female portrait with ribbons of red weaving through the painting. "Stefan Smit is a So...

"Common Thread 3" by Stefan Smit (South Africa based) is an original oil on panel depicting a male portrait with a bird perched for flight on his shoulder. "Stefan Smit is a South ...

This painting depicts a whimsical scene of a figure reclining and reading. The figure is done in a quick way, where the scene almost is abstracted. The bright colors and quick brush ...

"Boy with Calendula" by Anne Siems, is a captivating figurative-narrative painting featuring a young child and a rabbit, with an 18th century feel. He is floating and surrounded by s...

William Hughes British, 19th Century Still Life of Apples, Grapes and Insects on a Garden Ledge, circa 1870 Oil on panel Monogrammed lower right A richly coloured and finely observ...

Lisa Fricker's "The Watchers" is an original, handmade oil painting that depicts an abstract and disturbing portrait of a child, it measures 8 x 8 inches. This painting is framed and...

Patrick Hughes b. 1939 British Ideal Home Oil on panel Signed, titled and dated “Ideal Home / Patrick Hughes / 2023” Patrick Hughes, a London artist, creates works that blend pai...

16th Century Neapolitan Maestro Title: Vision of Saint John in Patmos Medium: Oil on panel Dimensions: without frame 113 x 85 cm Painting without frame Not signed Expertise by Profe...

Modernist Burton Kramer finds inspiration for his abstract paintings in the beauty of music. In Vivace 13, one of a series, geometric shapes in blues, reds, greens against a sunny ye...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Framed in a carved wooden frame. Dimensions with frame: 43,5 x 36,5 x 8,5cm. Signed "A. Wagner München" in the lower right corner. This evocative character portrait depicts an older...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

mixed media on panel framed in maple frame black white gray In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of ...

Mid Century Abstract Stream Painting by Gibbs C.1968 Original oil on panel Dimensions 10" wide x 25" high The rabbet measures 15.5" wide x 30.5" high Please note: The rabbet is i...

Pegah Samaie's (CA based) "The Pink Jewel" is an original, handmade oil painting that depicts a woman's face in shadows. She is wearing an elaborate earring. About the Artist: Pega...

"Moon Cat," by Nathan Durfee is an oil on panel figurative painting measuring 9 by 12 inches. The image depicts a gray and white cat with small wings sitting on an outstretched hand ...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

Circle of Cornelis Dusart Dutch 1660 - 1704 Portrait of a Man Oil on panel Image size: 7¾ x 5¼ inches Giltwood frame Cornelis Dusart Cornelis ...

Rectangles and squares, large and small, in orange, mauve, blue and more, dance across a light green ground in this vibrant acrylic painting by Burton Kramer. The title of the painti...

Carol creates a range of subjects—landscapes, figures, portraits and still life. Whatever the subject, all are imbued with her strong sense of design; luscious brushwork; love for 19...

Lindsey Kustusch's "The Sunset Morpho on Shades of Slate & Umber" is an original oil on wood panel artwork, sized at 12 x 12 x 1.50 inches. This 2023 piece, crafted by the artist's h...

This modernist, contemporary, geometric abstract painting is by renowned artist Burton Kramer. At once lyrical and expressive, Burton Kramer’s modernist paintings often feature musi...

American, b. 1972 Dylan Stark is a traditional landscape and seascape painter. He is heavily influenced by the luminist style of painting popular among late 19th century American la...

This painting features vibrant hues of green and purple. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

Tiberio Titi (Florence, Italy, 1573 – 1638) Title: Portrait of a Gentleman Medium: Oil on panel Dimensions: Without frame 122 x 91 cm – with frame 162 x 133 x 10 cm Not signed Publ...

The Palm Tree in Jamaica Frenchman's Beach 12" x 9" Frame made in Florence. Artist Nelson White painted The Palm Tree in Jamaica on one of his many trips to Jamaica and the Bahama...

Kom Bowl Oil Painting on Panel Still Life Tableware Meditation In Stock Kees Blom (Apeldoorn, 1968) comes from an artistic family. While his father already had a passion for painting...

➡️ Riverside Marne⬅️ ⏩It is signed H Comte⏪ ⭐Medium:⭐ Oil on wood panel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐26.5x44cm / 10.4x 17.3inch with frame: 4...

An oil painting by Marc Dalessio. Painted en plein air in Tuscany, a grassy foreground moves within wild brushstrokes. Looking ahead, Castelmuzio, an ancient Etruscan village. Classi...

Acrylic & watercolor on paper mounted on wood panel Minako Asakura is a Japanese artist born in 1973 who lives & works in Tokyo, Japan. As graphic designer & art direct...

Dintino's oil paintings are abstract expressions of words or concepts. His abstract paintings all illustrate his ideas and words through visuality and color. Creating large panoram...

Pedro Miguel de Cervantes Salvadores (Born 1933) is a Mexican sculptor who has exhibited in Mexico and abroad and has created large monumental works for various locations in the country. This is a group of 5 wooden panel...

"Untitled 5", oil painting of a tree by Peter Hoffer. Peter Hoffer is a Canadian artist who has enjoyed a successful career in Northern America. Pe...

This is an oil painted on linen mounted on cradled wood panel titled signed and dated on reverse. It is a humorous allegory depicting a bather holding a large golden yellow lobster....

Will Beger and his contemporary-minimalist paintings take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a ...

11/02/2023, 16.56h is a unique oil on wooden board painting by Spanish contemporary artist Calo Carratalá, dimensions are 22 × 37 cm (8.7 × 14.6 in).  The artwork is signed, sold unf...

oil and gold leaf on wood panel

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for se...

Adellijke Aardbeien Noble Strawberries Oil on Panel Still Life In Stock Walter Elst Born in Antwerp, Belgium - 1955 After finishing his study Medicine at the University of Brussels...

Paul LUNAUD (Brantôme 1900 – 1949) The ironer Oil on wood H. 80 cm; W. 64 cm Signed and dated on the right in the center, formerly signed lower right. 1942 Provenance : Artist's stu...

The work of Gloria Segura Jordá transcends mere aesthetics to constitute a feminist discourse deeply anchored in the pictorial. Her production challenges the passive gaze, inviting a...

"A Potpourri of Flowers" - A dramatic array of spring blooms, from puffy white hydrangeas and pink-hearted roses to chrysanthemums and mysterious dark leaves, are on striking display...

Exhibited: Salon, Société des Artistes Français, Paris, 1879 (no. 647)

Dan McCaw's (US based) "Anticipation" is an original, handmade oil painting that depicts an abstracted figure seated within a brown interior. Artist Statement: Born: 1942 A solid...

Mangata X continues Melisa Taylor Metzger’s exploration of light, structure, and materiality through her signature fusion of pyrography and airbrushed pigment. The work evokes the el...

A staccato of geometric shapes in orange, indigo, blue and more dance on a ground of turquoise in this lively composition by Burton Kramer. Like 20th century European painter Wassi...

David Bareford’s distinctive style incorporates traditional themes with spontaneity. About his work he comments, “The term inspiration is overworked and doesn’t apply to what I try ...

This painting seduced us with its rich colors. Depicting Diana and her companions surprised by Actaeon, it was inspired by an engraving by Aegidius Sadeler II after a painting by Jos...

English School, (circa 1600) Portrait of William Herbert, 3rd Earl of Pembroke Oil on panel, oval Image size: 29¼ x 23⅞ inches Painted wooden frame Provenance: 176, Collection of Francis Greville, 1st Earl of Warwick. The Trustees of the Lord Brooks’ Settlement, (removed from Warwick Castle). Sotheby’s, London, 22nd March 1968, lot 81. Painted onto wooden panel, this portrait shows a dark haired gentleman in profile sporting an open white shirt. On top of this garments is a richly detailed black cloak, decorated with gold thread and lined with a sumptuous crimson lining. With the red silk inside it’s all very expensive and would fall under sumptuary laws – so this is a nobleman of high degree. It’s melancholic air conforms to the contemporary popularity of this very human condition, evident in fashionable poetry and music of the period. In comparison to our own modern prejudices, melancholy was associated with creativity in this period. This portrait appeared in the earliest described list of pictures of Warwick castle dating to 1762. Compiled by collector and antiquary Sir William Musgrave ‘taken from the information of Lord & Lady Warwick’ (Add. MSS, 5726 fol. 3) is described; ‘8. Earl of Essex – an original by Zuccharo – seen in profile with black hair. Holding a black robe across his breast with his right hand.’ As tempting as it is to imagine that this is a portrait of Robert Devereux, the 2nd Earl Essex, we might take this with a pinch of salt. Its identification with this romantic and fatal Elizabethan might well have been an attempt to add romance to Warwick Castle’s walls. It doesn’t correspond all that well with Essex’s portraits around 1600 after his return from Cadiz. Notably, this picture was presumably hung not too far away from the castle’s two portraits of Queen Elizabeth I. The first, and undoubtedly the best, being the exquisite coronation portrait that was sold by Lord Brooke in the late 1970s and now hangs in the National Portrait Gallery. The second, described as being ‘a copy from the original at Ld Hydes’, has yet to resurface. The portrait eventually ended up being hung in the State Bedroom of Warwick Castle. Archival documents present one other interesting candidate. The Greville family’s earliest inventory of paintings, made in 1630 at their home Brooke House in Holborn, London, describes five portraits of identified figures. All five belonged to the courtier, politician and poet Sir Fulke Greville (1554-1628), 1st Baron Brooke, and were hung in the ‘Gallerie’ of Brooke House behind yellow curtains. One of them was described as being of ‘Lord of Pembrooke’, which is likely to have been William Herbert (1580-1630), 3rd Earl of Pembroke. William was the eldest son of Greville’s best friend’s sister Mary Sidney, and was brought up in the particularly literary and poetically orientated household which his mother had supported. Notably, the 3rd Earl was one of the figures that Shakespeare’s first folio was dedicated to in 1623. The melancholic air to the portrait corresponds to William’s own pretensions as a learned and poetic figure. The richness of the robe in the painting, sporting golden thread and a spotted black fabric, is indicative of wealth beyond that of a simple poet or actor. The portrait’s dating to around the year 1600 might have coincided with William’s father death and his own rise to the Pembroke Earldom. This period of his life too was imbued with personal sadness, as an illicit affair with a Mary Fitton had resulted in a pregnancy and eventual banishment by Elizabeth I to Wilton after a short spell in Fleet Prison. His illegitimate son died shortly after being born. Despite being a close follower of the Earl of Essex, William had side-stepped supporting Devereux in the fatal uprising against the Queen and eventually regained favour at the court of the next monarch James I. His linen shirt is edged with a delicate border of lace and his black cloak is lined on the inside with sumptuous scarlet and richly decorated on the outside with gold braid and a pattern of embroidered black spots. Despite the richness of his clothes, William Herbert has been presented in a dishevelled state of semi-undress, his shirt unlaced far down his chest with the ties lying limply over his hand, indicating that he is in a state of distracted detachment. It has been suggested that the fashion for melancholy was rooted in an increase in self-consciousness and introspective reflection during the late 16th and early 17th centuries. In contemporary literature melancholy was said to be caused by a plenitude of the melancholy humor, one of the four vital humors, which were thought to regulate the functions of the body. An abundance of the melancholia humor was associated with a heightened creativity and intellectual ability and hence melancholy was linked to the notion of genius, as reflected in the work of the Oxford scholar Robert Burton, who in his work ‘The Anatomy of Melancholy’, described the Malcontent as ‘of all others [the]… most witty, [who] causeth many times divine ravishment, and a kind of enthusiamus… which stirreth them up to be excellent Philosophers, Poets and Prophets.’ (R. Burton, The Anatomy of Melancholy, London, 1621 in R. Strong, ‘Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraits’, Apollo, LXXIX, 1964). Melancholy was viewed as a highly fashionable affliction under Elizabeth I, and her successor James I, and a dejected demeanour was adopted by wealthy young men, often presenting themselves as scholars or despondent lovers, as reflected in the portraiture and literature from this period. Although the sitter in this portrait is, as yet, unidentified, it seems probable that he was a nobleman with literary or artistic ambitions, following in the same vain as such famous figures as the aristocratic poet and dramatist, Edward de Vere...

Oil painting of lush cliffs overlooking the water in California. Frame options available. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earlie...

This painting features vibrant hues of blue, yellow, green, and red. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley...

Enrico VEGETTI (Turin, Italy 1863 - Nernier 1951) The last portrait or Selfportrait Oil on panel Signed lower left Title on the back Work: 24.5 x 23 cm Frame: 29.5 x 27.5 cm Proven...

Oil and ink on panel

This painting was inspired by the atmospheric light over the Cuillin mountains of Skye. The light made the landscape look ethereal and otherworldly, this is the main driving force in...

A spray of bright, flowering plants with a cultivated border are set against an expanse of tended, green lawn in this nostalgic image by Peter Hoffer. Titled 'Parc' the French spelli...

Provenance: Achillito Chiesa, Milan Luigi Albrighi, Florence, by 1 July 1955 with Marcello and Carlo Sestieri, Rome, 1969 Private Collection, Connecticut Exhibited: Mount Holyoke College Art Museum, South Hadley, Massachusetts (on loan, 2012) Literature: Carlo Volpe, “Alcune restituzioni al Maestro dei Santi Quirico e Giulitta,” in Quaderni di Emblema 2: Miscellanea di Bonsanti, Fahy, Francisci, Gardner, Mortari, Sestieri, Volpe, Zeri, Bergamo, 1973, pp. 19-20, fig. 18, as by the Master of Saints Quiricus and Julitta (now identified as Borghese di Piero). This fine predella panel depicting the Baptism...