Art by Medium: Panel

In "Awaken 1," the observer encounters the penetrating gaze of a male figure bathed in inviting warm tones, while the shadows contrast with cool blues and purples. The artist, Haleh ...

Lori Larusso’s Flower Painting transforms an ordinary still life into a bold, iconic composition. Set against a calm periwinkle background, a clear glass jar holds four roses—one red...

John Hrehov’s Tempest: a large cobalt-blue vase bearing the image of a Baltimore clipper, encircled by sunflowers. Hrehov calls his approach “allegorical realism”: precisely rendered...

mixed media on panel framed in maple frame black white gray In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of ...

Breakfast at Nencioni Cafe Florence Oil Table Top Interior Morning Espresso 8" x 12" Look for free shipping at checkout The painting measures 8" x ...

Courtesy of a private collection A monumental diptych depicting an expressive view of Williamsburg, Brooklyn. Executed in heavily layered acrylic on wood panel, the work emphasizes ...

Acrylic on 3 wood panels Each panel measures 6 x 24 x 2 inches Suggested installation is 1-2 inches between panels, which can be oriented in any direction Overall measurement for pic...

Acrylic & watercolor on paper mounted on wood panel Minako Asakura is a Japanese artist born in 1973 who lives & works in Tokyo, Japan. As graphic designer & art dire...

Snow of May III is a unique painting by contemporary artist Chen Yi Ching. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 38 x 46 cm (15...

Patrick Nevins (American, b. 1977). "Cat Fish," 2026. Oil on panel. 5 x 5 in (12.7 x 12.7 cm). Signed by the artist, lower right. Sold unframed; the panel has painted black edges and...

Portrait Of A Victorian Gentleman With The Head Of A Jack Russell Terrier, 19th Century English Victorian School Large 19th Century English Victorian School Portrait Of A Gentleman...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Overall Dimensions, including artist frame: 54 x 80 in. Each Painted Panel: 33 x 24 in. Medium: Oil on Panel Signature: Each panel signed and dated Literature: Coy Ludwig, Maxfiel...

Provenance Acquired by the gallery directly from the artist Signed "T. Solliday on lower right. UNFRAMED: 12" x 9" FRAMED: 16.5" x 13.5" x 1.25" Exhibitions Special Summer Salon...

The densely lush forest of artist Gregory Hennen's Wyatt Mountain, Virginia home is the subject of this rich, highly detailed landscape painting in oil on panel. A bed of verdant gre...

French shepherdess at twilight by Jean Beauduin (1851-1916). Oil on canvas mounted on board. Original Barbizon frame. I believe the dog is a bergere Pic...

Signed oil on panel landscape circa 1910 by French post impressionist painter Adolphe Louis Gaussen. The work depicts a view of a rocky coastline on La Cote Bleue, a stunning 25-kilo...

Gold powder and acrylic on traditional Korean paper with wooden panel Byun Kyung-Sup is a Korean artist born in 1957 who lives and works in Gwangju, Korea. She studied painting at t...

John Arthur Lomax. English ( b.1857 - d.1923 ). When I Was A Boy. Oil On Panel. Signed Lower Right. Image size 9.5 inches x 11.4 inches ( 24cm x 29cm ). Frame size 17.3 inches x 1...

Jason Walker's (CAN based) "Pink Sprinkle Donut" is an original, handmade oil painting that depicts a donut glazed with pink frosting and sprinkles set against a black background. About the Artist: Jason Walker’s imagery reflects popular culture: from Disney’s Mary Poppins or Mickey Mouse to frosted doughnuts. As observer and conveyor of cultural icons, he is an anthropologist and his beautiful and often endearing paintings resonates with art viewers. But this Toronto artist is also an analyst. Conceived with the clear-eyed vision of a native of Nairn, Scotland, Walker’s compositions challenge viewers to consider contemporary culture. Through his iconography, Walker creates artifacts, a paint-on-canvas time capsule for future generations. His images are representational rather than abstract. His subjects from Dorothy from the Wizard of Oz to Peter Pan’s Tinker Bell are non-elitist, international, and easily identified. A portrait of our time, Walker’s renditions are intimate and lifelike, crafted with diffused edges or Old-Master chiaroscuro. Painted in Renaissance jewel...

Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas. Signed on the back.

Katheryn Holt (American, born 1951) "Spectrum" 2022 Mixed Media, Wood Panel, Wire The artist signed the back of the painting. "Spectrum" by Katheryn Holt is a mesmerizing 40" x 40" ...

Matthew Cook The Artist in Profile oil on aluminum 10 x 8 in. oval MATTHEW COOK b. Toledo, OH, 1987 EDUCATION 2017 MFA, Bowling Green State University...

Mother-of-pearl on wood. Unique and original artwork by the South Korean artist Yu Jin Goo.

A crimson cardinal is poised gracefully atop a slender brown branch. I was inspired by the brief, captivating moment when the bird paused on the Queen’s Wreath vine. His feathers unf...

Hollis Dunlap's (US based) "Deep Blue" (2024) is an original, handmade impressionist oil painting that depicts a portrait of a woman in a home interior, back turned towards the viewe...

Judd Mercer (American, b. 1982). "Cold Hard Facts," 2026. Oil on panel. 5 x 5 in (12.7 x 12.7 cm). Signed by the artist with his monogram, lower left. Sold unframed; the panel is fin...

Judd Mercer (American, b. 1982). "Come to Light," 2026. Oil on panel. 5 x 5 in (12.7 x 12.7 cm). Signed by the artist with his monogram, lower right. Sold unframed; the panel is fini...

"Vining in Me" Abstract Oil Painting 39" x 39" inch by Ahmed Dafrawy Dafrawy’s fine arts academic background started in 2014 when he received the certificate of drawing course compl...

English School, (circa 1600) Portrait of William Herbert, 3rd Earl of Pembroke Oil on panel, oval Image size: 29¼ x 23⅞ inches Painted wooden frame Provenance: 176, Collection of Francis Greville, 1st Earl of Warwick. The Trustees of the Lord Brooks’ Settlement, (removed from Warwick Castle). Sotheby’s, London, 22nd March 1968, lot 81. Painted onto wooden panel, this portrait shows a dark haired gentleman in profile sporting an open white shirt. On top of this garments is a richly detailed black cloak, decorated with gold thread and lined with a sumptuous crimson lining. With the red silk inside it’s all very expensive and would fall under sumptuary laws – so this is a nobleman of high degree. It’s melancholic air conforms to the contemporary popularity of this very human condition, evident in fashionable poetry and music of the period. In comparison to our own modern prejudices, melancholy was associated with creativity in this period. This portrait appeared in the earliest described list of pictures of Warwick castle dating to 1762. Compiled by collector and antiquary Sir William Musgrave ‘taken from the information of Lord & Lady Warwick’ (Add. MSS, 5726 fol. 3) is described; ‘8. Earl of Essex – an original by Zuccharo – seen in profile with black hair. Holding a black robe across his breast with his right hand.’ As tempting as it is to imagine that this is a portrait of Robert Devereux, the 2nd Earl Essex, we might take this with a pinch of salt. Its identification with this romantic and fatal Elizabethan might well have been an attempt to add romance to Warwick Castle’s walls. It doesn’t correspond all that well with Essex’s portraits around 1600 after his return from Cadiz. Notably, this picture was presumably hung not too far away from the castle’s two portraits of Queen Elizabeth I. The first, and undoubtedly the best, being the exquisite coronation portrait that was sold by Lord Brooke in the late 1970s and now hangs in the National Portrait Gallery. The second, described as being ‘a copy from the original at Ld Hydes’, has yet to resurface. The portrait eventually ended up being hung in the State Bedroom of Warwick Castle. Archival documents present one other interesting candidate. The Greville family’s earliest inventory of paintings, made in 1630 at their home Brooke House in Holborn, London, describes five portraits of identified figures. All five belonged to the courtier, politician and poet Sir Fulke Greville (1554-1628), 1st Baron Brooke, and were hung in the ‘Gallerie’ of Brooke House behind yellow curtains. One of them was described as being of ‘Lord of Pembrooke’, which is likely to have been William Herbert (1580-1630), 3rd Earl of Pembroke. William was the eldest son of Greville’s best friend’s sister Mary Sidney, and was brought up in the particularly literary and poetically orientated household which his mother had supported. Notably, the 3rd Earl was one of the figures that Shakespeare’s first folio was dedicated to in 1623. The melancholic air to the portrait corresponds to William’s own pretensions as a learned and poetic figure. The richness of the robe in the painting, sporting golden thread and a spotted black fabric, is indicative of wealth beyond that of a simple poet or actor. The portrait’s dating to around the year 1600 might have coincided with William’s father death and his own rise to the Pembroke Earldom. This period of his life too was imbued with personal sadness, as an illicit affair with a Mary Fitton had resulted in a pregnancy and eventual banishment by Elizabeth I to Wilton after a short spell in Fleet Prison. His illegitimate son died shortly after being born. Despite being a close follower of the Earl of Essex, William had side-stepped supporting Devereux in the fatal uprising against the Queen and eventually regained favour at the court of the next monarch James I. His linen shirt is edged with a delicate border of lace and his black cloak is lined on the inside with sumptuous scarlet and richly decorated on the outside with gold braid and a pattern of embroidered black spots. Despite the richness of his clothes, William Herbert has been presented in a dishevelled state of semi-undress, his shirt unlaced far down his chest with the ties lying limply over his hand, indicating that he is in a state of distracted detachment. It has been suggested that the fashion for melancholy was rooted in an increase in self-consciousness and introspective reflection during the late 16th and early 17th centuries. In contemporary literature melancholy was said to be caused by a plenitude of the melancholy humor, one of the four vital humors, which were thought to regulate the functions of the body. An abundance of the melancholia humor was associated with a heightened creativity and intellectual ability and hence melancholy was linked to the notion of genius, as reflected in the work of the Oxford scholar Robert Burton, who in his work ‘The Anatomy of Melancholy’, described the Malcontent as ‘of all others [the]… most witty, [who] causeth many times divine ravishment, and a kind of enthusiamus… which stirreth them up to be excellent Philosophers, Poets and Prophets.’ (R. Burton, The Anatomy of Melancholy, London, 1621 in R. Strong, ‘Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraits’, Apollo, LXXIX, 1964). Melancholy was viewed as a highly fashionable affliction under Elizabeth I, and her successor James I, and a dejected demeanour was adopted by wealthy young men, often presenting themselves as scholars or despondent lovers, as reflected in the portraiture and literature from this period. Although the sitter in this portrait is, as yet, unidentified, it seems probable that he was a nobleman with literary or artistic ambitions, following in the same vain as such famous figures as the aristocratic poet and dramatist, Edward de Vere...

Mary Ellen Johnson is internationally recognized as one of the top Photo Realist painters working today whose extraordinary area of expertise is large-scale, unimaginably realistic, stunningly beautiful and delightful images of food. Currently available are this delicious slice of cherry cheesecake, a slice of cherry pie with vanilla ice cream, an equally gorgeous strawberry parfait sundae, and a bowl of mixed berries with whipped cream: Mary Ellen Johnson "Cherry Cheesecake" 2010 Oil on Wood Panel 38 x 27.5 Inches Note: This painting is framed in dark wood. THE BACKGROUND IS A VERY LIGHT CREAM SOLID COLOR WITH THE SHADOW. The artist has also completed many commissioned food paintings including the Canadian Government's request for images of 5 of Canada's favorite foods which subsequently became stamp images - and The Cheesecake Factory's two commissions for their corporate headquarters and the owners' Malibu beach house. A quote from the artist: “I make the panels large to give a monumental feeling to the painting when viewed. These large images not only confront the viewer with their size but with their tremendous sense of extravagance. My work explores the deep connection that food has with humanity.” Mary Ellen Johnson Johnson further describes herself as a ‘Precision Realist’ whose primary subject is food. Sold works include paintings of PB & J sandwiches, pancakes with blueberries and syrup, banana splits, ice cream, hot dogs, cupcakes, waffles, muscles and sushi, among others. Unequaled for their brilliance and dramatic depictions of mundane subjects with their connotations of nostalgia, comfort and tradition, it is also her scale, cropping and over the top technical skill that renders these works so overwhelmingly appealing! MARY ELLEN JOHNSON Born: 1967, West Long Branch, NJ. Education: 1989, Ringling School of Art and Design, Sarasota ONE PERSON EXHIBITIONS: Beth Urdang...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction is based in the Venetian ...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

A silhouetted bear is the figurative focus in the painting. The bear's inside form is composed of abstracted shapes, and colors. These shapes are a mix of navy blue patterns and brig...

"Exotic," 2019. Enamel on panel, sign painting, black, white, and red. Hand lettering

Study Of A Lamb / Sheep Head, 19th Century circle of Rosa BONHEUR (1822-1899) Large 19th Century French study of a sheep's head, oil on panel, circle of Rosa Bonheur. Excellent qua...

Appearing in Scope Miami Beach, 2021, from Nov 30 through Dec 5.

Sybiline's "How Appetizing" is an original, handmade oil painting that depicts a surreal still life of a white butterfly floating around a red apple and white daisy.

Afterwave By Christopher Witchall is a realist seascape oil painting, measuring 30 x 40 inches (approx 76 x 101cm). The viewer is looking directly out to sea from the standpoint of t...

Contemporary Still Life 'Glass & Strawberries' Photo realist painting of Red Fruit with a elegant simple champagne glass.

Josh Rowell Virtually Fragile #20 Triptych, 2023 Acrylic on Painting Panel 122 x 61 cm each 48 x 24 inches Josh Rowell generates his artistic vision by focusing on technological adv...

Etérea, 2018

ÄúAnother train, this time symbolizing the fleeting nature of existence, relationships and in this circumstance, encounters. I‚Äôve very rarely had chance interactions that stay with...

Kadyrova

Mosaic, 2018

Ghosts We Make for Ourselves, 2018

Money is the only story that everyone believes, 2018

Solitary

Growth Is, 2021

The Last Landscape, 2020

The Engulf, 2020

This piece depicts a colorful collage composition portrait of James Dean, as Jon Davenport explores the process of deconstructing iconic imagery from the past and present. Davenport start’s out with photos of his paint-stained studio floor and collages in articles/advertising from an array of vintage magazines collected over the years; plus any other interesting stuff captured on his travels. He then transfers the images to a panel board, layering them on with gel medium, together with strokes, splashes, drips, and splats of paint. Once it's dry, another layer of gel medium is poured on to give it a melting effect. After it drys off again, another layer of paint is added to embellish a few areas and to accentuate or fade out certain aspects. And then, he finally adds a coat of polyurethane for protection and making the colors pop. This unique work is executed on a wood panel board and comes ready to be displayed with hanging wire on verso, signed by the artist lower right. Art measures 36 x 36 inches From biology student to owning and running a creative agency in London to a career as a fine artist, life has taken Jon Davenport on a rewarding and unconventional journey. Despite his scientific beginnings, he’s always had a strong artistic streak weaving its way through his different career paths. Growing up in Ipswich, UK, Jon was always an avid drawer, and could often be found with a pencil and paper in hand. With the arrival of his first computer, he embraced the new frontier of digital art and had work published in one of those early computer magazines. His creative urges took a backseat to get a biology degree at Brunel University in London. It was afterward, in his first job working at the Archant newspaper group in Ipswich, that he quickly progressed from plate maker to becoming an integral member of the art studio. It was during this time that he taught himself photoshop, desktop publishing, and graphic & web design. After a few years, he set up a design agency, and eventually went full time and moved to London. This proved to be a successful move, working for a number of clients such as Nike and Virgin, and gaining praise from the likes of Richard Branson and Tony Blair. It wasn’t until Jon moved to the USA to marry his wife, Atlanta artist Christy Kinard...

mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfac...

Kenne Grégoire (b. 1951, Teteringen, Netherlands) is a Dutch painter renowned for his masterful blending of realism and surrealism. Educated at the Rijk...

Frans Smeers 1873 – Brussels – 1960 Belgian Painter Plage de Bénodet, France, 1933 Signature: inscribed Bénodet, signed and dated 1933, lower right 'Bénodet F. Smeers. 33.' Medium:...

Stefan Smit's (SA based) "Embers Stare 2" is an original, handmade oil painting that depicts a eye surrounded with yellow hues and black geometric patterni...

Amanda Seckington's "Silver Cord" is an original, handmade oil painting that depicts a vibrant purple and red eye and face.

David Hatfield (American, b. 1940) Untitled, 1976 Oil on wood panel 10 1/4 x 14 3/4 in. Framed: 14 1/2 x 19 1/2 x 1 3/4 in. Signed and dated lower right Born in Plainfield, New Jers...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Sara Scribner's (US based) "Their Song Welcomed the Night" is an original, handmade oil painting that depicts a realistic portrait of a feminine form in ...