Art by Medium: Panel

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

Rubik Shot Red Marilyn derives from Invader’s series ‘Rubik Master Pieces’, in which he manipulates Rubik's Cubes to reproduce major works in the history of art as three-dimensional ...

Robertson K. Mygatt (American, 1862-1919) Green Field and Barn Oil on panel, 6 1/8 x 9 7/8 inches Framed: 10 x 15 inches The landscape painter and etcher Robertson K. Mygatt was born in New York City and studied at the Art Students’ League with John Twachtman...

Carol creates a range of subjects—landscapes, figures, portraits and still life. Whatever the subject, all are imbued with her strong sense of design; luscious brushwork; love for 19...

Robin Cole’s “Morning Hollyhock” is a compelling 2024 oil on panel piece that depicts a bright pink flower on a lush in front of a lush green background. The painting embodies a tra...

Derek Penix's (US based) "Under the Canopy" is an oil painting that depicts several developed sycamores with a blue sky in the background. Bio/Artist Statement: Derek Penix was bo...

'A Glass or Two I' by Miguel Angel Nunez is an incredible example of the artist being able to capture the stunning details and light with the up most precision. Depicting an open red...

Marie Cameron’s paintings emerge from moments of quiet astonishment in the natural world. This work is from her 'Bird and Tea Cup' series A gathering of hummingbirds is known as a c...

Summer Evening by Rosie Shorrock [2021] original Acrylic on Panel Image size: H:60 cm x W:80 cm Complete Size of Unframed Work: H:60 cm x W:80 cm x D:4cm Sold Unframed Please note t...

This panoramic work reflects Aeling’s long devotion to the wide horizons of New Mexico. The enormous sky—occupying most of the composition—reveals the scale relationships that shaped his artistic vision from childhood onward. He often said that in the West, weather doesn’t merely pass overhead; it defines how one experiences land. The soft layering of cloud strata hints at distant rain, a familiar sight from his years traveling between the Rockies and the Southwest. As in his seascapes, the horizon becomes a hinge between two immense forces: the solidity of earth and the constantly shifting atmosphere above. Jeff Aeling North of Las Vegas, NM oil on panel 24h x 36w in 60.96h x 91.44w cm JAE026 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings. Though often compared to American landscape painters like Church and Bierstadt, Aeling’s work engages modernity in subtle ways. He began his paintings with the camera—driving for hours to capture a fleeting alignment of cloud, light, and terrain. In the studio, he removed all traces of people or infrastructure, preserving the landscape as a pure, uncontrollable presence. This blend of tradition and contemporary practice allowed him to honor the past while speaking clearly to the present. Together, these works—whether a crashing wave, a blooming tree, a volcanic plume, or a column of winter light—form a portrait of the world as Aeling experienced it: vast, luminous, and alive with change. The Sky Remembers is both a tribute and an invitation to see the land with the reverence he carried throughout his life. Jeff Aeling (1958-2025) Iowa City, IA Represented in Chicago by Gallery VICTOR Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

Connections is a profound reflection on the unity and structure of the forest. The multitude of slender birch trunks creates a complex graphic network where the individuality of each...

In an original Harer frame. Illustrated in "Daniel Garber Catalogue Raisonne" Vol. II, pg. 271, and in book titled "Blue Chips", pg. 33 Jim’s of Lambertville is proud to offer this artwork by: Daniel Garber (1880-1958) One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

'The Young Shepherd with Pan Pipe', oil on panel, by Joseph-Marius Avy (circa 1920s). A sensuous and accomplished Arcadian study depicting a young male figure — lithe, athletic, drea...

Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for ...

Andrzej Michael Karwacki EQ Redefined, 1600-10-2 Original Abstract Art Mixed Media – Acrylic Paint and Resin on Board Artwork Size: H 91cm x W 61cm x D 5cm Sold Unframed (Please note...

This piece titled "Rose-breasted Grosbeaks" is an original artwork by Shae Warnick and is made of acrylic on panel and measures 15"h × 12"w. This artwork is framed and signed en vers...

Europa 22 by California artist Stephanie Cate is Acrylic on Wood Panel. It is 48x36. It is a bold Black and White Painting. The black, white and green abstraction explores the Moo...

Mixed composition on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked fo...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Place Jean-Baptiste-Clément by Maurice Utril...

Anne Diggory (b. 1951) Grandstand Crowd, Saratoga Springs Racecourse, New York Oil on panel 26 x 31 inches Initialed lower right: APD Anne Diggory lives ...

SUNDOG 22 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

"Before Lunch" is an original impressionist oil painting, created by American painter Raymond Bonilla, depicting a rolling green landscape, covered by a rich forest split by a windin...

Night Doorway, Oil on panel, nocturne Park Slope, Brooklyn Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whet...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 03 (2022) by Kyle Butler. Acrylic, graphite,...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

"Studio Corner" is a post modern oil on panel painting. It depicts the corner an art studio. There are a variety of paintings, sculptures, and vases that can be seen. Frame Dimensi...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Confluence 22 D (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

The Waves 09.28.2024 is an oil painting by American Impressionist Nelson H. White. A calm blue sky meets the ocean in a the distant horizon. Waves break in the foreground, forming white-caps, painted in thick white strokes, connotting the chaotic crash of a wave. Signed "Nelson H. White 2024" in lower right corner Frame Dimensions 9 x 16in Framed in a custom Italian gold leaf frame. Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote...

Alexandre Jacovleff (1887–1938), born in Saint Petersburg and later naturalized as French, was a prominent Russian painter. The son of a naval officer, he studied at the Imperial Aca...

"Desert Bloom" is a striking modern geometric abstract painting, with an earth tone mid-century modern contemporary palette. It is painted directly onto panel, with a custom built wooden substrate. The sides show beautifully smoothed wood. Kazaan Viveiros has a background in architecture studies as well as fine art, and this shows in her clean and contemporary works. Artist Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute. She has since exhibited work in solo and group exhibitions in the U.S. and Europe, including solo shows in New York, San Francisco, Berkeley, Scottsdale, AZ, Richmond, VA, and Savannah, GA. In 2003, curator Raffaella Guidobono gave Viveiros a show at TAD Concept Store in Rome. Viveiros’s paintings have been collected by a wide array of corporations, including eBay and Capital One Bank, as well as by individuals such as WalMart’s Rob Walton and novelist Danielle Steel. Her large diptych, The Whale, was purchased by Banner Children’s Hospital and currently hangs in their radiology ward. Summit Medical Group MD Anderson Cancer Center in New Jersey has many of her works in their collection. In addition, five of Viveiros’s paintings were purchased by the Art in Embassies Program and are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia. She was a 2011 Bethesda Painting Awards semi-finalist, was twice chosen as a visiting artist at the Torpedo Factory Art...

Mia Bergeron's (US based) "Being" is an original, handmade oil painting that depicts a blue fish leaping from dark water as it swallows a lit candle. Mia Bergeron's interest in art...

Alexis De Leeuw Belgian, (1822-1900) A Winter’s Day Oil on panel, signed Image size: 10.25 inches x 14.25 inches Size including frame: 18 inches x 22 inches Provenance: Cooling Gall...

The artist is a master at storytelling. He sets the stage for the viewer to bring the events to a particular scene. Here, the artist has set two wine glasses, napkins and a small plate of desserts on a geometrically patterned table cloth, draping so it almost appears to be falling over the frame. The viewer is required to ask the questions about the scene but the answers may only lie in their own imagination. The painting, which is painted on canvas then mounted to a panel, is framed in a simple wooden frame measuring 21 x 30 inches. John Hrehov Dessert, 2022 oil on canvas on panel 20h x 29w in 50.80h x 73.66w cm JHR008 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

Contemporary Still Life Painting 'Loquats & Chinese Bowl' by Barbara Vanhove. Inspired by the Dutch Masters. Barbara was born in Watermael-Boisfort in Belgium in 1974. She showed an...

Matthew Cook The Artist in Profile oil on aluminum 10 x 8 in. oval MATTHEW COOK b. Toledo, OH, 1987 EDUCATION 2017 MFA, Bowling Green State University...

Art and Space, Ron Agam, Geometric Op Art Painting Acrylic on Wood, 2022 Acrylic Paint 18 x 18 inch Art and Space is a vibrant geometric painting by Ron Agam that exemplifies the ar...

Original Oil Painting by Janet Rickus. Janet Rickus (b. 1949, Chicopee, MA) received her education from Central Connecticut State University. However, when it comes to painting she ...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Suchitra Bhosle's "A Moment in Time" is an original, handmade oil painting that depicts a woman, in all white, crouching with her knees pulled to her c...

Patrick Hughes b. 1939 British Warholed Signed “Warholed / Patrick Hughes” (en verso) Oil on panel Almost defying definition and description, the artwork of London artist Patrick...

"DIP SHIT" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individua...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Untitled 5 (JF 22) (Abstract Painting) Gesso wash, pencil, and oil on wood panel — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper colla...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

This painting embodies one of the most personal subjects in Aeling’s oeuvre: the ocean as encountered through years of surfing Hawaii’s winter swells. In Wave, Kauai, he renders the force and translucence of a breaking wave with cinematic clarity. The rising turquoise wall, the shearing lip, and the explosive white water reflect countless hours spent watching sets form, lift, and collapse along the shore. Unlike his plains or forest paintings—where the world feels spacious and hushed—this work throbs with movement and energy. It stands as a tribute to the place that shaped his intuitive understanding of water, rhythm, and luminosity. Jeff Aeling Wave, Kauai, 2018 oil on panel 24h x 48w in 60.96h x 121.92w cm FRAMED DIMENSIONS 25.25h x 49.25w in 64.14h x 125.09w cm Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings. Though often compared to American landscape painters like Church and Bierstadt, Aeling’s work engages modernity in subtle ways. He began his paintings with the camera—driving for hours to capture a fleeting alignment of cloud, light, and terrain. In the studio, he removed all traces of people or infrastructure, preserving the landscape as a pure, uncontrollable presence. This blend of tradition and contemporary practice allowed him to honor the past while speaking clearly to the present. Together, these works—whether a crashing wave, a blooming tree, a volcanic plume, or a column of winter light—form a portrait of the world as Aeling experienced it: vast, luminous, and alive with change. The Sky Remembers is both a tribute and an invitation to see the land with the reverence he carried throughout his life. Jeff Aeling (1958-2025) Iowa City, IA Represented in Chicago by Gallery VICTOR Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Leedy-Voulkos Art Center Gallery - Kansas City, MO Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery...

This plein air painting emits the tranquility of an empty beach in the late afternoon. A lifeguard's chair barely visible in the background reminds us that it is still summer here. O...

Hubert Bellis 1831 - Brussels - 1902 Belgian Painter 'Red and Yellow Roses in a Glass Vase' Signature: signed lower right Medium: oil on panel Dimensions: image size 43,50 x 23 cm...

Spacetime by artist Lisa Weiss is a contemporary abstract yellow, grey, white, red and blue mixed media on panel that measures 34 x 22 and is priced at $1,600. Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and paring down to essentials. She is continually looking for ways to detach from the past and future with a focus on the here and now. Weiss’ paintings are process driven by movement, repetition, materials, and place. Her works are for beauty and contemplation. A professional artist from Tennessee, Lisa Weiss received her BFA in painting and sculpture from Middle Tennessee State University in 1990. She received a teaching assistantship to Louisiana State University in Painting and Drawing and completed her MFA in 1996. Lisa has exhibited her work nationally in solo and group shows for the past fifteen years. She is included in numerous public and private collections throughout America, Canada, United Kingdom, Australia and Holland. She has the honor of being in the Hunter Museum permanent collection. In the last seven years, Lisa has attended four artist residencies: Dorland Colony in California, Millay Colony in New York, Wurlitzer Foundation in New Mexico and the Nantucket School of Art on Nantucket Island. She has taught design, painting and drawing at the University of Southern Mississippi, Watkins College of Art and Film, Eastern New Mexico University and Winthrop University. Lisa has recently earned initial certification for teaching yoga from Yandara Yoga Institute in Todos Santos, Mexico. She has traveled the United States, Mexico and Europe. Lisa currently creates artwork in her studio in Franklin, Tennessee. Selected Collections Hunter Museum of Art: Chattanooga, TN. Hilton Hotel: Washington, DC. Iberia Bank: Memphis, TN Sand Point Corporation: Sand point, FL. Baptist Hospital: Nashville, TN. Glanker Brown Law: Memphis, TN. Harrahs: Las Vegas, NV. Hot Springs National Park: Hot Springs, AR. CoCa - Cola Bottling Co.: Knoxville, TN. Creative Arts Guild: Dalton, GA. Tennessee Watercolor Society: Nashville, TN. Private Collections: United States, Canada, United Kingdom, Germany, Australia, Holland Selected Exhibitions 2013 Tinney Contemporary: Three Person Show, Nashville, TN. 2012 Copper Fox Gallery - Inaugural Opening, Leipers Fork, TN. 2012 L. Ross Gallery: Paper Exhibition – Memphis, TN. 2012 L. Ross Gallery: Group Show – Memphis, TN. 2012 L Ross Gallery: Common Thread - Memphis, TN. 2011 Nina Kuzina Fine Art: Group Exhibition - Nashville, TN. L Ross Gallery: Paper Group Exhibition - Memphis, TN. Bennett Gallery: 7 in 11 Group Exhibition - Knoxville, TN. 2009 Waterworks Art Center: Seedlings Exhibition - Salisbury, NC. L. Ross Gallery: “Nature Forms’ – Solo Exhibition – Memphis, TN. 2008 Gallery Up: ‘Papillon’ – Solo Exhibition - Rock Hill, SC. 2007 Project A: ‘Sequence’ – Solo Exhibition – Nashville, TN. 2006 L. Ross Gallery: ‘Prana’ – Solo Exhibition – Memphis, TN. Bennett Gallery: ’New Works’ – Two Person Exhibition’ – Knoxville, TN. 2005 Upstream People Gallery: ‘7th Annual All Media International’ - Omaha, NE. L. Ross Gallery: ‘Inner Garden’ - Solo Exhibition Memphis, TN. 2004 Art Forms: ‘Between Moments’ - Solo Exhibition - Memphis, TN. 2003 Perry Nicole Fine Art: ‘Flux’ - Solo Exhibition - Memphis, TN. 2002 Eastern New Mexico University: ’Faculty Exhibition’ - Portales, NM. Art Forms: ‘Strong Voices’ - Group Exhibition - Memphis, TN. 2001 Hanson Gallery: ‘Remembrance’ - Group Exhibition - Knoxville, TN. Perry Nicole Fine Art: ‘Quest’ - Two-person Exhibition - Memphis, TN. 2000 Creative Resource Gallery: Group Exhibition - Birmingham, MI. Perry Nicole Inaugural Opening: ‘Ascension’ - Solo Show - Memphis, TN. 1999 Creative Resource Gallery: Group Exhibition, Harbor Springs, MI. National Miniature Exhibition: Group Exhibition - Salt Lake City, UT. 1998 Period Gallery: ‘National Miniature Exhibition’ - Omaha, NE. Exit Gallery: ‘Small Wonders’ - Solo Exhibition - Hattiesburg, MS. 1997 Blue Haus Alternative Workspace: Group Exhibition - Hattiesburg, MS. 1995 Ironworks Gallery: ‘Art for Arts Sake’ - New Orleans, LA. 1993 Parthenon Gallery: ‘Central South Exhibition’- Group Show - Nashville, TN. 1992 Dalton Creative Art Guild: Group Exhibition - Dalton GA. 1990 Parthenon Gallery: ‘Tennessee Watercolor Society Exhibit’ - Nashville, TN Awards and Honors 2008 Yandara Yoga Teacher Training: Todos Santos, MX. 2008 ‘The Conversation’: Inspired from the painting ‘Empire’: Rock Hill, SC. 2005 Nantucket School of Art & Design: Artist Residency, Nantucket Island, MA. 2004 Helene Wurlitzer Foundation: Artist Residency, Taos, NM. 2003 Maho Bay Environmental Arts Program: Artist Residency, St Johns...

Passage by Guinevere Johnson is a richly textured mixed-media painting. Layered jewel tones are interwoven in a soft, dreamlike composition. The surface feels atmospheric and immersi...

Original Oil on birchwood panel Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Another in the series of my semi abstract landscapes inspired by the South Downs in West Sussex. We have wonderful skies on the South Downs and they are a constant source of joy and inspiration. Polly’s abstract realism paintings...

Work by Sam Moyer

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

An incredibly elegant oil painting of a variety of purple flowers arranged in a glass vase. The hues are heightened against a black backdrop. A cl...

Striking, black, white, red and blue, oil-on-panel painting by listed American artist, Emil Bisttram (1895-1976) whose work is held in many important museums. This period image has b...

"Blue Flower in Tower" is an enchanting creation by Konstantinos Papamichalopoulos, of an illustrated, dancing blue flower growing out of an architectural structure. The background i...

JOERG DRESSLER "Elemental II" Acrylic on Panel 14 x 11 inches _____________________________________ Joerg was born in Hanau, Germany. He received his MFA from the Hochschule für Ges...