Art by Medium: Pastel

Bernard Myers (British, 1925 – 2007) Chrysantheumums on teal pastel on paper signed ‘B. Myers’ (lower right) 24 x 31.3/4 in. (61 x 80.7 cm.) (including frame) From the estate of Bern...

Bernard Myers (British, 1925 – 2007) Still life on blue pastel on paper signed ‘B. Myers’ (lower left) 24 x 31.3/4 in. (61 x 80.7 cm.) (including frame) From the estate of Bernard My...

Bernard Myers (British, 1925 – 2007) Red Peonies Pastel on paper Signed ‘B. Myers’ (lower left) 24 x 31.3/4 in. (61 x 80.7 cm.) (including frame) From the estate of Bernard Myers Be...

L’Ecuyer (The Squire) is an engraving made by the Parisian artist Louis-Marin Bonnet, realized in the second half of 1700 in Paris. Inside the matrix, the title is engraved on the lower center, whilst “L. Bonnet direx” is engraved on the lower right. The state of preservation is somewhat good, except for fungal foxing spread on the sides of the figure and some small stains, one of which is more evident on the lower center of the image. The right margin of the paper is fringed with tiny tears. Louis-Marin Bonnet lived from 1736 to 1793 in Paris. He was a painter and engraver, and as such he invented one of the first color-printing methods with many matrices, with a pastel-like effect. In 1769, he published a treatise titled Le Pastel en gravure inventé, et execute par Louis Bonnet...

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

Bernard Dunstan, R.A. Pastel on Paper beautifully framed. Titled on the verso: “Coming out of the Bathroom: Llwynair” Initialed lower left “B.D.” Signed in marker on the verso “Berna...

Title: Mid-20th Century French Pastel Harbour Scene With Boats and Pier and Figures by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size:...

Waiting, 2021, 78x54 cm

Untittle, 2021, 78x54 cm

Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New England Arts Club and the Royal Instit...

Jim’s of Lambertville is proud to offer this artwork. Pastel portrait of artist's granddaughter. Complemented by original signed Harer frame. Illustra...

An exquisite depiction of a ballet dancer in motion, rendered exquisitely in pastel by Russian/American artist Valery Kosorukov. The artist has manage...

Lazy River 8.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This painting reminds me of the long days of summer when the temperature ...

basket with flowers 70x50 cm

Rainbow 70x50 cm

Girl with a bouquet 70x50 cm

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

Pastel by Lech Polcyn

Pen, ink and pastels. These limited-edition Giclee prints are created on Epson archival paper using the finest Epson inks available and which Nora has determined most closely capture the look of her original drawings. Fine art prints are custom made to order by a Chico, California professional printmaker. Prints are shipped unframed as we prefer you make this selection with your framer of choice. Each print is signed by Nora and professional packaged for shipping. Prints are shipped from Nora Pineda...

Island Girls 9.0 x 12.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love the pop of a pink underpainting as it reveals itself under all...

Drawing, pastel, Pencil, Petal Flowers, Color and Ink on Paper. The base of this drawing is 120g/m2 Fabriano paper. I use natural dyes from flowers, herbs, leaves, and tree bark as t...

"Nurturing" Pastel on Paper Painting 13" x 19" inch (1964) by Ragheb Ayad signed & dated Ragheb Ayad was born in Cairo on the 10th of March 1892 and insc...

Charcoal, pastel lace Audrey Anastasi states: "The paper doll series was created first in the presence of a live model, working quickly, in charcoal an...

Albert Besnard entered the École des Beaux-Arts in 1866, studying with Alexandre Cabanel before making his debut at the Salon in 1868. Six years later he won the Prix de Rome with a ...

English Village Countryside Scene - Original Pastel on Paper by British Artist Art measures 12 x 8 inches Frame measures 17 x 13 inches (approx.) British School – “Country Lane, No...

Chasing Time 8.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I've been chasing time recently, finding just quick 5 minute blocks of...

Queen For A Day 8.0 x 8.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Queen Ann's Lace always reminds me of summer. These beauties were ...

Robert Peterson, "Flower," pastel on paper, 19 x 26 1/4 inches paper size, 27 1/4 x 35 inches including white mat and frame. The artwork is floated in the mat and only hinged at the...

American Impressionist

Let me go, 80x100cm

At dawn, 100х120cm

Gabryela Wasowicz is a Polish painter born in 1947. She studied at the Academy of Fine Arts of Warsaw and then at the Gerrit Rietveld Akademie in Amsterdam. Once she graduated in 197...

This pastel portrait captures the side profile of a young African American man dressed in a black hoodie. The artist skillfully employs the pastel medium to bring out the rich textur...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

Title: Amongst The Wildflowers Abstract Contemporary Bold Statement Striking AMONGST THE WILDFLOWERS Let's remember how to belong, play, be free, limitless, abundant, connected, fi...

Nude of little girl is an original pencil and pastels drawing on ivory paper by Anonymous Artist of the Early 20th Century. In very good condition...

Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

Three's a Crowd, whimsical colorful pastel on toned paper A Brooklyn native, much of Basso's wildly imaginative artwork was inspired by travel to Jamaica, Puerto Rico, and especiall...

Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fear...

America Martin "Woman in Yellow with Stripes" Pastel & ink on Japanese Paper 43" x 31" Image 50.25" x 37.75" Overall, Framed Exploring the identity of both her namesake and country...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Still Life with Pheasant and Owl Oil and pastel on canvas Signed...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Dear clients, Thank you so much for your interest to the art of Maestro Marina Dobrovolskaya. The artist Marina Dobrovolskaya has escaped the war in Ukraine and she is safe with her family in Bulgaria, in the historic city of Bansko, where she continues to create her incredible ART. Unfortunately, she had to leave all her artworks and her native town Kharkiv in Ukraine. We wish you well and in the meantime we hope you will enjoy our artworks in a digital way! Kindly yours, Snow Pearl art gallery Milko Pamouktchiev Owner "Still Life With Pomegranates...

Les Parasols Blancs - Montmartre by H. Claude Pissarro (b. 1935) Pastel on card 51 x 37 cm (20 ⅛ x 14 ⅝ inches) Signed lower middle, H. Claude Pissarro This work is accompanied by a...

Mickey Myers is perhaps best known for her Pop art designs from the 1970s and '80s, where she would make vibrant compositions of Crayola crayons. In her l...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Jane Gilday (American, b. 1951), "When the Pitcher has Command, Speed and Mastery, He is Bringin' It", Mixed Media on Canvas, signed lower left, giltwood f...

Pastel drawing on paper realized by Sirio Pellegrini in 1960s. Very good condition. Hand signed in pencil lower right. Includes a contemporary wooden frame 108.5x84.5 cm. Sirio Pe...

Title: Mid-Century French Watercolour Portrait of Blonde Girl With Green Bow and Dress by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor and pastel on unframed paper...

Pastel and watercolour, signed lower right Image size: 24 ½ x 19 ½ inches (62 x 49.5 cm) Art deco style hand made frame Transport posters of the past created some of the most visua...

Standing Tall 12.0 x 24.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love Queen Anne's Lace flowers! When they sway in the wind I can't...

This side profile portrait features an Asian man with a neatly tied ponytail, capturing a moment of quiet contemplation. The artist skillfully emphasizes the graceful lines of his pr...

Blue and Green Landscape by Akos Biro (Hungarian 1911-2002) pastel painting on artist paper, unframed painting: 9 x 12 inches provenance: the artists estate, France condit...

"Beauty in Blue” Painting 25.5" x 25.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and th...

Title: French Mid-Century Pastel Beach Scene with Sailboat and Bathing Huts by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 6.25 inches (height) x 9.75 inches (width) Condition: As is normal with unframed works on paper there are some minor old creases or paper edge curls/ tears - all of which should be covered over or smoothed out once framed; generally very good and sound. Provenance: as with all the works we have by this artist, it has come from the artists estate in France. Description: This charming pastel by Anne Marie Migette Perard captures a tranquil moment on a French beach, where a group of figures sits along the sand, gazing toward the horizon. A small sailboat rests by the shoreline, and a pair of ochre and cream-colored beach huts adds a nostalgic holiday charm...

Savoring the Day 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "We’ve all had those days that we just didn’t want to end. This par...

September Seas, Original Seascape Painting in Pastel on Board, 2021 Sunlight reflects off of the waves crashing onto the beach. Artist Commentary: I’m mesmerized by waves of all sh...

Ink, graphite, oil pastel and charcoal on Yupo paper 110 x 76 x 0.1 cm - Framed 116 x 82 x 4.5 cm

"Sea Breeze" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 12 x 12 inches....