Art by Medium: Silk

Sonia Terk Delaunay ( 1885 - 1979 ) - hand-signed color silk-screen - 80 x 57 cm, 1970 Additional information: Material: Color Silk-screen on pape...

Title: Autumn Moon Year: 2022 Medium: Mixed media sculptural lamp Condition: Excellent Edition: 20, plus proofs Notes: AllRightsReserved, Hong Kong in collaboration with the artist. ...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Yinghua Zhou’s Swan Lake captures the graceful moment of a swan splashing across the water with extraordinary skill in Suzhou Embroidery. Recognized as one of China’s four great embroidery traditions, Suzhou Embroidery is admired for its flat, neat, harmonious, lustrous, smooth, and even qualities. This work reflects all of these traits. The stitches are impeccably even, the colors flow naturally from shade to shade, and the lines shine with a gentle radiance. Seen from afar, the composition has the depth and refinement of a fine oil painting. Up close, every feather reveals itself as countless silk threads patiently layered to create a soft, luminous glow. Although Swan Lake is a Suzhou Embroidery, Zhou has woven into it the precision and delicacy for which she is renowned in Hair Embroidery...

Raccoons is one of the first forty animal-themed works Shi Jun created in collaboration with Taiwan’s Liang Yi Culture, and it perfectly showcases the artistry of “Hua Embroidery,” h...

silk damask, silver leaf, screen print, impressed metal leaf

Silksreen, 1989 Handsigned by the artist in pencil and numbered 17/100 Publisher : AZG Austria Zeichen Catalog : Benavides 474 49.00 cm. x 48.00 cm. 19.29 in. x 18.9 in. (paper) 37....

Reindeer In Forest Tempera on silk, gold leaf frame under glass, by Chinese artist Ma Hai Feng born 1958.

This framed silk brocade tapestry is one half of a magnificent Qing-dynasty chair panel, or chair strip. Because traditional Chinese seating was not upho...

This elegant silk scarf from 1993, titled Les Oiseaux, offers a refined interpretation of the surrealist vision of René Magritte. Issued as a tribute to the artist’s poetic and enigm...

Silksreen, 1979 Handsigned by the artist in pencil and numbered 20/20 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) Triptych composed of three plates all signed and numbered T...

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf

Transporting artwork of a toucan in a tree expertly executed in a batik dying technique on silk and indistinctly signed. Presented under glass in a wood frame.

Silksreen, 1980 Handsigned by the artist in pencil Edition : 99 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (paper) 17.00 cm. x 20.00 cm. 6.69 in. x 7.87 in. (image) Dedicated "La...

Andy Mouse By Keith Haring 1989 Medium: Serigraph Paper Size: 38.25 x 38.25 inches ( 97 x 97 cm ) Image Size: 37 x 37 inches ( 94 x 94 cm ) Edition Size: Unknown

Original work by Emma Levine, ‘Hot Oak.’ A bright, colourful hot pink silk background with a laser cut paper oak tree attached with pins. 53cm x 53cm – Framed Silk, paper, entomology...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

A 2023 work of Maki Kuchida. Maki paints with natural mineral pigments and uses aluminum and copper leaves (laminated) on silk. Maki loves to capture the sentiments we feel in our...

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...

Painting on silk, textile paints Framed, 88 x 91 x 3 cm (wooden frame) Dali Nazarishvili is a Georgian female artist born in 1958 who lives and works in Tbilisi, Georgia. Since 200...

Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Silkscreen, 2024 Handsigned by the artist in pencil and numbered 53/80 69.50 cm. x 50.00 cm. 27.36 in. x 19.69 in. (paper) 66.00 cm. x 44.00 cm. 25.98 in. x 17.32 in. (image) JonOn...

"Cobalt Haze" Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 15" x 33.5" x 1.5", 2010 This colorful contemporary abstract tapestry was is by Br...

Lime Glow, Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 29" x 30.75" x 1.5", 2010 This colorful contemporary abstract textile is by British...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

"Lyric Space" Korean silk fabric and handmade ramie threads, maple floater frame. This contemporary silk textile piece is by Korean fiber artist, Shin You...

Ricardo Mazal Tee 2 (Beige 2), 2023 Acrylic on natural silk mounted on aluminum panel 18 x 19 inches RM541 Ricardo Mazal is perhaps best known for his near decade-long investigation...

Born in Valencia, Spain, Andrés Ferrandis studied at the University of La Laguna and received his MFA in painting from the University of Seville in 1997. Ferrandis is known for his e...

In Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. Painted with blue, orange, and r...

Artist: Ralph Steadman Title: Historical Document - Hunter Thompson Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 13 x 22 Inches Edition: of 300 Ye...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

This framed silk brocade tapestry is one half of a magnificent Qing-dynasty chair panel, or chair strip. Because traditional Chinese seating was not upho...

FREE SHIPPING TO WORLDWIDE! Artisan: Eustacia Antonio Mendoza MASTERPIECE: Miniature rug made with Silk and Cotton threads dyeing with anilines, broca...

Artist: Ralph Steadman Title: Hunter S. Thompson in Straight Jacket Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Ye...

With careful brushwork, this 19th-century painting honors the four treasures of the scholar's studio - paper, calligraphy brush, ink, and inkstone. Essential to his way of life, the ...

"The Moon" (2021) by Jan R Carson is an original abstract figurative wall installation that measures 64 x 32 inches with a depth of 3 inches. This piece was created with silk, stitch...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...

Self Portrait By Chuck Close 2007 Signed Medium: Serigraph Paper Size: 38 x 30 inches ( 97 x 76 cm ) Image Size: 29.75 x 23.5 inches ( 76 x 60 cm ) Edition Size: 118

Silkscreen, 1969 Edition : 142/150 49.00 cm. x 61.00 cm. 19.29 in. x 24.02 in. (paper) Handsigned by the artist in pencil Certificate of authenticity Dear Diana reads like an expa...

The work "Womanliness" is an exquisite and multilayered reflection on the nature of femininity, embodied in the painted (cold) batik technique on 100% silk. The canvas is stretched o...

Silkscreen, 1969 Handsigned by the artist in pencil and numbered 8/75 Catalog : [Chenivesse 47] 49.00 cm. x 61.00 cm. 19.29 in. x 24.02 in. (paper) 39.50 cm. x 48.00 cm. 15.55 in. ...

JAVIER CALLEJA - RULES Date of creation: 2022 Medium: Habotai silk 8mm Edition: 150 Size: 120 x 120 cm Condition: In mint conditions, brand new Scarf made on Habotai silk 8mm. Editio...

Cut and Dyed Silk After working in painting and photography, Tim Harding became intrigued with the intimacy of fiber and textiles: their textural, tactile richness, the inherent gri...

Artist: Ralph Steadman Title: Spirit of Gonzo Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes: Hand S...

Debra Smith Shifting Vision #5, 2017 pieced vintage silk 18 x 15 in. This original textile collage by Debra Smith features graphic shapes crafted with layers of vintage silk in vari...

Artist/Designer; Manufacturer: A.R. Penck (aka Ralf Winkler) (1939-2017); Klaus D. Bode Marking(s); notes: printed signature, marking(s), label; ed. 90/500; 1994 Country of origin; m...

Large size Contemporary Art Avant- Garde Original Painting Ready to Hang Artist: Ara Tevkantz Title: The Shape of Sound Medium: Oil on Silk Year: 2020 Style: Abstract Art, Avant-Gard...

100% silk, painted batik, stretched on canvas For interior, nude, woman, water. The painting "Water Washes Away Everything" is a meditative image of dissolution, a return to the ori...

JAVIER CALLEJA - I DIDN'T EXIST Date of creation: 2022 Medium: Habotai silk 8mm Edition: 150 Size: 120 x 120 cm Condition: In mint conditions, brand new Scarf made on Habotai silk 8m...

A Japanese embroidery from the Edo Period. “Figure of a Beauty” is a portrait embroidery, silk and gold thread in golds and grays. Provenance: Priv...

Woodcut print on paper. Hand signed and dated by Lyonel Feininger. Unknow edition. Image size approx 3.9 x 3.9 inches. Sheet size 7 x 6.5 inches. Artwork is in excellent conditio...

A Japanese Embroidery featuring a dog and wagon, silk and gold thread embroidery by an unknown artist from c. 1890. The artwork is unsigned. Provenance: Private Collection, Los Angeles; Heather James...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

"Full head: As in the bosom o’ the stream"" is a monumental silk scarf artwork (135x135cm) exploring the intersection of poetic nostalgia and modern myth. This immersive piece draws ...

Brushstrokes At Pasadena Art Museum By Roy Lichtenstein 1967 Medium: Serigraph Paper Size: 25 x 33 inches ( 64 x 84 cm ) Image Size: 22 x 30 inches ( 56 x 76 cm ) Edition Size:...