Art by Medium: Silk

The artwork is print on silk and it is limited edition. My soul is petrified, and the winds, time, and ocean are slowly shaping it into outwardly ideal forms. "My Soul" by Natalia ...

This is a Three colour screen print which includes two metallic inks. The print captures the wild nature of palm tree leaves. Limited edition of 40. It's 40 x 40 cm. Artwork printed ...

Mimmo Rotella, Le Luci della citta 2005 Slashed silk-screen print on canvas Edition of 60 Signed and numbered on the lower left 124 x 86 cm Mimmo Rotella is an Italian artist and poet known for his collages made from torn advertising posters, which he calls "double décollages". Born October 7, 1918 in Catanzaro, Italy, he studied at the Accademia di Belle Arti in Naples before settling in Rome in 1945 and getting closer to Lettrism. Alongside Raymond Hains...

Artist: Ralph Steadman Title: Historical Document - Hunter Thompson Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 13 x 22 Inches Edition: of 300 Ye...

Vintage In the center of Mumbai city is an unorganised labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewellery, the list i...

Created for The White Lotus series, season 2, Italy Silkscreen on silk, gold leaf, acrylic Mounted on aluminum, custom wood framed

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Reindeer In Forest Tempera on silk, gold leaf frame under glass, by Chinese artist Ma Hai Feng born 1958.

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Silkscreen and relief collage Handsigned by the artist in pencil and annotated EA Edition : 30 ex. 61.00 cm. x 78.00 cm. 24.02 in. x 30.71 in. (paper) 61.00 cm. x 78.00 cm. 24.02 i...

Silksreen, 1973 Handsigned by the artist in pencil and numbered 84/150 84.00 cm. x 60.00 cm. 33.07 in. x 23.62 in. (paper) 73.00 cm. x 54.00 cm. 28.74 in. x 21.26 in. (image) The ...

The artist works with layering of material for a certain poetic subtlety: the power of expressionistic charge. Subtly suggested places emerge, deformed by creation but always recognisable. They are cities and areas recalled by the suggestive imagery of this artist. Colourful Screen Print, Handsigned and Numbered e/a. Can be framed accordingly. Contact us for possibilities. Sheet size: 110x50 per each artwork. Motif size: 90x40 per each artwork. About Nicole Schaap...

Vintage In the center of Mumbai city is an unorganised labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewellery, the list...

Silksreen, ca1951 Handsigned by the artist in pencil and numbered 194/200 Publisher : Guilde Internationale de la Gravure (Genève et Paris) Printer : Jean Bruller (Paris) Catalog : [...

"Cobalt Haze" Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 15" x 33.5" x 1.5", 2010 This colorful contemporary abstract tapestry was is by Br...

photo collage, screen print, impressed silver leaf on handwoven kasuri silk

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Brocade: The royal courts of the Maharajas of India were symbols of extravagance. The opulent Brocade or Zari textile was used lavishly to ornament the interiors. Brocade is a heavy weight drape, woven in intricate raised patterns of motifs or all over floral scrolls. What grants this fabric its royal stature is the use of gold and silver metal threads to weave the designs. These wall panels depict the rich affluent luxury of the Brocade. Gold corded thread embroidered on deep plush velvet creates raised patterns. The artwork is designed to exaggerate the opulence. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Silkscreen, 2014 Handsigned by the artist in pencil and numbered 47/50 Publisher : Galerie-F Edition 46.50 cm. x 61.00 cm. 18.31 in. x 24.02 in. (paper) 31.00 cm. x 50.00 cm. 12.2 ...

Screen print on silk scarf. Edition size unknown, as they were intended as holiday gifts. Scarf size 35.5 x 36 inches. Frame size: approx 40 x 40.5 inches. Printed by Rupert Jasen...

Silksreen, 1973 Handsigned by the artist in pencil and annotated EA Edition : 220 Publisher : Pierre Belfond, Paris Printer : Atelier Arcay, Paris Catalog : Pedro Benavides 211 76.00...

Jacob Otto Pins (17 January 1917 – 4 December 2005) was a German-born Israeli woodcut artist and art collector, particularly of Japanese prints and paintings. Jacob Pins was born in ...

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf.

Silksreen, 1980 Handsigned by the artist in pencil Edition : 99 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (paper) 17.00 cm. x 20.00 cm. 6.69 in. x 7.87 in. (image) Dedicated "La...

flax, silk, polyester

Silksreen, 2019 Handsigned by the artist in pencil and numbered 1/170 Publisher : Skira 32.00 cm. x 22.00 cm. 12.6 in. x 8.66 in. (paper) 29.00 cm. x 20.00 cm. 11.42 in. x 7.87 in....

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Josif Elgurt (1924-2007) Born in 1924 in Kischinow in Romania. In 1947 resumed his art studies in Kischinow. Since 1952 he hase lived in Riga and until 1958 he studied at the Latvia...

Cut and Dyed Silk After working in painting and photography, Tim Harding became intrigued with the intimacy of fiber and textiles: their textural, tactile richness, the inherent gri...

Separate Me from the Earth is 2023 work of Maki Kuchida. The painted size of the work is approx. 24x57cm, while the framed size is approx. 45 x 75cm. It is framed with archival gra...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

"Winter Punksis a nostalgic, surrealist tribute to lost youth, rebellion, and the eternal echo of subculture. In this intricate winter scene, time loops like a Möbius strip—skaters, ...

Josif Elgurt (1924-2007) Born in 1924 in Kischinow in Romania. In 1947 resumed his art studies in Kischinow. Since 1952 he hase lived in Riga and until 1958 he studied at the Latvia...

Marina Abramovic Homage to Frida Kahlo (Self Portrait with Scorpion), 2014 Silkscreen on 100% Silk Shawl/Scarf Limited Edition of 50 (unnumbered) With original label from publisher ...

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

This piece of jewellery from southern Persia is hand-knotted from fine, hand-spun highland wool and dyed with natural vegetable dye. Highland wool is particularly hard-wearing and du...

A beautiful acrylic on silk brocade with a gold leaf-covered frame made by Impiglia himself, an artist whose value has only increased over the years. Born in Rome, Impiglia moved to New York in the ‘70s, where he established a signature style on the shoulders of Futurism and Cubism, his technical skill underpinning his eclecticism and allowing him to indulge in an appetite for complexity. His work has been exhibited in numerous galleries around the world and is part of prominent collections including that of The Victoria and Albert Museum and the Absolut Art...

Spirals Large Abstract Expressionist Painting, Silk and Acrylic on Canvas 2021 Artist signed lower right corner. Jerzy Kubina Polish/American Artist: Jerzy was born in Zamosc, Poland, 1956. Studied at the Academy Of Fine Arts in Krakow 1981/1986 in the painting department under individual instructions of prof. Jan Szancenbach. He decided to immigrate to New York in 1986. Jerzy constructs large scale images on silk using technologies to create layers, textures, translucency. He is searching for a language that expresses the ideas inside. Sometimes the paintings are quiet and translucent, and then suddenly become very dramatic. There is a symbiotic relationship between him and the materials. Jerzy Kubina has exhibited his work widely in the US, including at Soho New York's first-ever gallery, the esteemed O. K. Harris. He has also shown internationally, in Paris, Poland and Mexico. Kubina graduated Magna Cum Laude from the M. A. program of The Academy of Fine Arts, Cracow, Poland. Artist Statement. "I do not limit myself to a classical representation of an image. I'm in constant search of new media which not only enriches the subject but also inspires me to new forms of expression. Visual appreciation is a creative exercise performed in a specified time and a specific emotional state. The subject must be individual and unique. I do not attempt to keep a tight rein on my art’s framework, but give myself the opportunity to individualize each of the works. My present concerns are of the sacred and the profane, always longing for harmony, accompanied by destruction and devastation, my inner world translates that pulse into color images. My new works are a continuation of the process of creating art for art's sake. Selected Exhibitions: 2016 Square Peg Gallery, Hasting on Hudson, NY 2015 Roshkowska Gallery...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. His ongoing series of large-scale kites bridge the gap between flat art and sculpture, each crafted of split bamboo frames covered with stretched muslin and a collage of vintage ephemera – including kimonos, obis, paintings, scrolls, drawings, metal leaf, bleeding paper, book pages, or anything with a story to tell. In this bamboo kite entitled “Ikebana,” Thompson beautifully layers darkly saturated fragments atop pages of found text. A repurposed calligraphy scroll panels the left side, brushed with black ink with full flower blossoms and leafy foliage, while delicate pine branches grow upwards from the bottom. Vintage Japanese block prints...

Chinese School, Portrait of a Seated Official, Gouache on Silk on Paper, giltwood frame. Image: 21.25" H x 14.25" W; frame: 29" H x 22" W x 1" D. Provenance: The Estate of Alton G....

Large size Contemporary Art Avant- Garde Original Acrylic Painting Ready to Hang Artist: Ara Tevkantz Title: Abstract Medium: Acrylic on Canvas Year: 2000 Style: Abstract Art, Avant-...

Painting on silk, textile paints Framed, 88 x 91 x 3 cm (wooden frame) Dali Nazarishvili is a Georgian female artist born in 1958 who lives and works in Tbilisi, Georgia. Since 200...

Jaali: Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

The first edition to wear. The striking orange roughfiber work is brought to life by printing on high-quality satin silk and can be admired or worn....

Vintage In the center of Mumbai city is an unorganized labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewelry, the list i...

A scroll and a small lantern depicted in this 19th-century painting suggest the romantic notion of a Chinese scholar painting in the evening hours. Re...

This contemporary artwork is a unique piece, and one of the tapestries from the Points of Contact series, which is born from a collection of drawings done by the artist during the pa...

Traditional Japanese Oshie Artwork form the 1960's. Signed by artist in lower right corner in Japanese characters. Framed behind glass.

Mixed media on silk Liubov Juravliova is a French painter born in Chisinau, Moldova in 1963 who lives and works in Argenteuil, near Paris, France She has been listed at Drouot since...

My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it. Theda Sandiford...

越波飛翼 (Yuè bō fēi yì) by 朱永 Surmounting Waves Flying Wings by ZhuYong Image, 26.5"H x 40.5"W Frame, 35.5"W 49.5"W . 1.5"D A Chinese painting featuring two cranes in flight against a backdrop of stylized waves. The painting is rendered in traditional Chinese style, with flowing brushstrokes and a muted color palette dominated by blues, whites, and earth tones. The cranes are depicted with detailed plumage, their wings outstretched as they soar through the air. The waves are represented in a swirling, abstract manner, suggesting movement and energy. Chinese painting is known for its emphasis on capturing the essence of the subject matter rather than a literal representation, and this piece exemplifies that approach. The use of ink and color on silk or paper is typical of this art form, as is the focus on natural themes such as birds and landscapes. he style is reminiscent of traditional Chinese ink wash painting, which emphasizes brushwork and capturing the spirit of the subject. The swirling water and mountain details could also be interpreted as fractal art...

Camille Pissarro 1830-1903 French Le Retour au village au clair de lune (Éragny) (Return to the Village by Moonlight (Éragny)) Signed and dated "Camille Pissarro 86" (lower left) ...

‘Starting with a drawing of "real" flowers, I create layers of thinly veiled surfaces. They become abstracted through the process of multiple printings. The essence of flowers become...

Limited edition of 10 ex. Handwoven silk tapestry. Published by: Modern Masters Tapestries in New York Documented in Karel Appel publications. Karel Appel, one of the founders of ...

JAVIER CALLEJA - I DIDN'T EXIST Date of creation: 2022 Medium: Habotai silk 8mm Edition: 150 Size: 120 x 120 cm Condition: In mint conditions, brand new Scarf made on Habotai silk 8m...

Sonia Terk Delaunay ( 1885 - 1979 ) - hand-signed color silk-screen - 80 x 57 cm, 1970 Additional information: Material: Color Silk-screen on pape...

A silk embroidery by an unknown Japanese artist. “Fukusa, Pair of Lobsters” is from the Meiji Period and in golds and blues. The artwork is unsigned. Provenance: Private Collection, Palm Springs Heather James Fine Art, Palm Desert

A Japanese Embroidery featuring a dog and wagon, silk and gold thread embroidery by an unknown artist from c. 1890. The artwork is unsigned. Provenance: Private Collection, Los Angeles; Heather James...