Art by Medium: Silk

Reindeer In Forest Tempera on silk, gold leaf frame under glass, by Chinese artist Ma Hai Feng born 1958.

Stik's dog is a lovely stick white dog on a red background. ADDITIONAL INFORMATION: Original Limited Edition Print by Mychael Barratt Screen print on Paper Edition of 100 40 H x 38...

Silksreen, 1970 Handsigned by the artist in pencil 80.50 cm. x 60.50 cm. 31.69 in. x 23.82 in. (paper) 52.00 cm. x 52.00 cm. 20.47 in. x 20.47 in. (image) Swiss-born multidiscipli...

This piece of jewellery from southern Persia is hand-knotted from fine, hand-spun highland wool and dyed with natural vegetable dye. Highland wool is particularly hard-wearing and du...

This piece of jewellery is hand-knotted from fine, hand-spun highland wool and dyed with natural vegetable dye. Highland wool is particularly hard-wearing and durable, as the food in...

Silksreen, 2014 Handsigned by the artist in penciland numbered 35/50 Publisher : Galerie-F Edition 61.00 cm. x 45.00 cm. 24.02 in. x 17.72 in. (paper) 45.00 cm. x 33.50 cm. 17.72 i...

Ye Huang’s Hundred Years of Harmony takes the lotus as its central theme, weaving poetic realism with a rich play of colors. Gentle, mist-like shades mingle with deeper, more vivid t...

"Cobalt Haze" Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 15" x 33.5" x 1.5", 2010 This colorful contemporary abstract tapestry was is by Br...

Silksreen, 2015 Handsigned by the artist in pencil and annotated EA Artist proof Edition : 30 ex. 74.50 cm. x 60.50 cm. 29.33 in. x 23.82 in. (paper) 57.50 cm. x 46.50 cm. 22.64 in...

Silksreen Handsigned by the artist in pencil After a gouache. Edition : 113/200 Printer : Jean Bruller (Paris) Catalog : Saphire E10 56.00 cm. x 38.00 cm. 22.05 in. x 14.96 in. (pa...

At first glance, this piece seems like a classic Chinese ink painting, but a closer look reveals a quiet surprise: the full, ripened pomegranates are stitched entirely by hand. Every...

Silksreen, 1972 Handsigned by the artist in pencil and numbered 107/125 77.00 cm. x 67.00 cm. 30.31 in. x 26.38 in. (paper) 60.00 cm. x 59.50 cm. 23.62 in. x 23.43 in. (image) This...

Silkscreen and relief collage Handsigned by the artist in pencil and annotated EA Edition : 30 ex. 61.00 cm. x 78.00 cm. 24.02 in. x 30.71 in. (paper) 61.00 cm. x 78.00 cm. 24.02 i...

The artwork is print on silk and it is limited edition. "Fountain" – Where Mermaids Reign In the heart of the city, a grand fountain became more than just a landmark—it became home ...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Sonia Terk Delaunay ( 1885 - 1979 ) - hand-signed color silk-screen - 80 x 57 cm, 1970 Additional information: Material: Color Silk-screen on pape...

Shi Jun spent many years deep in the tropical rainforests of Xishuangbanna, Yunnan. To stay close to nature, he even bought a house in the area and went into the forest at dawn each ...

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass, silk) painting depicting beautiful yellow Gingko leaves against abstract background by Calif...

Screen print on silk scarf. Edition size unknown, as they were intended as holiday gifts. Scarf size 35.5 x 36 inches. Frame size: approx 40 x 40.5 inches. Printed by Rupert Jasen...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) painting depicting beautiful gold leaves against abstract background by Californi...

Artist: Ruscha, Edward Title: Science is Truth Found Out Series: (RED)ition Winter 2022 Date: 2022 Medium: Silk twill scarf Unframed Dimensions: 51.25" x 51.25" Comes folded in the original presentation box (13 1/2 x 13 1/2in) Signature: Printed signature Edition: numbered from the edition of 500 (61/500 & 62/500 available) Produced by Massif Central...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In “Feng Shui...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Vintage In the center of Mumbai city is an unorganised labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewellery, the list i...

Silksreen, 1973 Handsigned by the artist in pencil and numbered 84/150 84.00 cm. x 60.00 cm. 33.07 in. x 23.62 in. (paper) 73.00 cm. x 54.00 cm. 28.74 in. x 21.26 in. (image) The ...

Silkscreen, 2014 Handsigned by the artist in pencil and numbered 47/50 Publisher : Galerie-F Edition 46.50 cm. x 61.00 cm. 18.31 in. x 24.02 in. (paper) 31.00 cm. x 50.00 cm. 12.2 ...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Yinghua Zhou’s Swan Lake captures the graceful moment of a swan splashing across the water with extraordinary skill in Suzhou Embroidery. Recognized as one of China’s four great embroidery traditions, Suzhou Embroidery is admired for its flat, neat, harmonious, lustrous, smooth, and even qualities. This work reflects all of these traits. The stitches are impeccably even, the colors flow naturally from shade to shade, and the lines shine with a gentle radiance. Seen from afar, the composition has the depth and refinement of a fine oil painting. Up close, every feather reveals itself as countless silk threads patiently layered to create a soft, luminous glow. Although Swan Lake is a Suzhou Embroidery, Zhou has woven into it the precision and delicacy for which she is renowned in Hair Embroidery...

David Hockney The Rake's Progress Silk Pocket Scarf, ca. 2020 100% silk scarf made in Italy and printed in the UK, held in the original presentation box 16 1/10 × 16 1/10 inches Bear...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Mixed media on silk Liubov Juravliova is a French painter born in Chisinau, Moldova in 1963 who lives and works in Argenteuil, near Paris, France She has been listed at Drouot since...

Framed vintage Chinese landscape/portrait paintings on silk paper. All three paintings are in great condition, unframed they measure 6 in x 5 in, with framing the entire piece measur...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

JAVIER CALLEJA - RULES Date of creation: 2022 Medium: Habotai silk 8mm Edition: 150 Size: 120 x 120 cm Condition: In mint conditions, brand new Scarf made on Habotai silk 8mm. Editio...

This pair of chair drapes, dating from the late Qing to early Republican period (19th–early 20th century), was created in a professional embroidery workshop that catered to the homes...

silk damask, silver leaf, screen print, impressed metal leaf

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. His ongoing series of large-scale kites bridge the gap between flat art and sculpture, each crafted of split bamboo frames covered with stretched muslin and a collage of vintage ephemera – including kimonos, obis, paintings, scrolls, drawings, metal leaf, bleeding paper, book pages, or anything with a story to tell. In this bamboo kite entitled “Ikebana,” Thompson beautifully layers darkly saturated fragments atop pages of found text. A repurposed calligraphy scroll panels the left side, brushed with black ink with full flower blossoms and leafy foliage, while delicate pine branches grow upwards from the bottom. Vintage Japanese block prints...

Silkscreen, 1969 Edition : 142/150 49.00 cm. x 61.00 cm. 19.29 in. x 24.02 in. (paper) Handsigned by the artist in pencil Certificate of authenticity Dear Diana reads like an expa...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Created for The White Lotus series, season 2, Italy Silkscreen on silk, gold leaf, acrylic Mounted on aluminum, custom wood framed

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Painting on silk, textile paints Framed, 88 x 91 x 3 cm (wooden frame) Dali Nazarishvili is a Georgian female artist born in 1958 who lives and works in Tbilisi, Georgia. Since 200...

Separate Me from the Earth is 2023 work of Maki Kuchida. The painted size of the work is approx. 24x57cm, while the framed size is approx. 45 x 75cm. It is framed with archival gra...

Untitled (Likely Carmel – Point Lobos), c. 1950, mixed media on silk, signed lower right, 16 x 20 inches (image) Carol Kushner Sideman was a California painter. Born in Oakland to R...

Raccoons is one of the first forty animal-themed works Shi Jun created in collaboration with Taiwan’s Liang Yi Culture, and it perfectly showcases the artistry of “Hua Embroidery,” h...

Chicago-based artist Michael Thompson creates unique compositions of abstract painted elements and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In a departure from his split bamboo kite series, this work on stretched canvas entitled "Study in Red" layers textured paper and silken fragments within a rosy...

This framed silk brocade tapestry is one half of a magnificent Qing-dynasty chair panel, or chair strip. Because traditional Chinese seating was not upho...

Louise Nevelson ( 1899 - 1988 ) - hand-signed Silk-screen on hand-made paper, 1975 Additional information: Material: Silk-screen on hand-made paper Edited in 1975 Limited edition in...

This painting is a classic example of the work of Mori Sosen (1747–1821), the most famous painter of monkeys in Japanese art history. The painting, executed in ink and light color on silk, portrays a mother monkey protectively holding her infant while perched on a gnarled tree limb. The protective pose and the interaction between the mother and infant...

Lime Glow, Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 29" x 30.75" x 1.5", 2010 This colorful contemporary abstract textile is by British...

Spirals 2021 Jerzy Kubina Polish/American Artist: Jerzy was born in Zamosc, Poland, 1956. Studied at the Academy Of Fine Arts in Krakow 1981/1986 in the painting department under individual instructions of prof. Jan Szancenbach. He decided to immigrate to New York in 1986. Jerzy constructs large scale images on silk using technologies to create layers, textures, translucency. He is searching for a language that expresses the ideas inside. Sometimes the paintings are quiet and translucent, and then suddenly become very dramatic. There is a symbiotic relationship between him and the materials. Jerzy Kubina has exhibited his work widely in the US, including at Soho New York's first-ever gallery, the esteemed O. K. Harris. He has also shown internationally, in Paris, Poland and Mexico. Kubina graduated Magna Cum Laude from the M. A. program of The Academy of Fine Arts, Cracow, Poland. Artist Statement. "I do not limit myself to a classical representation of an image. I'm in constant search of new media which not only enriches the subject but also inspires me to new forms of expression. Visual appreciation is a creative exercise performed in a specified time and a specific emotional state. The subject must be individual and unique. I do not attempt to keep a tight rein on my art’s framework, but give myself the opportunity to individualize each of the works. My present concerns are of the sacred and the profane, always longing for harmony, accompanied by destruction and devastation, my inner world translates that pulse into color images. My new works are a continuation of the process of creating art for art's sake. Selected Exhibitions: 2016 Square Peg Gallery, Hasting on Hudson, NY 2015 Roshkowska Gallery...

Vintage In the center of Mumbai city is an unorganised labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewellery, the list i...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

Transporting artwork of a toucan in a tree expertly executed in a batik dying technique on silk and indistinctly signed. Presented under glass in a wood frame.

The work "Womanliness" is an exquisite and multilayered reflection on the nature of femininity, embodied in the painted (cold) batik technique on 100% silk. The canvas is stretched o...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Original work by Emma Levine, ‘Hot Oak.’ A bright, colourful hot pink silk background with a laser cut paper oak tree attached with pins. 53cm x 53cm – Framed Silk, paper, entomology...