Art by Medium: Silk

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Title: Autumn Moon Year: 2022 Medium: Mixed media sculptural lamp Condition: Excellent Edition: 20, plus proofs Notes: AllRightsReserved, Hong Kong in collaboration with the artist. ...

Beautiful lithograph on silk made by Gaspar Camps (1874 - 1942) who was a Spanish illustrator and painter, influenced by modernism and advertising. Hydrangeas were first identified ...

Silksreen, 1981 Handsigned by the artist in pencil and numbered 83/190 Catalog : [Prent 190] 60.00 cm. x 60.00 cm. 23.62 in. x 23.62 in. (paper) 46.00 cm. x 53.00 cm. 18.11 in. x 2...

Magical Thinking By Grayson Perry Grayson Perry is a British artist and potter celebrated for his bold ceramics and tapestries that explore themes of i...

Silksreen, 2014 Handsigned by the artist in pencil and numbered 26/30 Publisher : BUYSE (Lille) 76.00 cm. x 55.50 cm. 29.92 in. x 21.85 in. (paper) Publisher stamp A screen print b...

Frank Philip Stella (born May 12, 1936) is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City. This hand signed silk textile scarf work is acquired directly from the publisher. Extremely uncommon to find this piece in new condition and comes in the original red silk box. This art piece can be framed and hung on the wall or be a worn as a wearable art piece. This dazzling, large, hand signed, silkscreen on 100% Italian silk shawl was created by Frank Stella in collaboration with his longtime publisher Kenneth Tyler of the famed Tyler Graphics Studio. "The Whale Watch...

Among the most well-known West African textiles is kente cloth, woven by the Ewe and Asante peoples of Ghana. The word kente is not used by the Asante people; it may be derived from ...

Silksreen, 1970 Handsigned by the artist in pencil and numbered 63/145 70.00 cm. x 50.00 cm. 27.56 in. x 19.69 in. (paper) 44.30 cm. x 44.50 cm. 17.44 in. x 17.52 in. (image) The V...

Enrico Baj ( 1924 - 2003 ) - Catherine Henriette de Balzac - assembly of shells, medal, damask silk on wood, 1978 Additional information: Title: Catherine Henriette de Balzac d'entr...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Silksreen, 1983 Handsigned by the artist in pencil Edition : 112/150 Publisher : Édition Lahumière Catalog : [Benavides, n°955, p. 220] 76.00 cm. x 55.50 cm. 29.92 in. x 21.85 in. (...

Silksreen, 1979 Handsigned by the artist in pencil and numbered 20/20 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) Triptych composed of three plates all signed and numbered T...

Spirals 2021 Jerzy Kubina Polish/American Artist: Jerzy was born in Zamosc, Poland, 1956. Studied at the Academy Of Fine Arts in Krakow 1981/1986 in the painting department under individual instructions of prof. Jan Szancenbach. He decided to immigrate to New York in 1986. Jerzy constructs large scale images on silk using technologies to create layers, textures, translucency. He is searching for a language that expresses the ideas inside. Sometimes the paintings are quiet and translucent, and then suddenly become very dramatic. There is a symbiotic relationship between him and the materials. Jerzy Kubina has exhibited his work widely in the US, including at Soho New York's first-ever gallery, the esteemed O. K. Harris. He has also shown internationally, in Paris, Poland and Mexico. Kubina graduated Magna Cum Laude from the M. A. program of The Academy of Fine Arts, Cracow, Poland. Artist Statement. "I do not limit myself to a classical representation of an image. I'm in constant search of new media which not only enriches the subject but also inspires me to new forms of expression. Visual appreciation is a creative exercise performed in a specified time and a specific emotional state. The subject must be individual and unique. I do not attempt to keep a tight rein on my art’s framework, but give myself the opportunity to individualize each of the works. My present concerns are of the sacred and the profane, always longing for harmony, accompanied by destruction and devastation, my inner world translates that pulse into color images. My new works are a continuation of the process of creating art for art's sake. Selected Exhibitions: 2016 Square Peg Gallery, Hasting on Hudson, NY 2015 Roshkowska Gallery...

Kool Aid By Epi EPI is a contemporary visual artist known for bold, expressive compositions that merge urban culture with abstract storytelling. Their work often explores identity,...

Sonia Terk Delaunay ( 1885 - 1979 ) - hand-signed color silk-screen - 80 x 57 cm, 1970 Additional information: Material: Color Silk-screen on pape...

Stik's dog is a lovely stick white dog on a red background. ADDITIONAL INFORMATION: Original Limited Edition Print by Mychael Barratt Screen print on Paper Edition of 100 40 H x 38...

Framed vintage Chinese landscape/portrait paintings on silk paper. All three paintings are in great condition, unframed they measure 6 in x 5 in, with framing the entire piece measur...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Original work by Emma Levine, ‘Hot Oak.’ A bright, colourful hot pink silk background with a laser cut paper oak tree attached with pins. 53cm x 53cm – Framed Silk, paper, entomology...

Silksreen, 1980 Handsigned by the artist in pencil Edition : 99 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (paper) 17.00 cm. x 20.00 cm. 6.69 in. x 7.87 in. (image) Dedicated "La...

Jacob Otto Pins (17 January 1917 – 4 December 2005) was a German-born Israeli woodcut artist and art collector, particularly of Japanese prints and paintings. Jacob Pins was born in Höxter, Germany, the son of Dr Leo Pins, a veterinarian, and his wife Ida Lipper. He immigrated to Palestine in 1936 to study art. His father tried to discourage him from becoming an artist for financial reasons. Pins' younger brother, Rudolph, (1920-2016) moved to the United States in 1934. His father was sent to Buchenwald. In July 1944, both parents died in the Riga ghetto. Pins first lived on a kibbutz, which was disbanded in 1941. He moved to Jerusalem and studied woodcut and linocut under woodcut master and painter Jacob Steinhardt, also a German immigrant, at his small private school. He lived in poverty in a tiny room, subsisting on a meagre diet. He continued his studies at the new Bezalel Academy of Art and Design. Pins was married to Elsa, the subject of a number of his prints. They had no children. Pins bought his first Oriental print in 1945, and acquired a house on Ethiopia Street, opposite the Ethiopian church, where he lived for the rest of his life. He continued collecting until his death and was one of Israel's foremost art collectors. His book on Japanese Pillar Prints, Hashira-e is the definitive work on the subject. Pins died in Jerusalem in December 2005. Pins' artwork was heavily influenced by German expressionism and traditional Japanese wood block printing. From 1956 to 1977, he taught at Israel's leading art schools, most notably Bezalel, where he later became a professor. He was known as a demanding teacher, emphasizing strong technical skills and discipline. In the 1950s, Pins helped to found the Jerusalem Artists' House, a centre for the city's artists to meet and exhibit. Legacy Pins' extensive collection of Japanese woodprints...

This intricately detailed composition is a late-Qing dynasty ancestor portrait depicting several generations of a family's male ancestry. Or...

Signed and inscribed, lower center: Joseph / Ramanankamonjy / Madagascar / Petite fille / “aquarelle sur soie” Provenance: Private Collection, Paris Private Collection, Florida Som...

Painting on silk, textile paints Framed, 88 x 91 x 3 cm (wooden frame) Dali Nazarishvili is a Georgian female artist born in 1958 who lives and works in Tbilisi, Georgia. Since 200...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

"Renewal" (2024) By Jan R Carson is an original handmade sculpture made with silk and stainless-steel wire. This piece depicts leaves falling and changing color as they fall.

18th century silk embroidered art work. Depicting children and fairy tales. It is very rare for works from this time period to depict a black...

Traditional Japanese Oshie Artwork form the 1960's. Signed by artist in lower right corner in Japanese characters. Framed behind glass.

Historically in Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. This 19th-century Tibetan Thangka, painted in rich red, green, and blue pigments, still maintains incredible vibrancy. The central figure is the Sakyamuni Buddha, seated in the diamond position with alms bowl...

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf

Russell is best known for compelling, larger-than-life silkscreen paintings appropriated from recent history and popular culture. Alluding to the great Pop artists of the past, he re...

Silkscreen, 1969 Handsigned by the artist in pencil and numbered 8/75 Catalog : [Chenivesse 47] 49.00 cm. x 61.00 cm. 19.29 in. x 24.02 in. (paper) 39.50 cm. x 48.00 cm. 15.55 in. ...

Silksreen, 1988 Handsigned by the artist in pencil and annotated EA Edition : 275 ex. Publisher : Association AIDES 61.50 cm. x 50.00 cm. 24.21 in. x 19.69 in. (paper) 41.00 cm. x 2...

Flashe on muslin with felt, tulle, thread

A beautiful acrylic on silk brocade with a gold leaf-covered frame made by Impiglia himself, an artist whose value has only increased over the years. Born in Rome, Impiglia moved to New York in the ‘70s, where he established a signature style on the shoulders of Futurism and Cubism, his technical skill underpinning his eclecticism and allowing him to indulge in an appetite for complexity. His work has been exhibited in numerous galleries around the world and is part of prominent collections including that of The Victoria and Albert Museum and the Absolut Art...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

With careful brushwork, this 19th-century painting honors the four treasures of the scholar's studio - paper, calligraphy brush, ink, and inkstone. Essential to his way of life, the ...

Mountain Path is a 2020 landscape work by Maki Kuchida. This is a much sought-after landscape work by Maki, demonstrating her delicate painting skills with so much details in one work - the nature environment, trees with various forms and shapes, flowers, the river and the colorful coyotes as if all inside a mirage of the mountain. The mountain path leads you into a stage where the sky and the earth merge into one universe, the realm of the soul. Maki combines the Japanese landscape painting technique with the Chinese one thus her landscape work is unique in its own way. Coyotes are mascots that appear very often in Maki's landscape paintings. The painted size of the work is approx. 54 x 38cm, while the framed size is approx. 74x58cm. It is framed with archival grade mount. There will be a certificate of authenticity issued with your acquisition. Maki's paintings may seem deceptively simple at first but indeed the colors and texture are achieved through a labor-intensive and time-consuming process as painting on silk for one color requires at least 8 layers of pigments. Maki paints using mineral pigments on...

Thangkas are devotional paintings displayed by Buddhists in monasteries, temples, and even in their homes. The rich red, orange, green, and blue hues are still incredibly vibrant on ...

Silk scarf framed with museum-grade 92% UV-resistant glass. 90 x 90 cm / 35 7/16 x 35 7/16 inches 103 x 103 cm (incl frame) / 40 9/16 x 40 9/16 inches (incl frame) edition size unknown Map of Days is an intricate work that serves as a self-portrait of the artist's identity and psyche. Drawing inspiration from medieval maps...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. His ongoing series of large-scale kites bridge the gap between flat art and sculpture, each crafted of split bamboo frames covered with stretched muslin and a collage of vintage ephemera – including kimonos, obis, paintings, scrolls, drawings, metal leaf, bleeding paper, book pages, or anything with a story to tell. In “New Morning,” panels of teal and indigo leach across the expansive canvas with captivating irregularity. Contrasted by a neutral field of vintage block prints...

Flashe on muslin with silk, felt & tulle

Chicago-based artist Michael Thompson creates unique compositions of abstract painted elements and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In a departure from his split bamboo kite series, this work on stretched canvas entitled "Study in Red" layers textured paper and silken fragments within a rosy...

"Messages" (2021) by Jan R Carson is an original abstract sculpture that depicts a person looking at a flock of birds flying away. This piece was created with silk, stitched together...

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Hsiao Chin 蕭勤 - Nuvola - hand-signed Silk-screen on paper - 130 x 160 cm, 1980 Additional information: Material: Silk-screen on paper, edited in 1980 Limited edition of 75 copies pl...

To find me is simple, just follow the breeze, Let it dance on your face with effortless ease. A towering cloud will come into sight, When you see it—turn to the right! Cloud. Ente...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

越波飛翼 (Yuè bō fēi yì) by 朱永 Surmounting Waves Flying Wings by ZhuYong Image, 26.5"H x 40.5"W Frame, 35.5"W 49.5"W . 1.5"D A Chinese painting featuring two cranes in flight against a backdrop of stylized waves. The painting is rendered in traditional Chinese style, with flowing brushstrokes and a muted color palette dominated by blues, whites, and earth tones. The cranes are depicted with detailed plumage, their wings outstretched as they soar through the air. The waves are represented in a swirling, abstract manner, suggesting movement and energy. Chinese painting is known for its emphasis on capturing the essence of the subject matter rather than a literal representation, and this piece exemplifies that approach. The use of ink and color on silk or paper is typical of this art form, as is the focus on natural themes such as birds and landscapes. he style is reminiscent of traditional Chinese ink wash painting, which emphasizes brushwork and capturing the spirit of the subject. The swirling water and mountain details could also be interpreted as fractal art...

Silksreen, 1993 Handsigned by the artist in pencil Edition : 500 ex. Catalog : [Prestel 43] 100.00 cm. x 70.00 cm. 39.37 in. x 27.56 in. (paper) 100.00 cm. x 70.00 cm. 39.37 in. x...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

The Four Seasons - Spring by Lélia Pissarro (B. 1963) Serigraph 50.5 x 69 cm (19 ⅞ x 27 ⅛ inches) 61.5 x 79 cm (24 ½ x 31 ⅛ inches) Signed and numbered Printed in an edition of 300 ...

Midcentury colorful representation of 4 coy fish by Chinese artist (signed and dated). Painted on silk. Framed and exhibited in Honk Kong. Numbered 13/30.

Louise Nevelson ( 1899 - 1988 ) - hand-signed Silk-screen on hand-made paper, 1975 Additional information: Material: Silk-screen on hand-made paper Edited in 1975 Limited edition in...