Art by Medium: Wood

Ce bas relief en céramique a été réalisé dans l’esprit des trophées de jumping. À travers cette œuvre, l’artiste allie l’élégance du mouvement à la pureté du matériau. Nicole Koleko...

Radiating with bold color and tender emotion, this captivating painting by Rebecca Johnson invites viewers into an intimate, dreamlike world. Rendered in vibrant neon pinks and soft ...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

Fun, vibrant mixed media piece. Homage to the late great Andy Warhol. And Coca Cola. On wood. About the Artist: Allen's work has gained recognition w...

Swan Scalabre "Western n°18" Oil on Wood 10 x 8 in. 13 x 11 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze ...

Sculpture Lulo 2 Limited edition of 12 Dimensions : H. 89 cm x D. 27 cm Mediums: Ash, oil, brass Japanese technique Yakisugi LULO - Collection Climbing. Both word and action are ...

Bear Tags 1 Mixed media sculpture Original artwork 68 x 30cm

This artwork titled "Fresh Cut: Cornbread the Legend" is an original artwork by Cornbread made of acrylic paint on wood. The piece measures 38"h x 51.5"w x 2.5"d framed, and is shipp...

Contemporary, Mixed Media, Wall Sculpture, Yarn Over Wood, Framed, Sculpture Douglas Dale uses contoured yarn to trace and mimic wood grain, allowing solid forms to seemingly dissol...

Mystery Artist Untitled, 20th century Bronze with wood and acrylic mounting Overall: 19 1/4 x 7 1/4 x 1 1/8 in. Bronze plate: 17 5/8 x 5 3/4 in. Numbered lower left: 7/30 Initialed l...

This bird sculpture was created by an unknown Baga artist in French Guinea. The bird's head is covered with paint and intricate patterns. Among the less well known Baga art forms are the a-Bamp (or a-Bemp) bird figures. They range from the naturalistic to the abstract and often have small birds or other animals on their backs. Different birds are represented including pelicans, egrets and other fishing birds...

Oil on plywood realized by Martin Bradley in 1974.  Hand signed and dated in top right corner; hand signed and titled on rear. Very good condition.

Important painting by the great Spanish artist Josep Guinovart. Signed and inscribed in the back with is a label from an exhibition at Fiamma Vigo's Galleria Numero, one of the most...

Neda Dana-Haeri I Was Once a Dweller of Paradise, 2025 Acrylic on wood 30 x 22 cm 11 3/4 x 8 5/8 in

Katherine Bowling (American, b. 1955) Oil on spackle on wood 1988 Hand signed, titled and dated verso, Dimensions: 48"h x 48"w Provenance: From an Important Private Collection, NYC; bears gallery label from Blum Helman Gallery, NYC Notes/Literature: Exhibited: "Earth and Sky: Recent Paintings by Katherine Bowling, Joan Nelson and Ellen Phelan", Hood Museum of Art, Dartmouth College 1992 Katherine Bowling (born 1955, Washington, D.C.) is a modernist painter known for her layered landscape paintings that draw inspiration from nature in the Hudson Valley. Katherine Bowling grew up in Tidewater, Virginia. She received her BFA from Virginia Commonwealth University in 1978. Bowling's first New York show, as well as her first solo exhibition, was in 1987. Bowling's works tend to be luminous landscape paintings that often feature woods and fields as well as roads. Many of her paintings are based on her photographs of woods and fields surrounding and in Schoharie County, where she rents a house. As Molly O'Neill notes in an essay on Bowling and her work, this area is "fifty miles northwest of the vistas that inspired the Hudson River School painters in the mid-1800s." Bowling focused in particular on the imagery of roads for the theme of her exhibition at Greenberg Van Doren, Divide. As the title implies, writes Lilly Wei in the exhibition's accompanying catalog, Bowling views the roads as "abstract marks in the landscape that divide and order space." Even with roads she has often traveled, Bowling finds something new on closer inspection that alters her perception of the familiar and mundane. Bowling explains that the roads "function as a metaphor for memory and displacement." In 2001, Bowling exhibited a number of seascape paintings. In her essay on the exhibition, art historian and critic Nancy Princenthal writes that, far from being an aberration from Bowling's typically home-based scenes, the ocean paintings are "a return to childhood memories and life long inclinations. A native of Virginia, she spent her first summers at the Atlantic shore and on the Chesapeake Bay." Primarily, however, Bowling's works focus on capturing the play of light and shadow. Art critic Eleanor Heartney notes that "Her paintings, like those of Monet, Pissarro, and Renoir, focus on the ephemeral moment and the fleeting impression, conjuring the flicker of sunlight through the trees, the shifting shadows of early evening, the reflections of clouds and foliage glancing across the rippling surface of a lake." They have a luminist quality to them. O'Neill argues that Bowling additionally "has an innate sense of abstraction and she ranges happy as an uncaged chicken, pecking elements from the Impressionists' obsession with light; from modern photography; and the drip paintings of Jackson Pollock." Bowling is influenced by the use of light in the paintings of European Romantics such as J. M. W. Turner and John Constable as well as by the later work of George Inness:  Her paintings also recall landscapes by Claude Lorraine, Albert Pinkham Ryder and Camille Corot. Bowling is known for her use of spackle. She uses a long process of layering and sanding to create the "back-lit" effect found in her paintings. First, the paintings begin as a photograph which she typically takes near her rented house in the Hudson Valley. Then, she uses these photographs, which serve as her "preliminary drawings," to aid in the painting process. She also paints from memory and direct observation. Bowling paints on square panels of plywood. Bowling considers rectangular pieces to be too horizontal and rife of implications already of landscapes and horizons. She sometimes paints on one of these square and sometimes paints on several square panels together. The seams between these adjoined panels are left visible. Next, Bowling applies layers of spackle. O'Neill remarks that "Inspired, perhaps, by her day job of painting houses, [Bowling] turned to more industrial media: damp vinyl spackle, a building compound that is applied to wooden panels to create a matte, fresco-like surface. Thinned oil pigments are poured, allowed to dry, and then the Sisyphean task of sanding begins."  Initial layers generally correspond with the color of the light—varying from pinks, golds, blues, and oranges. Through this layering and sanding, she creates a luminous quality in her landscapes. Despite rigorous sanding, air bubbles within the spackle layers are revealed occasionally on the surface. Rather than disguise them, Bowling integrates them. Heartney writes that Bowling "allows these irregularities to become part of the painting so that the viewer's perception of the play of light and shadow across the image cannot be separated from an awareness of surface itself." In later stages of painting, Bowling stands above panels to throw, dribble, and splatter paint with a hair dryer, recalling the techniques of Abstract Expressionist artists such as Jackson Pollock. Awards and honors 1991 National Endowment for the Arts Grant 1989 New York State Foundation for the Arts Fellowship 1988 Mid Atlantic Arts Foundation Fellowship Notable public collections The Metropolitan Museum of Art, New York, NY Brooklyn Museum of Art, New York, NY Mary and Leigh Block Museum of Art, Evanston, IL Phoenix Art Museum, Phoenix, AZ Norton Museum of Art, West Palm Beach, CA Fisher Landau Center, New York, NY Select exhibitions 2025 PS122 Gallery Lower East Side, New York 2022 Katherine Bowling: Trees Winston Wachter Fine Art, New York 2013 Woods, Lovely Dark and Deep. DC Moore Gallery Chelsea NY Featuring: Eric Aho, Milton Avery, Romare Bearden, Dozier Bell, Jake Berthot, Katherine Bowling, Charles Burchfield, Mary Frank, Noriko Furunishi, April Gornik, Marsden Hartley, Daniel Heidkamp, David Hilliard, Mark Innerst, Max Jansons, Sissel Kardel, Whitfield...

Tears of a Mother, sculpture by Troy Williams, wood, steel, abstract, figure Our mother is sad and tired. The forest's song is gone, replaced with digital steel. Heartbroken, Mother...

This piece titled "Egg Canoes: Duck #5-8" is an original piece by Kate VanVliet and is made from eggshell, mica, 3-D printed PETG, acrylic, and pine. This piece measures 4”h x 10”w x...

Patrick Terenchin (b.1970). Brendan (Hammock), 2024. Oil, acrylic on wood panel. Panel measures 24 x 30 inches. Signed, titled, dated on verso.

Title: Expression in Flight Abstract, Colorful, Painting, Contemporary, Joy, Invest, Bold This series portrays our connection to the earth, ocean and sky... Life, our playful part ...

This miniature, white and blue, paper sculpture titled "FAR OUT" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel, and...

“A Product of Consequences” is an abstract expressionist masterpiece that captivates viewers with its explosive energy and dynamic composition. Painted in 2017, Troy Smith utilizes b...

"Roped into Duality" Abstract Relief Sculpture. Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This eye-catc...

Geometric and gestural abstract painting on canvas in earth tones of green, beige, tan, green, light brown, and blue. Plan for Spring #1, by Jeanette Fintz in 2018 24 x 24 x 2 inches...

Golden Hour at the Cottage - Original Landscape Oil Painting, Canvas on Masonite A sunlit cottage sits amongst evergreens and golden-leaved trees in a clearing. Warm hues contrast natural tones of green and blue in this calming landscape painting of the woods. Presented in a frame of the period with linen fillet, included as-is, showing wear consistent with age. Frame 14.5”H x 22.5”W Art 8”H x 16”W Genevieve Wilhelm (American, 1908-2005) was born in Cuyahoga Falls, Ohio, daughter of the late Arthur A. and Helen Shephard Billman. She was a graduate of Fine Arts from Ohio State University and attended DePauw University and Kent State University. She also studied ceramics at the Cleveland Institute of Art and Alfred University and was a student of watercolor with Roy Wilhelm...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Linda Stein, Easel Scepter 167 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an e...

Linda Stein, Divining Scepter 153 - Wood, Stone, Leather, Mixed Media Wall Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an excav...

Abstract wall sculpture featuring three dimensional geometric shapes painted with bright blue paint. The uniqueness of this blue does not derive from the ultra...

Bronze, painted bass & burr oak Unique Stamped with monogram signature and uniquely numbered 740 The natural bronze elements of this sculpture are bright polished. If touched a lo...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Gate 41 – The door of the new cycles Inspired by door 41 in Human design and Gene Keys, this sacred geometry represents the starting point of any experience. The 41 symbolizes the o...

Oil on plywood realized by Sirio Pellegrini in 1970. Hand signed lower left. Signed and titled on rear. Includes a wooden frame 21.5x32.5 cm. Very good condition. Sirio Pellegrin...

Richard Whalen (American, 1926-2009) "Carmen Amaya" Original Oil Painting c.1990 Created on a wooden ply panel with rope for hanging The artist us...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 14”h x 11.5”w x 4.25”d. About the Artwork O’Sullivan creates invented buildings, places, and objects describing unexplored worlds conjuring a sense of discovery and adventure. Rise and Shine represents a shift from the artist’s earlier work featuring structures, facades, and panoramic landscapes toward a more detailed approach. These new works depict encapsulated, floating environments devoid of humans. The sculptural objects are keepsakes or relics from these faraway places. Each piece plays with the shifting relationships between two and three dimensions, surface and underworld. O’Sullivan’s recent screen prints introduce color, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games, maps, science fiction movies, and movie set design. Likening his process to a lego set...

Arbegas C by Camilo Andres Rodriguez Marquez Burnt Wood Sculpture Dimensions: H. 32 x 77 x 43.5 cm Camilo Andres Rodriguez Marquez is a Colombi...

This piece titled "Friendly Money Loan" is an original artwork made from paper, plaster, vinyl, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastel by Drew Leshko. This piece measures 35"h x 16"w x 9"d. Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale...

New Day by Troy Williams wood sculpture, female figure, Santa Fe artist cottonwood on steel pedestal, unique sculpture, light brown

Mahogany roots and gold leaf The Joaquim Ingravidesa Sculpture Alliance is formed by an international group of sculptors and designers who collaborate to create abstract sculpture i...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...

This piece titled "Shame Spiral (Feel free to take it for a spin, I won't be needing it anymore)" is an original piece by Sarah Detweiler and is a hand crafted oil and mirror mosaic hanging sculpture with movable parts. This piece debuted in Detweiler's solo exhibition "Unmasquerade". The artist used oil paint, broken mirror pieces and grout on wood box with metal Lazy Susan turntable...

Hand Carved Wood, Assembled Sculpture, Hand Painted Landscapes, Wall Hanging Holly Lane is a painter, sculptor and woodworker, interrogating the relationship between a picture and i...

Pair of carved wood sculptures - Archaic lions. Italy, 18th century. 30 x 12 x 17 cm high each. Made entirely of finely carved wood. - This item is sold with a certificate of aut...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Portrait of the artist's daughter Sasha at 8 years old by the Russian/American artist, Nahum Tschacbasov. Oil on masonite on a wooden stretcher backing. Signed lower right and dated 1938. Sasha later was to become the second wife of the the writer, Saul Bellow. Condition is good with some wear to top left of painting. In original, unrestored condition. Unframed. Nahum Tschacbasov lived in New York City for most of his adult life, arriving in the United States as a young boy in 1907. His numerous one man shows included ACA gallery, Perls Gallery and John Heller...

"Homage to Marcel Duchamp" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference...

Texas Mesquite wood with steel base It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating f...

A Charming, 1950s Painting of a Little Girl, "Red Smock" by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). What a character this one is! A little gem of a painting. ...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Sculpture africaine représentant une femme lionne assise. Bois noirci. Cote d'Ivoire . Baoulé. début XX siècle

Shrine, wood block print, Japan, yellow, brown, black, graphic, Karhu

Original painting on ceramic tile of two archers by the French artist, Jean-Pierre Grun. Signed lower right. Condition is very good. Circa 1960. ...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged...

Professional painter from Latvia in Soviet period

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

Here on the beach #3, 2021

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

American sculptor Joseph Martinek was born in Chicago in 1915. He was a second generation apprentice to Auguste Rodin. He studied sculpture at the State Industrial School of Art, Pra...

Cool spray paint and oil on wood...nighttime scene on highway. About the Artist Percy Fortini-Wright is a Boston based artist who received both his BFA and MFA from the Art Institute of Boston at Lesley University. While in his youth he wrote graffiti, most active during the late 1990’s, becoming a technician of wild style graffiti letters, tags and bubble letters while simultaneously he evolved as a traditional painter of scenes, abstraction, and portraiture to his characters the Children from Beyond. In graduate school he mentored with artists Paul Rahilly, Ken Beck, Paul Goodnight...

Linda Stein, Brushes at Ease 119 - Mixed Media Assemblage Contemporary Art Wall Sculpture Brushes at Ease 119 is from artist Linda Stein's Brush Assemblage series, where she combine...