Art by Medium: Wood

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Crashing Waves - Big Sur Coastal Cove Original Oil on Masonite Dramatic small-scale, professionally framed seascape by Stephen John Skerce (American, 1926-2010). Waves crashing into a Big Sure Cove and Seagulls gliding on the wind currents. Well known for many years on the Monterey coast for his seascapes and beach scenes. Signed "Skerce" in the lower right corner. Signed "Stephen Reno Skerce" on verso, with the artists Mountain View Studio stamp on frame. Presented in a wood frame with a linen liner. Frame size: 12.5"H x 14.75"W Board size: 5"H x 7"W Stephen John Skerce (American, 1926-2010) was a painter from Monterey, California. He received his formal art training from the Chicago Art Institute, Salinas Art School, and the Academie Julien in Paris, France. He is known for his landscapes, seascapes, and harbor scenes. He was an artist with both the Valley Art Gallery in Salinas and Venture Gallery in Monterey. He was also served in the US Marine Corps.

"Stingaree" by artist David Everett is polychromed mahogany, and measures 43 3/8 x 40 1/4 x 21 1/2 inches. It is signed "© D EVERETT 2017". It depicts a mother and child, pelican and...

Hyun Ae Kang is a famous Korean Artist, born in Seoul, South Korea. Today she lives and works in California, USA. In her work Hyun combines traditional Korean spirit and Western ab...

Magda Watts (Israeli, b.1928) Handmade Folk Art Sculpture Tourists. Hand signed to underside, Dimensions: 12"h x 14.5" l x 7.5"d. Magda Watts, Holocau...

This work is sourced directly from the artist. Butterflies cut from paper, arranged in the shape of the word HAPPY PLACE, and pinned with stainless steel entomology pins to white canvas. Framed in a clear, plexiglass box. Available Sizes (Framed Size) Standard 39" x 60" About Charles Patrick Charles Patrick is best known for his intricately cut paper...

Size includes wood mounting. George Aarons (born Gregory Podubisky, in St. Petersburg, Russia, 1896 - died in Gloucester, Massachusetts 1980) was a distinguished sculptor who lived and taught in Gloucester, Massachusetts, for many years until his death in 1980. He had, many students in the area and he designed Gloucester's 350th Anniversary Commemorative Medal. Aarons moved from Russia to the United States when he was ten. His father was a merchant. He began taking drawing classes during evenings at Dearborn Public School in Boston as a teenager and went on to study at the Boston Museum of Fine Arts in 1916. Aarons later moved to New York City to study with Jo Davidson, and other Paris-trained masters at the Beaux-Arts Institute. He eventually returned to the Boston area and established studios in Brookline and Gloucester, Massachusetts. During his lifetime, he was recognized internationally and won several prestigious awards. Aarons had studios in Brookline, Massachusetts and Gloucester, Massachusetts where he produced large bronze and marble figures and wood carvings. He produced several projects for the Works Progress Administration including a group of three figures for the Public Garden (Boston), a longshoreman, fisherman and foundry worker, as well as a large relief (1938) for the South Boston Housing Project and façade of the Baltimore Hebrew Congregational Building (1956). His works are at the Museum of Art in Ein Harod, Israel; Fitchburg Art Museum in Massachusetts, Musée de St. Denis in France; Hilles Library at Radcliffe College in Cambridge, Massachusetts; and Hillel House at Boston University in Massachusetts. He did reliefs for Siefer Hall at Brandeis University in Waltham, Massachusetts (1950); Edward Filene (the founder of Filene's Department Store and a philanthropist) on the Boston Common; Fireman's Memorial in Beverly, Massachusetts; a memorial to Mitchell Frieman in Boston; the U.S. Post Office in Ripley, Mississippi; and at the Cincinnati Telephone Building; the Combined Jewish Philanthropies building in Boston (1965); and a commemorative medal for the 350th Anniversary of the City of Gloucester, Massachusetts (1972). Characteristic of his era, George Aarons was among the foreign-born American sculptors of the early 20th century who started their careers as academicians and evolved into modernists and increasingly abstract artists. Over thirty pieces spanning the length of this sculptor's career were featured in this exhibition, including work in various medium bronze, wood and original plasters. Like his contemporaries, Aarons experimented with direct carving in wood, and he was one of the few academically trained sculptors who consistently cut his own works in marble. His early work was classically inspired figurative work, along with sensitive portraits. Some of his most powerful sculpture comes from his middle period, when he worked through his emotional pain following the global realization of the Jewish Holocaust. He depicted humanity deep anxiety over this tragedy with figures that are at once symbolically charged and movingly beautiful. Aarons late work consists of radically simplified forms that continue to reference the human form and often are carved directly in wood and stone. Aarons summered and taught classes on Cape Ann for many years before moving to Gloucester full-time with his wife about 1950. While Aarons is best known locally for his domestic-scale works, he also executed numerous monumental, public commissions that can be found throughout the United States in cities such as Washington, D.C.; Baltimore, Maryland; and Cincinnati, Ohio; as well as in France and Israel. As noted in a Gloucester Daily Times Article, Aarons wanted his sculptures to honor the struggles and nobility of people and rail against the evil done against them. And that was why, even as his work grew more and more abstract, stylized and simplified, he never left behind the form of the human figure that had been his focus from his earliest works. Aarons told the Gloucester Daily Times in September 1954 that he found it hard to remember at just what age he started studying art, but he recalled that the nude model had to partially dress when he was in class because he was so young. He initially studied painting and drawing at the museum school, but he once said he became fascinated by sculpture when he met an established sculptor at the Copley Society in Boston who invited Aarons to his studio and offered him some clay to "play around" with. After he graduated, he apprenticed under sculptors Richard Brooks, Robert Baker and Solon Borglum. He worked as a carpenter, shipbuilder, dishwasher and chimney sweep. He fashioned architectural decorations, including figures for fountains and now and then a few commissioned portraits. He returned to Boston by the early 1920s and began to exhibit his own works and get commissions for portraits, fountains and reliefs. His sculptures from this time are dreamy and romantic in the realistic, academic style of the time. A painted portrait of the young Aarons that is included in the North Shore Arts Association exhibit shows a determined fellow with dark brown hair, a suit and bow tie. However, in 1922, this determined young artist was living with his parents on Calder Street in Dorchester. In the 1930s, Aarons adopted the streamlined, monumental style of the socialist works of the time. Aarons made money, as he would all his life, from commissions, selling his personal work and teaching sculpture, but the Depression of the 1930s was tough for everyone. So Aarons found work though the federal Works Progress Administration, one of Franklin Roosevelt's New Deal programs. He received his first major commission when he was asked to create a public sculpture for the South Boston Harbor Village public housing project around 1937. He was elevated to the position of supervisor for the project and received a corresponding $5 pay increase to make his weekly salary $32. The raise convinced him he was fit to marry and he proposed to Gertrude Band, an attractive brunette dancer whom he had been dating for more than a year. They were married before the Harbor Village project was dedicated on Labor Day 1938. Aarons' design featured a brawny, larger-than-lifesize fisherman, longshoreman and a laborer flanked by a boy and girl at either end to portray the children who would live in the apartments. Aarons elected to do the piece in cast stone to employ carpenters and laborers as well as craftsman for a total of 10 men. In his sculpture, Aarons focused more and more on the theme of oppressed people as he worried about the spread of fascism and Nazism during the 1930s, World War II and after. He had done pieces during the mid-1930s about the oppression of African-Americans, including "Negro Head," which is in the North Shore Art Association retrospective. After the war, he also delved into Jewish themes and became increasingly known as an important Jewish artist, leading to commissions from Jewish organizations across the country and abroad. "He gets into raw emotion. Some people describe him as an expressionist because of the emotion (in his work)," Reynolds says. But Aarons, also sculpted sensual sexual nudes...

Nostalgic mixed media. Famed Cracker Jack Box homage. About the artist: David's paintings have a build-up of layers using different mixed mediums suc...

"Currency #265" by Natasha Lelenco presents the profile of an anonymous male figure in deep blue tones, painted over a luminous metallic silver colour background. The portrait is fra...

Rabbi with Torah Abraham Straski, Polish (1903–1987) Date: 1950 Oil on Canvas on Wood, signed and dated Size: 16 x 12 in. (40.64 x 30.48 cm) Frame Size: 19.5 x 15.5 inches

Deaccessioned from the Spertus Museum in Chicago Hand signed by artist in wood carving Chaim Goldberg -- born in the Polish shtetl of Kazimierz Dolny Chaim Goldberg has worked in ne...

The Prodigal Son Among Courtesans Attributed to Hieronymus Francken II (Antwerp 1578-1623) Early 17th century Antwerp school Oil on oak panel, Dimensions: H. 52.5 cm (20.67 in), W. 74 cm (29.14 in) Flemish-style moulded wood frame Frame: h. 78 cm (h. 30.70 in.), w. 100 cm (39.37 in.) At first glance, this festive and joyful painting depicts a group of elegantly dressed people dancing to the sound of an orchestra in a richly decorated interior with a wide opening onto a rural exterior. However, the real theme is cleverly concealed by the painter and is only discernible through the artifice of a small scene in the background where we see a half-naked man, in the company of the pigs next to a makeshift shelter. In fact, beyond the pleasant and apparently superficial character of the painting, it is a subject taken from the parable of the prodigal son in the Gospel. The illustrated episode is the prodigal son among courtesans. Even if the viewer's attention is drawn to the central couple (prodigal son embracing a pretty courtesan) doing the dance steps, the artist takes care in a narrative approach of all the groups and ancillary scenes in order to create a rich and varied composition. Thus the musicians seated on a raised platform are depicted with great skill, their faces animated, their clothes abundantly varied. The theme of music, which has always been associated with that of sensuality and physical love, helps to exacerbate licentious pleasures. The merry company dances "Spanish pavane", a slow court dance from the sixteenth century, danced close to the ground by couples arranged in a procession, which was probably introduced to the south of the Netherlands around 1600 during the governance of Albrecht VII and the daughter of the King of Spain Isabella Clara Eugenia in Brussels. The interior of the house is also carefully elaborated, the embossed leather dyes on the walls, the middle sideboard (typical in Francken interiors), where the rich gold and silver crockery is placed in front of the painting "Andromeda chained to the rock and Perseus arriving to rescue her". The inclusion of a contemporary and probably extant pictorial work is also one of the characteristics of the Francken family, among them Frans Francken the Younger...

Handwoven stretched lampas panel, made on a 32 shaft Leclerc Weavebird loom medium: Cotton and silk, stretched and framed in painted wood

Maplewood Bust 19" x 7" x 8.5" This sculpture will be shipped directly from the artist's studio.

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried in th...

Layered petals of white glass frit are composed within a black lacquer frame by artist Cheryl Wilson Smith. Wilson Smith's work is created by forming minute glass particles, known as...

FREE SHIPPING TO WORLDWIDE Artisan: Hector Martinez Rivera IAM 1st. Place Category “Gold Bathed Laca” INSTITUTO DEL ARTESANO MICHOACANO LVII State Edition Award "Domingo de Ramos en...

Everything is Art, Everything is Politics By Ai Weiwei Ai Weiwei is a prominent Chinese contemporary artist and activist known for his bold and provocative works that challenge po...

Sculpture by Jacques Jarrige formed by 2 stems of brass shaped hand hammered . The piece is set in an oak base. Unique piece.

In a 1971 interview with Ebony Magazine, Alvin Hollinsworth commented on his African Jesus Christ painting, "I have always felt that Christ was a Blac...

Harald Schmitz-Schmelzer’s cast acrylic works bridge the gap between painting, sculpture and science. The artist’s studio, like an experimental lab, is ...

A spectacular mid-century modern Manhattan figurative landscape oil painting, after the renowned artist Adolf Arthur Dehn's 1941 watercolor "Spring in Central Park", by an unknown artist (American, 20th Century). In this vibrant and expressive circa 1960 rendition of Dehn's famed painting, New Yorkers are depicted as tiny figures milling about the park in springtime, dwarfed by fluffy pink trees in bloom and the towering New York City skyline in the distance. Unsigned. Presented in a wood frame. Image size: , 29"H x 36"L. Framed: 32"H x 39"W. This painting is after the prestigious watercolor of the same title, painted in 1941 by Adolf Arthur Dehn (American, 1895 - 1968). The original piece is in the collection of the Metropolitan Museum of Art in New York City. It was exhibited at the Met's "26th Annual National Exhibition of Advertising and Editorial Art" in 1947, and then again at the 1950 exhibition titled "20th Century Painters: A Special Exhibition of Oils, Water Colors and Drawings Selected from the Collections of American Art in the Metropolitan Museum". More recently, "Spring in Central Park" was exhibited at Fairfield University Art Museum for the 2017 exhibition "Adolf Dehn: Midcentury Manhattan". Visiting, and then living in New York City, Dehn captured the essence of the city in his paintings, prints and drawings of the landscapes of Central Park, and of the city's burlesque and night club scenes...

Please Note: This Listing is for a commission. This piece will be made specifically for you. (Colors and palette changes can be arranged). Terebellum is a large modern wall sculp...

TAKI-KASURI FOLDS from Chloe Hedden’s Fold Series explores the tension between softness and structure through the poetic manipulation of handmade Japanese fabric on linen. In this sc...

Hand made working Pull Toy He is represented by Krause Gallery in NYC Steve Casino resides in Kentucky, but as he quips the small town atmosphere doesn't mean he isn't a world class...

A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; ava...

Mahogany root The Ingravidesa Sculpture Alliance is formed by an international group of sculptors and designers who collaborate to create abstract sculpture inspired by nature. They...

"Silicon Valley" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20"h x 24.25"w x 2.75"d framed, and is shipped...

Katrina Revenaugh Efflorescence No. 1 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel with a UV Matte Varnish with Natural Wood Edges Year: 2022 Size: 36×36in Signed: On...

Original mixed media painting on wood. Hand signed on front by Purvis Young. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will ...

Represented by George Billis Gallery, NY & LA -- From Russ Havard's artist statement, "The process of endless building and reconfiguring transcends the mere physical and encompasses ...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Black and bright red expressive brushstrokes are layered with glass ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Tipped Hollow" by David Sprakes is an original table-top bron...

"Moment of Clarity" is a striking example of abstract expressionism, offering a rich interplay between spontaneity and structure. Painted in 2021 by Troy Smith, this acrylic on canva...

This work was the second in a series of works "Secret Dinner in the Kuril Islands." It serves as a continuation after the work "In Search of Pokemon". After the sale of this picture,...

Collaboration between Matt Gondek and J Balvin. Wood print on birch. Hand signed and numbered on verso by Matt Gondek. From the edition of 300. Certificate ...

Sz: 11 3/4"H x 24"W x 7/8"D Weight: 5.1 lbs

Carved wooden tribal mask 7 x 20 x 10 cm height with base: 38 cm

Mid Century Original Big Sur Seascape Oil Painting Gorgeous mid century Big Sur seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Blue and aqua...

Shimmering Pond in the Woods - Surrealist Abstract 1960s Highly textured abstract composition by Rose Herzog (American, mid-20th Century). A multicolored pond is shown in the middle...

Red Poppies, Vintage Botanical Garden Floral Still-Life Colorful vintage botanical still-life of red poppies by M. Tokira (20th-Century), c.1970's. This close-up view of a group of ...

Asian vintage wood horse, with chain and opening in center. This piece shows signs of the years gone by and we feel the time worn feel adds more character. Period is an estimate, not...

Vito Tomasello (American, ?-1982). Still Life with Strawberries, 1979. Oil on masonite panel, 10 1/2 x 11 5/8 inches. Signed and dated low...

Sculptural folk art piece by listed artist Sharon Yavis. This work is constructed by applying layers of wood to create an almost three dimensional effect ...

Mahogany root The Ingravidesa Sculpture Alliance is formed by an international group of sculptors and designers who collaborate to create abstract sculpture inspired by nature. They often work together for months on monumental projects. The pieces are the result of collaborations where each artist and craftsman are invited to assist in the creation of these sculptures. Their mahogany and teak root...

Unique painting by Padme from her Gulugufe "butterfly" series. This transformational earlier work draws from a profound experience while in a kaleidoscope of butterflies. Padme (Me...

"Maize" - (Scott Troxel's Small Pops Series) is a minimalist modernist wall sculpture that can bring bold statement to wherever it is placed. The piece is relatively small, but it fe...

Set of four watercolours of Orientalist street scenes by Rappini Italian, Early 20th Century Paper: Height 34cm, width 23cm Frame: Height 53cm, width 39cm, depth 3cm This set of four watercolour paintings is by the Italian artist Vittorio Rappini...

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the ocher and reddish colors of his first environment are w...

large format beach photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and ritua...

French Expressionist oil on wood panel view of a bull in an arena by Jean Arène. The painting is signed bottom left, is painted on an antique wood, chamfered cornered, table top that the artist has reused and is in the original Arène frame crafted by the artist. Jean Arène was a student of August Chabaud, a highly sought after French artist in Provence who in turn took his inspiration from Cezanne. A strong and engaging view of a traditional Camargue, South of France scene where a bull is in an arena and is being trained for 'Free Running'. The audience watch on in awe as the 'subalternos' in the ring avoid being caught by the bull, one of them is seen jumping over the protective wooden wall surrounding the ring. Arène has captured the scene from his own experience of visiting such events which have been such an inspiration to artist such as Goya and Picasso. He has used a limited colour palette to great effect, highlighting the audience figures and central area in greys and whites. The handling of the figures around the outside of the scene is very reminiscent of the works of Raoul Dufy. Bullfighting (from the Greek tauros, "bull" and makheia, "fight") is the way of confronting the bull, either during fights, or during sports or burlesque games such as bull training. The reality of bullfighting shows vary according to practice and country. Bullfighting practices have acquired a stable form, codified rules and real institutionalization. These include the course landaise, the Camargue race in France, the toros coleados in Venezuela and Colombia, the jaripeo in Mexico, the rodeo chileno in Chile, the race de recortadores in Portugal or El rodeo...

This photo frame was hand-made in Romania and features 12K white gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading...

This hyperrealistic painting by Roni Yoffe is from her latest body of works. It is oil on wood and comes not framed, but framing options are available. "My paintings in recent years ...

Fun, vibrant mixed media piece. Woman diving into the pool. On wood. About the Artist: Allen's work has gained recognition world-wide for it's complex layering of mixed media works that create a narrative of modern American culture. His work today is a culmination of many years of painting, thinking and experiencing. He blends urban street art with his background of typography, mixed media collage, and abstract expressionism into each of his urban pop expressionist works. The son of fine artist / commercial artist Harrison Allen, Mark learned a lot very early from his talented father. His think training also includes a bachelor degree in commercial art from Texas State University in San Marcos, TX. He continued study at Parson's School of Design in New York City where he had an apartment across the street from Andy Warhol's factory (they met in 1982.) He continued study later at Art Center College of Design in Pasadena, CA. Allen is represented in galleries throughout the world. Museums he has shown in include The Rock & Roll Hall of Fame Museum - Cleveland, OH; Experience Music Project - Seattle, WA; Memphis Brooks Museum of Art; Dallas Museum of Art, and Acadian Museum - Lafayette, LA. He was a major figure in the graphic design community for over two decades. Much of his celebrated work is from the entertainment industry doing graphic design work for high profile clients including the 'Yu-Gi-Oh' logo, 'The Wizard of Oz' 60th Anniversary logo, redesigned Coca-Cola bottles, designed 'The Nightmare Before Christmas' logo for Disney and art directed for recording artist Sean 'P Diddy...

Unique Piece handmade Resin and Pigments on Wood As a self-taught artist, he uses the unique expression of resin materials to create fascinating works of art. Daniel combines various techniques to create a harmonious fusion of colors, textures and shapes. The use of resin allows him to create a fascinating depth and smoothness in his works, while also allowing for a certain unpredictability and randomness that gives abstract resin art...

“My current work often features ordinary creatures, like the many illustrations of birds and flowers I painted for the Homes and Gardens and other sections during the 25 years I was ...

Umbra series 16, 2023 by Rodrigo Zampol From Umbra Series Oxidated and varnished brass. Wooden chassis Dimensions: 40 cm H x 30 cm W Weight: 3 kg Packa...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...