Art by Medium: Woodcut

Woodcut print from the Series "Der vreeselijke avonturen vas Scholastica" (The Terrible Adventures of Scholastica). Edition of 300, published by A. J. van Dishoeck. Unsigned, ass i...

Bijinga is an original modern artwork realized by Utagawa Kunisada II in 1869 Woodcut Print Oban Tryptich Format. Title "Chiyo haru Genji manzai" (New Year festivities for Genji prince eternal spring). Genji surrounded by court ladies, his children and chambermaids, receives on the logia at night a woman leading a festively decorated white horse, probably as a gift for his son. Signature Okonomi Kunisada hitsu. Publisher: Tsujiokaya Bunsuke. Good impression with visible baren printing lines, blind printing (figures' nasal bones), folds, lightly creased, glossy black printing (lady's haori jacket...

Luis Miguel Valdes (Cuba, 1949) 'Torso IV', 2006 woodcut on paper Guarro Biblos 250g. 18.6 x 11.1 in. (47 x 28 cm.) Edition of 20 Unframed ID: 1G200616 Hand-signed by author ________...

Ex Libris - Joris Verbrugge is a Modern Artwork realized in Mid 20th Century. B/W woodcut on paper. The work is glued on cardboard. Total dimensions: 20x 15 cm. Excellent co...

Woodcut print realized by P.E. Colin (1867-1949) in the early 20th Century. On Japan paper. Matted. Very good condition.

Polygamy is original woodcut on ivory paper realized in 1960 ca by Mino Maccari (1898-1989). Hand-signed in pencil lower right. Artist's proof. In good conditions. The subject of...

John Tarrell Scott, 'St. George', woodcut, edition 20, 1992. Signed, dated, titled, and numbered '18/20' in pencil. A fine, black impression, on off-white, laid Japan paper, with ful...

Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...

Ex Libris. Dr. Giorgio Balbi is an artwork realized by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1944. Etching on paper. Hand-signed on the lower right margin. Limited edition...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi, First Exhibition of ''Hever Omanim'' First Exhibition of ''Hever Omanim'' Steimatzky Gallery, Jerusalem 1936 Artists: Gutman, Nachum Holzman, Shimshon Mokady, Moshe Sima, Miron Rubin, Reuven Steinhardt, Jakob Ben Zvi, Zeev Ziffer, Moshe Allweil, Arieh Group Exhibition Group Exhibition Katz Art Gallery, Tel Aviv 1939 Artists: Avni, Aharon Holzman, Shimshon Gliksberg, Haim Gutman, Nachum Ovadyahu, Shmuel Shorr, Zvi Schwartz, Chaya Streichman, Yehezkel Tagger, Sionah Rubin, Reuven A Collection of Works by Artists of the Land of Israel A Collection of Works by Artists of the Land of Israel The Bezalel National Museum, Jerusalem 1940 Artists: Shemi, Menahem Rubin, Reuven Avni, Aharon Mokady, Moshe Jonas, Ludwig Steinhardt, Jakob Ticho, Anna Krakauer, Leopold Gutman, Nachum Budko, Joseph Ardon, Mordecai Sima, Miron Castel, Moshe Pann, Abel Struck, Hermann Gur Arie, Meir Ben Zvi, Zeev Litvinovsky, Pinchas Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz...

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

Luis Miguel Valdes (Cuba, 1949) 'La Lengua Castellana (Yellow)" (The Spanish Tongue/Language), 2015 woodcut, manual intervention on paper 47.3 x 84.7 in. (120 x 215 cm.) Edition of 1...

Woodcut print realized by Paul Emile Colin in 1930s.  Monogrammed in the plate. Very good condition.

Antique bird egg colour woodblock , 1880, from Francis Orpen Morris’, 'A Natural History of the Nests & Eggs of British Birds', 1875. The woodblocks ...

Woodcut in colors on vélin paper. Paper Size: 19 x 18 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Così fan tutte. Dramma giocoso in due atti. Musi...

This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a minty light teal greenish blue and pale yellow background. The monotype brings to mind the t...

Raoul DUFY The Dance, c .1910 Original woodcut Signed with stamp of the artist's studio Numbered on /220 Titled in the board 50.5 x 65.4 cm (c. 19.6 x 25.5 inch) Excellent condition

Jennifer Bartlett Graceland Mansions, 1978-79 Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper 24 x 120 inches, unframed Ed...

Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape. Donna Evans is one of a group of N...

John DePol, 'North River Front', chiaroscuro wood engraving, 1953, edition not stated. Signed, dated, and titled in pencil. Signed in the block, lower left...

This artwork titled "A Bridge" c. 1980, is an original woodcut on thin rice paper paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 32/50 in...

Vincent van Ojen is a true master of the woodcut technique. Through years of dedication and research, he has perfected this ancient medium, resulting in works of remarkable depth and...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Image dimensions: 23 x 35 cm. Original Title: Von Piraten überfallene Burg am Meer Pirates attack the Castle on the sea is a black and white xylograph on Japon applied on ivory-colored paper, after Arnold Böcklin...

Evacuazione di Praga venduta ai Turchi dagli Inglesi is an artwork realized  from 1856 to 1862. Black and white woodcut. Published on the book "Usi e costumi di tutti i popoli dell...

Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 30 Unframed

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...

Lion Den is an original xilography artwork realized by Mino Maccari. Included a white Passepartout: 49 x 34 cm. The state of preservation is very good. The artwork represents a ma...

Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...

Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida II', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50

Woodcut on vélin paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Arntz, Wilhelm F., and Jean Arp. Hans (...

Wuanita Smith, 'Humming Birds and Orchids', white-line color woodcut, circa 1930, edition 50. Signed and titled in pencil. Annotated '50 edition', 'no 5'...

"Alberto Castro Leñero (Mexico, 1951) 'Sin título IV', 2019 woodcut, silkscreen on paper Velin Arches 300 g. 63 x 31.5 in. (160 x 80 cm.) Edition...

The Centaur - Hell, Plate-26 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Goo...

Ana Cazares (Mexico, ) 'Boca abierta', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 4 ID: CAZ-105

Lu Fang, Chinese (1932 - ) - Music in Morning, Year: 1983, Medium: Woodcut and water-soluble ink and Chine colle, signed, titled and dated in pencil, Image Size: 15 x 21 inches, S...

Woodcut print realized by Escher in 1931. It belongs to the series "Emblemata". Signed with initials in the plate lower center. Ref. -F.H. Bool, J.R. Kist, J.L. Locher and F. Wier...

This original woodcut and chine-collé print features a subtly abstract depiction of a nude woman, rendered with a delicate approach. The female figure is not bold or overpowering, bu...

Black ink on buff Japanese rice paper. This image came from watching the sea birds on Kauai, Hawaii. Soaring along the bluffs on the north shore and diving for fish in the sea. Fish...

The Blind of Envy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.14 (as...

Joan MIRO Seduction Original woodcut print Unsigned On heavy Arches vellum 38 x 56 cm (c. 15 x 22 inch) REFERENCE : Catalog raisonne Miro engraver, Dupin / Cramer #255 Woodcut crea...

Maurice De LAMBERT Art Deco : The Harvest, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagier de la Gravure sur Bois...

Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...

Artist: Jakob Steinhardt (German/Israeli, 1887-1968) Title: Rabbis Singing Year: Circa 1960 Medium: Color woodcut Paper: Wove Image size (Block mark): 9.60 x 14 inches Sheet size...

Warrington Colescott Your Day in Court, from the portfolio Wisconsin Graphics, 1971 Drypoint, etching, aquatint, woodcut, & soft-ground etching, w roulette, vibrograver, letterpress ...

"EROTIC DREAM" (1976) by Norbert Matzdorf Woodcut print on paper Limited Edition, numbered (10.3), dated and hand-signed by the artist 27,9 x 38,3 cm Norbert Matzdorf (1951 – 2013) ...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

Proclamazione dell'insurrezione greca is an artwork realized from 1856 to 1862. Black and white woodcut. Published on the book "Usi e costumi di tutti i popoli dell'universo", Mila...

Common Tern is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by Lo...

Woodcut print realized by Paul Emile Colin in the 1930s. Edition of 6/50. Hand signed and numbered. Very good condition ecept for some minor foxing on edges.

Die neue stadt is an book written by J. Luitpold and illustrated by Otto Rudolph Schatz (Wien, 1900 - Wien, 1961) in 1926. Original First Edition. Published by Buchergilde Gutenberg, Berlin. Format: In Folio. The dimensions of the book are indicative. The book includes 38 pages with 12 Woodcuts. Good conditions. This Book has been illustrated by Otto Rudolf Schatz...

A 1928 woodcut on paper of a self-portrait of Notable Chicago Modernist artist Emil Armin. artowrk size: 10 1/2" x 8". Archivally matted to: 12 1/2" x 14 1/2. Edition 7/30. Emil Armin was born in Radautz, Austria in 1883. By the age of 10, Armin was orphaned and was raised by his older siblings. He supported himself by working in restaurants and drew in his spare time. In 1905, at the age of 21, Armin immigrated to Chicago. He began studying at the Art Institute of Chicago in 1907, but financial difficulties forced him to start and stop a number of times, finally graduating in 1920. He studied with George Bellows and Randall Davey. Armin was an integral part of Chicago’s 57th Street Art Colony and exhibited in both the more avant-garde Chicago No-Jury Society Shows, as well as the more formal and conventional Chicago Society of Artists Exhibitions, the Chicago Renaissance Society and Art Institute of Chicago (1922-1949) exhibitions. He taught at Hull House...

One Hundred Prints Of The Noh - 1925 Original Japanese Woodblock Print Original Japanese woodblock print by Tsukioka Kogyo (Japanese, 1869...

KIYOSHI SAITO (Japanese 1907 - 1997) KYOTO (B) 1966 Color woodcut, signed, titled, dated and no. 5/100 in pencil. Edition 100. Image 14 3/4 x 20 5/8 inches. Full margins with deckle...

Vibrant print of a coyote by Daniel Stolpe (American, 1939-2018). Titled, numbered ("Presentation Proof"), signed and dated along bottom edge. Presented in a black frame with a double mat. Sheet on verso with information about the piece, stating that only 5 Presentation Proofs were created, making this piece 1 of 5. Paper size: 24"H x 28"W. (2018) Master artist and Native Images lithographer Dan "Coyote" Stolpe slipped out of his non-functioning body, and is running free at last and howling in the hills. Born and raised in Los Angeles, Dan's father introduced him to Native American teachers of Art and Culture through the Woodcraft Rangers, who influenced Dan for the rest of his life. "Everything was patterned after a tribal structure," Stolpe said. We learned about Indian life and lore and we had Indian guys teach us how to make Indian costumes and about Indian dance and drums. That's what got me interested." Dan made his first drum when he was 14, and he was quietly playing that same drum during his final days of life. Stolpe attended LA Co. Art Institute (OTIS) on scholarship until 1962, when he dropped out to Apprentice with artist Don La Viere Turner in Glendora, and then with Master Printer Joe Funk in Venice until 1966. Commissioned by the Smithsonian Institute, he moved to Washington DC to illustrate extinct birds...