Framed Mixed Media

"Melt Down (Sententia Sectum)" is an original artwork by Hyland Mather made of layered paper assemblage with laser-cut text and found collage. It measures 12.5”h x 9”w framed, and is...

This contemporary mixed media botanical artwork by Donna Sharrett is comprised of fabric, trimming, thread, guitar strings and ball-ends, and framed in museum glass with all archival...

Illustration for “Kitchen Sketches” by Elizabeth Hale Gilman for Scribner’s, published May 1903. Rendered in charcoal with accents of pastel orange and yellow, the illustrations fo...

Dynamic and abstracted still-life artworks are the specialty of Georgia-based artist Kellie Newsome. Her work is characterized by a loose and expressive style emphasizing line struct...

Things We See Towards the End, 2020, acrylic, oil, graphite, pastel, thread, nails and yarn on canvas. Spider web. Blue, yellow, red, black, white, pink abstract. Custom framed in a...

SantaFe Bird is by Anne Embree who is known for her whimsical animal paintings . Santa Fe Bird focuses on the Bird and the surrounding objects Perched is...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

**NEW YEAR FINAL 90 DAYS SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** >>Th...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Signed verso Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the Universi...

" La lluita. original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY virtual framed Perfect state CALDENTEY, Toni - (Portocolom, Mallorc...

A wonderful work by Javier García Prieto—a painter from Valladolid—created using mixed media on paper during the 1990s. The composition stands out for its vibrant use of the color bl...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

The present Joseph Stella work is a sensitive study of a botanical arrangement of thistles in a vase resting atop a Corinthian pedestal that sits on a tabletop. Signed, dated lower r...

My process is focused on maintaining authentic energy resolved when the shapes, marks and passages of color find a balance of harmony and dissonance.  Arranging elements dynamically ...

Robin Trio - Robbie, Sky and Berry From the Series: Over the Moon with Little British Birds British garden birds have a way of lifting the spirit, tiny flashes of colour, tiny bursts...

This piece titled "Like a Pen VE 4/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

Micro picture, gouache on paper mounted on black leather. Belonging to the serie “Microbes”. Interestingly, it is unusually mounted on a black leather surface whose shape reminds th...

Title: The Fleagatory (El Pulgatorio) Author: Antoni Pitxot Soler (Figueres, 1934 – Barcelona, 2015) Date: 1961 Medium: Mixed media on cardboard Dimensions: 48 x 68 cm (18.9 x 26.8 i...

This piece titled "Buscando un Tesoro I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 20"h ...

Artist: Brainwash, Mr. Title: Never, Never Give Up! Date: 2026 Medium: Silkscreen and Mixed Media on Paper Unframed Dimensions: 20" x 16" Framed Dimensions: 26" x 22" Signature...

Puffin Love - Ziggy and Fluff, Over the Moon. The British coastline is home to a remarkable variety of seabirds, each with its own charm - and Ziggy and Fluff embody that spirit with...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 14 x 22 Frame Size: 20 x 28 Medium: "Mixed Media" "Neighborhood Pool Hall" Biography Johnny Banks (1912-1988) In my opinion on...

TUSET (1997, A Coruña) buries. He presents his latest series using patchwork, with paintings that have spent a year underground and leather. What emerges is an eroded map, a surface ...

This piece titled "Because the Night VE 1/5" is a variable edition piece by Kate VanVliet and is made from two-plate etching with aquatint, soft ground and relief chine colle on Rive...

One eyed man, 2014 Textile collage on paper 6 4/5 × 4 7/10 in 17.2 × 12 cm Raluca Arnăutu creates a zoomorphic world, where animals from different worlds are mixed, resized, reconst...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Signed with the artist's initials E.S.G.E. (lower right) Exhibited: Philadelphia, Pennsylvania, Pennsylvania Academy of the Fine Arts, Thirteenth Annual Philadelphia Water Color Ex...

Unique Photographic Collage* Printed on Canson Platine Fiber Rag Framed in black wood with archival mat The artist reserves the right to remake the collage 5 times at this size, but ...

Non-Objective Geometric Abstract 20th Century European American w/c Guggenheim RUDOLF BAUER (German/American 1889-1953) “Untitled," 1...

Natura morta ovale con verde orientale - Bruno Donzelli Italia - Mixed media on canvas cm. 40 x 50- Wooden frame cm. 58 x 70 Signed in the lower center Bruno Donzelli was born in Nap...

"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...

"Unfolding #3" is an original piece by Yoonmi Nam made from pressure printed monotypes featuring layers of unfolded package outlines, creating dimension and abstraction. This piece m...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

ink on New York Times Newsprint Signature is part of the artwork itself Unique This ink collage was created in 2005 -- more than a decade before the artist would join the billionaire mega-gallery David Zwirner Gallery, which signed him in 2017 This show was held at the experimental post-modern Reena Spaulings Gallery - which at the time was located at 371 Grand Street on the Lower East Side (the gallery later moved to East Houston Street) More about the hand designed promotional collage itself: It is is a hand painted, unique collage used for promoting the exhibition at Reena Spaulings Fine Art, New York entitled "Josh Smith: Make it Plain," held on March 13-April 11, 2005. This work was done on a section of the February 13, 2005 New York Times newspaper devoted to coverage of the Oscars -- with one part featuring an advertisement for the 2005 Warner Brothers film "Constantine", a Horror/Fantasy film featuring Keanu Reeves, who plays a demon hunter, and Rachel Weisz, who plays a policewoman in a supernatural plot based upon Hellblazer comics. Interestingly, more than two decades on, there is a sequel in the works - and the tag lines to the trailer for the Constantine 2 movie are: “Hell’s Not Just a Place, it’s a war” and “The world you’re fighting for, it’s as broken as you are. But what you’re up against now, it’s different…” The newsprint is deliberately imperfect, with natural undulations, tears to the corners, etc. - all a deliberate part of the artist's original aesthetic, and not later damage. If you want pristine, go elsewhere. This newspaper has been read, consumed, repurposed and recycled. The work itself has been floated and framed in a museum quality wood frame under plexiglass. Measurements: Framed 30 inches (vertical) by 25 inches (horizontal) by 2 inches Artwork: 27 inches (vertical) by 22 inches More about Josh Smith's "Make it Plain" show: Recently, Josh Smith himself reminisced about this very 2005 exhibition at Reena Spaulings on social media, writing: "Such good shows there. Those were the days.." Josh Smith's 2005 exhibition "Make It Plain" at Reena Spaulings was an installation-based show that explored themes of artistic production, recycling, and the "material overload" of the painting process. The exhibition, which ran in April 2005, was characterized by an immersive, somewhat chaotic environment that combined painting with installation art. Key elements and themes of the show included: "Mirror" Paintings: The show featured large "mirror paintings," which were described as painted-over rejects or, in some contexts, canvases with abstract markings, featuring colorful traces on the edges suggesting frames around an opaque reflection. "Palette" Paintings: Smith included smaller "palette paintings" that displayed the raw,, sticky, and mixed pigments remaining from other, unseen works, highlighting the labor of painting. Installation Strategy: The gallery space was filled with fifty hand-stained wooden bar stools, creating a dense, "oceanic" environment that visitors had to navigate, which served both as a way to display art and to fill the small space. Mass-Produced Imagery (Drawings): In addition to the paintings, the show featured 800 small, hand-drawn, "Expressionist" style depictions of faces on file cards that lined the walls, reflecting a theme of rapid, automatic production. Theme of Re-production: According to the gallery press materials, the exhibition explored the idea that "one painting always hides another" by re-using materials and focusing on the detritus of the creative process. The 2005 show was reviewed by the art critic Roberta Smith (no relation, apparently) of The New York Times as a "bristling Expressionist profusion" and part of a series of shows where Smith acted as both a "protean creator and Warholian machine" who likes to highlight the conventions of the gallery setting More about the elusive and conceptual "Reena Spaulings" Fine Art: Founded in 2004 by John Kelsey and Emily Sundblad, Reena Spaulings gallery was a central hub for the neighborhood's emerging art scene. Reena Spaulings is a collective project in the medium of a novel, an artist persona, and an institutional art-gallery active from 2005 to the present in New York City. The Gallery's Co-founders and Co-Directors include Carissa Rodriguez, John Kelsey and Emily Sundblad. The Reena Spaulings novel and persona remains an anonymous collective organization. The Spaulings initiative speaks to ideas of collectivity, anonymity, and artistic categorization through literature and artistic production. Reena Spaulings is a branch of the Bernadette Corporation, also based in New York City. (The Bernadette Corporation is a New York–based collective founded in 1994, working across art, fashion, film, and publishing. Originally formed by Bernadette Van-Huy, Sonny Pak, and Thuy Pham, the group’s current configuration—Van-Huy, John Kelsey, Jim Fletcher, and Antek Walczak—reflects a practice defined by shifting authorship and long-term collaboration. Over the past three decades, its members have explored processes of production while subverting the logics of cultural consumption through a distinctly (and playfully facetious) anti-corporate spirit.) More about Josh Smith In announcing its representation of Josh Smith in 2017, here's what Zwirner Gallery said about him: Smith is a New York-based painter who also works with collage, sculpture, printmaking, and books. He first became known in the early 2000s for a series of canvases depicting his own name, a motif that allowed him to experiment freely with abstraction and figuration and the expressive possibilities of painting. His work has since given way to monochromes, gestural abstractions, and varied imagery, including leaves, fish, skeletons, sunsets, and palm trees that the artist has explored in series. Smith’s work engages in a celebratory and prolific process of experimentation and refinement—upending the conventions of painting while simultaneously commanding a deep awareness of its history. The artist has noted, "I make art for myself, to see what it will look like. I also effectively let viewers, myself included, take or leave what they want. The message is indefinable, but the gist of it is; we are alive, and here together….Here is a group of painted poems, if you like…take a look and absorb what you want from them." As stated by David Zwirner, "I have been following Josh’s work for some time and look forward to presenting it at the gallery. A true ‘artist’s artist,’ his work across different media conveys a playful reverence for painting, dynamically asserting its continued relevance. It’s exciting to think about his work in dialogue with the other artists we represent." American artist Josh Smith was born in 1976 in Okinawa, Japan. Smith’s father was in the U.S. Army, and his family moved frequently, eventually settling in East Tennessee, where the artist mostly grew up. His work has been presented in numerous solo exhibitions in the United States and abroad, including at the Bonner Kunstverein, Bonn, Germany (2016); Museo d’Arte Contemporanea Roma, Rome (2015); the Zabludowicz Collection, London (2013); The Brant Foundation Art Study Center, Greenwich, Connecticut (2011); Centre d’Art Contemporain Genève, Geneva (2009); De Hallen Haarlem, Haarlem, The Netherlands (2009-2010); Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2008); and SculptureCenter, Long Island City, New York (2004). Smith’s work has also been included in important group exhibitions such as Painting 2.0: Expression in the Information Age, which opened at the Museum Brandhorst, Munich, and subsequently traveled to the Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2015-2016); The Forever Now: Contemporary Painting in an Atemporal World, The Museum of Modern Art, New York (2014-2015); The Painting Factory...

Umbrella Man Peter Max (German, b. 1937) Signed Upper Right 19.75 x 20 inches 36 x 36 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional artist focused...

A vibrant fusion of Eastern symbolism and street‑art energy, layered with gold leaf, vintage textures and mixed‑media detail. Presented within a black wooden block style frame.

A vibrant fusion of Eastern symbolism and street‑art energy, layered with gold leaf, vintage textures and mixed‑media detail. Presented within a black wooden block style frame.

Branching, 2025 by Isabelle Schneider is a contemporary photographic resin work. Branches and fragments of deep blue sky are reflected on a window shade, with soft light illuminating...

Wind II is a unique painting by contemporary artist Chen Yi Ching. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 30 x 40 cm (11.8 × 15....

In this contemporary artwork, crushed opal and aquamarine in light blue with dry pigment and wood ash are adhered with polymer medium to create a layered geometric pattern on light g...

This is an archival pigment print on 3 layers of silk organza with sumi ink and mineral pigments. In 2019, Valley House Gallery presented our first exhibition of work by Chaco Terad...

Original Artwork - Cityscape of the iconic New York Skyline Nick prints a repeated image on to board before hand painting iconic images over the top. Meticulously adding layers of p...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about feeling, she creates magic and captures the moment by infusing her art with strong emotive qualities. Zabel communicates each scene with precision. Her work evokes the Impressionists, but depicts modern love and adventure. Couples stand at bar top tables...

Magnificent abstract work on paper by Swiss artist Albert Chubac measuring 63 x 79 x 3 cm

As a reflection on the value we give to objects, this series exposes examples of objects that we use daily and for different reasons ended up gaining very high prices. By redrawing t...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

John Baker’s “Madman I” is an acrylic painting on canvas with collage, 27.25 x 23 inches, an imaginary portrait in muted tones of brown and grey. From the artist’s “Insanity” series,...

Original mixed media (acrylics, oil, watercolor) on handmade paper. Hand signed and dated lower right by Jiang Tiefeng. Dedicated - remarqued on frame verso by Jiang Tiefeng. Artw...

A quiet country lane in England with Foxgloves in the Hedgerow by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 20 x 16 inches Frame measures 25 x 21 inches Vi...

Beautiful contemporary painting (Monotype) in primarily grey and black, with found object collage composition of stamps, money, various types of paper, and watercolor by Michael Pauk...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

On a Spanish Motif, 1956 – 1973, mixed media collage and painting on thick canvas, signed and dated lower right, 38 ½ x 26 inches, signed verso, labeled verso includes title, artist's name, address and size of work, presented in its original strip frame Justin Faivre...

Original painting on ceramic tile of two archers by the French artist, Jean-Pierre Grun. Signed lower right. Condition is very good. Circa 1960. ...

"Me Myself And I" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The piece is made from acrylic, marker, and ink on panel and debuted in Lugo'...

Hide and Seek is a unique painting by contemporary artist Chen Yi Ching. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 30 x 40 cm (11.8...

Lilt, 2026, fabric, thread, pins, paint, plastic, 10.5 x 9 in. (15.5 x 14 in. framed) In her framed works, Linda Kamille Schmidt plays with emotional connections and memory — each co...

Statement "These topics have excited my imagination and established for me an almost mystical foundation for painterly expression. Their poetic symbolism represents and parallels cer...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...