Crayon Mixed Media

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Maria Teresa Viecco, Colombian (1953) Date: 1994 Mixed Media on Paper, signed and dated Size: 22 x 30 in. (55.88 x 76.2 cm) Born in Bogota, Colombia, graduate in architecture of the...

Maria Teresa Viecco, Colombian (1953) Date: 1994 Mixed Media on Paper, signed and dated Size: 22 x 30 in. (55.88 x 76.2 cm) Born in Bogota, Colombia, graduate in architecture of the...

"Second Theme" 1949 Abstract Mid 20th Century Geometric Non-Objective Hard Edge Burgoyne A. Diller (American, 1906-1965) "Second Theme" 1949. Pencil and crayon on paper. Signed and dated 'D. 49' (lower right). Image: 9 1/2 x 5 1/2 in. Andre Emmerich Gallery, New York. Martha Jackson Gallery, New York. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's Trust. BURGOYNE DILLER (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was especially drawn to the landscapes and still lives of Paul Cézanne, who modeled color to create structure and volume. In 1929, Diller moved to Manhattan and enrolled at the Art Students League, where his teachers included such progressive-minded painters as Jan Matulka, Hans Hofmann, and George Grosz. Hofmann's concept of the "push-pull" effect of form and color exerted a strong influence on his early work, as did his growing familiarity with Analytical and Synthetic Cubism, German Expressionism, and other vanguard European styles. Diller had the opportunity to see some of this work firsthand, but he also kept abreast of developments abroad by reading journals such as Cahiers d'Art. Diller completed his studies at the League in 1933, the year he had his first solo exhibition at the Contemporary Arts Gallery in New York. It was around this time that his paintings began to show the influence of the reductive, pared-down geometric compositions of the Dutch Constructivist Piet Mondrian and the equally restrained compositions of Kasimir Malevich and El Lissitsky...

Acrylic, soft pastel, graphite, coffee, india ink, transfer on paper

Alighiero Boetti (Turin 1940 - Rome 1994), Independent Thoughts (1985) Collage, pencil and pastel on paper 76 x 57 cm signed lower center. The work appears to be archived at the Al...

Maria Teresa Viecco, Colombian (1953) Date: 1994 Mixed Media on Paper, signed and dated Size: 23.5 in. x 19.5 in. (59.69 cm x 49.53 cm) Born in Bogota, Colombia, graduate in archite...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

"Bodacious" 2022, 21.5" x 21.5" square. A small but mighty abstract painting consisting of acrylic, pencils, and oil pastels on flat board canvas by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional Home, Veranda Magazine, Luxe Interiors, and most recently in Introspective Magazine...

Oil and oil stick over ink on paper. Neutral limited color, expressionist female nude with active brush strokes.

The grand scale of Metamorphosis Duo has a magnified cellular quality - as though they are strands of DNA recombining and bringing forth new life. The primary colours used here reinf...

Bright white and radiating heat, and somehow contentedness, Helio shines like the sun on a blissfully hot summer afternoon. Teichert's painterly line, like the smooth, continuous, os...

Going Deeper has a novel orientation in relation to the rest of Teichert's Connectivity series and with this orientation she has achieved a distinct feeling of falling - or possibly ...

An eye-catching acidic green transforms into a deep blue beneath the turbulent gray and black energy field. Through the centre of the field are interwoven lyrical lines that come fro...

Just like its counterpart, Becoming I, the energy of the oblong orb in Becoming II is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as ...

The energy of the oblong orb is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as it reaches the top. Housed in a rich cerulean blue the mass of energy is ever-so-slightly tethered to the bottom through the suggestive grounding of the green line...

This colourfield, awash with peony pink, suspends a grey wave that appears as though it is passing through. Working with a new medium and a new palette, Teichert is communicating wit...

This work belongs to the series Times Like These: Elada 1.0, presented in Kotryna Onaitytė’s solo exhibition of the same name. The exhibition is dedicated to the unique bodybuilding ...

Susan Grossman's works on paper are grand scale and sophisticated. The images shown at George Billis Gallery include beach scenes of the Hamptons and o...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 11.5 x 14.5 Frame Size: 17.75 x 20.5 Medium: Mixed Media "The Head of John The Baptist" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk...

Maria Teresa Viecco, Colombian (1953) Title: Untitled 2 Date: 1992 Mixed Media on Paper, signed and dated Size: 22 x 30 in. (55.88 x 76.2 cm) Born in Bogota, Colombia, graduate in a...

Paris born Alice Teichert is known for her bold ethereal and luminous graphic artwork inspired by a background in art, music and literature. These four panels feature a whirlwind of ...

Gemma Di Grazia (b.1970) is a native New Yorker raised on the Upper West Side in an exceptionally loving and creative home surrounded by art and poetry. Her parents attended The Coop...

Johnny Banks (1912-1988) San Antonio Artist Size: 11 x 15 Frame: 16.75 x 20.75 Medium: Mixed Media "On Pay Day" Biography Johnny Banks (1912-1988) In my opinion one of the greatest T...

Mixed Media Encausticand Pastel Powder Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current ...

“Into Your Tomorrow” is an original text-based abstract painting by Finnish multidisciplinary artist Emmi Iida, measuring 70 x 50 cm. Subtle yet powerful, the work features hand-ins...

This composition inspired by the Artist Commissioned Sculptures. Hummingbird stylized through geometric shapes signifying space, form, and lines.

The paintings I create are referential. Through process and symbol, I use heavily affected information as context in which to introduce contemporary concept and question. The p...

Sam Lock b. 1973 Fallen as Night, 2017 gouache, pencil and pastel 55 1/8 x 39 3/8 in 140 x 100 cm signed, titled and dated verso Sam Lock is a contemporary B...

Gemma Di Grazia (b.1970) is a native New Yorker raised on the Upper West Side in an exceptionally loving and creative home surrounded by art and poetry. Her parents attended The Coop...

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

Mary Ingebrand-Pohlad (American, b. 1953). Graphite, pastel, and paper collage painting "Still Life with Quilt and Nantucket Whirligig" depicting a mixed media still life collage ...

Mary Ingebrand-Pohlad (American, b. 1953). Graphite, pastel, and paper collage painting "Nantucket Still Life with Whirligig and Hydrangea" depicting a mixed media still life colla...

Mixed media on red toned archival paper signed and dated bottom left. Part of the artist series of egg walkers/ dancers. Playful twist on psychological theme ABOUT Stephen Basso St...

Charcoal, pastel lace Audrey Anastasi states: "The paper doll series was created first in the presence of a live model, working quickly, in charcoal an...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

Sweet Emotions Mixed media acrylic, watercolor, ink marker, pastel on archival. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Art...

Patty deGrandpre’s “Stop, Sleep, Gas Up” is a dynamic mixed media depiction of a roadtrip created with deconstructed snapshots of a classic Red Roof Inn front facade, a rural highway...

Gemma Di Grazia (b.1970) is a native New Yorker raised on the Upper West Side in an exceptionally loving and creative home surrounded by art and poetry. Her parents attended The Coop...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beauty in all its strangeness. Manch...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beauty in all its strangeness. Manch...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beauty in all its strangeness. Manch...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beauty in all its strangeness. Manch...

In Game Creator, Yulianna Verba presents a symbolic and emotionally rich narrative exploring self-awareness, feminine power, and spiritual awakening. This striking mixed media work—c...

This striking artwork, titled "At Full Gallop," is a testament to James Gillick's profound admiration for horses and his extraordinary skill as an artist. Executed in sepia crayon on...

“Mystic Ladders” is an original 1960 mixed media abstract painting by celebrated Colorado modernist Edward Marecak. This expressive work reflects the artist’s distinctive visual lang...

Jogen Chowdhury Untitled, Figurative, Ink & Pastel on Paper 5 x 6.5 inches , 2003 Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

Title (FR) : Luxembourg This original drawing by Gabriel Riesnert (Luxembourg) presents a delicately arranged floral bouquet in a soft pink vase. Created with mixed media on toned pa...

Pastel, colored pencil with collage elements Unsigned Condition: Repaired tear in the area of the moon, only visible from verso Pin holes in the corners and in the ...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Samantha Millington imbues her Sister series of paintings with gentle colour ways and precision delineation. Reminiscent of 1960’s pop culture thes...

Sanatan Dinda - Yugpurush - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper Shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dil...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 10.5 x 13.5 Frame Size: 17.25 x 20.25 Medium: Multimedia "Tamale Cart" Biography Johnny Banks (1912-1988) In my opinion one of...

This original drawing by Fabien Granet, is created in 2025 with charcoal and pastel on paper (26 x 18 cm). This work is part of a series of contemporary landscapes inspired by the co...

Title : Lady Picks a Flower Materials : Stamp,xerox transfer,ink,pencil,pastel Date : 2016 Dimensions : 8.5×11″ Signed COA provided Art school took Olivia Gibb away from Oklahoma an...