Pencil Mixed Media

DOUBLE SIDED works and have been created to intentionally depict 2 images, one on each side of the paper. They are created using 100% cotton 300g watercolour paper, watercolour, penc...

A 17” x 21” x 1" Magic Realism Figurative Artwork by artist Evgeniya Golik. The artist uses Pastel, Colored Pencil, Acrylic, & Imitation Golf Leaf on Toned paper. A certificate of au...

46 and 2, 2020, gel pen, graphite, paper, collage, skull, hammer, floral, flower, drawing, framed, web, pink, blue, yellow

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beauty in all its strangeness. Manch...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beauty in all its strangeness. Manch...

Mary Ingebrand-Pohlad (American, b. 1953). Graphite, pastel, and paper collage painting "Still Life with Quilt and Nantucket Whirligig" depicting a mixed media still life collage ...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Mixed media composite (acrylics, sumi ink and pencil on mylar, fused with Monotype mounted with white thread stitching) on white BFK Rives Printmaking Paper Paper: 15" x 19" At the...

Mirror to the Sun V Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 11.5 x 14.5 Frame Size: 17.75 x 20.5 Medium: Mixed Media "The Head of John The Baptist" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk...

Johnny Banks (1912-1988) San Antonio Artist Size: 11 x 15 Frame: 16.75 x 20.75 Medium: Mixed Media "On Pay Day" Biography Johnny Banks (1912-1988) In my opinion one of the greatest T...

Mary Ingebrand-Pohlad (American, b. 1953). Graphite, pastel, and paper collage painting "Nantucket Still Life with Whirligig and Hydrangea" depicting a mixed media still life colla...

Inspired by the geometric landscape of his hometown Thomas Roese has created a photorealist series using acrylic, graphite and colored pencil. Since graduating from the Cleveland ...

Pastel, colored pencil with collage elements Unsigned Condition: Repaired tear in the area of the moon, only visible from verso Pin holes in the corners and in the ...

Camael Oil, graphite, sand, dry pigment on paper, laid canvas 47" x 35" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of 'Four Figures from the Bay...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was...

"Various questions have led me to where my work is today. Primarily, what is the nature of a specific thing if it can be represented in various ways, even in opposing ways? Essential...

In Seeds of Change 128, Salvatore Matteo continues his exploration of balance, perception, and collective consciousness through intricately layered paper relief. Cut, curled, and sus...

Kory Twaddle "Watercolor Leftovers" Watercolor on paper Year: 2015 Size: 10 x 12 inches COA provided "I hope to use all the materials in my studio and waste nothing, so emptying out...

A 21” x 31” x 2" Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Evgeniya Golik (al...

"All Summer Long" is a layered mixed media composition filled with pink colored symbolic boats, ladders, and fragments of memory suspended against a textured white ground. Four vesse...

Foundational Studies 25(A) The Composition A refined entry point into the studio’s practice, Foundational Studies 25(A) is a deliberate exploration of form and verse. Executed on ha...

Title : Chaos Portrait Materials : Stamp,xerox transfer,pastel,ink,pencil Date : 2016 Dimensions : 8.5×11″ Signed COA provided Art school took Olivia Gibb away from Oklahoma and up...

Title : Lady Picks a Flower Materials : Stamp,xerox transfer,ink,pencil,pastel Date : 2016 Dimensions : 8.5×11″ Signed COA provided Art school took Olivia Gibb away from Oklahoma an...

Title : Miss with Pink Shoe and Red Glove Materials : Stamp,xerox transfer,ink,pastel,pencil Date : 2016 Dimensions : 8.5×11″ COA provided Art school took ...

Title : Lizard Materials : Stamp,xerox transfer,ink Date : 2015 Dimensions : 8×9 COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which she has cal...

Title : Portrait as Plant Materials : Stamp,xerox transfer,pencil,ink Date : 2015 Dimensions : 16.5×23.5 COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas...

Title : Confusion Materials : Stamp,xerox transfer,pencil,ink Date : 2015 Dimensions : 8×9″ COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which ...

Monoprint with water based ink and graphite

False Bar II Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily i...

To see our other architectural drawings and watercolours, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Marian Bunzl (20th...

Did You See the Moon Tonight? Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in ...

Target 1. An unusual black & white piece; this picture cleverly confuses the eye with its intricate construct. Acrylic, charcoal and hand finished in pencil. Mounted not framed.

Mirror to the Sun IV Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily...

This original 1960 abstract gouache and graphite on paper painting by Hilaire Hiler (1898–1966) exemplifies his distinctive structuralist style and modernist vision. Created during his influential period in New Mexico, the artwork features soothing, harmonious tones of pink and blue, expertly layered to evoke a sense of calm and balance. Signed in the lower right corner, this mid-century modern piece measures 15 ½ x 18 ¾ inches framed, with an image size of 14 x 17 ½ inches. Hilaire Hiler’s work stands out for its intellectual rigor and visual harmony, blending abstraction with a structuralist approach that explores color, form, and rhythm. About the Artist: Born in St. Paul, Minnesota, and raised in Providence, Rhode Island, Hiler received extensive art training at the Rhode Island School of Design, Pennsylvania Academy of the Fine Arts, and the University of Paris. Between 1919 and 1934, he lived in Paris, working as a jazz pianist while engaging deeply with the European avant-garde. After returning to the U.S., Hiler painted WPA murals for San Francisco’s Aquatic Park...

"Second Theme" 1949 Abstract Mid 20th Century Geometric Non-Objective Hard Edge Burgoyne A. Diller (American, 1906-1965) "Second Theme" 1949. Pencil and crayon on paper. Signed and dated 'D. 49' (lower right). Image: 9 1/2 x 5 1/2 in. Andre Emmerich Gallery, New York. Martha Jackson Gallery, New York. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's Trust. BURGOYNE DILLER (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was especially drawn to the landscapes and still lives of Paul Cézanne, who modeled color to create structure and volume. In 1929, Diller moved to Manhattan and enrolled at the Art Students League, where his teachers included such progressive-minded painters as Jan Matulka, Hans Hofmann, and George Grosz. Hofmann's concept of the "push-pull" effect of form and color exerted a strong influence on his early work, as did his growing familiarity with Analytical and Synthetic Cubism, German Expressionism, and other vanguard European styles. Diller had the opportunity to see some of this work firsthand, but he also kept abreast of developments abroad by reading journals such as Cahiers d'Art. Diller completed his studies at the League in 1933, the year he had his first solo exhibition at the Contemporary Arts Gallery in New York. It was around this time that his paintings began to show the influence of the reductive, pared-down geometric compositions of the Dutch Constructivist Piet Mondrian and the equally restrained compositions of Kasimir Malevich and El Lissitsky...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Watercolor, pencil, and pen on wood

Skateboarder as Jester, with cold wax, graphite, and collage, is the collective fool dancing at the edge of ascension and disaster. It is a collective archetype that acts it out for ...

Sam Lock b. 1973 Fallen as Night, 2017 gouache, pencil and pastel 55 1/8 x 39 3/8 in 140 x 100 cm signed, titled and dated verso Sam Lock is a contemporary B...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Alighiero Boetti (Turin 1940 - Rome 1994), Untitled (1985) Collage, pencil and pastel on paper 76 x 57 cm signed lower center. The work appears to be archived at the Alighiero Boet...

"Field Study - Notes on the Goddess" is an original mixed media piece by Terri Warpinski. The artist used photographs layered with fragments of her notebook and sketchbook to make th...

"Field Study - Typology of Hand" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in the lower right and titled it lower left. 9 1/2" x 7" art 20 7/8" x 17" frame From her home base in Oregon Terri Warpinski travels the world to pursue her creative practice. She is a Professor of Art at the University of Oregon and was a Fulbright Scholar in Israel 2000-2001. Recent awards include an Individual Artist Fellowship (2014), two Career Opportunity Grants (2015, 2013) from both the Ford Family Foundation and the Oregon Art...

“The Memory of Warmth” is an original 54 x 47 cm acrylic painting on cardboard by Finnish multidisciplinary artist Emmi Iida, whose work explores the dialogue between emotion, energy...

Frog/goddess of transformation is flanked by a single bean believed to carry the souls of ancestors to connect with the past and ensure lineage. In this five-piece mixed-media series on wood...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

"Untitled" Mixed media piece by the artist KENT KALMAN PACHUTA. Mediums used include color pencil, graphite, pastel and powdered pigment on thick paper. The piece measures approximat...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Adrian Heath (1920-1992) Abstract Study III (1975) Acrylic and pencil on paper 22x22cm Heath was born in Burma in 1920 and arrived in England aged five. In 1938 he studied art under Stanhope Forbes at Newlyn and later at the Slade School of Art. While serving in WWII, he was captured and placed in a prisoner-of-war camp in Bavaria. Heath attempted to escape from the camp but was recaptured and placed in solitary confinement; this isolation proved crucial to the development of his artistic style, as he spent much of his time there experimenting with abstract forms. When released from confinement, Heath befriended a fellow prisoner of war: Terry Frost. Together they explored the methods of painting which they had developed during their time in the camps, and following the war both became celebrated artists. We have several Terry Frost pieces available too. In 1949 and 1951, Heath returned to Cornwall. He spent time with artists like Ben Nicholson, Victor Pasmore, and Anthony Hill...

Fox with Bees 2025 Acrylic paint, cold wax, monoprints, oil stick on canvas. The first layer of this reality is a sweet red-haired woman. In the next layer, she looks out from a two-...

Patricia Zippin Tillamook Flight 8 of 12 1980s Mixed Media 30.5"x 22.5", unframed Signed in paint on bottom right and signed and titled on reverse in pen Patricia Jayne Zippin (1930...

Right Turn on the Railroad Track - Abstract Expressionist Mixed Media on Paper Abstract in bold blue and red on a soft black background , by California-based artist Ricardo de Silva (Brazilian, 20th Century). Signed and dated at the bottom left corner, "R. de Silva 86." Image shown above is enhanced in Photoshop to make signature more visible. Paper size: 30"H x 22"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve...

Triptych Boat with Spirit Winds, graphite, monoprint with cold wax on 3 panels. A lone boat flanked by symbolic spirit winds comforts the highly superstitious sailors and fishermen, ...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...